Showing posts with label Molly Johnson. Show all posts
Showing posts with label Molly Johnson. Show all posts

Saturday, May 26, 2018

Molly Johnson - Meaning To Tell Ya

Styles: Vocal
Year: 2018
File: MP3@320K/s
Time: 40:31
Size: 94,7 MB
Art: Front

(4:53)  1. Inner City Blues
(3:38)  2. Better Than This
(4:25)  3. Lady Day And John Coltrane
(5:44)  4. Boogie Street
(3:02)  5. Gone
(4:19)  6. Stop
(3:17)  7. Protest Song
(4:06)  8. Meaning To Tell Ya
(3:07)  9. L.O.V.E.
(3:55) 10. Together

If I could pick a surprise breakthrough album less than halfway through this year, without question that esteemed designation would be afforded to Canadian icon Molly Johnson. In one fell swoop, the Juno award winning vocalist has traded her proverbial jazz mic for a sound that is superb soul, funk, groove and an unexpected contrast from any of her previous half dozen releases since 2000. Meaning To Tell Ya, released by Universal Music Canada, brings Molly together with Grammy winning producer Larry Klein (Joni Mitchell, Tracy Chapman) on her 10 song offering, which includes 7 originals and 3 interpretations of classics for an engaging and wondrous project that even Johnson herself says is long overdue. “This is the record I’ve been waiting to make for years’, says Johnson. ‘Working with Larry Klein was magic. When it was finally my turn, I jumped at the opportunity’, she adds. Lucky for us her number came up. Meaning To Tell Ya includes a superb re-imagination of Marvin Gaye’s 1971 social commentary ‘Inner City Blues’, which she, like many people including me, found the message of urban decay and struggle as relevant today as it was upon its initial release. Better Than This is an up-tempo feel good vibe of soul positivity, encouragement and hope with a sweet melody. Gone offers some rock’n’blues fun while conversely reflecting on a relationship split with some gritty guitar and dose of Hammond organ soul.

Johnson provides some satisfyingly smooth southern soul and blues on another social message, Protest Song, which is neither contentious nor confrontational but rather uplifting and inspiring, evoking memories of the peaceful words of the late Dr. King with lyrics of ‘singin’ about freedom, we shall overcome’ . Tribute is paid to the iconic Canadian poet and singer Leonard Cohen with a rendition of Boogie Street, though slightly less dark and haunting than the original. Soul and funk swagger dominate on L.O.V.E. with choral backing vocals, and clever references to classic song titles such as ‘Ball Of Confusion, Rock Steady, and The Kids Are Alright. With Klein’s masterful production work and Johnson’s beloved sophisticated vocals, the album transcends any generational gap back to the classic soul and R’n’B era, while bringing it forward with a 21st century sound. Meaning To Tell Ya is musically exhilarating, lyrically engaging, and whatever Johnson has been wanting to express, she has accomplished it with soulful articulation.~ Stu Berketo https://www.wave.fm/articles/view/molly-johnson-meaning-to-tell-ya https://www.wave.fm/articles/view/molly-johnson-meaning-to-tell-ya

Meaning To Tell Ya

Thursday, April 5, 2018

Molly Johnson - Messin' Around

Styles: Vocal
Year: 2006
File: MP3@320K/s
Time: 44:54
Size: 103,4 MB
Art: Front

(3:37)  1. Messin' Around
(3:47)  2. If You Know Love
(4:30)  3. Let's Wate Some Time
(4:01)  4. Rain
(3:48)  5. Sunday
(4:46)  6. Northern Star
(3:17)  7. Streets Of Philadelphia
(3:26)  8. But Not For Me
(4:22)  9. Sticks And Stones
(3:39) 10. Tristes Souvenirs
(3:19) 11. Tonight
(2:16) 12. Tangerine

Jazz singer Molly Johnson has done time in both pop and art rock bands and has served as an opening act for such blues and R&B superstars as Ray Charles and B.B. King, so the stylistic range in evidence on her first album for Narada Jazz doesn't come as much of a surprise. She jumps from bracing and jazz-inflected pop/rock (the radio remix of "Another Day") to a piano-based reggae/R&B hybrid ("Ooh Child/Redemption Song") without missing a beat, and slinks her way through torchy blues numbers with equal facility. 

