Friday, November 20, 2015

Helen Humes - Blue And Sentimental

Size: 135,8 MB
Time: 58:10
File: MP3 @ 320K/s
Released: 2002
Styles: Jazz/Blues Vocals
Art: Front

01. He May Be Your Man (2:57)
02. Every Now And Then (3:15)
03. Unlucky Woman (3:57)
04. Blue Prelude (3:08)
05. Its Better To Give Than To Receive (2:52)
06. Please Let Me Forget (3:06)
07. He Don't Love Me Anymore (2:48)
08. See, See, Rider (2:45)
09. Pleasing Man Blues (3:03)
10. Central Avenue Boogie (2:36)
11. Married Man Blues (2:56)
12. Be Ba Ba Le Ba Boogie (2:41)
13. Jet Propelled Papa (2:42)
14. They Raided The Joint (2:27)
15. Blue And Sentimental (3:08)
16. I Just Refuse To Sing The Blues (2:55)
17. Jumpin' On Sugar Hill (2:55)
18. Mad About You (2:59)
19. Flippity Flop Flop (1:59)
20. Today I Sing The Blues (2:51)

Helen Humes was a versatile singer equally skilled on blues, swing standards, and ballads. Her cheerful style was always a joy to hear. As a child, she played piano and organ in church, and made her first recordings (ten blues songs in 1927) when she was only 13 and 14. In the 1930s, she worked with Stuff Smith and Al Sears, recording with Harry James in 1937-1938. In 1938, Humes joined Count Basie's Orchestra for three years. Since Jimmy Rushing specialized in blues, Helen Humes mostly got stuck singing pop ballads, but she did a fine job. After freelancing in New York (1941-1943) and touring with Clarence Love (1943-1944), Humes moved to Los Angeles. She began to record as a leader and had a hit in "Be-Baba-Leba"; her 1950 original "Million Dollar Secret" is a classic. Humes sometimes performed with Jazz at the Philharmonic, but was mostly a single in the 1950s. She recorded three superb albums for Contemporary during 1959-1961, and had tours with Red Norvo. She moved to Australia in 1964, returning to the U.S. in 1967 to take care of her ailing mother. Humes was out of the music business for several years, but made a full comeback in 1973, and stayed busy up until her death. Throughout her career, Helen Humes recorded for such labels as Savoy, Aladdin, Mercury, Decca, Dootone, Contemporary, Classic Jazz, Black & Blue, Black Lion, Jazzology, Columbia, and Muse. ~by Scott Yanow

Blue And Sentimental

Bill McGee - Still Bill

Size: 131,1 MB
Time: 56:03
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Smooth Jazz, Vocals
Art: Front

01. Cantaloupe And Watermelon (6:04)
02. Stay (5:19)
03. Grazing In The Grass (4:48)
04. The Gift (5:56)
05. Children Of The Night (5:45)
06. I Know You Got Soul (4:04)
07. The Groove Activator (5:40)
08. Full Circle (4:53)
09. Fence Walk (4:41)
10. Just You Wait And See (6:25)
11. Homily For The Pope (Pope Francis) (2:23)

Since his first solo CD, "This One's 4U", was released in 2002, Bill McGee has survived prostate cancer, had nine grandchildren, retired after thirty years as a school administrator and music teacher, released seven different CD's as the CEO of the 804 Music Group and has come around full circle as a full time musician and recording artist. He was given his first trumpet lesson in 1963, and says that he's still working on learning how to play the instrument. Bill recorded for the first time in 1970, in a small studio in College Park, Georgia with his classmates who went on to become "Brick". After receiving two gold records and working with stars like the O'jays, Lou Rawls, Evelyn Champagne King, and The Sugarhill Gang, learning how to play is a bit of an understatement. But after a nine year hiatus since the hit CD "Chase The Sunset", Bill wants everybody to know that he is "Still Bill", a soulful, spiritual, jazzy kind of trumpet guy, who as an arranger and composer can hang with the best in the business. The CD "Still Bill" comes with all flavors of Jazz, Soul and Gospel Jazz. With a great cast of musicians and singers who all have what Bill likes to call "The Gift". Much of the music is a reflection on his early life as a young trumpet player learning songs like "Watermelon Man", "Cantaloupe Island" and his first public solo, at a pep rally, playing "Grazing in The Grass". Another group of songs represent his days as a young professional musician and being influenced by Mandrill's "Fence Walk" and Philly International's "Children of the Night", by the Stylistics, performed beautifully by Yolanda "Yonnie" Coleman. Then we find the songs on this CD that reflect on a spiritual journey that recognizes we all come "Full Circle", and in time learn to appreciate "The Gift" of music given to us by the creator. Then we reflect and share the beautiful uplifting melody of the original Jazz - Gospel composition "Just You Wait and See" performed by the marvelous voice of Reverend Cora Harvey Armstrong, and the 804 Jazz Allstars. The CD "Still Bill" reflects the life and experience of the veteran trumpet player Bill McGee, who sincerely believes "To whom much is given; much is required."

