Showing posts with label Jonathan Butler. Show all posts
Showing posts with label Jonathan Butler. Show all posts

Saturday, April 29, 2023

Jonathan Butler - Ubuntu

Styles: Vocal And Guitar Jazz
Year: 2023
File: MP3@320K/s
Time: 56:28
Size: 130,3 MB
Art: Front

(4:58) 1. Superwoman (Where Were You When I Needed You)
(5:04) 2. Ubuntu
(4:14) 3. When Love Comes In
(4:52) 4. No Tomorrow
(5:19) 5. Bon Appétit
(4:02) 6. Rainbow Nation
(5:10) 7. Peace in Shelter
(4:49) 8. Coming Home
(7:04) 9. Silver Rain
(5:14) 10. Springtime in Afrika
(5:38) 11. Our Voices Matter (Bonus Acoustic Version)

Legendary singer-songwriter Jonathan Butler traveled back to his home country of South Africa to craft his most exciting and deeply personal album to date. Featuring producer/bassist Marcus Miller, Ubuntu is a reintroduction of Butler’s life story, going back 60 years to his upbringing in apartheid-era Capetown, which shaped his world view, prompted years of advocacy and instilled the ideology of ‘Oneness’ (Ubuntu).

Featuring special guests Keb’ Mo’ and Stevie Wonder on harmonica, the new album serves both as a rebirth of musical creativity and reconciliation with systemically biased history to forge a brighter future.
https://jonathanbutler.com/products/jonathan-butler-ubuntu

Ubuntu

Sunday, November 1, 2020

Dave Koz And Friends - Summer Horns II From A To Z

Styles: Saxophone Jazz
Year: 2018
File: MP3@320K/s
Time: 54:54
Size: 126,3 MB
Art: Front

(4:28) 1. Medley: Getaway / That’s The Way (I Like It)
(5:05) 2. More Today Than Yesterday
(4:50) 3. Keep That Same Old Feeling
(5:28) 4. Medley: From A To Z (Take The “A” Train / Make The Road By Walking)
(4:10) 5. This Will Be (An Everlasting Love) (feat. Kenny Lattimore & Sheléa)
(4:55) 6. Before I Let Go
(5:09) 7. Late In The Evening (feat. Jonathan Butler)
(4:43) 8. If You Really Love Me
(4:44) 9. Conga (feat. Aubrey Logan & Gloria Estefan)
(5:58) 10. Earth Song
(5:19) 11. Route 66 (feat. Aubrey Logan)

It’s easy to see why Dave Koz wanted to record a part two to his Summer Horns album. Part 1, which dropped in 2013, brought together four of contemporary jazz’s best-known saxophonists Koz, Gerald Albright, Mindi Abair, and Richard Elliott - to cover tunes from pop and R&B bands that had world famous horn sections. The original Summer Horns featured cuts by Chicago, Tower of Power, Sly and the Family Stone, the Beatles and Earth, Wind & Fire (actually two EW&F songs, since their 1978 cover of the Fab Four’s “Got to Get You Into My Life” served as the inspiration for the track included on Summer Horns.)Summer Horns became a commercial and creative success, earning a Grammy nod, and receiving considerable airplay on terrestrial, satellite and internet radio. The band also spent two years touring following its release. With all that positivity surrounding the original, a sequel could be viewed as an economic necessity. However, the music industry is like a river in that artists never creatively cross twice. It’s been five years since the original Summer Horns dropped, and so it’s not surprising that the four principles were not in the same place.

