Wednesday, May 28, 2014

Madeline Eastman - Point Of Departure

Size: 104,3 MB
Time: 44:42
File: MP3 @ 320K/s
Released: 1990
Styles: Jazz Vocals, Standards
Art: Front

01. Kisses (5:20)
02. Wild Is The Wind (4:27)
03. You Are My Sunshine (3:48)
04. Little Boat (4:11)
05. Inner Urge (4:40)
06. Nobody Else But Me (4:07)
07. No More (2:48)
08. Little B's Poem (3:10)
09. The Island (5:17)
10. I Only Have Eyes For You (4:08)
11. Calling You (2:41)

Jazz vocalist Madeline Eastman's debut is quite impressive. With strong assistance from trumpeter Tom Harrell, pianist Mike Wofford (Paul Potyen fills in on one song), bassist Rufus Reid and drummer Vince Lateano, Eastman performs a wide ranging set. Highlights include such unlikely singing material as "Wild Is the Wind," and a minor-toned "You Are My Sunshine" (inspired by Mose Allison's version), Joe Henderson's "Inner Urge," and Bobby Hutcherson's "Little B's Poem" along with "Little Boat," "Nobody Else But Me" and "I Only Have Eyes for You." Lots of chances are taken on this enjoyable CD and Madeline Eastman shows that she has a flexible enough voice to handle all of the creative challenges. Highly recommended. ~Review by Scott Yanow

Point Of Departure

Rossano Sportiello, Harry Allen, Joel Forbes - I Walk With The Music: The Hoagy Carmichael Songbook

Size: 163,9 MB
Time: 70:33
File: MP3 @ 320K/s
Released: 2013
Styles: Mainstream Jazz
Art: Front

01. Moon Country (6:37)
02. In The Cool, Cool, Cool Of The Evening (5:17)
03. I Get Along Without You Very Well (3:21)
04. New Orleans (7:17)
05. The Nearness Of You (5:49)
06. I Walk With Music (5:22)
07. Two Sleepy People (3:55)
08. Rockin' Chair (6:36)
09. One Morning In May (5:53)
10. Georgia On My Mind (6:37)
11. April In My Heart (6:32)
12. Jubilee (4:24)
13. Skylark (2:47)

What does Hoagy Carmichael’s music sound like in your mind? I think of leaves rustling and water flowing over small stones; I think of a musical playfulness allied with deep feelings, sadness and joy. His music has been given life on a million pianos and by tens of millions of singers and instrumentalists — but it is sublimely expressed on a new CD by the trio of Harry Allen, tenor saxophone; Rossano Sportiello, piano; Joel Forbes, string bass.

I WALK WITH MUSIC: THE HOAGY CARMICHAEL SONGBOOK is both familiar and fresh, both embracing and sweetly surprising. Harry, Rossano, and Joel are masters of small-group playing: each of them is a superb soloist, able to entrance us all by himself. But they excel at swing synergy, so that this trio is much more than the three soloists assembled in a room. Their deep empathy for Hoagy’s melodies comes through: they do not use the chord changes as a reason to convert the composer’s deep melodic lines into a series of ninths and thirteenths. Indeed, this CD is a master class in singing through instruments.

I Walk With The Music

Ike Moriz - At Last

Size: 118,6 MB
Time: 50:51
File: MP3 @ 320K/s
Released: 2014
Styles: Blues/Jazz Vocals
Art: Front

01. The Devil Is Real In Your Mind (3:11)
02. To Cape Town (2:38)
03. Smooth And Nice (4:31)
04. At Last (3:49)
05. Forevermore (2:56)
06. Senorita Blues (3:16)
07. This Could Be Love (3:21)
08. It Ain't Necessarily So (4:12)
09. Think I'm A Millionaire (3:49)
10. Until Their Lights Are Out (Alien Blues) (2:58)
11. Hound Dog (2:46)
12. Disillusion Blues (4:26)
13. Georgia On My Mind (3:30)
14. These Eyes Are Not Yours (2:55)
15. You Are My Sunshine (2:26)

Ike Moriz takes the Blues to South Africa & brings it back to the world with a fresh new face! Since releasing his latest album in 2012, South Africa's international singing sensation Ike Moriz has written exciting new material in the blues rock genre for his 14th studio album to date - the title: 'AT LAST'. Moriz has taken the blues 'To Cape Town' - his home of choice (and the title of one of his new songs) at the southernmost tip of Africa where he rounded up some of the best musical talent the country has to offer to create his version of classic blues. Inspired by his recent marriage, the birth of his daughter and his tour through Southern Europe & Northern Africa, he has crafted an array of songs reflecting these experiences of the past 2 years.

