Showing posts with label Esther Phillips. Show all posts
Showing posts with label Esther Phillips. Show all posts

Saturday, February 3, 2024

Esther Phillips - Black Eyed Blues

Bitrate: MP3@320K/s
Time: 33:52
Size: 77.5 MB
Styles: Soul/Blues/R&B
Year: 1973/2012
Art: Front

[5:30] 1. Justified
[3:29] 2. I've Only Known A Stranger
[6:41] 3. I Got It Bad And That Ain't Good
[6:09] 4. Black-Eyed Blues
[4:34] 5. Too Many Roads
[7:27] 6. You Could Have Had Me, Baby

Alto Saxophone – Jerry Dodgion, Pee Wee Ellis; Backing Vocals – Carl Carldwell, Joshie Armstead, Lani Groves, Tasha Thomas; Baritone Saxophone – Pepper Adams; Bass – Boz, Ron Carter; Cello – Alan Shulman, Anthony Sophos; Drums – Ian Wallace; Guitar – Charlie Brown; Percussion – Arthur Jenkins; Piano – Tim Hinkley; Trumpet – Jon Faddis, Marvin Stamm; Viola – Alfred Brown, Emanuel Vardi; Violin – David Nadien, Emanuel Green, Gene Orloff, Harold Kohon, Harry Lookofsky, Irving Spice, Joe Malin, Max Ellen. Recorded at Van Gelder Studios. Recorded July, 1973.

This was the third album that Esther cut for Creed Taylor's CTI album. It marked a change from the previous two in that the string arrangements were undertaken for the first time with this artist, by Bob James; it's a subtle but very important change. Secondly the material stretches out from the straight-ahead R&B to embrace a range of varying styles. This being the case, the album is not as 'immediate' as the previous two, but is just as satisfying when it yields all its nuances. My favourite tracks are her reading of Bill Wither's "Justified" which is a great version.There's a particularly sensual and burning version of "I've only known a stranger" and a straight ahead jazz version of Leonard Feather's "You could have had me baby".While I'm writing about it I should also mention the title track, which is a Joe Cocker track given a particularly good makeover. That's four out of the seven tracks mentioned already, so when you consider that there's a bonus unreleased track as well out of the remaining three,it makes you realise what good value it is. Add in an excellent set of sleeve notes, and this is another 'must have' Esther Phillips album! ~Dr.D.Treharne

Black Eyed Blues

Friday, May 4, 2018

Esther Phillips - Esther Phillips Sings

Bitrate: MP3@320K/s
Time: 30:54
Size: 70.8 MB
Styles: R&B, Vocal jazz
Year: 1966/2005
Art: Front

[3:01] 1. It's All Right With Me
[2:03] 2. The Shadow Of Your Smile
[3:33] 3. Crazy He Calls Me
[2:40] 4. He Touched Me
[2:06] 5. A Taste Of Honey
[2:01] 6. Let There Be Love
[2:33] 7. You Can't Go Home Again
[2:14] 8. Just Say Goodbye
[2:44] 9. I Could Have Told You So
[3:06] 10. Every Time We Say Goodbye
[2:43] 11. As Tears Go By
[2:03] 12. The Party's Over

Though it lacked a big hit (like 1965's And I Love Him!), Esther Phillips Sings featured a better set of songs and better charts for her to sing in front of. With the opener "It's All Right With Me" leading the way, Oliver Nelson's seven arrangements bring out the best in Phillips, giving her plenty of space with light instrumentation but filling any available gaps with his strong, brassy orchestra. "A Taste of Honey" and "Just Say Goodbye" are also very successful, leaving the big-band era for a groovier period of swinging traditional pop. There are a few clunkers, mostly the fault of Ray Ellis' overly commercial arrangements on "The Shadow of Your Smile" and "You Can't Go Home Again," but everywhere else Esther Phillips bridges the world of R&B and jazzy pop with finesse and an easy charm. ~John Bush

Esther Phillips Sings mc
Esther Phillips Sings zippy

Thursday, December 14, 2017

Esther Phillips - Capricorn Princess

Bitrate: MP3@320K/s
Time: 43:15
Size: 99.0 MB
Styles: R&B/Soul
Year: 1975/2016
Art: Front

[2:56] 1. Magic's In The Air
[3:38] 2. I Haven't Got Anything Better To Do
[3:46] 3. Boy, I Really Tied One On
[5:16] 4. Candy
[2:52] 5. A Beautiful Friendship
[3:57] 6. (Your Love Has Lifted Me) Higher & Higher
[6:18] 7. All The Way Down
[3:51] 8. Dream
[7:12] 9. Magic's In The Air Boy I Really Tied One On
[3:25] 10. All The Way Down (Radio Edit)