The CD "Still Bill" has eleven outstanding songs all by Bill McGee and his associates, Tom Reaves a phenomenal guitarist who has played on all four of Bill McGee’s CD’s, E.J. Shaw a gifted drummer, bass player and pianist and Brandon Lane, a gifted composer, arranger, engineer, and bass player extraordinaire. Brandon at 13 made his recording debut when he played on Bill’s cover of “I Wish” from the Chase The Sunset CD. Along with these three fantastic musicians the CD “Still Bill” features many, talented musicians and singers including Fox Hole Records guitarist, Freddie Fox, on Brandon’s composition “Full Circle”. And there is the young prodigy, Ayinde Williams, the 18 year old pianist is featured on the lead single “Cantaloupe and Watermelon”. A 2015 high school graduate, Ayinde was awarded a scholarship to the New England Conservatory of Music to study Jazz Performance. Bill says “it was an honor to feature Ayinde of these two Herbie Hancock classic’s because of the synergy and similarities between a young Herbie Hancock and this fine young pianist who is most definitely heading for bigger and better things as a jazz pianist.”

Also featured on the CD are 804 jazz label mates, James Saxsmo Gates (Sax) and Dr. Weldon Hill (Piano), both of these fantastic artist have been recently nominated on the first ballot for a Grammy, in composition and arranging. Saxsmo stands out once again on several songs, one in particular is “I Know You Got Soul”, a funky G minor blues that will have you bopping your head from side to side. The CD “Still Bill” has so many great originals and cover tunes that it is fundamentally a top to bottom listen. And as it closes out you will hear a composition that was written to acknowledge the 2015 visit of Pope Francis to the United States. This song was released on Facebook and Youtube as a tribute video and received many thousand views. Bill explained that he is not Catholic, but he admires Pope Francis for being a simple man of the people, sick and poor, a man with flaws who follows the words of Christ as he ministers to his flock. In recording this song Bill stepped away from slick studio production and recorded it in one take, a capella, keeping all of the flaws and nuances in an effort to reflect the realness of the moment and the person of Pope Francis, then the music was added to enhance the mood of his soulful trumpet playing. This song brings the CD to a beautiful culmination of excellence and creativity. And yes he is “Still Bill”.

Personnel:
Bill McGee - Trumpet, Flugelhorn, Trombone, Keyboards, Drum Programming, Strings, Arrangements, Producer, Engineer
Tom Reaves - Guitar, Associate Producer, Engineer
E.J. Shaw - Drums, Bass, Keyboards, Associate Producer, Engineer
Brandon Lane - Bass, Trombone, Keys, Programming, Producer, Engineer (Full Circle), Associate Producer
Larry Dee - Organ, Production Assistant
James Saxsmo Gates - Sax
Ayinde Williams - Piano
Hannon D. Lane, Freddie Fox - Guitar (Freddie Fox appears courtesy of FoxHole Records)
Cora Harvey Armstrong - Piano, Lead Vocals (Just You Wait and See)
Matthew Zavich, Kevin Simpson, Dexter Moses - Sax
Juan Nelson - Bass
Kenneth Gill - Trombone
Kofi Shepsu - Drums
Yolanda "Yonnie" Coleman - Lead Vocals (Children of The Night)
Shawanda Yeldell - Lead Vocals (Fence Walk)
Will Hall - Piano, Marsha Meekins - Flute
Ellis Muhammad - Keyboards, Programming
Vocals: Wanda Tiller, Thomasine Johnson, Wanda T. McGee, Clarissa Jackson, Keisha Curry-Hilliard, Tiffany Thomas, Chasity Nero, Kanika McKinzie, Yolanda Coleman, Casper C. Coleman, Leandra Wilson, Tom Reaves, Bill McGee
Sound FX: Amani, Kameron, Jordan, Sean, (Boo boo and The Huggables) with Layla and Joshua (Monk)