The album opens with a song that already sounds like it could be a classic blues standard: 'The Devil Is Real In Your Mind'. Minimalist, clear & strong lyrics with a highly dynamic arrangement to get Ike's message across. The song is followed by the aforementioned 'To Cape Town', an upbeat blues folk/rock song about arriving in Ike's hometown - one of the most beautiful cities in the world. If you are looking for Ike's typical tongue-in-cheek stories, then look out for 'Think I'm A Millionaire', 'Disillusion Blues' and 'Until Their Lights Are Out (Alien Blues)'.

Besides his original songs we can also find a couple of covers in fresh new arrangements like Horace Silver's classic jazzy 'Señor Blues' with slightly altered lyrics to fit ike's message, as well as Gershwin's Porgy & Bess rebel 'It Ain't Necessarily So'. Moriz also breathes new life into the 1952 Elvis hit 'Hound Dog' and Hoagy Carmichael's standard 'Georgia On My Mind' with the incredibly gifted navy big band leader Willie van Zyl on saxophone and clarinet. The CD ends on a high note with a song that most parents have sung to their children: 'You Are My Sunshine' by Oliver Hood.

The general theme of the album can be summarised with the words 'At Last'. Have a listen to find out why!

At Last

Larry Goldings, Peter Bernstein, Bill Stewart - Ramshackle Serenade

Size: 146,0 MB
Time: 62:22
File: MP3 @ 320K/s
Released: 2014
Styles: Contemporary Jazz
Art: Front

01. Roach (5:46)
02. Luiza (8:37)
03. Simple As That (7:02)
04. Ramshackle Serenade (4:30)
05. Mr. Meagles (8:18)
06. Sweet And Lovely (7:43)
07. Blue Sway (8:18)
08. Useless Metaphor (6:12)
09. Peace (5:51)

Personnel:
Larry Goldings: hammond organ
Peter Bernstein: guitar
Bill Stewart: drums

This trio is an unusual camaraderie of world-class players. From the moment you first hear the trio you can sense the deep respect the musicians have for one another. Three musicians who never make a big deal about what they are up to, thereby generating an infectious strength through their extraordinarily subtle control of all the musical parts. Their intensely sensual music grooves and glistens. With the trio's extensive use of the music's dynamic possibilities, the passion and joy of this amazingly versatile instrumental lineup is there for all to hear. Sophisticated music - just let yourself go, and enjoy.

Ramshackle Serenade

Sammy Nestico & The SWR Big Band - Basie Cally Sammy

Bitrate: 320K/s
Time: 74:09
Size: 169.7 MB
Styles: Big band
Year: 2007
Art: Front

[2:16] 1. Dimensions in Blue
[3:23] 2. Sweet Georgia Brown
[6:30] 3. 88 Basie Street
[4:15] 4. Fancy Pants
[4:58] 5. Time Stream
[4:19] 6. No More
[5:00] 7. Li'l Ol' Blue Note
[6:47] 8. High Five
[4:57] 9. Ja-da
[2:24] 10. The Heat's On
[3:33] 11. Samantha
[5:22] 12. Ain't Nobody Gettin' Younger
[3:51] 13. Satin Doll
[5:33] 14. It's a Wonderful World
[6:47] 15. How Sweet It Is
[4:06] 16. Wind Machine

Some people are born to rule, others to serve. Sammy Nestico, it seems, was born to swing. From his early years as chief arranger for the US Air Force Airmen of Note and later for the irrepressible Count Basie Orchestra, Nestico prized swinging above all else, and that's no less true on Basie-cally Sammy, his warmhearted homage to the Count with Germany's superlative SWR Big Band, which marks their second collaboration in as many years. The album swings buoyantly from start to finish, thanks to Nestico's intrepid charts and the SWR's casual mastery of them.

There are a number of old favorites here—classic charts like "Sweet Georgia Brown, "88 Basie Street, "Fancy Pants, "Ja-Da, "The Heat's On, "Satin Doll, "It's a Wonderful World, "How Sweet It Is and "Wind Machine (the last a "bonus track recorded in concert)—and several charming newcomers as well, most notably "Time Stream, "No More, "Li'l Ol' Blue Note, "High Five and "Ain't Nobody Gettin' Younger (even though, at age 81, Nestico doesn't appear to be gettin' any older either). The band gives each one an exhilarating ride, swinging like Basie while sounding like SWR.

