Tuesday, August 4, 2015

Simone - Essential Best

Size: 165,3 MB
Time: 71:20
File: MP3 @ 320K/s
Released: 2009
Styles: Jazz/Pop Vocals
Art: Front & Back

01. Moonlight Serenade (6:03)
02. Stompin' At The Savoy (3:26)
03. This Can't Be Love (3:28)
04. The Way You Look Tonight (4:21)
05. Emily (3:51)
06. We Kiss In A Shadow (4:04)
07. Taking A Chance On Love (2:58)
08. If (3:52)
09. Imagine (7:04)
10. Everything Must Change (7:18)
11. Let's Fall In Love (5:17)
12. Moon Glow (5:24)
13. The Waters Of March (4:08)
14. I Can't Give You Anything But Love (4:32)
15. I'm Confessin' (5:25)

Japanese compilation includes 9 unreleased tracks recorded for previous albums, "Romance", "Taking A Chance On Love", and "Let's Fall In Love".

It was Simone’s idea to take the great songs of different generations and put all together in what could be considered a level playing field. «I love to sing the great jazz standards,» the 20-something Austrian native tells me, «but, great as they are, I don’t want to sing them exclusively.» Thus she mixes it up–going seamlessly from the music of Prince and Motown to that of the Gershwins and Rodgers & Hart. She varies between the old and new, which is entirely logical considering that virtually all of them are considerably older than she is. She also includes music from both Broadway and Nashville–also a logical choice considering that New York and Tennessee are roughly equidistant from Vienna.

Simone takes an evocative country-folk song associated with Alison Kraus, and, with her stunning voice and the combined musicality of herself and co-producer/pianist John di Martino, makes it into something even more special. «I was driving from one show to another in the States, when I heard it on the car radio.» she reports, «I couldn’t get all the details, but I eventually figured out what the song was. Before I could find the sheet music, I wrote out the chords myself.» It’s a beautifully sung and even haunting performance–in more ways than one.

The new CD also includes three excellent original songs, my favorite of which is «Didn’t You Say.» «It’s about these men that promise you all kinds of things, and then in the end, they don’t deliver anything.» She tells me it’s inspired by real relationships, and I tell her she’s too young to be so cynical. However, the Count Basie-style beat provided by the combination of di Martino and ace rhythm guitarist helps negate any possible ill will, and «Didn’t You Say» turns out to be a real romper after all.

Meet a fresh, young singer from Austria, whose US debut in the year 2000 was hailed as "captivating“. Jazz legend Ira Sullivan calls her “a great young talent” with a big future in Jazz.

Simone, now 25 years old, grew up in a family of musicians and started to sing, in her father's band when she was 12. At the same time she studied piano, though singing remained her first love. Early on, she entered and won various talent contests and even made appearances on television in her native land, Austria. As a young performer, she twice toured the Netherlands with the “Euro Big Band” and later appeared in several International Jazz Festivals.

Influenced by some of the great American vocalists, Frank Sinatra, Ella Fitzgerald, and Jon Hendricks, Simone has developed into a true Jazzsinger, a singer who uses a wide variety of rhythms and excels in her very individual style of scatting. Laurie Antonioli says that “Simone is an excellent musician, with soulful and hip improvising. She digs in and isn't afraid to take risks with the music”.

Simone received her Masters Degree from the University for Music and dramatic Arts in Graz, Austria where she had the opportunity to work with such Jazz luminaries as Mark Murphy, Sheila Jordan, Michele Hendricks, Jay Clayton and the New York Voices.