Still Bill

Larry Novak - Invitation

Size: 158,5 MB
Time: 68:20
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz
Art: Front

01. Nobody Else But Me ( 6:31)
02. Waltz For Debby (Solo) ( 1:56)
03. Very Early ( 8:37)
04. The Days Of Wine And Roses ( 5:40)
05. Minority ( 5:56)
06. Close Enough For Love (11:00)
07. Yesterdays ( 9:03)
08. Invitation ( 6:33)
09. The Touch Of Your Lips ( 9:25)
10. Too Late Now ( 3:35)

It's been 50 years since the jazz pianist released his first album Larry Novak Plays! on Dot Records in 1964. Novak led his trio at Chicago's London House from 1961 to '63, then at Mr. Kelly's from '63 to '75. He played with and arranged for Peggy Lee, and worked extensively with Pearl Bailey. He also worked with Frank Sinatra, Joe Williams, Sarah Vaughan, Carmen McRae, instrumentalists Dizzy Gillespie, Louie Bellson, Charlie Shavers, Barney Kessel and countless others. This new trio recording features Eric Hochberg, bass and Rusty Jones, drums.

Invitation

Stephanie Urbina Jones - Feliz Navidad Y'All

Size: 100,8 MB
Time: 38:52
File: MP3 @ 320K/s
Released: 2015
Styles: Texicana, Country, Jazz, Xmas
Art: Front

01. Feliz Navidad (3:41)
02. Hallelujah Chorus (2:54)
03. The Little Drummer Boy (3:46)
04. Santa Claus Is Coming To Town (2:18)
05. One Little Boy (3:22)
06. Silent Night (2:28)
07. You Light Me Up (Like A Christmas Tree) (2:54)
08. Sexy, Saucy, Sometimes Naughty Time Of Year (2:49)
09. Winter Wonderland (3:43)
10. The Spirit Of Christmas (3:49)
11. The Christmas Song (4:12)
12. Silver Bells (2:50)

Stephanie Urbina Jones was born in a bi-cultural home in San Antonio, Texas where she grew up hearing sounds from both sides of the border. Her Texicana tapestry of music combines her life experiences and the sounds that influenced her soul.As a child many evenings were spent two-stepping at the famous honky-tonk Luckenbach where the sheriff and bartender of the one horse town "Margie" was her babysitter.

From country rock to latin blues-pop, she has created a style all her own. This unique artist is poised to be the very first Hispanic American female to break through country music. Drawing from her passion to honor her heritage through her music she became the first independent female to reach #1 on the Texas Music chart.
At this point this latina is committed to joy, laughter, and gratitude. "I've spent most of my life so far being serious, and now I intend to not take myself or anyone else so seriously. They say laughter is the best medicine and after the last few years I am ready to cut loose and have some fun!" Jones says. This upcoming album loosely referred to as "The Texicana Sessions" is just that, a horn filled fiesta platter of passion, romance and a party in a song! Songs like "Revolucion en mi Corazon", "Como Se Llama, Mama?" ( featuring Texas legend Augie Meyers) and "I'm Not a Pinata" are sure to make you laugh and give you a little south of the border getaway without going anywhere.
This saucy Texicana Mama is hitting the road and shakin things up...Vamanos Ya'll!

Feliz Navidad Y'All

Various - Rockin' The Spirit

Bitrate: MP3@320K/s
Time: 60:26
Size: 138.3 MB
Styles: Boogie woogie, Spirituals
Year: 2001
Art: Front

[6:02] 1. Bob Seeley - St. Louis Blues
[4:29] 2. Johnny O'Neal - Happy Days Are Here Again Jitter Bug Waltz
[3:24] 3. Mark Braun - Pinetop's Boogie Woogie
[5:59] 4. Bob Seeley - Amazing Grace
[6:25] 5. Mark Braun - My Sunday Best
[2:47] 6. Eric Reed - You Took Advantage Of Me
[4:02] 7. Johnny O'Neal - Glory Glory Hallelujah
[5:34] 8. Monty Alexander - Boogie Woogie Keys
[3:24] 9. Bob Seeley - Fourplay Boogie Woogie
[4:20] 10. Eric Reed - Three Hymns
[6:04] 11. Monty Alexander - Nobody Knows The Trouble I've Seen No Woman, No Cry
[7:51] 12. Eric Reed - Whisper Not