The ensemble comes out smokin' on Nestico's "Dimensions in Blue, which I believe was written for the Airmen of Note (if memory serves, it may still be their theme song), and unleashes more of its awesome firepower on the voluptuous "Georgia Brown. After introducing "Georgia," pianist Klaus Wagenleiter, one of a bevy of impressive soloists, is featured on the ambling "88 Basie Street, alto Klaus Graf on "Samantha, tenor Axel Kühn on "No More and "The Heat's On. Trumpeter Don Rader, who has either relocated from Australia or was imported especially for this date, is the flugel soloist on "Satin Doll and is heard again, on trumpet, with Wagenleiter, bassist Decebal Badila, alto Steffen Weber and Kühn (flute) on "How Sweet. Others who step up to the plate and swing for the fences are trombonists Marc Godfroid, Ian Cumming and Ernst Hutter; trumpeters Karl Farrent and Claus Reichstaller; tenor Andi Maile; baritone Pierre Paquette; guitarist Klaus-Peter Schöpfer, and drummer Holger Nell. Schöpfer fills rhythm guitarist Freddie Green's shoes nicely, while Nell has no problem sitting in for Sonny Payne, Butch Miles and Basie's other renowned timekeepers.

This is a dynamic blowing session, one you don't have to love Basie to appreciate. And when Sammy says he hasn't "had this much fun in years, it's a clear indication of his happiness with SWR's respect for his music, not to mention the ensemble's remarkable ability to transcribe it. This is "basie-cally big band jazz with an unequivocal kick, precisely the kind that the irrepressible Kid from Red Bank gave free rein to and ardently endorsed.

Sammy Nestico: music director; Felice Civitreale, Claus Reichstaller, Karl Farrent, Rudolf Reindl, Don Rader: trumpet; Klaus Graf: alto sax, clarinet, flute; Steffen Weber: alto sax, flute, alto flute; Axel Kohn, Andreas Maile: tenor sax, flute, alto flute; Pierre Paquette: baritone sax; Marc Godfroid, Ernst Hutter, Ian Cumming, Georg Maus: trombone; Klaus- Peter Schopfer: guitar; Klaus Wagenleiter: piano; Decebal Badila: bass; Holger Nell: drums.

Basie Cally Sammy

Tammy McCann - Classic

Bitrate: 320K/s
Time: 49:55
Size: 114.3 MB
Styles: Vocal jazz
Year: 2006
Art: Front

[2:51] 1. Happy Talk
[4:22] 2. Candy
[3:37] 3. Boy From Ipanema
[6:03] 4. Nearness of You
[4:17] 5. Autumn Leaves
[4:08] 6. Ese Domani
[3:35] 7. Black is the Color
[4:05] 8. Cherokee
[6:01] 9. Lush Life
[5:18] 10. When I Fall in Love
[5:33] 11. The Masquerade is Over

When asked to describe Tammy McCann’s voice, Chicago saxophonist Von Freeman declared, “Everyone who hears her loves her. She’s a natural talent”. A bold proclamation from a renowned musician, but McCann fulfills, even surpasses, claims of her vocal prowess. Following her performance at a recent Mahalia Jackson tribute, McCann obliged new found admirers with autographs and copies of her latest CD, aptly entitled “Classic”. Packed with moving renditions of jazz masterpieces, “Classic” effectively reaffirms the admirable sentiment of Von Freeman and others. According to Chicago pianist Ramsey Lewis, listeners are not left aching for traditional versions of the selections on “Classic.” Instead, Mr. Lewis depicts McCann as a “performer who knows how to get the most out of” a chart, by breathing “new life into [the] evergreens” of the vocal jazz tradition. The album commences with a Latin tinged version of the Rogers and Hammerstein favorite “Happy Talk”, allowing Tammy to demonstrate clarity and precision at a challenging tempo. While the tempo may relax on subsequent ballads like Nina Simone’s “Black is the Color” or Billy Strayhorn’s “Lush Life”, the emotional intensity remains.