Essential Best

Jerry Lee Lewis - Jerry Lee Lewis

Size: 92,3 MB
Time: 35:01
File: MP3 @ 320K/s
Released: 1979
Styles: Rockabilly Blues/Country
Art: Front & Back

01. Don't Let Go (3:09)
02. Rita May (2:45)
03. Every Day I Have To Cry (3:54)
04. I Like It Like That (2:35)
05. Number One Lovin' Man (3:53)
06. Rockin' My Life Away (3:29)
07. Who Will The Next Fool Be (5:58)
08. (You've Got) Personality (3:26)
09. I Wish I Was Eighteen Again (3:45)
10. Rocking Little Angel (2:02)

After 15 years with Mercury, Lewis made the switch to Elektra in 1978, and the move seemed to rejuvenate him. He had grown tired with the formulaic overproduction that his recent albums on Mercury had been layered with and began recording new material with producer Bones Howe in January 1979 in Los Angeles. Howe, who had worked on Elvis Presley's celebrated 1968 comeback special and had produced albums by Tom Waits and Juice Newton, assembled a more stripped-down band (including Elvis's former guitarist James Burton) that resembled what Lewis used on the road. The resulting album was the best Lewis had made in years. The single "Rockin' My Life Away," would only make it to number 18 on the country charts but would become a live favorite and another in a growing list of songs that were written specifically to celebrate Jerry Lee's uncompromising rock and roll attitude. Another impressive track was "Who Will The Next Fool Be," a gin-soaked Charlie Rich tune that Lewis confidently makes his own ("Pick it, James," he oozes to Burton on the instrumental break, before rasping, "Play your fiddle, Mr. Lovelace," to long-time band member Ken Lovelace). Sonny Throckmorton, who had written Lewis's last big hit "Middle Age Crazy," mines similar territory on "I Wish I was Eighteen Again," and Lewis also gives spirited performances on Arthur Alexander's "Every Day I Have To Cry" and "Rita Mae," marking the first time he'd ever recorded a song written by Bob Dylan.

This was a tumultuous time for Lewis, whose father Elmo was ailing and would die later that year. Lewis himself had been hospitalized several times for stomach ailments brought about by his pills and carousing, and in the spring of 1979 he was countersued for divorce by his wife Jaren Pate, who accused him of years of cruelty and drunkenness. The IRS was also after him for unpaid taxes.

Jerry Lee Lewis was acclaimed critically but was not a commercial success, peaking at number 23 on the Billboard country albums chart and limping to number 186 on the Top 200. Writing in the liner notes to the 2006 career retrospective A Half Century of Hits, country music historian Colin Escott calls the album "an astonishing return to form," likening Lewis's performance on "Who Will The Next Fool Be" to "a poisoned dart hurled at every woman who had done him wrong." In his authorized biography Jerry Lee Lewis: His Own Story, Rick Bragg also praises the album: "While his voice was showing its scars and the words were frequently obscure, Jerry Lee delivered them with commitment, and the beat was pure Louisiana boogie-woogie."

Jerry Lee Lewis

Gabriel Staznik - One By One

Size: 103,9 MB
Time: 44:58
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Contemporary Jazz
Art: Front

01. Have You Met Miss Jones (3:41)
02. Cherokee (1:38)
03. Bluesette (3:44)
04. Wave (5:56)
05. Nutville (4:21)
06. Body And Soul (5:02)
07. One By One (4:44)
08. Joy Spring (4:48)
09. Manteca (4:31)
10. Some Skunk Funk (6:26)

Gabriel Staznik is a freelance performer, educator, and arranger residing in the Lancaster, Pennsylvania area. He performs regularly at the prestigious American Music Theatre (Lancaster, PA) and is currently performing on stage in American Music Theatre's newest Original Production. Gabriel is on the music faculty at Lancaster Bible College, Music Director and the Arranger for Windish Music and Productions, and Director of the Total Percussion Seminar music camps.

Gabriel has performed and recorded with Grammy, Emmy, and Tony award-winning artists. He recently toured with the legendary Chubby Checker (The Twist!) and has performed on-stage with artists including Kristen Chenoweth (Broadway/Film), and James Wolpert and Cole Vosbury (from NBC's The Voice). Gabe has been the house drummer/percussionist at American Music Theatre since 2009 and has performed with the PRiMA Theatre Co., Dutch Apple Dinner Theatre, Allenberry Playhouse, Hershey Entertainment and Resorts, Allan Albert Productions' Internationally Award-Winning (IAAPA) production of Trash Time, and for SRO Associate's production of Lightning Strike. Locally you can find Gabe performing regularly with Steely Jam and Andy Mowatt, the Alley Kat House Band, and with other area orchestras, jazz ensembles, and theater companies.