After attending an annual boogie-woogie concert organized by Mark Braun (Mr. B.), Monty Alexander headed a recording project that paid tribute to both boogie-woogie and spirituals. Five pianists participated, performing two numbers apiece, with four of the players (all but Alexander) playing a pair of duets. Alexander, Eric Reed, and Johnny O'Neal are better known nationally than Bob Seeley and Mark Braun, but all five pianists fare well, stretching beyond boogie-woogie and spirituals to include a few swing standards and even a bluish duet on Benny Golson's "Whisper Not." Recommended to boogie-woogie fans and the curious. ~Scott Yanow

Rockin' The Spirit

Clementine - Clementine Sings Ben Sidran

Bitrate: MP3@320K/s
Time: 31:48
Size: 72.8 MB
Styles: Jazz vocals
Year: 2009
Art: Front

[3:09] 1. At Least We Got To The Race
[3:45] 2. You're Looking At Me
[3:00] 3. Solar
[3:05] 4. Let's Call The Whole Thing Off
[2:51] 5. Fullness Of Time
[3:21] 6. Lately
[3:05] 7. When I Fall In Love
[2:24] 8. Doop Doop Song
[4:15] 9. Searching
[2:49] 10. What A Wonderful World

Clementine - Vocals; Sylvain Beuf - Saxophone; Alain Jean-Marie - Piano; David Levray - Bass; Tony Rabeson - Drums; Ben Sidran - Vocals.

The Clementine catalog contains many variations on Ben Sidran songs but this is the only time the French singer recorded them with her own band in Paris. For a composer, it is always a pleasure to hear one's music performed by skilled musicians with a fresh take.

Clementine Sings Ben Sidran

Andrea Brachfeld - Lotus Blossom

Bitrate: MP3@320K/s
Time: 66:29
Size: 152.2 MB
Styles: Contemporary jazz, Flute jazz
Year: 2015
Art: Front

[7:24] 1. Lotus Blossom
[6:13] 2. A Flower Is A Lovesome Thing
[4:17] 3. If I Love Again
[5:35] 4. Memphis Underground
[7:46] 5. What A Little Moonlight Can Do
[5:38] 6. Changin' Up
[6:58] 7. Conception
[7:04] 8. There Was A Time
[6:36] 9. This Is
[8:55] 10. Queen Girl

It is so fitting for this CD to be named Lotus Blossom at this time of my life. Firstly, it is named after the composition written by Billy Strayhorn, who was one of the most original composers of our time. Then, most importantly, it ties in to where I am on my spiritual path. To be able to continue my path through my music, as expressed on this CD, is a true blessing.

The lotus flower is associated with the 7th chakra and is considered to be the door to divine universal energy. I believe one cannot play this music without being aware of the energy you feel when your mind stops thinking, and what you hear links to your heart which in turn manifests, as your physical body plays the music. It is a calling from the source and always should be honored. And so, I honor this music, the musicians, Bill O’Connell, Rufus Reid, Winard Harper, Wycliffe Gordon, Nancy Harms, and the engineer, Chris Sulit, Ed Littman, who mastered the project, Maureen Plainfield, who unobtrusively took our pictures in the studio, Richard Mantel, the graphic artist, Jerry Lacay, the photographer for the cover art, and Randy Klein, who believed in me and my music to collaborate with releasing this project.

Imagine one of those horrific winter snowstorms, digging out the car, knowing the roads will be kind of unsafe, and deciding that making my rehearsal and record dates was worth it! Now you have a taste of the integrity and determination of the wonderful musicians and engineer I asked to participate on this project. And mind you it wasn’t just one day, but all three! I am so honored to have played with everyone. All I can say is thank you. Thank you for being so supportive, so present, so incredibly talented, and kind. The feeling before, during, and after the recording was a mix of incredible synergy and cooperation. This music that we all love and pour our hearts into, demands an incredible amount of alone time to be able to get to the point of participating in the perfect model of what democracy is truly all about. Yes, there is always a leader, but the role of the leader gets blended and transformed, as the music evolves. I’ve said enough. I’ll let the music speak for itself. Enjoy!