On the downside, "Celie's Blues" sounds just as anachronistic and politically forced in this version as it did popping up out of nowhere in the middle of The Color Purple, and the fact that Johnson's delivery comes across as little more than a Billie Holiday impression just makes things worse. On the other hand, her version of "Summertime," which was an inevitable song choice given her vocal style, is given new life by the minimalist arrangement of voice, bass, and percussion, and "Red Cardinal" has a fun, jumpy Tin Pan Alley feel. Overall, this album can be confidently recommended to adventurous lovers of vocal jazz. ~ Rick Anderson https://www.allmusic.com/album/release/messin-around-mr0001204899

Messin' Around

Saturday, December 3, 2016

Molly Johnson - If You Know Love

Styles: Vocal Jazz
Year: 2007
File: MP3@320K/s
Time: 50:40
Size: 119,2 MB
Art: Front

(3:47)  1. If You Know Love
(4:29)  2. Let's Waste Some Time
(3:39)  3. Tristes Souvenirs
(4:44)  4. Let's Do it
(4:20)  5. Sticks and Stones
(4:01)  6. Rain
(3:17)  7. Streets of Philadelphia
(3:48)  8. Sunday
(3:36)  9. Messin' Around
(3:18) 10. Tonight
(3:25) 11. But Not for Me
(4:45) 12. Northern Star
(3:25) 13. Avignon Blues

Heavily influenced by Billie Holiday, If You Know Love is the French edition of bohemian retro-jazz vocalist Molly Johnson's third studio album, Messin' Around. The 2007 release includes 11 of the twelve original tracks (her cover of Prince's "Tangerine" is omitted), while two previously unreleased songs, a cover of Cole Porter's "Let's Do It" and "Avignon Blues" appear in its place. The Toronto singer's follow-up to Another Day also features a reworking of Bruce Springsteen's "Streets of Philadelphia" alongside several original compositions co-written with Steven MacKinnon, including the lead single, "Rain."~ Jon O’Brien http://www.allmusic.com/album/if-you-know-love-mw0001539401

If You Know Love

Monday, June 8, 2015

VA - Ladies In Blue: The Best Blue Note Female Vocals

Size: 175,6+164,6 MB
Time: 75:40+70:50
File: MP3 @ 320K/s
Released: 2012
Styles: Jazz Vocals
Label: Blue Note Records
Art: Front

CD 1:
01. Stacey Kent - What A Wonderful World (4:24)
02. Norah Jones - Those Sweet Words (3:24)
03. The Bird & The Bee - How Deep Is Your Love (3:22)
04. Sabrina Starke - Yellow Brick Road (4:07)
05. Cassandra Wilson - Time After Time (4:05)
06. Traincha - What The World Needs Now (3:56)
07. Abbey Lincoln - Do Nothin' 'Til You Hear From Me (2:14)
08. China Moses - What A Difference A Day Makes (7:17)
09. Alice Ricciardi - Comes Love (4:27)
10. Billie Holiday - Detour Ahead (3:01)
11. Blossom Dearie - May I Come In (20 Bit Mastering 1998 Remastered Version) (2:12)
12. Julie London - I Left My Heart In San Francisco (2:48)
13. Jacinta - Baby Won't You Please Come Home (5:45)
14. Jutta Hipp With Zoot Sims - Violets For Your Furs (6:07)
15. Holly Cole & Javon Jackson - Hum Drum Blues (5:36)
16. Molly Johnson - Melody (3:44)
17. Grant Greens - Down Here On The Ground (Ummah Remix Feat. Dianne Reeves) (4:36)
18. Cecilie Norby - Set Them Free (4:27)