As an arranger/composer you can hear his works being performed by Junk Rock at Canobie Lake Park (Salem, NH), by the IAAPA Award-Winning Cocoa Rhythm Factory at Hershey Park (Hershey, PA), and by scholastic percussion ensembles across the county. His works have been published by HoneyRock Publishing and STRAJK Publications.

Gabriel has recently released his holiday CD, The Nutcracker Suite: A Percussion Performance and has recorded for NFL Films, Def Jam Records’ Platinum and Grammy artist LL Cool J, Sports Music Emmy Awarded Hedden Music, and for American Music Theatre's Cast Album Recordings.

Gabriel holds a Bachelor's degree in Music Education with a focus in percussion from West Chester University. He is a member of the Percussive Arts Society, National Association of Rudimental Drummers, and endorses Vic Firth Sticks & Mallets, Remo Drumheads, and Beato Bags.

One By One

Lynda Reed - Our Tree

Size: 155,8 MB
Time: 67:02
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz/Pop Vocals
Art: Front

01. Loving You (7:25)
02. Fiesta Lynda (4:56)
03. Remembering (3:42)
04. Our Tree (5:56)
05. Stormy Monday (3:41)
06. Life With You (4:16)
07. Zoe's Lullaby (3:36)
08. You're Everything (3:53)
09. Vignette In The Studio (0:26)
10. Blackbird (5:27)
11. Another Star (6:31)
12. Masterpiece (4:07)
13. Being Loved (3:25)
14. Vignette - DJ Theory (0:20)
15. In Walked Bud (4:41)
16. Way Low (4:32)

"Our Tree" is a collection of original songs as well as music from some of the world's most popular and talented composers. Appearing on the album are some incredible musicians including Abraham Laboriel Sr. and Abe Laboriel Jr., Frank Zottoli, Roberto Montero, Enzo Todesco, Justo Almario, Rique Pantoja, Leo Costa, Munyungo Jackson, Dave Compton, Edgar Sandavol, Joe Fabio, and DJ Theory.The original songs on "Our Tree" were co-written by the band members and Lynda Reed who wrote the lyrics for these beautiful and vibrant compositions. The foundation and motivation behind this album is the long term firendships and personal connections among the artists, each having their own successful career but then coming together to create this collection of songs and loving memories. These sentiments are radiantly reflected in the music. We truly hope you enjoy this offering and that it gives you some pleasure and joy. Thank you for listening! Lynda

Our Tree

Bill Keis - Smile

Size: 137,6 MB
Time: 59:08
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Piano Jazz
Art: Front

01. Smile (5:22)
02. Snow! (3:49)
03. Girl From Ipanema (4:54)
04. Billy's Blues (4:59)
05. Where Do We Go From Here (3:26)
06. Rita's Smile (5:40)
07. Things Ain't What They Used To Be (4:58)
08. The Right Time (5:09)
09. One Of Us (4:56)
10. Once Again (4:42)
11. Bulgarian Sunset (5:00)
12. Blue Skies (6:05)

A jazz solo piano performance that features both originals and familiar standards.

Smile

Scott Bradlee's Postmodern Jukebox - Swipe Right For Vintage

Size: 106,1 MB
Time: 45:17
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Pop Vocals, Swing
Art: Front

01. Bad Blood (3:12)
02. My Heart Will Go On (3:22)
03. Lovefool (4:00)
04. I Kissed A Girl (2:51)
05. Criminal (4:04)
06. Lean On (2:53)
07. Radioactive (4:45)
08. Seven Nation Army (4:06)
09. I Don't Mind (3:52)
10. Boulevard Of Broken Dreams (4:31)
11. Oops!... I Did It Again (3:31)
12. This Must Be The Place (Naive Melody) (4:05)

