Tuesday, October 15, 2013

Johnny Varro (Feat. Ken Peplowski) - Two Legends Of Jazz

Bitrate: 320K/s
Time: 74:36
Size: 173.4 MB
Styles: Piano, Clarinet jazz
Year: 2009
Art: Front

[4:18] 1. My Baby Just Cares For Me
[4:23] 2. The Touch Of Your Lips
[6:09] 3. Menina Flor
[4:12] 4. After I Say I'm Sorry (What Can I Say?)
[5:34] 5. It's Easy To Remember
[4:40] 6. A Smo O O Oth One
[4:51] 7. Bluesette
[3:00] 8. You're A Sweetheart
[6:21] 9. Secret Love
[5:13] 10. Out Of Nowhere
[3:58] 11. Love Locked Out
[5:54] 12. I Love You
[5:43] 13. Someday, You'll Be Sorry
[5:06] 14. Blues On 57th Street
[5:07] 15. The Way You Look Tonight

Veteran pianist Johnny Varro and clarinetist Ken Peplowski are certainly two veterans of vintage early-period jazz, and join together in complete agreement as to how it should be correctly played on this set of swinging music that showcases an unconventional twist. This is not strictly a quartet date, also featuring legends in their own right like bassist Frank Tate and drummer Joe Ascione. One and/or the other rhythm mate drops out on several selections, providing an always interesting component of pacing, from duet and trio to the full quartet. Peplowski in particular is as brilliant a clarinetist as there is in modern times, his unwavering tone and wealth of ideas shining through on every delicious track. Of course, the group collectively plays famous standard American popular songs the whole world knows and recognizes. It's not an energetic set, more laid-back and cool, but there's no reservation in playing this music faithfully, with the jazz tradition firmly in mind. The CD starts with two excellent trio tracks minus bass. "My Baby Just Cares for Me" was popularized by Nina Simone, and here is where Peplowski displays his total command of this uncomplicated melody, Varro dipping into stride on his solo, while "The Touch of Your Lips" seems almost too easy in the hands of these swing masters. Tate joins in for an unusual choice, Luiz Bonfá's quintessential but lesser known bossa nova "Menina Flor," while an interesting treatment of the quickened "Out of Nowhere" is the most energized and animated tune of the date, keeping the players and listeners on their toes. "Bluesette" is a tricky one, but the band interprets this most lyrical tune very well; Tate's strummed bass buoys the hardest swinger, "Secret Love"; the group dives headfirst into the wonderful Cole Porter hot jazz classic "I Love You" with full fervor; and improvisation is key during "Blues on 57th Street," a tune -- made up on the spot -- named after the street where the studio is located in New York City. A low-key piano/clarinet duo on "It's Easy to Remember" and Varro's solo version of "You're a Sweetheart" displays his love of stride piano, and the influence of his main man, Teddy Wilson. Varro stated that this session was "fun, comfortable, satisfying" and you'll wholeheartedly agree that it is from start to finish, a solid effort from four masters of classic mainstream jazz. ~ Michael G. Nastos

Recording information: Nola Studios, New York, NY (11/08/2007/11/09/2007).

Personnel: Johnny Varro (piano); Ken Peplowski (clarinet); Frank Tate (bass guitar); Joe Ascione (drums).

Two Legends Of Jazz

Tok Tok Tok - Love Again

Bitrate: 320K/s
Time: 53:21
Size: 122.2 MB
Styles: Easy Listening
Year: 2005
Art: Front

[ 3:26] 1. Winterwonderland
[ 3:48] 2. Look Of Love
[ 3:12] 3. Eleonor Rigby
[ 3:38] 4. Satisfaction
[ 4:21] 5. Love Again
[ 4:36] 6. Walk On The Wild Side
[ 5:34] 7. Wade In The Water
[ 3:10] 8. O Tannenbaum
[ 3:50] 9. Waters Of March
[ 0:55] 10. Bebeep
[11:34] 11. Don't Let The Sun Catch You Crying
[ 5:11] 12. Have A Talk With God

Before founding “Tok Tok Tok”, Tokunbo Akinro and Morten Klein, the creative and organizing heart of the band, worked together in various other projects. Their musical search for melodic beauty associated with groove and soul led them to find their completing parts in each other. Like on “Ruby soul” from 2002, they continue to concentrate on the song qualities of their acoustic soul compositions.