CD 2:
01. Priscilla Ahn - Dream (3:29)
02. Marlena Shaw - Feel Like Making Love (4:58)
03. Shirley Eikhard - There But For Love Go I (5:12)
04. Eliane Elias - They Can't Take That Away From Me (3:43)
05. Carmen Mcrae - The Man I Love (4:15)
06. Denise Jannah - You Must Believe In Spring (7:13)
07. Betty Carter - There Is No Greater Love (3:49)
08. Dodo Greene - Jazz In My Soul (2:35)
09. Jackie Allen - Lazy Afternoon (3:49)
10. Helen Eriksen - Arms Around You (4:45)
11. Lena Horne - Something To Live For (Live) (4:43)
12. Sarah Vaughan - Stormy Weather (With Jimmie Jones And Orchestra) (3:26)
13. Nancy Wilson - Call Me Irresponsible (2000 Remastered Version) (2:25)
14. Nina Simone - The House Of The Rising Sun (Live At The Village Gate 2004 Remastered Version) (4:37)
15. Sheila Jordan - Baltimore Oriole (2:34)
16. Sue Raney - Maybe You'll Be There (2006 Remastered Version) (2:23)
17. Annie Ross - I'm Just A Lucky So And So (4:46)
18. George Shearing - In The Night (2003 Remastered Version) (2:00)

Ladies In Blue CD 1
Ladies In Blue CD 2

Thursday, February 5, 2015

Molly Johnson - Another Day

Styles: Vocal Jazz
Year: 2002
File: MP3@320K/s
Time: 49:31
Size: 113,9 MB
Art: Front

(4:22)  1. Summertime
(6:12)  2. I Must Have Left My Heart
(3:45)  3. Melody
(5:42)  4. Sweet Subline
(3:39)  5. He's Got My Heart
(3:44)  6. Miss Celie's Blues (Sister)
(2:57)  7. Red Cardinal
(2:47)  8. Sleep In Late
(5:52)  9. Haunted
(3:10) 10. Another Day
(3:55) 11. Ooh Child/Redemption Song
(3:22) 12. Another Day (Radio Mix)

Jazz singer Molly Johnson has done time in both pop and art rock bands and has served as an opening act for such blues and R&B superstars as Ray Charles and B.B. King, so the stylistic range in evidence on her first album for Narada Jazz doesn't come as much of a surprise. She jumps from bracing and jazz-inflected pop/rock (the radio remix of "Another Day") to a piano-based reggae/R&B hybrid ("Ooh Child/Redemption Song") without missing a beat, and slinks her way through torchy blues numbers with equal facility. On the downside, "Celie's Blues" sounds just as anachronistic and politically forced in this version as it did popping up out of nowhere in the middle of The Color Purple, and the fact that Johnson's delivery comes across as little more than a Billie Holiday impression just makes things worse. 

On the other hand, her version of "Summertime," which was an inevitable song choice given her vocal style, is given new life by the minimalist arrangement of voice, bass, and percussion, and "Red Cardinal" has a fun, jumpy Tin Pan Alley feel. Overall, this album can be confidently recommended to adventurous lovers of vocal jazz. ~ Rick Anderson  http://www.allmusic.com/album/another-day-mw0000030649

Personnel: Molly Johnson (vocals); Colleen Allen (saxophone, flute, clarinet, accordion); Andrew Craig (piano, keyboards, background vocals); Mark McLean (drums, percussion).

Saturday, September 27, 2014

Molly Johnson - Because Of Billie

Bitrate: 320K/s
Time: 59:17
Size: 135.7 MB
Styles: Vocal jazz
Year: 2014
Art: Front

[4:36] 1. Body And Soul
[3:21] 2. What A Little Moonlight Can Do
[5:04] 3. Fine And Mellow
[3:44] 4. Them There Eyes
[4:27] 5. You've Changed
[5:31] 6. God Bless The Child
[4:25] 7. How Deep Is The Ocean
[3:17] 8. Strange Fruit
[4:00] 9. Lady Sings The Blues
[4:19] 10. Do Nothing 'til You Hear From Me
[4:00] 11. You Go To My Head
[3:41] 12. They Can't Take That Away From Me
[3:30] 13. Now Or Never
[5:14] 14. Don't Explain

Renowned Canadian multi-genre chanteuse Molly Johnson has just released her sixth studio album, Because Of Billie!

