Showing posts with label Courtney Pine. Show all posts
Showing posts with label Courtney Pine. Show all posts

Monday, February 12, 2024

Courtney Pine - Journey To The Urge Within

Styles: Saxophone Jazz
Year: 1986
File: MP3@320K/s
Time: 50:14
Size: 116,3 MB
Art: Front

(4:19) 1. Miss-Interpret
(4:42) 2. I Believe
(5:24) 3. Peace
(3:31) 4. Dolores
(3:24) 5. As We Would Say
(7:06) 6. Children Of The Ghetto
(5:25) 7. When, Where, How And Why
(3:30) 8. C.G.C.
(4:33) 9. Seen
(1:28) 10. Sunday Song
(3:45) 11. E.F.P. (Bonus Track)
(3:00) 12. Big Nick (Bonus Track)

This early Courtney Pine recording (the tenor saxophonist was 22 at the time) features some of the most promising black English jazz musicians of the time, including Pine (who also plays some bass clarinet and soprano), singer Cleveland Watkiss (who often is reminiscent of Bobby McFerrin), vibraphonist Orphy Robinson, and pianist Julian Joseph.

While most of these players have not yet lived up to their potential (Pine remains an expert Coltrane imitator), this disc has its share of strong music. The emphasis is on Courtney Pine's originals which cover a wide span of emotions and grooves.By Scott Yanow https://www.allmusic.com/album/journey-to-the-urge-within-mw0000652798

Journey To The Urge Within

Sunday, October 20, 2019

Courtney Pine - Modern Day Jazz Stories

Styles: Saxophone And Flute Jazz
Year: 1995
File: MP3@320K/s
Time: 59:00
Size: 136,1 MB
Art: Front

( 1:24)  1. Prelude - The Water Of Life
( 4:21)  2. The 37th Chamber
( 4:56)  3. Don't 'Xplain
( 8:48)  4. Dah Blessing
( 5:58)  5. In The Garden Of Eden - Thinking Inside Of You
(10:36)  6. Creation Stepper
( 7:33)  7. Absolution
( 3:50)  8. Each One - Must) Teach One
( 6:39)  9. The Unknown Warrior - Song For My Forefathers
( 3:41) 10. I've Known Rivers
( 1:09) 11. Outro - Guiding Light

On his return to Antilles and his debut with the Verve Group, Courtney Pine reaches out to unchartered musical zones, reflecting the sound of the street in a modern mix of pop, hip hop and jazz music. Described as Courtney's most focused album to date, Modern Day Jazz Stories combines the worlds of jazz and hip hop, utilizing the traditional sounds of jazz instruments simultaneously with turntables, but without overdubs. Full album to ship to jazz and college radio. ~ Editorial Reviews https://www.amazon.com/Modern-Jazz-Stories-Courtney-Pine/dp/B000004703

Personnel: Saxophone [Tenor], Saxophone [Soprano], Flute – Courtney Pine; Double Bass – Charnett Moffett; Drums, Percussion – Ronnie Burrage; Guitar – Mark Whitfield; Piano [Acoustic], Organ [Hammond B3] – Geri Allen; Trumpet – Eddie Henderson; Voice – Cassandra Wilson

Modern Day Jazz Stories

Thursday, October 17, 2019

Courtney Pine - Devotion

Styles: Saxophone, Clarinet And Flute Jazz
Year: 2004
File: MP3@320K/s
Time: 44:29
Size: 102,4 MB
Art: Front

(0:49)  1. Into: Release
(4:18)  2. Sister Soul
(6:18)  3. Devotion
(4:43)  4. Bless the Weather
(0:51)  5. Interlude: The Saxophone Song
(4:31)  6. Osibisa
(5:00)  7. Translusance
(4:36)  8. U.K.
(1:19)  9. Interlude: Karma
(4:58) 10. When the World Turns Blue
(4:36) 11. Everyday is Everyday
(2:26) 12. Outro: With All My Love