Recording information: Vagnsson Studios (06/2000). Personnel: Takunbo Akinro (vocals); Frank Fielder (double bass).

Love Again

Arlington Jones - Groove

Bitrate: 320K/s
Time: 65:47
Size: 150.6 MB
Styles: Funk, Piano jazz, Cool jazz
Year: 2013
Art: Front

[8:37] 1. Groove
[3:35] 2. Keep It Fresh
[3:20] 3. Pookah Rooter
[0:38] 4. Groove Interlude
[7:32] 5. Rhythm Within Me
[2:43] 6. Dili G Is Mpp
[2:46] 7. Dili G Is Mpp (Fast Take)
[4:36] 8. Let The Choir Sing Interlude
[4:26] 9. Prince Of Peace
[4:35] 10. Angels Lullaby
[4:29] 11. Can It Be
[1:00] 12. Walkin' And Groovin' Interlude
[5:24] 13. The Comforter
[2:09] 14. The Prayer
[3:40] 15. His Way
[5:03] 16. Because He Lives
[1:05] 17. Groove Benediction

With an exclusive style of his own, Arlington Jones creates a work of art every time he touches the piano. He designs a musical canvas with strokes of creativity and beauty. Arlington has the gift to take listeners of all ages on an unforgettable journey because of his high-spirited, unpredictable melodies and arrangements! Not only is he pleasing to listen to but also exhilarating to watch! Right through each note, Arlington exudes energy from the top of his head to the bottom of his feet!

Over the years, Arlington has distinguished himself as a successful independent artist, pianist, composer, and producer under his label, Zamaria Records. His latest album release is Groove. He has released five other recordings: Because He Lives (single), Vintage Christmas, Move The Heart, Arlington Jones Solo Sessions: Peace That Passes All Understanding, and The Author And The Source. His storybook tunes balance a gumbo mixture of jazz, funk, Latin, and swing from a Christian perspective. Arlington has written four music publications: At Play (four piano duets), Grace and Serenity (solo piano), Jazz Expressions (three solo piano compositions), and THE WAY I HEAR ITTM Jazz Piano Techniques. He has also branded his own concert series and jazz piano master class called THE WAY I HEAR ITTM.

Arlington's main jazz music influences are Oscar Peterson and Duke Ellington. He has shared the stage with a colorful list of legendary artists including Red Holloway, David "Fathead" Newman, George Duke, Kirk Whalum, Gerald Albright, and Chaka Khan. He was the keyboard player for jazz bassist and former NBA player Wayman Tisdale from 2001 to 2009. He served as the music director and keyboardist for South African guitarist and vocalist Jonathan Butler from 2008 to 2010.

Groove

Stacey Kent - Candid Moments

Styles: Vocal
Year: 2013
File: MP3@320K/s
Time: 70:11
Size: 161,6 MB
Scans: Front

(4:12)  1. What the World Needs Now Is Love (feat. Dave Chamberlain & Matt Home)
(2:38)  2. Hushabye Mountain (feat. Simon Thorpe & Jasper Kviberg)
(4:22)  3. You've Got a Friend (feat. Dave Chamberlain & Matt Home)
(3:28)  4. Too Darn Hot (feat. Dave Chamberlain & Matt Home)
(3:59)  5. Isn't This a Lovely Day? (feat. Simon Thorpe & Steve Brown)
(3:28)  6. The Best Is yet to Come (feat. Dave Chamberlain & Matt Home)
(4:43)  7. I've Got a Crush on You (feat. Simon Thorpe & Jasper Kviberg)
(3:43)  8. The Boy Next Door (feat. Dave Chamberlain & Matt Home)
(5:24)  9. Close Your Eyes (feat. Andrew de Jong Cleyndert & Steve Brown)
(5:35) 10. Dreamsville (feat. Simon Thorpe & Jasper Kviberg)
(5:03) 11. They Can't Take That Away from Me (feat. Simon Thorpe & Steve Brown)
(6:36) 12. East of the Sun (feat. Dave Green & Jeff Hamilton)
(4:03) 13. Under a Blanket of Blue (feat. Simon Thorpe & Jasper Kviberg)
(2:27) 14. You Are There (feat. Simon Thorpe & Jasper Kviberg)
(4:43) 15. Say It Isn't So (feat. Dave Chamberlain & Matt Home)
(5:38) 16. Little Girl Blue (feat. Simon Thorpe & Jasper Kviberg)

