Saturday, December 18, 2021

Elia Bastida - The Magic Sound Of The Violin

Styles: Violin, Saxophone Jazz
Year: 2019
File: MP3@320K/s
Time: 74:23
Size: 199,1 MB
Art: Front

(2:35) 1. Someone to Watch Over Me
(3:08) 2. Ella y Yo
(4:42) 3. How High the Moon
(3:49) 4. Reflections
(2:02) 5. Uma Estrela
(4:14) 6. Out of Nowhere
(4:43) 7. Sweet Adeline
(1:16) 8. Ao Lado Teu
(4:23) 9. Eu Sei Que Vou Te Amar
(5:47) 10. Jitterbug Waltz
(4:19) 11. A Kiss to Build a Dream On
(5:04) 12. You Are Too Beautiful
(2:43) 13. Beriwaltz
(5:11) 14. Round Midnight
(3:45) 15. J'Attendrai
(6:34) 16. Alfonsina y el Mar
(4:10) 17. Day Dream
(3:07) 18. How About You
(2:40) 19. Rabo de Nube

Two years after the CD “Joan Chamorro presents Èlia Bastida”, in which she appeared in her different facets as a performer (violinist as main instrument, vocalist and tenor sax), we give birth to this “The magic sound of the violin”. Èlia, during the 8 years that she has been part of the Sant Andreu Jazz Band, a project that I have directed for almost 14 years, has had an interest, a dedication, such a passionate dedication to music and specifically to jazz, that she has made May her evolution lead her to be, today, a great soloist, especially with the violin. The violin is an instrument that, in my opinion, still has a lot to contribute to jazz. There have been and are great violinists (Grappelli, Venuti, Ponty, Lockwood, to name just a few). Without neglecting the musicality, strength, intensity of Grappelli as the first reference, and adding everything contributed by bebop, hardbop and other music, Èlia's search for a discourse that collects all the aspects that she incorporates, the finally, they walk along their own musical path, rich in nuances, open and free of labels, but, above all, passionate, with which they manage to extract all the wonderful possibilities that “the magical sound of the violin” has. The Magic Sound of the Violin Èlia Bastida joins the universe of jazz violinists. Our next appointment is “Èlia Bastida meets Scott Hamilton”, of which we have already recorded 5 songs and which will recall the meeting that the great saxophonist had with Joe Venuti back in the eighties. Joan Chamorro

Two years after the CD "Joan Chamorro presents Èlia Bastida", in which she appeared in her different facets as a performer (violinist as main instrument, vocalist and tenor saxophone), we give birth to this "The magic sound of the violin". Èlia, during the 8 years that she has been part of the Sant Andreu Jazz Band, a project that I have directed for almost 14 years, has had an interest, a dedication, such a passionate dedication to music and specifically to jazz, that her evolution has made her become, nowadays, a great soloist, especially with the violin. The violin is an instrument that, in my opinion, still has a lot to contribute to jazz. There have been and are great violinists (Grappelli, Venuti, Ponty, Lockwood, to name just a few). Without leaving aside the musicality, the strength, the intensity of Grappelli as the first reference, and adding all the contributions of bebop, hardbop and other music, Èlia's search for a discourse that gathers all the aspects she incorporates, finally make her walk along her own musical path, rich in nuances, open and free of labels, but, above all, passionate, with which she manages to extract all the wonderful possibilities that "THE MAGIC SOUND OF THE VIOLIN" has. Èlia Bastida joins the world of jazz violinists. Our next appointment is "Èlia Bastida meets Scott Hamilton", of which we have already recorded 5 tracks and which will recall the encounter the great saxophonist had with Joe Venuti back in the eighties.~Translate By Google https://santandreujazzband.bandcamp.com/album/the-magic-sound-of-the-violin

Personnel: Èlia Bastida, violin, tenor sax; Joan Chamorro, bass & baritone sax; Carla Motis, guitar; Josep Traver, guitar; Guillermo Soler, drums; David Xirgu, drums; Scott Hamilton, tenor sax

The Magic Sound Of The Violin

Frank Foster Loud Minority Big Band - We Do It Diff'rent

Styles: Jazz, Big Band
Year: 2003
File: MP3@320K/s
Time: 67:56
Size: 156,1 MB
Art: Front