The management typically frowns on an initial discourse regarding the issuing record label when writing a review, but in the case of Courtney Pine's debut on Telarc Jazz, I feel it is warranted.  Compared with the majority of Telarc's releases (dead middle mainstream) Mr. Pine's new release can only be approached by those of Monty Alexander's with respect to pushing the genre envelope, and honestly, Mr. Alexander has nothing on Courtney Pine. Born March 18, 1964 in London, England, Courtney Pine was to emerge in the mid-1980s as the next John Coltrane at the same time Wynton Marsalis sounded like the heir to Miles Davis.  He grew up playing funk and reggae before migrating to the edge of jazz standards.  He is a master of several instruments, including the soprano and tenor saxophones and that most difficult mistress, the bass clarinet.  He released several fine recordings on Antilles/Island ( Journey to the Urge Within ) but lost direction in the mid-1990s. Devotion is Courtney Pine's first release since 1998's Another Story.  It is a loud, jazzy, funky, reggae, rocking affair bursting at the seams with cross influences and counter rhythms.  The recording is as highly produced as most contemporary and smooth jazz offerings...but contemporary or smooth jazz this is not.  In fact, if I were to have to describe this disc with one line it would be "Devotion is the reincarnation of Julian and Nate Adderley's Band in the 22nd Century."  After an electric introduction the disc blasts off with Pine's "Soul Sister," a transmogrified "Work Song" as a Phil Spector "Wall of Sound" taken to infinity.  The title cut has a reggae vibe with Pine weaving in and out like the ghost of Eddie Harris calling out the name of Les McCann. Pine extends his jazz-funk jones into his compositions "Osibisa," a big band Latin groove, and "Translusance," which contains some nifty off-beat drumming, a killer hook and a sitar (I hear early Rolling Stones and late Beatles here).  "UK" might be the best piece on the record, a cross between the Stax House and 1980s Saturday Night Live Bands.  The instrumental pieces are better than the vocal pieces and there is plenty of Pine for everyone.  Had Mr. Pine been wandering in the desert before, he has emerged into the oasis of his own making. ~ C.Michael Bailey https://www.allaboutjazz.com/devotion-courtney-pine-telarc-records-review-by-c-michael-bailey.php

Personnel:  Courtney Pine--Soprano, Tenor Saxophones, Bass Clarinet, Alto Flute, Pro Tools; Cameron Pierre--Guitars; Chris Jerome--Keyboards; Robert Fordjour--Drums; Thomas Dyani--Percussion; David Mcalmont, Carleen Anderson--Vocals; Robert Mitchell--Piano; Dennis Rollins--Trombone; Byron Wallin--Trumpet; Yousuf Ali Khan--Tabla; Sheema Mukherjee--Sitar.

Devotion

Friday, November 24, 2017

Courtney Pine - Another Story

Styles: Saxophone Jazz
Year: 1998
File: MP3@320K/s
Time: 78:32
Size: 184,0 MB
Art: Front

(8:01)  1. I've Known Rivers (4 HERO Remix Vol 1)
(8:13)  2. Don't X'plain (Flytronix Mix)
(5:36)  3. Tryin' Times (Peshay Remix)
(9:08)  4. The 37Th Chamber (Flytronix Mix)
(5:59)  5. The In-Sense Song (Raw Deal Mix)
(6:36)  6. Tryin' Times (Attica Blues Remix)
(6:58)  7. I've Known Rivers (Pressure Drop Rivers Run Deeper Mix)
(6:24)  8. Tryin' Times (Headstrong Vocal Mix)
(6:47)  9. Don't X'plain (Attica Blues Head Knod)
(5:25) 10. Don't X'plain (Roni Size Remix)
(5:51) 11. The In-Sense Song (The Mighty Strinths Remix)
(3:28) 12. I've Known Rivers (4 HERO Bossa)

Another Story offers another perspective on Courtney Pine's work, namely that of a remixer. Pine has aessembled a number of producers, including such names as Roni Size and Attica Blues, giving them the go-ahead to rework selected moments from Modern Day Jazz Stories and Underground. All of the selections have now been recast as drum'n'bass crossover tracks, and they work surprisingly well, showcasing the freshness of Pine's playing while revealing that there is true improvisation and jazz within the busy jungle grooves. ~ Stephen Thomas Erlewine https://www.allmusic.com/album/another-story-mw0000741961

Another Story

Saturday, November 18, 2017

Courtney Pine - Black Notes From The Deep

Bitrate: MP3@320K/s
Time: 41:09
Size: 94.2 MB
Styles: Saxophone jazz
Year: 2017
Art: Front

[3:11] 1. Rules
[4:51] 2. You Know Who You Are
[3:19] 3. Darker Than The Blue
[5:35] 4. Rivers Of Blood
[3:15] 5. In Another Time
[4:53] 6. The Morning After The Night Before
[4:25] 7. A Change Is Sure To Come
[6:27] 8. How Many More
[3:56] 9. Butterfly
[1:13] 10. A Word To The Wise