This is the first in Candid's new HQ (High Quality) presentations. Sixteen of Stacey's finest Candid tracks have been specially re-mastered in Japan by Evosound. The results are truly astounding. You can hear Stacey as you never heard her before performing her best known Candid successes ranging from Say It Isn't So to I've Got a Crush On You and from Close Your Eyes to Dreamsville. A must have for all Stacey Kent devotees. With Jim Tomlinson, Colin Oxley, David Newton, Dave Green, Jeff Hamilton. http://www.amazon.com/Candid-Moments-Edition-Stacey-Kent/dp/B00EAZYPHU

Linda Eder - Other Side Of Me

Styles: Vocal
Year: 2008
File: MP3@320K/s
Time: 52:18
Size: 119,8 MB
Art: Front

(4:35)  1. Pieces
(3:35)  2. If You Believe
(4:53)  3. Lifted
(4:09)  4. If I Could
(4:07)  5. Back To Life
(4:25)  6. Other Side Of Me
(4:16)  7. Waiting For The Fall
(4:14)  8. Prayer For Love
(4:18)  9. Both Sides Now
(4:56) 10. They Are The Roses
(4:26) 11. Ghost
(4:18) 12. Make Today Beautiful

The utter brilliance of the renowned vocal great's first official foray into rock-edged country music should shutter for good the adage that an artist must stick to a single genre to be marketable and successful. Over the years, the world got so used to her glowing interpretations of Broadway standards--and her keen ability to carry on the grand traditions of Judy Garland and Barbra Streisand--that any deviation might have been seen as risky or crazy. But the truth is, as the singer puts it, "This isn't so much a departure as it is me getting back to who I really am." The colorful mix of material (from the rousing, gospel-influenced "Back to Life" by superstar pop songwriter Kara DioGuardi to Eder's own explosive, very personal blues-rocker "Waiting for the Fall") and loose and high-spirited arrangements reflect the kind of music that moved her as a child, when she first started playing the guitar and writing songs. 

Musically, she and producer Billy Jay Stein back up with great integrity and passion her assertion that stepping into the ballgown and singing standards is like playing a role, while this rootsy music is more natural for her. Although the album was released by the great jazz label Verve, songs like the uptempo country jam "Pieces," the jangling "Prayer for Love," and the largely acoustic ballad "If You Believe (The Way I Do)" would find a joyful home on mainstream country radio. Beyond the rootsier songs, Eder engages in some magical cover versions of the heart-tugging parent to child classic "If I Could," Joni Mitchell's "Both Sides Now" (done with equal parts wistfulness and dreamy atmosphere) and, more graceful yet, the Indigo Girls' folk-pop gem "Ghost." While Eder will always be welcome performing with fellow Broadway aficionados Michael Feinstein and Marvin Hamlisch, this stellar journey of the heart should find her making reservations to take the stage at the CMA Festival in Nashville any year now. 

This is a side of the singer that should stick around for a long time.~Jonathan Widran  http://www.allmusic.com/album/the-other-side-of-me-mw0000798282

Other Side Of Me

Harry Allen - I Can See Forever

Styles: Jazz
Year: 2002
File: MP3@320K/s
Time: 57:49
Size: 132,4 MB
Art: Front

(4:13)  1. Wave
(5:40)  2. So Many Stars
(4:54)  3. The Telephone Song
(4:57)  4. O Grande Amor
(4:04)  5. I Can See Forever
(4:30)  6. Manha Do Carnaval (Orfeu Negro)
(5:54)  7. Ela E Carioca
(4:52)  8. A Time For Love
(4:54)  9. Be Careful, It's My Heart
(5:08) 10. A Felicidade
(5:49) 11. And I Love Her
(2:48) 12. The Summer Knows

"Stan Getz was once asked his idea of the perfect tenor saxophone soloist. His answer was, `My technique, Al Cohn's ideas and Zoot's time.' The fulfillment of that ideal may well be embodied in thirty-year-old Harry Allen." -Gene Lees