“For years, people have said to me, ‘You are so much like Billie Holliday,’” says Johnson by way of explanation for this ambitious and also deeply personal project, presenting 14 songs of Lady Day’s cherished standards. “My response has been ‘No, I am because of Billie.” During the recording, Molly looked to infuse this project with her idol’s spirit, preparing the songs emotionally and technically so many could be recorded in one take. “Billie and her generation were the civil rights movement, they moved forward. That generation sacrificed and died for my privilege. I am honour-bound to that idea. I love history. I love to look back while pulling forward.” In keeping with the album’s theme, Johnson will also be donating a portion of sales to the Boys & Girls Clubs.

Recorded in Toronto with producers John Bailey and Mike Downes, the album features a stellar cast of musicians that include Robi Botos (Piano), Terry Clarke (Drums), Mike Downes (Bass and Trombone), John Johnson (Tenor Saxophone), Bryden Baird (Flugelhorn and Trumpet) & Colleen Allen (Alto Saxophone and Clarinet).

As singer-songwriter, artist, broadcaster, and philanthropist, her roots are Canadian while her reach is worldwide. Johnson has performed with such diverse artists as Tom Jones, Anne Murray & Lenny Kravitz and has performed for the legendary Quincy Jones, the late Princess of Wales and Nelson Mandela. Molly was awarded the JUNO Award for Best Vocal Jazz Album, and is recipient of the Queen’s Jubilee Medal and The Officer of the Order of Canada in recognition of her charitable work and contributions to the arts.

Because Of Billie

Tuesday, February 25, 2014

Peter Appleyard - Sophisticated Ladies

Styles: Vocal Jazz
Year: 2012
File: MP3@320K/s
Time: 46:12
Size: 106,6 MB
Art: Front

(3:35)  1. Peter Appleyard Feat. Emilie-Claire Barlow - After You've Gone
(3:33)  2. Peter Appleyard Feat. Elizabeth Shepherd - It's Only A Paper Moon
(4:09)  3. Peter Appleyard Feat. Jill Barber - Love For Sale
(6:32)  4. Peter Appleyard Feat. Jackie Richardson - Georgia On My Mind
(5:23)  5. Peter Appleyard Feat. Sophie Milman - If You Could See Me Now
(5:02)  6. Peter Appleyard Feat. Molly Johnson - Sophisticated Lady
(4:03)  7. Peter Appleyard Feat. Carol Welsman - Night And Day
(4:12)  8. Peter Appleyard Feat. Barbra Lica - Satin Doll
(5:30)  9. Peter Appleyard Feat. Carol McCartney - Mood Indigo
(4:10) 10. Peter Appleyard Feat. Diana Panton - Smile

Peter Appleyard seems to have a way with the ladies. The octogenarian vibraphonist brings his virile mallet work to bear while escorting a dozen lovely songbirds through some smartly arranged standards on this, his second release the span of a few months. Appleyard started off the year by looking toward the past, issuing a previously unreleased all-star jam session from 1974, but his gaze is firmly on the present throughout Sophisticated Ladies. He hobnobs with some of the finest vocalists operating north of the 49th parallel today and a sense of mutual respect for the music and one another comes through in the music. 