Classic

Teddy Wilson - Live At The King Of France Tavern, September 1978

Bitrate: 320K/s
Time: 77:21
Size: 177.1 MB
Styles: Piano jazz
Year: 2014
Art: Front

[4:25] 1. Don't Be That Way
[3:57] 2. Sweet Georgia Brown
[3:52] 3. Birth Of The Blues
[3:21] 4. Memories Of You/Poor Butterfly
[2:44] 5. I Got Rhythm
[3:31] 6. Sophisticated Lady/Don't Get Around Much Anymore
[5:19] 7. In A Sentimental Mood/Perdido
[6:29] 8. Lush Life/Take The 'a' Train
[4:43] 9. Whispering
[3:05] 10. Shiny Stockings
[5:56] 11. One O' Clock Jump
[1:25] 12. Moonglow
[2:33] 13. Moonglow
[3:43] 14. Avalon
[4:37] 15. Basin Street Blues
[3:44] 16. It Don't Mean A Thing
[4:30] 17. The Man I Love/Our Love Is Here To Stay
[3:46] 18. Who Cares
[5:31] 19. St. Louis Blues

This album contains an exciting new find, a previously unreleased and unknown live performance by the immortal Teddy Wilson. It was recorded in September 1978 in the historic King of France Tavern in Annapolis, Maryland in a trio with bassist Bill Nelson and drummer Bill Reichenbach. It features Wilson at the peak of his powers.

Live At The King Of France Tavern

Joel Paterson - Handful Of Strings

Bitrate: 320K/s
Time: 38:07
Size: 87.3 MB
Styles: Guitar jazz
Year: 2013
Art: Front

[1:57] 1. speedin' north
[2:16] 2. Twin Guitar Shuffle
[2:32] 3. Pensacola Rhythm
[2:50] 4. After You've Gone
[2:53] 5. Swingin' Easy
[2:28] 6. Northern Gentlemen
[2:48] 7. Callin' The Cat
[2:42] 8. La Paloma
[3:07] 9. Flyin' Low
[2:59] 10. Seven String Ride
[3:12] 11. Blue Steel Serenade
[2:48] 12. Mabie's Rock
[2:49] 13. Fender Freeze
[2:41] 14. King Freddie's Blues

There once was a time when the “multiple guitar” style of recording flourished, pioneered by Les Paul and carried on by such luminaries as Buddy Merrill and Jorgen Ingmann. With the invention of multi-track recording, the adventuresome guitarist could create lush, swirling guitar orchestras, all overdubbed through a labor-intensive studio process.

Somewhere along the way, the multiple guitar recording went out of vogue. Joel Paterson seeks to change all that with this phenomenal release, reviving the lost art of multiple guitar recording with “Handful of Strings,” the best album of its kind since Buddy Merrill left the Lawrence Welk Show.

Paterson is a monster player from Chicago who seems to soak up all the great American music styles like a sponge, and you’ll hear them all here, from jazz to blues to country and rock—and even funk.

“Handful of Strings” is essential listening for any guitar geek and a must for anybody who digs guitars and guitar music. All hail Joel Paterson, Chicago’s guitar geek extraordinaire!

Handful Of Strings

George Shearing, Dakota Staton - In The Night

Styles: Vocal And Piano Jazz
Year: 1958
File: MP3@320K/s
Time: 33:00
Size: 77,9 MB
Art: Front

(3:14)  1. From Rags To Richards
(2:57)  2. I'm Left With The Blues In My Heart
(2:20)  3. Pawn Ticket
(2:02)  4. In The Night
(2:42)  5. Easy
(2:28)  6. I Hear Music
(3:47)  7. Senor Blues
(2:44)  8. Confessin' The Blues
(2:18)  9. Later
(3:06) 10. The Thrill Is Gone
(2:33) 11. The Late, Late Show
(2:42) 12. I'd Love To Make Love To You

With its progressive-leaning jazz and modernist blues vocals, In the Night was the prototype for the piano-vocals collaboration record that George Shearing would remake with Peggy Lee, Nat King Cole, and Nancy Wilson while at Capitol (and many others afterwards). In July 1957, just after Dakota Staton's immense success with "The Late, Late Show," Capitol recorded two of its biggest jazz stars together for what would turn out to be one of the finest teamings in either's career. Staton appears on every other song, lending her blend of post-bop vocal prowess and late-night melodrama to a set of well-chosen songs including "In the Night" and "I Hear Music." (Ironically, the version of "The Late, Late Show" heard here is an instrumental.) 

Shearing and Staton are joined by the pianist's group at the time, including Emil Richards on vibes, the splendid Toots Thielemans on guitar, and a few features for Latin percussionist Armando Peraza. The group's finest features are the opener, "From Rags to Richards," a fine Shearing original with excellent solos from Richards and Shearing, and Ray Bryant's "Pawn Ticket," with fine work from Thielemans and Richards. ~ John Bush   http://www.allmusic.com/album/in-the-night-mw0000030492.