Lotus Blossom

Pee Wee Erwin - ...Swingin' That Music

Bitrate: MP3@320K/s
Time: 69:30
Size: 159.1 MB
Styles: Trumpet jazz, Dixieland
Year: 1980/1998
Art: Front

[3:16] 1. Swing That Music (Take 1)
[5:47] 2. Poor Butterfly
[5:07] 3. When You're Smiling
[5:30] 4. If I Could Be With You (Take 1)
[4:03] 5. Rosetta
[4:41] 6. I Can't Believe That You're In Love With Me (Take 1)
[3:04] 7. I Want To Be Happy
[5:33] 8. New Orleans
[4:14] 9. Royal Garden Blues
[3:59] 10. Oh Baby
[5:12] 11. If I Could Be With You (Take 2)
[4:05] 12. I Can't Believe That You're In Love With Me (Take 2)
[3:14] 13. Swing That Music (Take 2)
[4:08] 14. Song Of The Wanderer
[7:30] 15. Fidgety Feet

Pee Wee Erwin only led recording sessions throughout his career on a very irregular basis. Although recorded just a year before his death, this album (which has Dixieland-oriented versions of ten standards) finds the 66-year old trumpeter still in prime form. Trombonist Harry Hagan and clarinetist Herman Foretich complete the frontline, while the rhythm section is comprised of pianist Freddie DeLand, bassist Ike Isaacs and the up and coming drummer Hal Smith. Among the songs receiving favorable and spirited treatment are "Swing That Music," "Rosetta," "I Want to Be Happy" and "Oh Baby." Recommended to Dixieland collectors.

...Swingin' That Music

Bud Shank With João Donato - Bud Shank & His Brazilian Friends

Styles: Saxophone And Piano, Brazilian Jazz
Year: 1964
File: MP3@320K/s
Time: 33:34
Size: 79,8 MB
Art: Front

(3:53)  1. Sausalito
(3:31)  2. Minha Saudade
(3:03)  3. Samba Do Avião
(3:12)  4. It Was Night
(2:41)  5. Silk Stop
(3:20)  6. Caminho De Casa
(3:15)  7. Bonfa
(4:09)  8. Once I Loved
(3:10)  9. Sambou Sambou
(3:16) 10. Tristeza Em Mim

Bud Shank's icy alto has been credited as one of the prime influences on the bossa movement in Brazil (partly because of his early 50's recordings with guitarist Laurindo Almeida), and this beautiful set brings him into play with a trio of Brazilian musicians that includes Joao Donato on piano. Donato's light touch is a perfect complement for Shank's alto, and the two of them hit lots of sweet, warm bossa tones on tracks like "Caminho De Casa", "Sambou...Sambou", "Bonfa", "Sausalito", and "Samba Do Aviao". A great album, and don't get it confused with his other releases with "Brazil" in the title because this is probably the best one, and it's darn tough to find!  https://www.dustygroove.com/item/20095

Personnel:  Bud Shank (sax alto);  Joao Donato (piano);  Rosinha de Valenca (guitar);  Tiao Neto (bass);  Chico Batera (drums)

Bud Shank & His Brazilian Friends

Mystéfy - Spark Within

Styles: Jazz, Vocal
Year: 2008
File: MP3@320K/s
Time: 49:46
Size: 114,3 MB
Art: Front

(5:03)  1. Stardust I Keep
(4:48)  2. Headstrong
(5:06)  3. Spark Within
(4:35)  4. Eye Candy
(3:00)  5. Beware
(3:56)  6. I Dream Of You
(2:27)  7. I Will
(4:53)  8. Bye, Bye Baby
(3:47)  9. Lady Grinning Soul
(5:22) 10. Black And White World
(4:20) 11. A Garden For Two
(2:24) 12. I Will

This German born Canadian resident is a true storyteller. After the highly acclaimed debut CD "Spark Within, Mystefy continues her musical journey with "Me: Unpretentious, straight and very intimate are the songs she wrote for her new album. This doesn't imply all tunes on "Me are autobiographical - but it does mean that everything Mystefy composes and sings about relates to her, and reflects impressions and experiences Mystefy has shared and lived through. Stories happening in her world, mostly true, sometimes altered, exaggerated or told in a humorous fashion. Mystefy is highly intuitive and sensitive to her surroundings and easily picks up vibes - this is why her lyrics are intense, her songs are touching yet still put the listener at ease. Mystefy embraces what we humans are made of: She is close to our emotions.

