Showing posts with label Kandace Springs. Show all posts
Showing posts with label Kandace Springs. Show all posts

Sunday, April 7, 2024

Kandace Springs - Run Your Race

Styles: Vocal, Soul
Year: 2024
Time: 57:15
File: MP3 @ 320K/s
Size: 169,7 MB
Art: Front

(5:18) 1. Run Your Race
(3:56) 2. So Far So Near
(5:12) 3. Chasing Shadows
(3:52) 4. What Was I Made For?
(3:44) 5. Broken Keys
(5:02) 6. We'll Find A Way
(4:12) 7. Closer To Me
(4:19) 8. Wild Is The Wind
(4:34) 9. Pulse
(3:17) 10. Look
(3:32) 11. Precious Love
(2:44) 12. My Poor Heart
(3:15) 13. Still Lonely
(4:12) 14. If I Had My Way

We already knew it, Kandace Springs possesses one of the most beautiful voices today, navigating through a highly personal style that blends jazz, soul, and blues. I’m not the only one saying this, as The Washington Post declared: “Kandace Springs’ voice is undeniable. She is one of those generational voices; from the first note, you know she’s special.” Accompanied by fantastic musicians on this album: Caylen Bryant on Bass, Camille Gainer on Drums, Carl Sturken, Bob Palmieri on Guitar, Caylen Bryant, Theo Griffin on Cello, Elena Pinderhughes on Flute, Cindy Mizelle, Theo Griffin, Caylen Bryant, Christie Moran on Background Vocals, Jeannette Williams on Cajon, David Mann on String arrangements.

The album features 12 original compositions because Kandace is not just an extraordinary performer but also an excellent pianist and composer. She delivers a very personal album here, with a title dedicated to her father, whom she deeply loved and respected, who passed away in 2021. He was a great athlete, hence the title of this album and its song.

The album and its titular song pay homage to her late father, Kenneth “Scat” Springs, a former collegiate track star who later led his own R&B band and sang backup for artists ranging from Garth Brooks to Aretha Franklin. This album also features two covers, including her surprising rendition of “What Was I Made For?”, the theme song from the Barbie movie, nominated for an Oscar. But what truly marks this album is the emotional depth present in each track.

One notable title is “Closer To Me,” a classic R&B ballad clearly influenced by Prince, who invited her to perform with him at Paisley Park for the 30th anniversary of the Purple Rain album after seeing a video of Kandace performing Sam Smith’s “Stay With Me”. Thus began a close mentorship between Kandace and the “Purple One,” as she continues to call him. They wrote songs together and shared insights on all things musical.

Family is the central point of her life. If “Run Your Race” is dedicated to her father, here’s what Kandace said about her previous album: “Of course, with an album titled The Women Who Raised Me, we would be remiss not to talk about Springs’ mother, Kelly. While Dad arranged for her to learn from professionals like the Wooten Brothers, Mom actually drove young Kandace to these lessons in the family van while listening to the local easy-listening station. That’s where she first heard Dusty Springfield (Springs’ version of “What Are You Doing the Rest of Your Life” is rich in sorrow and drama) and, repeatedly, the aforementioned Bonnie Raitt hit. She learned the latter in her late teens while working at a local hotel.” Run Your Race is the follow-up to her 2020 album, The Women Who Raised Me, which was praised by The New Yorker, Paris-Move, DownBeat, NPR, and many others. The album featured Kandace interpreting music by female vocal icons like Billie Holiday, Nina Simone, Sade, Bonnie Raitt, and Ella Fitzgerald (with Norah Jones joining her on Fitzgerald’s “Angel Eyes”).

In the case of both albums, what makes them successful is evidently the sincerity, a sincerity of the music, lyrics, and her qualities as a great performer, because singing in this manner isn’t something you can fake; it requires an absolute inner richness. In total, this new album features 14 tracks that will resonate in your ears, most likely becoming classics quite quickly, as the secret to a great album is knowing how to package a singer on the basis of acoustic instruments. These are the only albums that endure over time, and this is also generally what makes good blues albums, because the voice is a fragile instrument, and the risk-taking on stage is real when the arrangements are made in such a way as to serve an interpretation of this quality.