Bradlee was born in Long Island, New York, where he first fell in love with jazz at the age of 12 after hearing George Gershwin's "Rhapsody in Blue" for the first time. Bradlee became a successful performer, working in the New York jazz scene. Bradlee also served as music director for an interactive, off-Broadway theater experience called Sleep No More.
In looking for creative inspiration, Bradlee began reworking popular music as an exercise. In 2009, he released "Hello My Ragtime '80s," in which he incorporated popular music from the '80s with ragtime-style piano. After playing and experimenting on stage at his regular gig at Robert Restaurant, Bradlee released the compilation Mashups by Candlelight. He would finally begin to gain popularity with his release of A Motown Tribute to Nickleback in 2012, a collaboration with local musicians which arranged Nickleback's songs in the style of '60s style R&B music.
In 2013, Bradlee began to work more seriously on forming Postmodern Jukebox, a rotating group of musicians producing covers of pop songs in the styles of jazz, ragtime, and swing. The group broke out onto the public radar with their doo-wop cover of Miley Cyrus's "We Can't Stop". Several artists have publicly noted their appreciation for the group's work. As the viral surge grew, Bradlee was interviewed by news outlets such as NPR and also performed live on Good Morning America and Fuse. The group capped off their meteoric year with a visit to Cosmopolitan Magazine's New York office for a year end review of their work and popular songs from the year. The group's most prominent guest musician is Dave Koz, who collaborated with them in a 1930s jazz version of "Careless Whisper".
In 2013, Bradlee also found interest from the video game industry, gaining a composer credit for 2K Games' BioShock Infinite. The soundtrack features three of the artist's stylized arrangements.

Swipe Right For Vintage

Steve Lacy - Soprano Sax & Reflections

Styles: Saxophone Jazz
Year: 2011
File: MP3@320K/s
Time: 70:00
Size: 160,8 MB
Art: Front

(4:22)  1. Day Dream
(6:44)  2. Alone Together
(5:23)  3. Work
(4:05)  4. Rockin’ In Rhythm
(8:23)  5. Easy To Love
(4:31)  6. Little Girl, Your Daddy Is Calling You
(5:14)  7. Hornin’ In
(4:19)  8. Skippy
(4:06)  9. Reflections
(6:05) 10. Four In One
(4:38) 11. Bye-ya
(4:53) 12. Ask Me Now
(7:13) 13. Let’s Call This

The initial impact of hearing modern blowing on a soprano sax was somewhat like that of discovering an unfamiliar instrument in contemporary jazz. With Steve Lacy, the Bechet vibrato was smoothed to a sound more in keeping with the new trends in jazz. It was his own conception. He stood alone as a developing voice on a somewhat limited instrument.

On these early quartet recordings, he is backed by two first-rate rhythm sections, featuring the great Wynton Kelly on Soprano Sax, and the succinct, punching Mal Waldron on Reflections, an enthusiastic tribute to Thelonious Monk’s compositions. Lacy, who was fascinated by the pianist's music, said, “Monk’s harmony comes from the melody. If you just play from the harmony, you're missing something. Monk has got his own poetry and you’ve got to get the fragrance of it.” These sides showed that, besides Monk, he had also been listening to Sonny Rollins, John Coltrane, and Miles Davis. http://www.freshsoundrecords.com/soprano_sax_&_reflections_2_lp_on_1_cd-cd-5246.html

Featuring: Steve Lacy (ss), Wynton Kelly, Mal Waldron (p), Buell Neidlinger (b), Dennis Charles, Elvin Jones (d)

Soprano Sax & Reflections

Jessica Young - Jump In

Styles: Jazz, Vocal
Year: 2007
File: MP3@320K/s
Time: 35:38
Size: 82,1 MB
Art: Front

(2:40)  1. Jump In
(3:26)  2. I'll Do What I Want To
(3:34)  3. Why Can't I Say
(3:33)  4. Where I Became Me
(3:31)  5. She Played the Fool
(3:19)  6. Reason to Stay
(2:19)  7. Sometimes That Happens
(2:58)  8. I Don't Need You
(2:36)  9. Passenger Side
(3:19) 10. Lemondrops & Kegstands
(4:19) 11. Angel of 343