Also, Mystefy is a practitioner - and this reflects on her life and music. She is your nice-neighbor-next-door kind of artist, no jazz diva with an attitude, no jazz standard singer who goes out to revamp the same old songs. Alas, she can sing those tunes, sang on many stages and has a repertoire of over a hundred: but this isn't enough. With a classically trained voice and a range of over 3 octaves, she prefers to charm listeners with her songs. She entertains and stays approachable at the same time. Her secret - the artist names says it all: Mystefy is a mystic by soul. An emigrant and hence a natural at being home in different worlds, she is a spiritual human, singer/songwriter but also a passionate painter. No surprise then that she has access to a greater artistry palette than many others. The fact that Mystefy also loves horseback riding, her garden and feels at home the moment she is near water - be it an ocean or a creek - just fits the picture. The zodiac sign of this visionary mermaid? Almost needless to say: Piscean - the fishes!

All of Mystefy"s tunes - even if she didn't realize this herself are love songs in one way or the other. We’re not talking the cheesy average kind - this Mystefy would dismiss as yesterday's news. We’re talking tunes broaching the issue of a "love of life - Mystefy's very own spirituals, if you will. They remind us of those forgotten by our society, such as Aborigine women who go missing by the hundreds: In "Sisters in Spirit these women get a bit of the attention and love they deserve. 'Big Secret on the other hand deals with sexual abuse, the hypocritical 'loving" bond demanding secrecy and the inner strength and love of yourself necessary to break vicious cycles and stop being a victim. "East Of The Sun" tells the tale of a loving friendship. "I Close My Eyes" speaks of unsatisfiable love; 'Creatures" sketches the exaggerated love of pets in a funny way, "Healing Hands is a symbol for true love and "Wait for Me shows hopelessly romantic love while "Learn Just To Be puts love and faith into relation. Another Mystefy Spiritual is "It's A Beautiful Day" - appealing to live your dreams, and 'Art By Heart" is an amusing approach of a loving relationship; "Magic Moments preaches love of the moment - the art of being, while "We are through is a true swan song about a romance gone wrong.

"Me" emerged as a demo version from Mystéfy's home recording studio in her Ottawa/Canada basement (equipped with microphone, percussion, keyboard and Cubase-Software). Tim Allhoff, based in Augsburg/Germany, was responsible for the arrangements and acted as co-writer, but all lyrics and the better part of music were penned by Mystefy: "A terrific collaboration via MP3 and Skype conference across the ocean - truly 'songwriting of the advanced stage". All twelve tunes were recorded as live over merely two days in Bremen with a core band. Apart from Mystefy (vocals) and Tim Allhoff (e-Piano/ grand piano) the band musicians were Knuth Jerxsen (percussion) and again Dieter Ilg (who also played on "Spark Within" on upright bass. Several guest musicians came in, such as Oliver Spanuth (drums), flugelhornist Joern Anders and Volker Bruder (soprano & alt saxophone). Cellist Raphael Zweifel acted as 'virtual band member" sending his string parts as audio files from Nice, France.  http://www.mymusicbase.ru/PPB/ppb32/Bio_3288.htm

Spark Within

New York Jazz Quartet - Oasis

Styles: Post-Bop, Hard Bop
Year: 1981
File: MP3@320K/s
Time: 37:38
Size: 86,4 MB
Art: Front

( 5:23)  1. Don't Come, Don't Call
( 4:26)  2. It's Just A Social Gathering
( 4:25)  3. Funk House
( 5:43)  4. Cram It Damn It
(13:21)  5. The Patient Prince
( 4:16)  6. Oasis

A little more throttle would have been welcome on New York Jazz Quartet's cruising-paced Oasis set from 1981. As it is, Roland Hanna on piano, Frank Wess on tenor sax and flute, George Mraz on bass, and Ben Riley on drums take a low-key approach to two Wess originals and four from Hanna. It's a pleasant session, but not one that lives up to the potential of its lineup. 

The material is respectable and the quartet knows it well enough, but perhaps not sufficiently to transform written parts into a dynamic group effort. Mraz is the standout performer. He is in command of a ready flow of ideas and is captured with a rich, full sound. His duet with Hanna on the pianist's blues "Funk House" is a highlight that finds the pair expertly working the spaces they give each other. Elsewhere, though, Hanna, a pianist who can summon fire, passion, and drama from his instrument, is quite restrained, seemingly content to focus on his writing, rather than stimulating group interplay. Wess, too, does not take many chances or seize the opportunity to stretch out. The one sequence where he does open up is the third section of his 13-minute suite, "The Patient Prince," where he unleashes an impressive series of unrestrained choruses on tenor sax. 