Originally issued in 1976, Capricorn Princess was Esther Phillips' last Kudu album and makes its CD debut on Reel Music. After her worldwide hit with What A Diff'rence A Day Makes, Phillips' Kudu albums would always include a couple of dance oriented cuts, but there are plenty of classic ballads here including spectacular takes on I Haven't Got Anything Better To Do, Candy and Dream. Remastered in 24 bit from the original analog master tapes, this release is accompanied by a 16 page booklet with an essay by A. Scott Galloway who interviewed many of the people involved with this recording.

Capricorn Princess

Sunday, December 11, 2016

Esther Phillips - And I Love Him

Bitrate: MP3@320K/s
Time: 33:33
Size: 76.8 MB
Styles: R&B, Soul, Jazz vocals
Year: 1965/2005
Art: Front

[2:35] 1. And I Love Him
[2:23] 2. 'tis Autumn
[2:40] 3. Shangri-La
[2:48] 4. Moonglow Theme From Picnic
[2:46] 5. Out Of The Blue
[2:22] 6. People
[2:43] 7. Makin' Whoopee
[2:42] 8. The Girl From Ipanema
[2:55] 9. I Wish You Love
[3:27] 10. If You Love Me (Really Love Me)
[2:57] 11. It's Too Soon To Know
[3:09] 12. Make Believe Dreams

A collection of "great love songs," And I Love Him! leads with the title track, a Beatles cover and an R&B hit, featuring a soft yet tremendously effective performance from the great Esther Phillips. Elsewhere Phillips wears her Dinah Washington influences well, stretching out her voice and exercising it with a sly, nuanced delivery while tackling a few excellent choices for material: "Shangri-La," "Out of the Blue," and "I Wish You Love." Surprisingly, she also exhibits a sure hand with some odd crossovers like "Moonglow & Theme From Picnic," "People," and "Girl From Ipanema." The arrangements, by Ralph Ellis, are definitely geared toward adult pop, but fortunately they're never so ostentatious that they get in the way of Phillips' idiosyncratic voice and gorgeous performances. ~John Bush

And I Love Him

Monday, June 27, 2016

Esther Phillips - The Country Side Of Esther

Bitrate: MP3@320K/s
Time: 31:48
Size: 72.8 MB
Styles: Soul, R&B vocals
Year: 2005
Art: Front

[2:00] 1. I Really Don't Want To Know
[3:07] 2. Just Out Of Reach
[3:02] 3. I Can't Help It (If I'm Still In Love With You)
[3:08] 4. Be Honest With Me
[3:09] 5. I've Forgotten More Than You'll Ever Know About Him
[3:17] 6. Release Me
[2:48] 7. I'd Fight The World
[2:44] 8. Am I That Easy To Forget
[3:08] 9. After Loving You
[3:16] 10. No Headstone On My Grave
[2:06] 11. Why Should We Try Anymore

Esther Phillips was perhaps too versatile for her own good, at least commercially speaking; while she was adept at singing blues, early R&B, gritty soul, jazz, straight-up pop, disco, and even country, her record companies often lacked a clear idea of how to market her, which prevented her from reaching as wide an audience as she otherwise might have. An acquired taste for some, Phillips' voice had an idiosyncratic, nasal quality that often earned comparisons to Nina Simone, although she herself counted Dinah Washington as a chief inspiration. Phillips' career began when she was very young and by some accounts, she was already battling drug addiction during her teenage years; whenever her problems took root, the lasting impact on her health claimed her life before the age of 50.

The Country Side Of Esther

Tuesday, March 3, 2015

Johnny Otis - Blues & Swing Party Vol 1

Bitrate: MP3@320K/s
Time: 70:33
Size: 161.5 MB
Styles: R&B, West Coast blues
Year: 1998
Art: Front

[3:06] 1. It Don’t Mean A Thing
[2:54] 2. Shake, Rattle & Roll
[2:33] 3. Choo- Choo-Ch-Boogie
[2:13] 4. Louie, Louie
[6:23] 5. Mood Indigo
[3:14] 6. Hideaway
[2:20] 7. I’ve Got The Walkin’ Blues
[3:25] 8. Cleanhead’s Blues
[6:27] 9. People Will Say We’re In Love
[2:33] 10. Country Girl
[3:05] 11. Sincerely
[2:56] 12. The Honeydripper- Part 1
[3:03] 13. Misery
[2:00] 14. Don’t Start Me To Talkin’
[3:28] 15. I’ve Been Lovin’ You Too Long
[2:55] 16. Old Folks Boogie
[3:49] 17. Barrelhouse Blues
[2:30] 18. Baby, I’ve Got News For You
[2:33] 19. Stack- A- Lee
[3:28] 20. Harlem Nocturne
[2:24] 21. Please Don’t Leave Me
[3:05] 22. Bye, Bye, Baby

