Showing posts with label James Hunter. Show all posts
Showing posts with label James Hunter. Show all posts

Thursday, August 31, 2017

James Hunter - People Gonna Talk

Bitrate: MP3@320K/s
Time: 40:15
Size: 92.2 MB
Styles: Retro soul
Year: 2006
Art: Front

[3:14] 1. People Gonna Talk
[3:02] 2. No Smoke Without Fire
[2:28] 3. You Can't Win
[4:13] 4. Riot In My Heart
[2:27] 5. 'til Your Fool Comes Home
[2:30] 6. Mollena
[4:03] 7. I'll Walk Away
[3:16] 8. Watch And Chain
[1:55] 9. Kick It Around
[2:34] 10. Don't Come Back
[3:44] 11. It's Easy To Say
[1:51] 12. Tell Her For Me
[2:19] 13. Talkin' 'bout My Love
[2:32] 14. All Through Cryin'

Truly a man, and an album, out of time, James Hunter travels back to the '60s for this slinky shot of retro soul-blues. The singer/guitarist/cartoonist's (he draws the comical caricatures of the band in the liner notes) third album for his third label, isn't a departure from previous releases, but it summarizes what he does best. Kicking off with the Caribbean breeze of the title track, things quickly shift to the funky Austin Powers soul of "No Smoke Without Fire." Hunter's combo of twin saxes, bass, drums, and his own tasty guitar makes for unique jazz/blues/pop that has its roots in Ray Charles' small combo, King Curtis, and Van Morrison's early-'70s work, in particular His Band and the Street Choir. Vocally, Hunter's croon falls on the smooth Sam Cooke side of Boz Scaggs. The album seems like it was made in the late '50s, and the clean sound along with Liam Watson's spacious production is the only giveaway that it was recorded in 2005. None of this would amount to much though if the songs didn't connect, and these do. Perfectly written and arranged, these are each polished gems with instantly memorable choruses and lyrics that although heavy on moon-June-spoon, never sound forced or uncomfortably contrived. Hunter is a punchy, pithy guitarist, cranking out taut solos with the economy of Steve Cropper. Some tunes such as "Talkin' Bout My Love" with its jaunty horns and twistable beat seem like they were grabbed from, or written for, a '60s beach flick. At 14 tracks running 40 minutes, it's over before you want it to be, always the sign of a quality album. An anomaly in 2006 with its mini sax section and sparse, danceable songs, the album nonetheless shimmers with hip-shaking grooves. Although the disc is decidedly retro, it exudes classy, cool fun that feels timeless. An instant party starter, it'll make you want to do the Twist, the Jerk, the Shimmy, and the Mashed Potato, or at least learn how. ~Hal Horowitz

People Gonna Talk

Wednesday, May 3, 2017

James Hunter - ...Believe What I Say

Bitrate: MP3@320K/s
Time: 36:24
Size: 83.4 MB
Styles: Retro soul, Blue eyed soul
Year: 1996/2008
Art: Front

[3:28] 1. Two Can Play
[2:27] 2. Way Down Inside
[2:34] 3. The Very Thought Of You
[2:46] 4. It Ain't Funny
[3:01] 5. Let Me Know
[3:54] 6. I'll Walk Away
[2:45] 7. I Wanna Get Old With You
[2:42] 8. Hallelujah I Love Her So
[3:06] 9. Believe What I Say
[3:03] 10. Out Of Sight
[3:16] 11. Don't Step On It
[3:17] 12. Hear Me Calling

The singer/songwriter James Hunter introduced his retro blue-eyed soul approach with this 1996 debut. The smooth Sam Cooke/Clyde McPhatter-influenced vocals weren't quite as confident at his career's start, but for the most part, those smitten by People Gonna Talk will find this a terrific addition to their small Hunter collections. To his credit, Van Morrison was an early supporter, and he appears here on two Bobby "Blue" Bland covers. Morrison had already covered "Ain't Nothing You Can Do" on his live It's Too Late to Stop Now release, so it's likely he brought that to Hunter's attention. "Turn on Your Lovelight" sounds like it could have come off Morrison's His Band and the Street Choir, as he trades verses and harmonizes with Hunter in a spirited performance. Hunter's vocals emphasize Ray Charles more on this album, and not just on the cover of "Hallelujah I Love Her So." The original "Let Me Know" is fashioned from Charles' soul-blues-gospel, right down to the Raelettes-styled backing vocals. Damian Hand and Nick Lunt's sax section is integral to the snappy groove, and bringing the great soul woman Doris Troy along for a duet on "Hear Me Calling" is another classy move. But it's Hunter's terrific voice, sparse yet jazzy guitar, and excellent original songs that make this album so fresh, crisp, and hip. ~Hal Horowitz

...Believe What I Say