Changing times presented Koz with an opportunity to make the same type of album different, and he took advantage on Summer Horns II: From A to Z by adding trumpeter Rick Braun and trombonist and vocalist Aubrey Logan to give the brass ensemble a larger and more diverse sound to accompany the returning Albright and Elliott. Summer Horns II also features more vocals from Logan, as well as Kenny Lattimore, Shelea, Gloria Estefan and Jonathan Butler. The addition of trumpet and trombone seemed to inform the album’s musical selections. “This Will Be,” the album’s best track, opens with a honking baritone saxophone and is joined in with the other players giving the track a big band sound. And while the balance of the track plays it pretty close to Natalie Cole’s original, the decision to turn the cut into a duet featuring Lattimore and Shelea pays off, as they transform Cole’s loving soliloquy about the eternal nature of that special love into a swinging yet sensual conversation between two lovers. The horns combine with the African infused percussion, backing vocals and Jonathan Butler’s acoustic guitar work and rangy vocals on the cover of Paul Simon’s “Late in the Evening.” Whereas Simon’s vocals were subdued and wry, Butler brings elements of his gospel roots to this soulful rendition. Acoustic bass and the harmonic horn play combine with Logan’s vocals to create a swinging version of “Route 66.” The vocal tracks on Summer Horns II are so strong that I had to wonder if the group missed some opportunities with sticking primarily with instrumentals on several covers. I would love to see what creative arrangements Koz and his crew could have come up with if Lattimore had been turned loose on “More Today than Yesterday,” “Before I Let Go,” or if paired in duet with Estefan (who paired with Logan on a remake of her 1986 hit “Conga”) on “If You Really Love Me.” But, my desire for a few more vocals aside, this is a worthy follow up to the smash original collaboration, and an extremely enjoyable soundtrack to Summer 2018. Recommended. By Howard Dukes https://www.soultracks.com/album-review-dave-koz-summer-horns-II-from-a-to-z

Personnel: Dave Koz, Gerald Albright, Gloria Estefan, Jonathan Butler, Mindi Abair, Richard Elliot

Summer Horns II From A To Z

Saturday, June 8, 2019

Jonathan Butler - Grace and Mercy

Styles: Vocal, Guitar Jazz
Year: 2012
File: MP3@320K/s
Time: 46:05
Size: 107,7 MB
Art: Front

(3:48)  1. You're All That I Need
(4:20)  2. Who Is Like The Lord
(4:10)  3. Give It Up To God
(3:29)  4. Grace and Mercy
(3:24)  5. I Stand On Your Word
(4:23)  6. Don't Walk Away
(3:59)  7. Lay My Head On You
(3:27)  8. Trials
(4:52)  9. I Know He Cares
(5:37) 10. Moments of Worship
(4:32) 11. Acoustic Reprise

A life well lived is often the best foundation for compelling art and there’s no denying Jonathan Butler has been blessed with a fascinating life. A South African native whose expansive musical gift has earned accolades in the R&B, contemporary jazz and gospel fields, Butler’s new release Grace and Mercy is filled with the soulful sounds and insightful lyrics fans have come to expect from the veteran performer. A key word in Butler’s life is balance and after years of touring the globe, he’s learned just how important time away from the spotlight can be. “These days I try to do a little bit of living in between. I balance my life,” he shares. “I’ve got to spend time living, and through living you come up with stories to talk about and songs to write. These songs are personal experiences. People always assume that because you’re a recording artist and you travel the world that you don’t have problems and you don’t have disappointments in your life, which is not true. We all do. This album truthfully and honestly lets people know that the songs that I’m writing are the things that I’m going through in this season. I’m hoping those songs will effect people in a positive and wonderful way.” On Grace and Mercy Butler delivers a collection of songs that serve as a soothing musical balm in today’s troubled times. “This album really speaks about optimism, faith, belief and hope, especially in the light of what everybody has been experiencing in the last two or three years,” he says. “There’s been a lot of people losing their homes, their jobs, enduring the challenges that life brings. I’m hoping this album will bring hope to people. Songs like ‘Give it Up To God,’ ‘I Stand On Your Word,’ and ‘Who is Like the Lord’ were written from experiences that I’ve had to go through myself.” The lead single, “I Stand On Your Word,” is a soaring ballad that reminds us of the power of God’s promises. “I love that song,” Butler says. “I hope that it hits home to a lot of people.” God’s word became real to Butler when he was just a teenager. At 19 years old, Butler’s life forever changed when he became a Christian. “It was love that drew me to Christ,” he smiles, “the love of someone who cared enough to talk to me about Jesus and take me in when I was basically a broken young man in South Africa. It was my late brother-in-law, my wife’s brother, who led me to Christ. He was that person in my life that actually took the time to talk to me about Jesus, and it didn’t take me long to give my heart to Christ because of that.” In the past few years, his faith has sustained Butler during some difficult times. He lost his beloved mother and a very close friend in addition to helping his wife battle cancer. It’s been tumultuous time that saw the gifted musician leaning ever closer to God and pouring his experiences into his music. Grace and Mercy showcases Butler’s gift for taking potent lyrical messages and enveloping them in memorable melodies. “Give it up to God” is a soul-stirring slow jam that spotlights Butler’s warm, distinctive voice. “Simplicity always wins for me,” Butler says of the song. “There is such power in a simplistic lyric. You really reach people when you say simply, ‘Give it up to God.’ We all go through those every day trials. We read the Proverbs and Psalms and most of the time we forget that the Bible says, ‘Trust in the Lord with your heart and lean not on your own understanding.’ Every day we have to give it up to God, EVERY day.”