Charles Williams: Vocals; Richard Berry: Piano, Vocals; Louis Jordan: Saxophone, Vocals; Eddie "Cleanhead" Vinson: Saxophone, Vocals; Esther Phillips: Vocals; Plas Johnson: Saxophone; Wilton Felder: Bass; Johnny Otis: Drums, Producer, Piano, Vocals, Arranger; Big Joe Turner: Vocals; Shuggie Otis: Guitar, Bass; Joe Liggins: Piano, Vocals; Jim Wynn: Credit Not Specified; George Washington: Trombone; Delmar Evans: Vocals; Barbara Morrison: Vocals; Larry Douglas: Trumpet; Rene Bloch: Alto Saxophone; Bob Mitchell: Trumpet; Jimmy Nolan: Guitar; Clifford Solomon: Tenor Saxophone; Dan Armstrong: Trombone; Jackie Kelso: Saxophone; John Ewing: Trombone; Mack Johnson: Trumpet; Melvin Moore: Trumpet; Ron Selico: Drums; Devonia Williams: Piano; Big Jim Wynn: Baritone Saxophone; Ronald Wilson: Saxophone; Irv Cox: Saxophone; Johnnie Parket: Bass; Johnny Parker: Bass; Paul Lagos: Drums; Lucky Otis: Bass; Nicky Otis: Drums; Al Simmons: Credit Not Specified; Gene Conners: Trombone; Slim Green: Guitar; Don Johnson: Trumpet.

Blues & Swing Party Vol 1

Tuesday, October 14, 2014

Esther Phillips - Performance

Styles: Vocal, Jazz Pop
Year: 1974
File: MP3@320K/s
Time: 35:32
Size: 83,3 MB
Art: Front

(8:27)  1. I Feel The Same
(5:28)  2. Performance
(3:36)  3. Doing Our Thing
(5:21)  4. Disposable Society
(5:19)  5. Living Alone
(3:24)  6. Such A Night
(3:54)  7. Can't Trust Your Neighbor With Your Baby

The decades-long battle with drug addiction, which ultimately led to her untimely demise, contributed to vocalist Esther Phillips' status as a tragic second-tier figure in the larger annals of popular music history, but her music itself was often a triumph of soul-stirring ecstasy. By the time Phillips arrived at CTI's sister label, Kudu Records, her early career hits made under the name "Little Esther" were a distant memory. A string of albums for Atlantic Records in the late '60s helped bring her back into the spotlight, but she truly found her home under the auspices of the venerable Creed Taylor. Her first album on Kudu, From A Whisper To A Scream (1972), contained a semi-autobiographical performance of Gil Scott-Heron's "Home Is Where The Hatred Is," which earned Phillips her second of four Grammy nominations and the respect of her peers, but it also signaled the start of her most prolific period of recording. While at Kudu, the singer recorded eight albums, cementing her reputation as a vocalist par excellence and establishing her as the Kudu queen of blues, soul and R&B. Any one of Phillips' albums would have been a nice addition to CTI Masterworks' fortieth anniversary feast, but the powers-that-be decided to honor her by reissuing her fourth album on the label 1974's underrated Performance. 

While the personnel list presents an imposing roster of jazz heavyweights, the jazz influences themselves are suppressed in favor of a soul-heavy sound. Notable solos still find their way into the mix, including tenor saxophonist Michael Brecker's extended run on "Disposable Society" and guitarist Jon Sholle's solo spot on "I Feel The Same," but they're rare. Instead, the music is used as it should: to showcase Phillips' voice. Phillips knew how to establish herself when placed in a funky musical environment, whether gritty and urban ("Disposable Society") or friendlier and fun ("Doing Our Thing"), but goes beyond this area on tracks like "Performance," an R&B number with a gospel feel that's augmented by some countrified steel guitar from Eric Weissberg, and "Such A Night," which features some tack piano work from Richard Tee. While the CTI Masterworks reissue campaign is largely a celebration of albums that have always been celebrated, the final wave along with Performance, including efforts from saxophonist Hank Crawford, and organists Lonnie Smith and Johnny Hammond is all about admiring the wrongfully overlooked and giving kudos to Kudu. ~ Dan Bilawsky  http://www.allaboutjazz.com/performance-esther-phillips-cti-masterworks-review-by-dan-bilawsky.php#.VDrnYxawTP8