Kandace Springs’ artistic consciousness goes much further, extending to recording and mixing, admirable in its simplicity and effective in the best sense of the term, because again, don’t look for big effects; the technique focuses on the essential, purity. Among other highlights of the album are the lush “So Far, So Near,” adorned with strings, and the beautiful and thoughtful “Look,” which Kandace wrote as a teenager. “Chasing Shadows,” which she wrote with Sturken and Rogers, comes alive with a bubbling groove provided by her longtime rhythm section, drummer Camille Gainer-Jones and bassist Caylen Bryant, and with an added edge brought by flutist Elena Pinder-Hughes (Herbie Hancock). She co-wrote the catchy “Pulse” with Gregg Wells (Katy Perry).

To complete the picture regarding this artist, let’s review her history, as it all began for Kandace in 2014, with her first EP for Blue Note Records, produced by Pop & Oak. “Love Got in the Way” was her first music video. Notable collaborations include with Ghostface Killah on his 2014 single “Love Don’t Live Here No More.” She performed on various TV shows such as The Tonight Show Starring Jimmy Fallon and Later… with Jools Holland. Prince asked her to perform with him on stage.

In 2016, her album Soul Eyes was released. Continuing to work with Sturken and Rogers, she also attracted producer Larry Klein. On ballads like “Place to Hide” and relaxing mid-tempo songs like “Talk to Me,” she accompanied herself on piano. Collaborating artists included trumpeter Terence Blanchard, guitarists Dean Parks and Jesse Harris, and drummer Vinnie Colaiuta. Her 2018 album, Indigo, was produced by Karriem Riggins. With R&B influences and a trumpet solo by Roy Hargrove.

“Run Your Race,” although very different from her previous albums, is in my view a major work, showcasing Kandace’s ability to reinvent herself without missteps, which is the mark of great artists…https://www.paris-move.com/reviews/kandace-springs-run-your-race-eng-review/

Run Your Race

Thursday, January 21, 2021

Kandace Springs - The Women Who Raised Me

Styles: Vocal
Year: 2020
File: MP3@320K/s
Time: 53:12
Size: 123,4 MB
Art: Front

(2:59) 1. Devil May Care
(6:00) 2. Angel Eyes
(3:57) 3. I Put A Spell On You
(4:44) 4. Pearls
(5:30) 5. Ex-Factor
(4:35) 6. I Can't Make You Love Me
(3:55) 7. Gentle Rain
(4:59) 8. Solitude
(3:36) 9. The Nearness Of You
(3:59) 10. What Are You Doing The Rest Of Your Life
(5:17) 11. Killing Me Softly With His Song
(3:36) 12. Strange Fruit

Cover albums tend to sort themselves pretty neatly into two separate bins. One is filled with tiresome stacks of uninspired music soon to be filed away and forgotten. The other, smaller pile is made up of those few in which the artist on the cover managed to do something more than parrot their predecessors. Those who wish to belong to the latter group find a way to add a personal touch to their songs, in such a way that each takes on its new performer's characteristics. At times, singer and pianist Kandace Springs' previous release, Indigo (Blue Note, 2018), had an irritatingly generic blend of pop and R&B influences, while her debut two years earlier often fell upon traditional blues vibes. She detours from those paths with her third full-length entry, titled The Women Who Raised Me, decidedly placing it atop the latter stack.

The album marks a new phase for Springs, who curated a list of songs made famous by the female vocalists who inspired her career. She also recruited a trio comprising guitarist Steve Cardenas, bassist Scott Colley, and drummer Clarence Penn, all of whom share ties to those women. Their presence provides some validation for The Women Who Raised Me, which is a mostly acoustic affair. That, combined with the menagerie of high profile guest artists, and wise song choices keeps the album from taking on a quaint tone. There is a crisp purity in her singing throughout and, while Springs avails herself of modern technology, she is not beholden to it. She excels during songs that challenge her to build to a climax, spending their outset ramping up tension and intensity. "I Put A Spell On You," has her laying the familiar rhythm down on piano while ambling up to the tipping point. Just as Penn's cymbals gather up and crash through both speakers, saxophonist David Sanborn blows out his solo. It is a perfect example of what the singer is capable of when backed by the right talent. Their dark, heavy take on the prolifically covered song offers a possible glimpse into Springs' future, subverting the expectations of a performer within her genre.

This isn't to say that the album's calmer moments drag. "Pearls" and "The Nearness Of You" feature enough simmering passion to keep listeners engaged. Avishai Cohen's trumpet provides a mournful backdrop for Springs during the latter; she loves to allow a note to wither in her throat, ruthlessly wringing every drop of sensuality from it. Another obvious vocal highlight is "Angel Eyes," a duet between Springs and Norah Jones, who is credited as one of the album's eponymous "Women." Neither is heard to overpower the other, and their new rendition sounds more fleshed-out than the one made famous by Ella Fitzgerald in 1958. This could easily boil down to the benefits of 21st century recording technology, but more likely is that Jones' somewhat downtrodden performance keys very well off the wry, positive tones Springs spends the song crooning.