Among Butler’s favorite tracks are “I Know He Cares.” “I love, love, love, love ‘He Cares!’ I wrote ‘He Cares’ and it spoke to me,” Butler says. “I started with the music and then started writing these lyrics down. We all need to know that God really cares for us. The Bible says, “We are the sheep of his pasture” and he absolutely does care for us. That song really speaks to me a lot.” “Moments of Worship” is another highlight on Butler’s new project. “I actually recorded ‘Moments Of Worship’ in Spain years ago,” he says. “I was at a friend’s house and he had a studio and an engineer. I sat in front of a piano and started singing my favorite worship songs and I just decided to do that on this album. At the end of all the music, it comes back to worship, which I think is beautiful.” Lyrically Grace and Mercy delivers the kind of Biblically grounded, emotionally uplifting songs Butler has become known for, yet musically he says fans might be caught slightly off guard. “It’s going to surprise people a little bit coming from me because I think it’s much more of an edgier gospel record,” he says of the project, which was recorded at his home studio. “It’s more urban. Overall I feel it’s much more of a raw type of record. I didn’t grow up in church, but I’m a born again Christian. For the last 30 years I’ve been saved so I write from that place. I draw a lot from different elements and experiences and also my culture from South Africa, so I think it’s a little bit different.” Born in Cape Town, Butler was the youngest of 12 children. He discovered a gift for music early in life and began singing and playing guitar at age seven. As a child, he traveled all over South Africa performing with a troupe of 100 children, getting a first hand look at the country’s disturbing dichotomy devastating poverty and extreme affluence that existed under Apartheid. Butler signed his first record deal as a teen and became the first black artist played on white South African stations. “That was 1974 and it was a song titled ‘Please Stay,’” Butler recalls of the historic tune, which won a Sarie Award, the South African equivalent of a Grammy. “Back then I was with an independent label called CCP Productions.” Though Butler lived in England for 17 years and currently makes his home in Encino, CA, his youth in South Africa continually colors his artistry. “All those memories and all those experiences are what makes a woman or a man a stronger person,” he says. 

