Showing posts with label Terry Callier. Show all posts
Showing posts with label Terry Callier. Show all posts

Friday, September 1, 2017

Terry Callier - I Just Can't Help Myself

Styles: Guitar Jazz
Year: 1973
File: MP3@320K/s
Time: 40:55
Size: 95,9 MB
Art: Front

(3:16)  1. (I Just Can't Help Myself) I Don't Want Nobody Else
(3:20)  2. Brown-Eyed Lady
(3:25)  3. Gotta Get Closer To You
(4:18)  4. Satin Doll
(5:36)  5. Until Tomorrow
(9:05)  6. Alley-Wind Song
(3:54)  7. Can't Catch The Trane
(7:57)  8. Bowlin' Green

Terry Callier's third and final album for the Cadet label is the most soulful and supple of the bunch  Marvin Gaye's classic Motown LPs from the same early 1970s period serve as a good reference point, both in their richly-detailed arrangements as well as their thoughtful political and social messages. Despite its contemporary feel, however, much of the material on I Just Can't Help Myself dates back several years both the powerful "Alley-Wind Song" and the John Coltrane tribute "Can't Catch the Trane" were initially recorded during the 1969 sessions which later comprised the First Light collection, while the graceful reading of Duke Ellington's "Satin Doll" was and would remain a longstanding highlight of Callier's live set. Under the circumstances, then, the cohesive beauty and power of I Just Can't Help Myself is all the more remarkable possessed of a subtlety and shading absent from his other Cadet dates, the disc simmers with quiet intensity, its underlying confidence and serenity occasionally giving way to moments of soul-searching angst. Certainly Callier's later records have much to recommend them, but the conclusion of his Cadet stint was nevertheless the end of an era he never reached quite the same peaks again. ~ Jason Ankeny http://www.allmusic.com/album/i-just-cant-help-myself-mw0000457389

Personnel:  Acoustic Guitar – Terry Callier;  Backing Vocals – Errol Batts, Phylis Knox;  Bass – Cleveland Eaton, Louis Satterfield, Richard Evans;  Cello – Karl B. Fruth, Leonard Chausow;  Drums – Donny Simmons, Morris Jennings;  French Horn – Ethel Merker, Paul Tervelt;  Guitar – Phil Upchurch;  Harp – Edward Druzinsky;  Percussion – Alfred Nalls, Bobby Christian, Fred Walker;  Piano, Electric Piano – Charles Stepney;  Saxophone [Alto] – Don Myrick;  Trumpet – Arthur Hoyle, John Howell;  Viola – Arthur W. Ahlman, Bruce Hayden, Harold D. Klatz, Harold Kupper, Roger Moulton;  Violin – Elliott Golub, Everett Zlatoff-Mirsky, Jerry Babransky, Joseph Golan, Ruth Goodman, Theodore Silavin

I Just Can't Help Myself

Wednesday, August 30, 2017

Terry Callier - Timepeace

Styles: Guitar Jazz, Funk, Soul
Year: 2006
File: MP3@320K/s
Time: 76:20
Size: 175,8 MB
Art: Front

(2:50)  1. Ride suite ride (intro)
(8:28)  2. Lazarus man
(4:54)  3. Keep your heart right
(5:15)  4. Java sparrow
(6:50)  5. People get ready/Brotherly love
(4:29)  6. Love theme from 'spartacus'
(5:45)  7. No more blues
(8:55)  8. Timepeace
(6:37)  9. Following your footprints
(5:04) 10. C'est la vie
(4:51) 11. Coyote moon
(4:49) 12. Aka new york al
(3:21) 13. Traitor to the race
(4:07) 14. Love theme from spartacus - zero 7 remix (Bonus Track)