Personnel: George Shearing (piano); Dakota Staton (vocals); Emil Richards (vibraphone); Toots Thielemans (guitar); Al McKibbon (bass); Perry Brice (drums).

In The Night

Baby Face Willette - Stop and Listen

Styles: Soul Jazz
Year: 1961
File: MP3@320K/s
Time: 43:29
Size: 99,8 MB
Art: Front

(8:14)  1. Willow Weep for Me
(7:43)  2. Chances Are Few
(5:13)  3. Jumpin' Jupiter
(4:40)  4. Stop and Listen
(7:19)  5. At Last
(5:25)  6. Soul Walk
(4:51)  7. Work Song

Probably the greatest set in Baby Face Willette's all-too-slim discography, Stop and Listen matches the organist with the hugely sympathetic team of guitarist Grant Green and drummer Ben Dixon (the same trio lineup who recorded Green's debut LP, Grant's First Stand). With no saxophonist this second time around, it's just Willette and Green in the solo spotlight, and they play marvelously off of one another. As a soloist, Willette has a nimble, airy touch, and though he owes no debt to the modal style of Larry Young, he has a greater melodic imagination than many of his instrument's straight blues players. What's more, his playing is far less in-the-pocket than his inspiration, Jimmy Smith's; Willette can really make a groove percolate, whether he's soloing or adding keen rhythmic interest with his left hand (witness the throbbing slow blues of "Chances Are Few" or the marching beat of "Soul Walk"). 

Green is in prime form as well, in particular contributing some unbearably lovely solos to the standard "At Last." Nearly every selection is memorable, with other highlights coming from Willette's manic original "Jumpin' Jupiter," a breezy treatment of "Willow Weep for Me," and Nat Adderley's jauntily swinging "Worksong." There's nary a bit of sleepy meandering on this set of grooves; each musician is plugged in and ready to wail. With Blue Note's extraordinary stable of talent, it's a shame that Willette never led another session for the label, which makes Stop and Listen that much more essential for soul-jazz fans. ~ Steve Huey   http://www.allmusic.com/album/stop-and-listen-mw0000118136.

Personnel: Baby Face Willette (organ); Grant Green (guitar); Ben Dixon (drums).

The Bonzo Dog Band - Pour l'Amour des Chiens

Styles: Pop/Rock
Year: 2007
File: MP3@320K/s
Time: 70:29
Size: 161,9 MB
Art: Front

(1:01)  1. Pour L'Amour Des Chiens
(2:41)  2. Let's All Go To Mary's House
(3:16)  3. Hawkeye The Gnu
(2:20)  4. Making Faces At The Man In The Moon
(0:20)  5. Fiasco
(3:11)  6. Purple Sprouting Broccoli
(4:19)  7. Old Tige
(1:58)  8. Wire People
(0:46)  9. Salmon Proust
(3:26) 10. Democracy
(4:41) 11. I Predict A Riot
(4:29) 12. Scarlet Ribbons
(0:28) 13. Paws
(0:06) 14. And We're Back
(3:24) 15. Stadium Love
(2:41) 16. Mornington Crescent
(0:26) 17. L'Essence d'Hooligan
(3:08) 18. Early Morning Train
(4:36) 19. My Friends Outside
(2:30) 20. For The Benefit Of Mankind
(2:43) 21. Beautiful People
(3:55) 22. Ego Warriors
(0:14) 23. Cockadoodle Tato
(3:53) 24. Tiptoe Through The Tulips
(3:36) 25. Sweet Memories
(0:18) 26. Sudoku Forecast
(4:58) 27. Now You're Asleep
(0:51) 28. Jean Baudrillard

Just when you thought every Sixties band had reformed, the old anarchists pop up to reprise their distinctive mix of jazz and silliness - with Stephen Fry replacing the late Vivian Stanshall. The end product is predictable - think BBC2's Grumpy Old Men set to music and only half amusing. There are some gems, however: a nutcase version of 'I Predict a Riot' - 'Once I Get My Homework Done'; a cover of the Jim Reeves homage to a ghost dog, 'Old Tige'; and the mournful 'Early Morning Train', sung over dimwits shouting down mobile phones. ~ Robin McKie    http://www.theguardian.com/music/2007/nov/11/popandrock.shopping4

Pour l'Amour des Chiens