“It influences how they live their lives and their appreciation for life and freedom. That’s what shapes you and gives you that sensitivity of heart. Anyone who grew up in South Africa, or even in the 60’s in America, has a deeper appreciation for life and for freedom. It shapes their lives completely. I feel like all of the stuff that we grew up with in South Africa has made me a better person.” Butler has toured the world with such acclaimed artists as Kirk Whalum, Dave Koz and Ruby Turner. He’s earned Grammy nominations and rave reviews in the jazz and R&B fields, but his gospel albums hold a special place in his heart. “It was always a desire that I had,” he says of recording gospel music, “but I never really wanted to do it just for the sake of it. I needed to know that God would release me to do it because it’s a ministry. It changes people’s lives and I wanted to be sure that the Lord would release me to it. I prayed about it for a long time. I waited and then when I got the confirmation, God began giving me these songs. I wrote ‘Falling In Love With Jesus’ and that opened the door for me to walk seamlessly into my ministry.” Music, ministry, faith and family are all woven joyfully together for Jonathan Butler. His daughter, Jodie, tours with him, sings background vocals on Grace and Mercy, and is an integral part of his ministry. “She is actually working on her own project right now,” the proud father says. “I’m going to be making time to help develop her record. She’s a great writer and she’s working on new songs.” Butler has a lot to smile about these days. His wife of 30 years survived her battle with cancer, and they enjoy spending time doting on their little granddaughter. “With this record I’m really addressing where the Butler family has been and what we have gone through in 2010 and 2011,” he says. “My inspiration is definitely my family. They support me. They love me and they encourage me. I’m very, very excited about this record. I can’t wait for people to and connect with it because I believe that God has a lot in store for me and I’m heeding the call and obeying God.” ~ DL Media https://news.allaboutjazz.com/jonathan-butler-releases-new-album-grace-and-mercy.php

Personnel: Producer, Arranged By, Guitar, Vocals – Jonathan Butler; Lyrics By – Jonathan Butler (tracks: 1 to 9, 11), Kurt Lykes (tracks: 1 to 6, 8); Backing Vocals – Jodie Butler (tracks: 1 to 5, 7 to 9), Kurt Lykes (tracks: 1 to 5, 7 to 9); Bass – Dan Lutz (tracks: 1 to 3, 5, 8, 9); Drums – Gordon Campbell  (tracks: 5, 8, 9); Keyboards – Kevin Teasley (tracks: 1, 5, 6, 8), Tracey Carter (tracks: 7); Piano, Organ – Kevin Teasley (tracks: 5)

Grace and Mercy

Friday, August 31, 2018

Jonathan Butler - Close To You

Styles: Vocal And Guitar Jazz
Year: 2018
File: MP3@320K/s
Time: 44:11
Size: 104,0 MB
Art: Front

(3:32)  1. Do You Know the Way to San Jose
(3:34)  2. I'll Never Fall in Love Again
(3:29)  3. This Guy's in Love with You
(4:31)  4. Alfie
(3:29)  5. I Say a Little Prayer
(3:45)  6. Walk on By
(4:28)  7. (They Long to Be) Close to You
(3:46)  8. The Look of Love
(3:45)  9. Cape Town
(4:54) 10. What the World Needs Now is Love
(4:53) 11. A House is Not a Home

Dearly Beloved, Jonathan Butler having loudly even hysterically, you might feel proclaimed to the world that he has fallen in love with Jesus, let us consider his latest album and ponder Verse Two of "I'll Never Fall In Love Again" by Messrs. Hal David and Burt Bacharach:  What do you get when you kiss a girl? You get enough germs to catch pneumonia. Surely anyone who can turn words like that into a smash hit must be blessed with genius, regardless of what you think of the rest of their oeuvre, which includes "Do You Know The Way To San Jose?" and "What The World Needs Now Is Love." South African born singer/guitarist Butler revisits the David-Bacharach songbook for the bulk of Close To You, and also trots out his own "Cape Town," a decidedly ordinary eulogy to the place he calls home. He returns to the David-Bacharach songbook for his final number, "A House Is Not A Home," which oozes sentimentality from every pore and which you might expect to have been rendered obsolete by such modern songs as Stephen Sondheim's "Live Alone And Like It" which laud the benefits of living alone.  Butler has a ready smile and a warm voice which allow him to get away with almost anything, though he wisely treats "I Say A Little Prayer" as an instrumental, apart from a little scatting, which gets him off the hook from singing about putting on his make up. All the same, it can feel strange on occasion hearing a man interpret a song like "Walk On By," which Dionne Warwick so much made her own.  Although in this age of gender bending, as Cole Porter would undoubtedly have said, had he not died in 1964: "Anything Goes." ~ Chris Mosey https://www.allaboutjazz.com/close-to-you-jonathan-butler-jonathan-butler-mack-avenue-records-review-by-chris-mosey.php

