Time: 72:09
Size: 165.2 MB
Styles: Big band
Year: 2011
Art: Front
[7:03] 1. Backrow Politics
[5:06] 2. A Beautiful Friendship
[9:10] 3. Tin Tin Deo
[2:19] 4. This Can't Be Love
[3:48] 5. Half The Fun
[4:44] 6. Love For Sale
[8:29] 7. The Blues Machine
[6:02] 8. Come Rain Or Come Shine
[6:02] 9. Pots & Pans
[5:13] 10. Solitude
[4:43] 11. In A Mellow Tone
[5:57] 12. Mercy, Mercy, Mercy
[3:27] 13. T'ain't What You Do
Saxo alt: FRANCESCO CAFISO; Piano i direcció: Gerard Nieto; Trompetes:Ivó Oller, Jaume Peña, Albert Cruz, Ignasi Franco: Trombons: Aram Montagut, Tom Johnson, Jordi Montasell i Pere Bono; Saxos: Nil Villà, Marc, Joan Moragas, Jaume Maristany Albert Comaleras: Base rítmica: Lluís Murillas (guitarra) Pep Rius (contrabaix) Xavi Hinojosa (bateria).
Big Band Jazz Maresme, it's been ten years ahead of this project ... how is it possible? with the bureaucratic "sticks on the wheels" and other things that we encounter. Also, of wanderings, little institutional support and programmers are disappointing. There is only one explanation: we are crazy to touch and suffer from anxiety if we spend too many hours without contact with music. At the same time we also believe that we do a pedagogical social function, defending and showing this music that we like so much, jazz.
In these 10 years, the Big Band has evolved, has compacted its sound and currently has the ability to reach the repertoires of the different projects, much faster than at the beginning. Also, individually, we have evolved, as musicians, because we had to be at the level of demand that the orchestra, directed by Gerard Nieto, asked. As the director said at the beginning "we have to be a professional jazz orchestra, capable of achieving any repertoire or project" (he said nothing of: "in a short time and few essays" that we usually do, because as in all the rest of the things of life it always goes away at the last moment: the scores arrive late or it is difficult to coordinate 17 people (worse still: 17 musicians !!) to find the time to try.
Finally, to acknowledge, we have to know previously and as we said before, humbly, we believe we can do this teaching role, presenting intitulating proposals to help you get to know this music a bit more. (Translated from Spanish.)
Big Band Jazz Maresme, it's been ten years ahead of this project ... how is it possible? with the bureaucratic "sticks on the wheels" and other things that we encounter. Also, of wanderings, little institutional support and programmers are disappointing. There is only one explanation: we are crazy to touch and suffer from anxiety if we spend too many hours without contact with music. At the same time we also believe that we do a pedagogical social function, defending and showing this music that we like so much, jazz.
In these 10 years, the Big Band has evolved, has compacted its sound and currently has the ability to reach the repertoires of the different projects, much faster than at the beginning. Also, individually, we have evolved, as musicians, because we had to be at the level of demand that the orchestra, directed by Gerard Nieto, asked. As the director said at the beginning "we have to be a professional jazz orchestra, capable of achieving any repertoire or project" (he said nothing of: "in a short time and few essays" that we usually do, because as in all the rest of the things of life it always goes away at the last moment: the scores arrive late or it is difficult to coordinate 17 people (worse still: 17 musicians !!) to find the time to try.
Finally, to acknowledge, we have to know previously and as we said before, humbly, we believe we can do this teaching role, presenting intitulating proposals to help you get to know this music a bit more. (Translated from Spanish.)
Big Band Jazz Maresme mc
Big Band Jazz Maresme zippy