Harry Allen operates in a different tradition than the post-bop avant-garde which has dominated much of the jazz scene since the 60's. While quick to acknowledge the influence of John Coltrane, he draws instead on the tonal concepts associated with the likes of Zoot Sims, Al Cohn, Ben Webster and Stan Getz. Harry has become one of the most exciting and talented members of a younger generation of players seeking to return a lost sense of swing to the jazz world. The important thing in music says Harry "is beauty in tone, and a swinging feel." "There is a special power in the ability to work within the realms of swing and still create something entirely interesting and new." Allen's own style is true to his words. He has recorded upwards of twenty CDs and performed at Jazz festivals and clubs worldwide. In addition he has worked with some of the finest musicians in jazz including Lionel Hampton, Clark Terry, Rosemary Clooney, Scott Hamilton, Kenny Burrell, Johnny Mandel and Flip Phillips. Most recently Harry played opposite Tony Bennett and Sheryl Crow on Bennett's Playin' With My Friends, a collection of duets just released on Columbia Records.. Harry Allen has always known that he was going to be a musician. Born in Washington D.C. on October 12 1966, Harry grew up in Los Angeles and later Rhode Island, where from an early age he was exposed to the music that would become his great passion. His father, Maurice, had been a drummer during the big band era, and Harry grew up listening to his jazz records, sometimes playing along on a toy saxophone. A more personal influence came in the form of his father's friends, Johnny "Here's That Rainy Day" Burke, and Paul Gonslaves, the great tenor saxophonist from Duke Ellington's orchestra.

When Harry was seven years old, a traveling accordion salesman came to the door offering lessons to Allen's older sister. Although little Harry was beside himself with excitement at the chance to learn an instrument, the teacher thought he was too young and didn't want to take him on as a student. Harry's father however, sensing how excited his son was, made the salesman promise to teach both children and for the first time Harry was allowed to learn music. By the time he was 11 he started playing the clarinet at his father's advice and the next year switched, this time for good, to the saxophone.

In 1998, Harry was graduated with honors from Rutgers University with a degree in music. There he studied under a faculty which included piano legend Kenny Barron. It was Barron in fact who hired the twenty year old Harry for the saxophonist's first recording date. At Rutgers Harry first made contact with John Pizzarelli, who along with father Bucky has become one of his biggest supporters. Bucky Pizzarelli gave Harry his first professional gig in New York City substituting for the great Zoot Sims. The guitarist also introduced Harry to the legendary Benny Goodman with whom he later played.

Harry and John Pizzarelli have played together on Pizzarelli's After Hours and Harry's Harry Allen Meets the John Pizzarelli Trio, Allen's first disc as a leader on the BMG label. The record was released through BMG/Japan and marked the beginning of Allen's long tenure with the label and producer Ikuyoshi Hirakawa.

Harry Allen's newest recording is the Brazilian tinged “I Can See Forever”. Joined by an all-star band featuring guitarists Guilherme Monteiro and Jay Berliner, drummer Grady Tate and the legendary Ron Carter on bass, Harry applies his sultry lyricism to the songs of Antonio Carlos Jobim, Luiz Bonfa and Dori Caymmi. Elsewhere, Harry adds a Latin flavor to Irving Berlin's "Careful It's My Heart" and the Beatles' "And I Love Her." The result is an invigorating collection fueled by Allen's breathy tone and unfailing sense of style and swing. http://www.lentriola.com/allen.htm

I Can See Forever

Alex Sipiagin - Overlooking Moments

Styles: Trumpet Jazz
Year: 2013
File: MP3@320K/s
Time: 61:21
Size: 140,5 MB
Art: Front + Back

(8:01)  1. Expectation
(8:44)  2. Cho Tofu
(7:41)  3. Chronicle
(5:37)  4. Mississipi Waltz
(9:19)  5. Flash
(6:28)  6. Once...
(7:50)  7. First Step
(7:39)  8. Savoir

A very prolific member of the Criss Cross family, trumpeter Alex Sipiagin has logged in nine releases as a leader for the label over the span of 12 years. He is also a vital member of the all-star collective Opus Five, that group's most recent effort being the critically acclaimed Pentasonic.

For his tenth session at the helm, Sipiagin has delivered his most freewheeling recital to date. An integral member of the trumpeter's inner circle since his 2000 debut, Steppin' Zone, the always exciting Chris Potter fills out the front line on saxophones.

And for the first time, Sipiagin has opted for an ensemble sans piano or guitar. With frequent collaborators Scott Colley on bass and Eric Harland on drums, the results over eight original compositions are as fresh and contemporary as they come. http://www.crisscrossjazz.com/album/1354.html