If the goal of this quartet was to create relaxed, subdued performances, then Oasis can be considered a success. Otherwise, except for the bassist, the set does not fully exploit the potential of the music or the capabilities of these leading players. ~ Jim Todd  http://www.allmusic.com/album/oasis-mw0000091042

New York Jazz Quartet: Frank Wess (tenor saxophone, flute); Roland Hanna (piano); George Mraz (bass); Ben Riley (drums).

Oasis

Lionel Loueke - In a Trance

Styles: Vocal And Guitar, Latin Jazz
Year: 2007
File: MP3@320K/s
Time: 51:28
Size: 118,2 MB
Art: Front

(4:23)  1. A Prayer for Peace
(0:51)  2. Benny's Tune
(4:07)  3. In a Trance
(5:45)  4. Mivakpola
(2:46)  5. Gbeto
(4:58)  6. Fifa
(1:25)  7. Nagbe
(4:45)  8. Okagbe
(7:04)  9. Be-Nin-Bop
(3:44) 10. Boum Boum!!!
(6:07) 11. Always Will Be
(5:27) 12. Nonvignon

When Benin-born guitarist/vocalist Lionel Loueke appeared at this summer's Ottawa International Jazz Festival, he was a real highlight amongst the entire group of stellar young players in trumpeter Terence Blanchard's band. His solo spot, where he used looping and harmonizing devices to create a veritable mini-orchestra with just one voice and guitar, illustrated how technology can be used to create something natural. Jazz Luddites regularly rail against the use of electronics to tarnish the "pure nature of jazz, but Loueke clearly doesn't subscribe to such a narrow view. Technology is only as good as the hands it's in, and an increasing number of artists are finding ways to utilize it to stretch the shape of jazz. Loueke came relatively late to the guitar. After mastering indigenous percussion instruments in Benin, he picked up guitar at the age of seventeen and, in the ensuing fifteen years, has amassed a wide breadth of formal education at institutions including Paris' American School of Modern Music and Boston's Berklee School of Music. In the past three years Loueke has recorded and performed with significant artists including Herbie Hancock, Charlie Haden and, of course, Blanchard who has used Loueke increasingly since the release of Bounce (Blue Note, 2003). 

Loueke's solo debut, In a Trance, demonstrates in no uncertain terms why these artists are clamouring to work with him. Playing acoustic guitar almost exclusively even more specifically, the nylon-stringed variety Loueke combines the folk music of his birthplace and other locales with a rich harmonic language that may not be jazz by a reductionist definition, but is by any contemporary standard. If there's any frame of reference for Loueke, it's Egberto Gismonti. Like Gismonti, Loueke's enthic roots are clear, but while "Nonvignon has an unmistakable highlife groove, Loueke's guitar lines insidiously incorporate more outside-the-box thinking. "Benny's Tune stems from the same raw Brazilian tradition that Gismonti has explored for decades more Amazon rainforest than Rio de Janeiro. The most remarkable thing about In a Trance is its live nature, with no overdubs. Loueke's organic use of looping technology transforms one voice and one guitar into something much bigger. He transforms his guitar into a percussion instrument, creating rhythm loops by slapping it and using his fingers on it as if it were a drum. That's not particularly new, but the percussive intro to "Mivakpola demonstrates just how much farther Loueke takes his instrument.

Loueke's writing ranges from the darkly lyrical "Fifa to the melancholy solo electric lament "Always Will Be, the blues-inflected "Boum-Boum!!! and the brief, rhythm-driven "Nagbe, where he builds a virtual chorus of vocals in real time. Intimate and revealing of a mind that views stylistic barriers as artifices to be dissolved, In a Trance demonstrates in the most musical way just how seamlessly technology can integrated. Loueke may have but one voice and one instrument, but in their surprising variety and orchestration, he makes clear why he's become so widely in demand in such a short period of time. 
~ John Kelman  http://www.allaboutjazz.com/in-a-trance-lionel-loueke-self-produced-review-by-john-kelman.php

Personnel: Lionel Loueke: guitars, vocals.

In a Trance