The pair of tracks featuring Chris Potter on saxophone, "Gentle Rain" and "Solitude," in addition to her earlier collaboration with David Sanborn, really demonstrate how much stronger the singer is with a horn in the mix. Unfettered by the restraints of tradition or expectation, she stretches her range without pulling too hard, and the addition of brass or woodwinds gives each piece an added touch of sentiment. Rarely in the modern era of music is one able to simply marvel at the beauty of a singer's voice. So easily distracted by the public persona they sell, the politics they preach, or the awkward impurity of soundboard effects, we find ourselves unable to focus the entirety of our attention upon the same artistic endeavors that got them to the stage in the first place. It is hard to say that anyone in the public eye can shy away from fame in the age of internet video and necessary self-promotion. But Kandace Springs seems content to play to her strengths and take no quarter; the one thing listeners are guaranteed to receive is authenticity.~ Peter J.Hoetjeshttps://www.allaboutjazz.com/the-women-who-raised-me-kandace-springs-blue-note-records

Personnel: Kandace Springs: voice / vocals; Steve Cardenas: guitar; Scott Colley: bass; Clarence Penn: drums.

The Women Who Raised Me

Saturday, September 29, 2018

Kandace Springs - Indigo

Styles: Vocal, Soul
Year: 2018
File: MP3@320K/s
Time: 48:26
Size: 119,1 MB
Art: Front

(3:26)  1. Don't Need The Real Thing
(3:19)  2. Breakdown
(4:34)  3. Fix Me
(0:33)  4. Indigo (Pt. 1)
(5:09)  5. Piece Of Me
(5:33)  6. 6 8
(0:33)  7. Indigo (Pt. 2)
(5:03)  8. People Make The World Go 'Round
(3:27)  9. Unsophisticated
(3:29) 10. Black Orchid
(3:55) 11. Love Sucks
(5:40) 12. The First Time Ever I Saw Your Face
(3:42) 13. Simple Things

Soul Eyes was a poised, no-frills introduction to an artist with obvious potential for merging soul and jazz conventions with modern style. Kandace Springs' second album is a measured advancement from that 2016 release. Produced almost exclusively by Karriem Riggins, who for 25 years has illuminated recordings that land everywhere on the traditional-to-progressive spectrum, Indigo evinces Springs' versatility with a little more color. As with Soul Eyes, the material blends interpretations and originals. Here, Springs is more directly involved, co-writing all but one of the new songs, including a touching finale with father Scat Springs and a handful with executive producers and earliest non-familial advocates Evan Rogers and Carl Sturken. The best of the four Rogers-Sturken collaborations is a tie between the two in which Springs sings of being killed slowly by a lover (a heartstruck sentiment felt elsewhere): "Piece of Me," liable to be confused for a dead-on Everything But the Girl or Sade cover, and "Fix Me," a graceful swoon with an embedded Prince reference. When admirer Prince hosted Springs at Paisley Park for the 30th anniversary of Purple Rain, he requested that she play "The First Time Ever I Saw Your Face," the Ewan MacColl ballad Roberta Flack took to another level. It's the earliest composition here, freshened with Springs' smoldering voice effectively cloaking the instrumentation instead of shooting through it. Another classic, Thom Bell and Linda Creed's "People Make the World Go 'Round," is freshened by Springs with help from Nicholas Payton on bass, electric piano, and slinky-subtle chord reharmonization. Springs still thrives with stark backdrops, most evident on covers of the contemporary "6 8" (Gabriel Garzón-Montano) and "Black Orchid" (Jesse Harris), both master classes in restraint. Indigo doesn't have a proper title track, but a pair of title interludes tantalize over a combined duration of one minute. Among the album's simplest and most fascinating moments, these segments of hip-hop noir with Springs accompanying herself on piano and Riggins the lone aid on drums and bass provide ample proof that the duo should continue to work together. ~ Andy Kellman https://www.allmusic.com/album/indigo-mw0003197073

Indigo

Thursday, August 11, 2016

Kandace Springs - Soul Eyes

Styles: Vocal, Soul
Year: 2016
File: MP3@320K/s
Time: 42:50
Size: 98,7 MB
Art: Front