Personnel: Esther Phillips: vocal; Jerry Dodgion: alto saxophone; Mike Brecker: tenor saxophone; Pepper Adams: baritone saxophone; Jon Faddis: trumpet, flugelhorn; John Gatchell: trumpet, flugelhorn; Marvin Stamm: trumpet, flugelhorn; Urbie Green: trombone; Hubert Laws: flute; Bob James: electric piano (4), piano (5); Richard Tee: piano (3, 7), organ (5), tack piano (6); Richard Wyands: piano; Charlie Brown: guitar; Richie Resnicoff: guitar (4, 5); Jon Sholle: guitar (1, 7); Eric Weissberg: steel guitar (2); Gary King: bass; Gordon Edwards: bass (3); Bernard Purdie: drums; Steve Gadd: drums (4, 5); Ralph McDonald: percussion; Pee Wee Ellis: chimes; Patti Austin: background vocals (2, 6); Lani Groves: background vocals (2, 6); J. Denise Williams: background vocals (2, 6); Carl Caldwell: background vocals (3, 5); Robin Clark: background vocals (3, 5); Tasha Thomas: background vocals (3, 5); Max Ellen: violin; Paul Gershman: violin; Emmanuel Green: violin; Charles Libove: violin; Harry Lookofsky: violin; David Nadien: violin; Matthew Raimondi: violin; Manny Vardi: violin, viola; Al Brown: viola; Harold Coletta: viola; Charles McCracken: cello; George Ricci: cello.

Performance

Friday, September 27, 2013

Esther Phillips - Confessin' The Blues

Bitrate: 320K/s
Time: 48:23
Size: 112.8 MB
Styles: Blues vocals
Year: 1976/1988
Art: Front

[ 5:57] 1. I'm Gettin' Long Alright
[ 3:01] 2. I Wonder
[ 3:01] 3. Confessin' The Blues
[ 3:34] 4. Romance In The Dark
[ 2:48] 5. C.C. Rider
[ 3:15] 6. Cherry Red
[ 2:57] 7. In The Evenin'
[ 4:09] 8. I Love Paris
[ 4:05] 9. It Could Happen To You
[ 4:50] 10. Bye Bye Blackbird
[10:40] 11. Blow Top Blues/Jelly Jelly Blues/Long John Blues

Confessin' the Blues has translated to CD beautifully. The first seven numbers show off Esther Phillips doing sophisticated, big-band blues, backed by a small orchestra led by Onzy Matthews, giving direct and pointed yet elegant performances of "Confessin' the Blues," "I'm Gettin' 'Long Alright," and "C.C. Rider." The last four numbers, which comprise nearly 24 minutes, have Phillips doing a jazzier set to start with, backed by a leaner band (most notably Jack Wilson on piano), in a set produced for record by King Curtis -- the final medley of "Blow Top Blues"/"Jelly Roll Blues"/"Long John Blues" is the highlight of the set, showing Phillips in a bluesy setting. The quality of the recording from both years is excellent and comes out well here. Phillips and her principal accompanists, Herb Ellis (guitar) and Lou Blackburn (trombone), are in excellent form on this 1966 set. ~ Bruce Eder

Recorded at Western Recorders, Hollywood, California on October 7, 1966; United Studio, Los Angeles, California on October 14, 1966; live at Freddie Jett's Pied Piper Club, Los Angeles, California on January 31, 1970. Originally released as Atlantic SD (1680).

"Little" Esther Phillips (vocals); Herb Ellis, Francois Vaz (guitar); Sonny Criss, Gabriel Baltazar, Raymond Triscari (alto saxophone); Teddy Edwards, Louis Ciotti, Ira Schulman (tenor saxophone); Jay Migliori (baritone saxophone); Robert Rolfe, Melvin Moore, Bill Clark, James Smith, Al Porcino (trumpet); Louis Blackburn, Richard Leith, Roland Myers, Peter Myers (trombone); Rodgers Grant (piano); Jack Wilson (piano, electric piano); Ike Isaacs, Victor Venegas (bass); Chuck Rainey (Fender bass); Donald Bailey, Charles Grant (drums). Producers: Nesuhi Ertegun, King Curtis.

Confessin'The Blues