Jessica Young is a 26 year-old from Denver, NC. She started playing the piano at the age of 3; and later, earned a Bachelor of Arts Degree with a concentration in Piano Performance from Queens University of Charlotte. After attending college, she learned how to play guitar, and starting writing songs. She has been to Nashville to record her first album, but returned to her roots in North Carolina to record her second album with an independent label. Her music can make you want to dance, cry, or feel great. ~ Bio http://www.sonicbids.com/band/jessicayoung/

Jump In

Toots Thielemans - Harmonica Jazz

Styles: Harmonica Jazz
Year: 1984
File: MP3@320K/s
Time: 36:28
Size: 84,0 MB
Art: Front

(2:44)  1. Scotch on the Rocks
(2:58)  2. Sophisticated Lady
(2:12)  3. Cocktails For Two
(4:36)  4. Don't Be That Way
(3:11)  5. Stars Fell on Alabama
(2:23)  6. I Let A Song Go Out Of My Heart
(2:22)  7. I'm Putting All My Eggs In One Basket
(2:00)  8. Skylark
(4:30)  9. Diga Diga Doo
(2:44) 10. So Rare
(2:17) 11. On the Alamo
(4:25) 12. Sonny Boy

Jean 'Toots' Thielemans is widely regarded by most people as the most accomplished harmonica player in the world. Of course, that's not all he does and it would be a great injustice to label him as just a good harmonica player. If you are not into Jazz, you may not have heard of his name but you have probably heard his music many times and I suspect you liked it. He is equally good at playing guitar, the accordeon and many other instruments. For instance, you will never hear anyone whistle jazz better than Toots. Born on 29 April 1922 in Brussels, he quickly got interested in music and was playing the accordeon at age 3. Later he started playing the harmonica and the guitar. He got seriously hooked on jazz in earnest during the German occupation and has been influenced predominantly by Django Reinhardt, another Belgian who invented a particular way of playing the guitar, and the legendary Charlie Parker. Other influences were Toots Mondello and Toots Camarata, resulting in Jean Thielemans being nicknamed 'Toots' early on in his career.

In an interview in 1983 with a Belgian radio station, he said : “My parents had a pub and each Sunday there was an accordionist. They have told me that when I was in my cradle, I already was imitating the gestures of the musician. One of the clients said “that kid wants to play accordion”. My father bought me a little cardboard accordion, and when I was three I got this little machine. (plays a little bit, accompanied by the barking of his little dog called Duke Yorkshire Ellington Thielemans)”. He made his big breakthrough when he went on European tour with Benny Goodman in 1950. He moved to America in 1952 (and became a US citizen the same year) where he is extremely well-known, especially among the jazz community. Quincy Jones said this about him in 1995 : “I can say without hesitation that Toots is one of the greatest musicians of our time. On his instrument he ranks with the best that jazz has ever produced. He goes for the heart and makes you cry. We have worked together more times than I can count and he always keeps me coming back for more”. Toots hates his favourite instrument, the harmonica, being called a 'miscellaneous instrument'. Indeed, the late Clifford Brown said : “Toots, the way you play the harmonica they should not call it a miscellaneous instrument”.

His successes include harmonica solo contributions to film scores for Midnight Cowboy, The Getaway, Sugarland Express, Cinderella Liberty, Turks Fruit (Turkish Fruit), Jean de Florette and others. In 1962 he had a massive hit with 'Bluesette'. He also did many concerts and recordings with legends such as George Shearing, Ella Fitzgerald, Quincy Jones, Bill Evans, Jaco Pastorius, Natalie Cole, Pat Metheny, Paul Simon and Billy Joel. Many people also will remember him from the music used for the 'Old Spice' TV commercial. Toots succeeded in doing something that is very difficult for Jazz musicians: being well-known by the general public and still practice high-class Jazz. Receiving the high appreciation of his peers and connoisseurs is no mean feat and Toots is regularly voted first in his category in the famous Down Beat Jazz Magazine in the USA by critics and public. In 1981, Toots suffered from a major stroke that left part of his body with little feeling. Today he has pretty much recovered from the stroke and admits that while he may not be able to play as many notes as he used to, he can still “play the good ones”. He has always suffered from asthma which makes his success even more remarkable. http://musicians.allaboutjazz.com/tootsthielemans