Personnel: Jonathan Butler: vocals, guitar, percussion, bass, drum programming; Ramon Islas: percussion; Donald Hayes: saxophones; Cameron Johnson: trumpet; Nadira Kimberly: violin; Dan Lutz: bass; Jodie Butler, Antonio Sol, Francis Benetez, Terry Wood, Sandie Hall Brooks, Francis Livings, Amy Keys, Guy Maeda, Anick Byram, Clydene Jackson, Leyla Hoyle, James Zavaleta, Paulina Aguirre, Aleyna Van Antwerp, Jenny Karr, Sharlotte Gibson, Adrian Brizz, Bianca McClure, Vangie Gunn, Brigette Bryant, Andrea Grossi, Dorian Holley, Fred White, Carlis Murguia, Will Wheaton, Charlean Carmon, Aleta Braxton: background vocals.

Close To You

Sunday, July 8, 2018

Jonathan Butler - 7th Avenue

Styles: Guitar Jazz
Year: 1988
File: MP3@320K/s
Time: 44:08
Size: 101,6 MB
Art: Front

(5:23)  1. 7th Avenue
(4:48)  2. I'll Never Part From You
(3:12)  3. Ponte
(4:21)  4. Stoneman
(3:04)  5. Do the Boogie
(5:15)  6. Just Too Much
(5:57)  7. Felicia
(4:22)  8. It's Been A Long Time
(4:08)  9. Put My Love Away
(3:34) 10. You and I

South African expatriate Jonathan Butler isn't really a jazz artist, but his laid-back, slightly jazz-tinged approach to R&B/pop has earned the singer/guitarist/songwriter/producer a lot of supporters in the urban contemporary, adult contemporary, quiet storm, and smooth jazz/NAC markets. Butler has enjoyed a following since the late '70s, although he reached his commercial peak in the late '80s, and he continues to tour and record in the 21st century. Born in Cape Town, South Africa in October 1961, Butler was only a child when he started singing and playing acoustic guitar. Butler, who was the youngest of about 12 children, absorbed a variety of music when he was a kid. He was an admirer of South African stars like singer Miriam Makeba, but he was also hip to the American soul and jazz artists who lived thousands of miles away in the United States. Stevie Wonder became a major influence, and so did former-hard bop-guitarist-turned-R&B/pop-singer George Benson.  Sadly, Butler learned about the horrors of South Africa's racist apartheid laws at an early age; when he was growing up, South Africa had an oppressive system of racial segregation that was quite comparable to the Jim Crow laws that plagued the southern U.S. until the early '60s. Apartheid (which has since been abolished) was the subject of some of Butler's '80s recordings. Although he was never a hardcore protest singer à la Gil Scott-Heron, Peter Tosh, or Bob Marley, he wrote some anti-apartheid songs here and there. Butler, who spoke Afrikaans before becoming fluent in English, was a teenager when British producer Clive Calder signed him to the London-based Jive Records in 1977; Introducing Jonathan Butler, his largely instrumental debut album, was released that year and employed Bob Cranshaw (who is best known for his long association with Sonny Rollins) on bass. At the time, Butler was often compared to Benson, a man who, like Butler, has been praised for both his singing and his guitar playing. It wasn't long before the teenage Butler won a Sarie Award, which is the South African equivalent of an American Grammy or a Canadian Juno Award. 