( 4:35) 1. G'on an' Git It Y'all
( 7:39) 2. Stella by Starlight
( 7:03) 3. WLD Women Don't Worry
( 4:46) 4. Fos' Alarm
( 6:43) 5. Lover
(11:30) 6. Shiny Stockings
( 4:12) 7. Where or When
( 9:40) 8. Cecilia Is Love
( 6:27) 9. You Go to My Head
( 5:16) 10. Skull-Doug-Ery

Frank Foster’s Loud Minority Big Band is more limber than loud although it doesn’t shrink from shouting whenever that’s appropriate on this persuasive in-concert album recorded in June ‘02 at NYC’s Jazz Standard, when the seventy-three-year-old Foster was recovering from a stroke that immobilized his left arm and left leg and limited his role to that of emcee. As one would expect from an old hand who joined the Count Basie Orchestra half a century ago and fronted the band for nine years (1986-95), Foster salutes the Count’s buoyant spirit in almost every way save repeating well-traveled numbers from the Basie book (with one exception, his classic “Shiny Stockings,” handsomely renovated for the occasion). Foster’s other originals (“G’on an’ Git It Y’all,” “Fos’ Alarm,” “Cecilia Is Love,” “Skull-Doug-Ery”) were written especially for the seven-year-old Loud Minority ensemble. Completing the program are four standards (“Stella by Starlight,” “Lover,” “You Go to My Head,” “Where or When”) and one blues, “Wild Women Don’t Worry,” the last three featuring the seductive baritone of special guest and ex-Basie vocalist Dennis Rowland.

Foster’s other guest, trumpeter Jon Faddis, shakes the rafters on “Wild Women” and “Cecilia,” and trumpeters Jeremy Pelt and Cecil Bridgewater glisten and glow on “Stella” and “Stockings,” respectively. Baritone saxophonist James Stewart is showcased on “Fos’ Alarm,” tenor Bill Saxton and drummer Sylvia Cuenca (a last-minute replacement whose forceful timekeeping earned her a permanent gig with band) on “Lover,” tenor Keith Loftis on “Skull-Doug-Ery,” while pianist Daniel Mixon has a number of engaging ideas to impart on “G’on an’ Git It,” “Cecilia,” “Skull-Doug-Ery” and (uncredited) “Shiny Stockings.” There are some other minor errors on the playlist, with trombonist Clark Gaton listed as trumpet soloist on “G’on an’ Git It,” trumpeter Derrick Gardner as trombonist on “You Go to My Head,” Rowland as vocalist (he’s not) on “Shiny Stockings.” Echoing Basie’s philosophy, Foster writes that “you can’t keep a band of brilliant players together and burning without challenging them with a constant stream of fresh new music.” Let’s hope that Foster keeps challenging the Loud Minority for years to come.~ Jack Bowershttps://www.allaboutjazz.com/we-do-it-diffrent-frank-foster-mapleshade-recordings-review-by-jack-bowers

Personnel: Frank Foster, leader, arranger; Bruce Williams, Joe Ford, alto sax; Bill Saxton, Keith Loftis, tenor sax; James Stewart, baritone sax; Frank Greene, Derrick Gardner, Kenyatta Beasley, Jeremy Pelt, Cecil Bridgewater, trumpet; Vincent Gardner, Clark Gaton, Stafford Hunter, trombone; Bill Lowe, bass trombone, tuba; Daniel Mixon, piano; Earl May, bass; Sylvia Cuenca, drums.

We Do It Diff'rent

Monica Mancini - S/T

Bitrate: MP3@320K/s
Time: 45:51
Size: 105.0 MB
Styles: Vocal
Year: 1998
Art: Front

[3:53] 1. Moment To Moment
[4:48] 2. Two For The Road
[3:42] 3. Dreamsville
[2:59] 4. Crazy World
[2:17] 5. Anywhere The Heart Goes (Meggie's Theme)
[3:10] 6. Loss Of Love
[4:30] 7. Whistling Away The Dark
[2:57] 8. Charade
[4:25] 9. The Days Of Wine And Roses
[3:40] 10. Slow Hot Wind
[2:45] 11. Dear Heart
[3:32] 12. Moon River
[3:07] 13. Music On The Way

Henry Mancini's daughter takes a daring debut step as a vocalist right into her father's shadow. On an album covering her father's songs, she makes her mark with a sweet, smooth voice and a nice sense of phrasing. Her gamble pays off with lushly orchestrated versions of "Two for the Road," "Moon River," "Moment to Moment," and others. ~Tim Sheridan

Monica Mancini