For far too long, folk-jazz mystic Terry Callier was the exclusive province of a fierce but small cult following; a singer/songwriter whose cathartic, deeply spiritual music defied simple genre categorization, he went all but unknown for decades, finally beginning to earn the recognition long due him after his rediscovery during the early '90s. Born in Chicago's North Side also home to Curtis Mayfield, Jerry Butler, and Ramsey Lewis and raised in the area of the notorious Cabrini Green housing projects, Callier began studying the piano at the age of three, writing his first songs at the age of 11 and regularly singing in doo wop groups throughout his formative years. While attending college, he learned to play guitar, eventually setting up residency at a Chicago coffeehouse dubbed the Fickle Pickle and in time coming to the attention of Chess Records arranger Charles Stepney, who produced Callier's debut single, "Look at Me Now," in 1962. In 1964, Callier met Prestige label producer Samuel Charters, and a year later they entered the studio to record his full-length bow, The New Folk Sound of Terry Callier; upon completion of the session, however, Charters traveled to Mexico with the master tapes in tow, and the album went unreleased before finally appearing to little fanfare in 1968. Undaunted, Callier remained a fixture of the Windy City club scene, and in 1970 he and partner Larry Wade signed on with his boyhood friend Jerry Butler's Chicago Songwriters Workshop. There they composed material for local labels including Chess and Cadet, most notably authoring the Dells' 1972 smash "The Love We Had Stays on My Mind." The song's success again teamed Callier with Stepney, now a producer at Cadet, and yielded 1973's Occasional Rain, a beautiful fusion of folk and jazz textures that laid the groundwork for the sound further explored on the following year's What Color Is Love?

Despite earning strong critical notices and building up a devoted fan base throughout much of urban America, Callier failed to break through commercially, and after 1975's I Just Can't Help Myself he was dropped by Cadet; in 1976, he also suffered another setback when Butler closed the Songwriters Workshop. Upon signing to Elektra at the behest of label head Don Mizell, Callier resurfaced in 1978 with the lushly orchestrated Fire on Ice; with the follow-up, 1979's Turn You to Love, he finally cracked the pop charts with the single "Sign of the Times," best known as the longtime theme for legendary WBLS-FM disc jockey Frankie Crocker. He even appeared at the Montreux Jazz Festival. However, when Mizell exited Elektra, Callier was quickly dropped from his contract; after a few more years of diligent touring, he largely disappeared from music around during the early '80s; a single parent, he instead accepted a job as a computer programmer, returning to college during the evenings to pursue a degree in sociology. Although he had essentially retired from performing, Callier continued composing songs, and in 1991 he received a surprise telephone call from fan Eddie Pillar, the head of the U.K. label Acid Jazz. Pillar sought permission to re-release Callier's little-known, self-funded single from 1983, "I Don't Want to See Myself (Without You)." Seemingly overnight, the record became a massive success on the British club circuit, and the singer was soon flown to Britain for a pair of enormously well-received club dates. In the coming months, more gigs followed on both sides of the Atlantic, and in 1996, Callier even recorded a live LP, TC in DC. In 1997, he teamed with British singer Beth Orton, another of his most vocal supporters, to record a pair of tracks for her superb EP Best Bit; the following year, Callier also released his Verve Forecast debut Timepeace, his first major-label effort in close to two decades. Lifetime followed in 1999, and two years later came Alive, recorded live at London's Jazz Cafe. Callier returned in 2002 with Speak Your Peace and 2005 with Lookin' Out. In May of 2009, Hidden Conversations, co-written and produced by Massive Attack, was released on Mr. Bongo in the U.K.; a release in the United States followed in the fall of 2010. Two years later, however, he died from cancer in Chicago on October 27, 2012. Terry Callier was 67 years old. ~ Jason Ankeny http://www.allmusic.com/artist/terry-callier-mn0000027916/biography

Personnel:  Acoustic Guitar – Terry Callier;  Bass – Dave Barnard, Eric Hochberg;  Double Bass [Bass Violin] – Eric Hochberg;  Drums – Alfredo Alias , Dave Trigwell, Morris Jennings;  Guitar – Dave Onderdonk, Jim Mullen, John Moulder;  Percussion – Boscoe D'Olivera, Pennington McGee;  Piano – Mark Edwards;  Producer – Brian Bacchus, Eric Hochberg;  Saxophone – Gary Plumley; Vocals – Terry Callier, Veronica Cowper

Timepeace