But Butler didn't remain in South Africa much longer; in the early '80s, he escaped from apartheid and moved to England (where Jive's main office was located, and where Butler remained for 17 years). Butler maintained a loyal following in the '80s and '90s, not only in his native South Africa, but also, in the U.S. and Europe. One of his biggest releases came in 1987, when Jive released a self-titled album that contained a hit cover of the Staple Singers' "If You're Ready (Come With Me)" (which found him performing a duet with British urban contemporary singer Ruby Turner). And Butler's next Jive album, 1988's More Than Friends, was also a big seller; that CD gave us the major hits "Lies" (which was nominated for a Grammy) and "Sarah, Sarah." Butler continued to record for Jive in the early '90s; then, in the late '90s and early 2000s, he provided three albums for N-Coded Music: 1997's Do You Love Me?, 1999's Story of Life, and 2000's The Source. After that, Butler (who turned 40 in October 2001) left N-Coded and moved to Warner Bros., which released Surrender in June 2002.  With the release of 2004's Worship Project, Butler (a life-long Christian) began to find more ways to express his faith alongside his smooth jazz and R&B stylings. Even when he grooved, spirituality was at the center of such albums as Jonathan (2005), Brand New Day (2007), So Strong (2010), and Grace and Mercy (2012). Butler's first-ever holiday album, Merry Christmas to You, appeared in 2013. The following year, he was joined by bassist Marcus Miller, saxophonist Elan Trotman, and others for Living My Dream, and in 2015, he delivered the gospel-infused Free.~ Alex Henderson https://www.allmusic.com/artist/jonathan-butler-mn0000218709/biography

7th Avenue

Friday, October 27, 2017

Jonathan Butler - Do You Love Me?

Styles: Guitar Jazz
Year: 1997
File: MP3@320K/s
Time: 52:59
Size: 121,5 MB
Art: Front

(4:10)  1. Song for Elizabeth
(4:34)  2. Do You Love Me?
(4:33)  3. The Other Side of the World
(4:43)  4. Life After You
(4:05)  5. New Life
(4:16)  6. Dancing on the Shore
(4:29)  7. You Don't Belong To Me
(3:54)  8. The Way You Look Tonight
(4:18)  9. Amen
(4:01) 10. A Kiss
(5:26) 11. Lost to Love
(4:23) 12. My Only Joy

On Jonathan Butler's N2K Encoded Music debut, Do You Love Me, he continues his jack-of-two-trades approach, balancing R&B-based vocal tunes with easy, acoustic guitar-based instrumentals. While it's a friendly enough listen, Butler here doesn't display a powerful enough mastery of either format. His guttural, heartfelt vocal style reminiscent of Jon Secada can make even the most Lionel Richie-esque lyric seem deeper than it is (even a new song with a title like "The Way You Look Tonight"), but few of the adult-oriented vocal tunes here are as memorable or hooky as his best-known hit, "Sarah Sarah." "Do You Love Me?," for instance, should be a deep, emotional moment, but comes off as a pleasant, easily dismissed conversation. Fortunately, "You Don't Belong to Me" has more lyrical bite, nicely underscored with a percussive guitar line underneath his angry tone. Butler should put more of that pointed energy into his play-it-safe instrumentals, which generally gallop along smoothly without building much steam. The best one can do with this sort of album is like Butler a lot. ~ Jonathan Widran https://www.allmusic.com/album/do-you-love-me-mw0000595283

Personnel: Jonathan Butler (vocals, guitar, programming); Tom Scott (soprano saxophone, synthesizer); Kirk Whalum (tenor saxophone); Dave Grusin (Fender Rhodes); Larry Kimpel (bass, fretless bass, background vocals); Portia Griffin, Yvonne Williams, Earl Buffington (background vocals).           

Do You Love Me?

Friday, June 24, 2016

Jonathan Butler - So Strong

Styles: Vocal, Guitar, Jazz Funk
Year: 2010
File: MP3@320K/s
Time: 58:23
Size: 134,4 MB
Art: Front

(3:44)  1. So Strong
(5:01)  2. You Got to Believe in Something
(3:29)  3. Make Room for Me
(4:09)  4. Factual
(3:45)  5. Feels So Good
(4:38)  6. Be Here With You
(4:25)  7. Avia / For My Baby
(3:31)  8. I'm Right Here
(3:59)  9. Color Green
(4:02) 10. Good Times
(4:54) 11. I Can See Clearly Now
(5:09) 12. I Pay Respect
(4:04) 13. So Strong (Steppers Mix)
(3:27) 14. So Strong (Urban AC Mix)