Harmonica Jazz

Denise Perrier - Live At Yoshi's : Blue Monday Party

Styles: Vocal
Year: 2009
File: MP3@320K/s
Time: 67:18
Size: 154,7 MB
Art: Front

(11:18) 1. Ellington Medley: Don't Get Around Much Any More/Do Nothing Til ..
( 5:13)  2. All Of Me
( 5:51)  3. Until The Real Thing Comes Along
( 6:25)  4. Ain't Misbehavin'/I'm Gonna Sit Right Down & Write Myself a Letter
( 6:19)  5. Polka Dots And Moonbeams
( 6:18)  6. I Let A Song Go Out Of My Heart
( 4:01)  7. I'll Take Romance
( 7:57)  8. On The Sunny Side Of The Street
( 5:47)  9. More Today Than Yesterday
( 8:06) 10. Big Long Slidin' Thing

Denise Perrier has spent most of her thirty-year career performing in the San Francisco Bay  Area and touring    Europe,  Latin America and Asia. With her latest CD, "Denise Perrier and the Novosibirsk Philharmonic Orchestra," she has moved to  a higher level of artistry and popularity.  Harkening back to the time when a singer told the story and left the rest to the instrumentalists, Denise has a very  welcoming straight-ahead style, concentrating on the standards and adding blues and Latin for variety. Her  musical configuration, Denise connects with audiences - that’s her forte.  She is known as  “the voice with a  heart.”  Blessed with a rich contralto voice and the ability to sing ballads and blues with equal artistry, Denise has performed in the theatrical revue "In the House of the Blues,"  portraying Bessie Smith; and the vaudeville “One Mo’  Time.”

She was featured in the Grammy-nominated CD, "Color Me Blue," with Brother Jack McDuff and, in addition to the latest one,  has produced four CDs: "The Second Time Around" (2008),  "I Wanna Be Loved" (1997), also with Houston Person, and  "East Meets  West" (2001) which includes sides performed in Russia.  In 2004, she came out with "Live at Yoshi's; Blue Monday Party," which received much critical acclaim and reached high on the jazz charts.   Denise was born in Louisiana but moved to the East Bay Area with her family at the age of five.  Denise didn't sing extensively in church, but her family had a jukebox, and she heard records by Billie Holiday and the other great early jazz singers.  Denise started singing in public when she was in a Haitian and Afro-Cuban dance group, obtaining her first professional engagement with a vocal ensemble called the Intervals.  Louis Armstrong saw the group and put them in his entourage for a performance in Las Vegas.  Shortly afterwards, Denise was recruited for a three-month gig in Australia, which turned into an extended stay in the Far East. 

She performed in Hong Kong, the Philippines, Taiwan,    Formosa, Japan, Guam, and other Asian cities, staying for    almost five years with Hong Kong as her home base. She also spent a year and a half in Vietnam during the war touring military bases. Denise returned to the United States, lived in New York for five years, and then settled in San Francisco, where she became one of its most popular performers. She performs extensively in the San Francisco Bay Area's most prestigious venues as well as touring Latin America and Europe.  http://www.deniseperrier.com/BIO.htm

Personnel: Denise Perrier (vocals); Ray Loeckle (saxophone); Steve Campos (trumpet); Bryan Gould (trombone); Al Plank (piano); Harold Jones (drums).

Live At Yoshi's : Blue Monday Party

Tim Hegarty - Tribute

Styles: Saxophone Jazz
Year: 2013
File: MP3@320K/s
Time: 70:00
Size: 160,6 MB
Art: Front

( 7:34)  1. A New Blue
( 6:55)  2. Amsterdam After Dark
(10:05)  3. Simone
( 8:35)  4. Ineffable
( 7:21)  5. New Picture
( 7:03)  6. Not To Worry
( 6:48)  7. Low Profile
( 4:25)  8. Gingerbread Boy
( 7:14)  9. Pannonica
( 3:55) 10. Inner Urge