(3:50)  1. Talk To Me
(3:22)  2. Soul Eyes
(3:44)  3. Place To Hide
(3:39)  4. Thought It Would Be Easier
(4:43)  5. Novocaine Heart
(3:07)  6. Neither Old Nor Young
(5:01)  7. Too Good To Last
(3:46)  8. Fall Guy
(4:25)  9. The World Is A Ghetto
(4:02) 10. Leavin'
(3:06) 11. Rain Falling

Kandace Springs' career started rolling when her father, session vocalist Scat Springs, handed a demo to Evan Rogers and Carl Sturken. Industry veterans of 30-plus years, from Shannon to Rihanna, the duo signed her to their production company, which led to an audition for Blue Note president Don Was. The Nashville native sang "I Can't Make You Love Me," popularized by Bonnie Raitt, whose recording just happened to be co-produced with Was. Blue Note deal secured, she uploaded a cover of Sam Smith's "Stay with Me" that prompted Prince to have her play at Paisley Park during the 30th anniversary celebration of Purple Rain. Springs made her recorded debut a couple months later. Co-written with the likes of Rogers, Sturken, and Pop & Oak, the self-titled EP of hip-hop soul primed her for placement in a class with similarly classic-meets-contemporary artists like Jazmine Sullivan and Elle Varner. 

It left Springs feeling that her sound should instead reflect her early jazz influences with stripped-down live instrumentation a view shared by continued supporter Prince. Soul Eyes achieves that objective. Produced by Larry Klein with a constant rhythm section of Vinnie Colaiuta and Dan Lutz with additional instrumentation from the likes of Dean Parks, Pete Kuzma, and Terence Blanchard it's all shaped to place Springs front and center. The approach is emphasized by the title song, a sensitive update of Mal Waldron's 60-year-old standard that showcases Springs' measured piano playing as much as it does her lithe, lightly fiery voice. Apart from that and a loose but succinct version of War's "The World Is a Ghetto" the second-oldest composition the reinterpreted songs are relatively modern, highlighted by Shelby Lynne's "Thought It Would Be Easier." Springs co-wrote three cuts, the best and most energetic of which is easily "Novocaine Heart." Due to its neatly serpentine groove and inquisitive, positive outlook, lovers of late-'70s/early-'80s crossover jazz could easily be forgiven for thinking it was first waxed by Judy Roberts or Googie & Tom Coppola. The album closes with the lone song Springs wrote by herself, a striking piano ballad. As natural as the album feels, Springs seems eager to impress her elders and stay true to her inspirations, rather than build from them like she's bottling some of her energy and individuality. Less straight-ahead, more distinctive releases are hopefully in her future. ~ Andy Kellman http://www.allmusic.com/album/soul-eyes-mw0002942687

Soul Eyes

Thursday, August 4, 2016

Kandace Springs - Kandace Springs EP

Styles: Vocal, Soul
Year: 2014
File: MP3@320K/s
Time: 14:25
Size: 33,4 MB
Art: Front

(3:14)  1. Love Got In The Way
(4:11)  2. West Coast
(3:41)  3. Meet Me In The Sky
(3:16)  4. Forbidden Fruit

Through her father, session vocalist Scat Springs, adult contemporary R&B artist Kandace Springs was able to get a demo recording heard by veteran producers Evan Rogers and Carl Sturken (Stephanie Mills, Christina Aguilera, Rihanna). The duo signed the Nashville native to their SRP Music Group, then shopped her material to labels, including Blue Note, who ultimately offered a recording contract that Springs signed. A singer, songwriter, and keyboardist who cites inspirations ranging from Billie Holiday to Lauryn Hill, Springs caught another break in July 2014 when Prince saw a clip of her performing Sam Smith's "Stay with Me." Prince contacted her and she flew to Minneapolis to perform at Paisley Park. Two months later, she issued her debut EP, a self-titled four-track release for SRP/Blue Note. Through 2015, she appeared on Ghostface Killah's 36 Seasons, Aqualung's 10 Futures, and Black Violin's Stereotypes. Her refined first album for Blue Note, Soul Eyes, was released in June 2016. It featured new songs, some of which were co-written by Springs, along with versions of Mal Waldron's "Soul Eyes" and War's "The World Is a Ghetto." ~ Andy Kellman https://itunes.apple.com/us/artist/kandace-springs/id338439458#fullText

Kandace Springs EP