Vocalist/guitarist Jonathan Butler has been fairly consistent in his quest to be the next George Benson, as his recordings could all be easily mistaken for the classic pop/jazz album Breezin'. So Strong follows those same non-discretionary lines, as Butler makes no bones about playing the exact same style of tunes that Benson popularized in the mid-'70s, establishing the so called smooth jazz format. You hear relatively similar light funk beats, spare guitar chords, or easygoing, simple lines, and the kind of underdeveloped, lazy affectations that are formulaic to this production model, cookie-cutter music. As Butler plays this genre of singer/songwriter pop, he sounds well, creeping closer vocally to Stevie Wonder, his fans should be pleased at the end result. 

In the pocket and on the make, songs like the title track and "Feels so Good," are purpose-built to slink and seduce one into a late-night lull, while moaning ballads and cooing come-ons dot the surface of these marginal compositions. Butler does hearken back to his South African heritage with ringing chords and a horn complement (Rick Braun and Dave Koz) during "Make Room for Me," and does a quite credible version of the 1972 Johnny Nash hit "I Can See Clearly Now." 

There's nothing outstanding or all that different to suggest Butler has an interest in establishing his own identity past commercial considerations. Perhaps someday he'll do the pure highlife, kwela, or township jazz album that is within his native soul.~Michael G.Nastos http://www.allmusic.com/album/so-strong-mw0001980388

So Strong

Wednesday, January 13, 2016

Jonathan Butler - Story Of Life

Styles: Vocal, Guitar, Jazz Funk
Year: 1999
File: MP3@320K/s
Time: 44:16
Size: 102,0 MB
Art: Front

(3:47)  1. Story Of Life
(4:01)  2. Let's Stand Together
(5:07)  3. What Would You Do For Love?
(4:53)  4. After All This Time
(4:22)  5. Suite 830
(4:40)  6. Can't Let Go
(4:24)  7. Through It All
(4:59)  8. Following The Light
(3:59)  9. Sunset Ride
(4:00) 10. So In Love

Jonathan Butler's Story of Life focuses on the South African singer/guitarist's vocal and songwriting skills. The album's smooth atmosphere is enhanced by Butler's backing band, which features players like Fourplay bassist Nathan East and pianist George Duke; this silky style is especially evident on romantic tracks like "Through It All," "So in Love," and "Suite 830," which also features saxophonist Candy Dulfer. ~ Heather Phares  http://www.allmusic.com/album/story-of-life-mw0000668803

Personnel: Jonathan Butler (vocals, guitar, keyboards, synthesized bass & strings, programming); Michael Thompson, Michael Landau (guitar); Suzie Katayama (cello); Candy Dulfer (alto saxophone); George Duke (Fender Rhodes piano); Greg Phillinganes (electric piano, keyboards); Gregory Wachter (keyboards, programming); Richard Page (keyboards); Nathan East, Abraham Laboriel, Neil Stebenhaus, Larry Kimpel (bass); Will Kennedy (drums); Paulinho Da Costa (percussion); Peter Mokran (programming); Tracy Nelson, Earl Buffington, Mervyn Warren (background vocals).

Story Of Life

Thursday, January 22, 2015

Rachelle Ferrell - Individuality

Styles: Vocal
Year: 2000
File: MP3@320K/s
Time: 59:51
Size: 138,0 MB
Art: Front

(4:53)  1. Individuality  (Can I Be Me?)
(3:59)  2. Sista
(6:17)  3. Will You Remember Me
(5:30)  4. I Forgive You
(5:06)  5. I Gotta Go
(5:30)  6. Why You Wanna Mess It All Up
(5:44)  7. Gaia
(4:04)  8. Run To Me
(5:10)  9. Reflections Of My Heart
(5:32) 10. Satisfied
(8:02) 11. I Can Explain