Tim Hegarty's Tribute is an audible panegyric on the great saxophonist-composers. It's a well-crafted, straightforward date that highlights Hegarty's love for those who've come before and the work that they've done on paper and on record. The list of saxophonists that Hegarty has studied includes George Coleman, Jimmy Heath, Frank Foster, Joe Henderson, John Coltrane, Sonny Rollins, Charlie Parker, and Michael Brecker; the first four on that list are represented on the composition side during this program and the rest come out in various ways as Hegarty winds his way through the music. Sonically speaking, Hegarty's tenor comes off like a more lustrous Joe Henderson with a dash of Dexter Gordon thrown into the mix. His soprano is broader sounding and less shrill than most. He sounds phenomenal on both horns, riding atop the to-die-for rhythm section of pianist Kenny Barron, bassist Rufus Reid, and drummer Carl Allen.

This quartet, augmented by vibraphonist Mark Sherman on five tracks, doesn't try to reinvent the wheel by deconstructing or wildly reconstructing anything. This is more of an old school outfit, content to simply take a song and run with it. They play out-and-out classics (Henderson's "Inner Urge" and Foster's "Simone") deliver a few lesser known Heath tunes along with his most famous composition ("Gingerbread Boy"), and tackle a pair of Hegarty originals with class and assuredness. Thought was clearly put into the way the songs would be arranged or structured, but nothing was thought-to-death. Many outings of a similar nature tend to be underwhelming or overcooked, but this one came out just right. ~ Dan Bilawsky  http://www.allaboutjazz.com/tribute-tim-hegarty-miles-high-records-review-by-dan-bilawsky.php

Personnel: Tim Hegarty: tenor saxophone, soprano saxophone;  Mark Sherman: vibraphone (2-6);  Kenny Barron: piano;  Rufus Reid: bass;  Carl Allen: drums.

Tribute

The Colorifics - Where There's Smoke

Styles: Vocal, Jazz Pop
Year: 2009
File: MP3@320K/s
Time: 46:43
Size: 107,6 MB
Art: Front

(3:45)  1. Walking In The Shade
(2:35)  2. Never You Mind
(4:23)  3. Hocus Pocus
(3:37)  4. Venezuela
(4:15)  5. Chit Chat
(3:13)  6. Sweet Talk
(2:31)  7. Oh Ah
(4:14)  8. Playing The Fool
(3:52)  9. Night Of The Coloured Lanterns
(4:13) 10. Come Sin With Me
(5:03) 11. Where There's Smoke
(4:56) 12. Hastings and Main

Always entertaining, often riveting, the Colorifics combine the best elements of strong catchy song writing, flawless musicianship and energetic stage presence to deliver engaging performances unparalleled by an other band. Mixing a dazzling array of genres into a cohesive blend of unique musical stylings, the Colorifics take the stage like they were born to it. Formed in 1995, the band has toured internationally, across Canada, released 4 full length albums to critical aclaim, played shows everywhere from smoky alternative venues to some of the city’s biggest soft seater theaters and has been the proving grounds for some of Vancouver’s finest Jazz and Pop musicians. Having recently aquired new singer Melissa Bandura, the band is exploring some new melodic heights. With the addition of Mel’s perfect pitch, smoky sweet sound, sultry stage presence and occasional tasty violin forays, the Colorifics are infused with new energy and vitality. The live show is a constant stream of colour, different genres and rythyms woven in a tapestry of sweet melodies, now slow and sweet, now fast and intricate. 

Casual and confident on stage, the Colorifics keep it coming at a delightful pace. With unique original songs rivalling jazz standards of the past and pop hits of today, one can’t help but sing along and dance. It’s hard to believe a four piece (drums, bass, guitar and vocals) can produce this much sound and variety of feeling. Often incorporating 4 part harmony and featuring many duets, the Colorifics’ highly arranged songs manage to retain a catchy simplicity that excites the average listener whilst still engaging even the more experienced members of the music community. Executed with poise, class, professionalism, and a lot of sass, the music of the Colorifics is a welcome refreshment for the musical soul. http://www.cdbaby.com/cd/thecolorifics

Where There's Smoke