While astute jazz vocal fans are probably aware that bassist Charlie Haden beat Appleyard to the conceptual punch, releasing his own Sophisticated Ladies (Emarcy, 2011) a year ahead of Appleyard, the basic format and album title are the only thing that these two releases share. Haden's album mixed instrumental pieces and vocal numbers, favoring slow material containing string sweetening and came off as a mostly-manicured set of music with mellow appeal. Appleyard, on the other hand, shares the stage with a singer on every song, covering a wider range of emotions. The playlist has no surprises, but Rick Wilkins' arrangements have their fair share. Tempo changes, funk-to-swing shifts ("Love For Sale"), double-time adjustments, Brazilian-tinged turns and intimate introductions ("Smile") keep things interesting. Each singer brings something different to the table and Appleyard responds in kind by shaping his solos around the specific songs and singers. 

Emilie-Claire Barlow shows great range on the slow-to-fast "After You've Gone," Elizabeth Shepherd engages Appleyard in a scat-vibraphone solo trading session, Jackie Richardson's deeply resonant voice takes center stage on a soulful "Georgia On My Mind," Diana Panton turns the lights down low for "Smile" and Sophie Milman takes her time fleshing out the emotional ideals of "If You Could See Me Now." Molly Johnson, who interprets the title track with her smoky and dusky pipes, proves to be the only singer who seems ill-suited to her number. The female musicians on this album will probably get the lion's share of attention, but Appleyard has top billing for a reason. His vibraphone soloing enlivens and enhances the music. Guitarist Reg Schwager's comping is a key ingredient in the mix, as pianist John Sherwood takes the right tack on every tune, drummer Terry Clarke expertly navigates the through each number and bassist Neil Swainson keeps everything in check.  Appleyard may be 84 now, but his playing doesn't betray that fact. He's clearly young at heart and Sophisticated Ladies is the evidence that proves this case. ~ Dan Bilawsky   
http://www.allaboutjazz.com/php/article.php?id=42527#.UwelFoVZhls

Personnel: Peter Appleyard: vibraphone; John Sherwood: piano; Reg Schwager: guitar; Neil Swainson: bass; Terry Clarke: drums; Emilie-Claire Barlow: vocals (1); Elizabeth Shepherd: vocals (2); Jill Barber: vocals (3); Jackie Richardson: vocals (4); Sophie Milman: vocals (5); Molly Johnson: vocals (6); Carol Welsman: vocals (7), piano (7); Barbara Lica: vocals (8); Carol McCartney: vocals (9); Diana Panton: vocals (10).

Sophisticated Ladies

Sunday, October 13, 2013

Molly Johnson - Lucky

Bitrate: 320K/s
Time: 51:05
Size: 116.9 MB
Styles: Vocal jazz
Year: 2008
Art: Front

[2:40] 1. Lucky
[5:21] 2. Ode To Billie Joe
[4:10] 3. Solitude
[3:14] 4. Whatever Lola Wants
[5:34] 5. Lush Life
[4:15] 6. Mean To Me
[4:08] 7. April In Paris
[4:48] 8. I Got It Bad, And That Ain't Good
[4:56] 9. It Ain't Necessarily So
[4:37] 10. Gee Baby, Ain't I Good To You
[4:33] 11. I Loves You, Porgy
[2:44] 12. If I Were A Bell

By saying that Molly Johnson knows all the other idioms of popular music today, one might nearly lose sight of the fact that she is a jazz singer. Here she is coming home again, with a dozen major standards: compositions by the greatest jazzmen, tunes from musical comedy that have become playing fields for the great voices, but also a few surprises which say quite a bit about the taste and the sense of humour of this beautiful Canadian woman of mixed race origins. Behind her, with her, around her, is her stage trio, which is now reaching the summits… to the point in fact that it plays four parts, since pianist Phil Dwyer also takes over the tenor saxophone. Let us follow her in her exploration of the most enchanted repertoire in jazz…

Molly Johnson – Vocals; Mark McLean – Drums, Percussion, and Glockenspiel; Mike Downes – Bass; Phil Dwyer – Piano, Tenor Saxophone; Ben Riley – Drums (on Solitude, Lush Life, and Mean to Me).

Lucky