Rachelle Ferrell is back, if not with a vengeance, at least with an attitude. An attitude of confidence, perseverance and hope. Jazz enthusiasts couldn't help but be bowled over by Ferrell's extraordinary technique on her 1995 Blue Note album, First Instrument. And then, nothing. Reports of occasional performances here, irregular publicity there. What happened to her? We may never know, except that Ferrell has moved from Philadelphia to New Mexico and has attained the peace that many find in the union with nature there. Individuality (Can I Be Me?) , though, hints strongly that Ferrell has gone through some tough times. Not only that, the titles of the tunes imply an identity crisis. No wonder. Her work on Blue Note was one-of-a-kind, but was it jazz, or was it overcompensation? Was it scat, or was it gimmickry? It seems that her audiences were divided in their reactions, although they agreed on the astounding depth of her talent. 

Well, Ferrell's identity seems to dwell within an R&D sensibility. All of the vocal techniques that Ferrell employed earlier gutturalisms, purrs, peeps, siren-like cranking up of intensity, growls and moans are appropriate to the material she wrote for Individuality (Can I Be Me?). The coquetry and hurt that seep through her delivery assume consistency with meaning on "I Forgive You". In contrast, Ferrell's irrepressibility sometimes overpowered the wholeness of her expression in the jazz idiom, which depends on group interplay.Perhaps "Reflections Of My Heart" stands out as the most melodic and expressive of the tunes on the CD. Ferrell and her younger brother Russ Barnes create a dialog of like-mindedness and belief that certainly should gain attention on the nation's R&B stations.

Rachelle Ferrell has found her own truth, it seems. Yes, she can be herself now. The convergence of self and music has led to the album that Ferrell was destined to make, jazz or no and one that is congruent with her personality. ~ AAJ Staff  http://www.allaboutjazz.com/individuality-can-i-be-me-rachelle-ferrell-capitol-records-review-by-aaj-staff.php
 
Personnel: Rachelle Ferrell, vocals; Jonathan Butler, guitar, vocals; Russ Barnes, vocals; George Duke, keyboards; Jef Lee Johnson, Tony Maiden, guitar; Byron Miller, bass; Lil' John Roberts, drums; Lenny Castro, percussion

Sunday, November 10, 2013

Jonathan Butler - Merry Christmas To You

Size: 111,6 MB
Time: 47:41
File: MP3 @ 320K/s
Released: 2013
Styles: Vocal Jazz, Holidays
Art: Front

01. This Christmas (4:13)
02. Sleigh Ride (3:34)
03. Merry Christmas To You (4:33)
04. Happy Holidays (4:38)
05. Little Drummer Boy (4:13)
06. I'll Be Home For Christmas (4:24)
07. Have Yourself A Merry Little Christmas (4:08)
08. Sweet Little Jesus Boy (4:58)
09. The First Noel (5:49)
10. O Holy Night (7:06)

Jonathan Butler is a contemporary icon, a global artist that continues to grow and develop his artistry with each passing year. Merry Christmas To You is a little thank you to friends and fans that is as un-produced and organic in feel as a Christmas release should be. Butler takes what had the makings of a good release and elevates it to a level of greatness few artists can match.

Christmas records have a pretty simply formula. To start the Federal holiday is Christmas so while references to other celebrations are politically correct they tend to water down the original intent of what a Christmas release is all about. Another stumbling block for most artists is the self serving attempt to try and write original music for a Christmas release with most tunes simply crashing and burning faster than a Christmas turkey. Butler contributes two originals, "Merry Christmas To You" and "Happy Holidays." Both tunes are beautifully written and fit nicely with the overall vibe of this traditionally oriented release. The usual suspects including "Sleigh Ride" and "Have Yourself A Merry Little Christmas" are included and within this acoustic oriented setting take on a harmonic freshness long missing in the over produced commercial arena of "Holiday Music." Jonathan Butler allows the true spirit of the season to shine through with an exemplary performance that all music fans should enjoy.

A fantastic ensemble, tunes you know and love, and the genuine soul of a gifted artist makes Merry Christmas To You the perfect gift for fans across the globe.

Merry Christmas To You