Ever one to mix things up, Britain’s most celebrated jazzer follows a low-key ballads album with a collection centred on funk-oriented duets with vocalist Omar, though Courtney Pine – back on tenor sax for the first time in years – conjures assorted moods. Rivers of Blood is a brooding meditation taking its title from Enoch Powell’s 1968 racist speech, while A Change Is Sure to Come is a wistful, flute-driven piece. Omar brings an elegant touch to Herbie Hancock’s Butterfly, and snappy vitality to opener Rules. Robert Mitchell’s piano shines among a supporting trio, and Pine, whether in contemplation or post-bop flurry, shows why he’s still top dog. ~Neil Spencer

Black Notes From The Deep

Monday, November 13, 2017

Courtney Pine - House of Legends

Styles: Flute And Saxophone Jazz
Year: 2012
File: MP3@320K/s
Time: 55:44
Size: 127,9 MB
Art: Front

(2:22)  1. The Tale of Stephen Lawrence
(4:48)  2. Kingstonian Swing
(5:07)  3. Liamuiga (Cook Up)
(6:23)  4. Samuel Sharpe
(5:15)  5. Ca C'est Bon Ca
(4:34)  6. Claudia Jones
(5:49)  7. Song of the Maroons
(6:46)  8. House of Hutch
(5:30)  9. From the Father to the Son
(4:52) 10. Ma-Di-Ba
(4:13) 11. Tico Tico

Though multi-reedist Courtney Pine has been playing soprano for almost 30 years, this is the first occasion he's recorded an entire album with the instrument. Following his bass clarinet adventures on the European roots album Europa (Destin-E, 2011) it's clear that the modern British jazz legend doesn't tire of setting himself new challenges. Taking as his inspiration the roots of the British Afro-Caribbean community, Pine visits calypso, soca, zouk, reggae and South African rhythms in a joyous dance party that's liberally infused with his electrifying be-bop lines. Pine's music has mostly always had a contemporary urban accent, yet albums such as the aforementioned Europa, Transition in Tradition (Destin-E Records, 2009) which traced jazz's roots and now House of Legends suggest that of late he's found greater inspiration in the past than in the hip-hop, jungle and drum 'n' bass that's colored much of his discography. Pine previously explored his Jamaican roots on the reggae-inspired jazz of Closer to Home (Mango, 1992), but there's a greater stylistic breadth and an infectious exuberance on display here. House of Legend can also be seen as an extension of the Jazz Warriors' Out Of Many, One People (Island, 1987), which celebrated the UK's Afro-Caribbean jazz talent. It's also a posthumous and heartfelt dedication to some of the UK's most important jazz musicians and composers trumpeter Harry Beckett, saxophonists Sir John Dankworth, Andy Hamilton and Lol Coxhill, and London-based American trumpeter/vocalist Abram Wilson who succumbed to cancer at the tragically early age of 38 in 2012. Pine has never made any bones about his musical debts, though "Ca C'est Bon Ca" bears such close resemblance to saxophonist Sidney Bechet's "Petite Fleur" that the New Orleans jazz pioneer surely deserves a co-writing credit.

And, as a celebration of the 50th anniversary of Jamaica's independence, House of Legend is another socially and politically conscious recording in the vein of Afropeans (Destin-E Records, 2008), a rousing live recording that marked the 200th anniversary of the Abolition of the Slave Trade Act. Several of the compositions here are similarly inspired by black historical figures, activists and victims alike, but with the exception of "The Tale of Stephen Lawrence" a duet between Pine and pianist Mervyn Africa that serves as a poignant eulogy to British teenager Lawrence, horrifically murdered in a racist attack the music is upbeat and celebratory in tone. Trombonist Trevor Edwards and trumpeter Mark Crown sound the reveille to the party on "Kingstonian Swing." Pianist Mario Canonge, guitarist Cameron Pierre and bassist Miles Danso provide the ska rhythms and accents, as Pine unfurls a fast yet melodic solo. A short slice of dub reggae serves as a breather before Crown solos with equal panache. "Liamuiga (Cook Up)" is a melodically appealing calypso reminiscent of Sonny Rollins; Annise Hadeed's steel pan brings the sunny flavor of the Caribbean to the mix and there's joy too in Pierre's fluid lines. It's Pine's wildly exuberant solo, however, that really steals the show. It doesn't all work so well. "Samuel Sharpe" sounds like a disco version of the Star Trek theme and Pine's use of EWI has the unwelcome effect of converting this homage to the former Jamaican slave-turned-protester into cheesy, hotel-synthesizer kitsch. Drummer Rod Youngs' metronomic beat has a programmed feel that does little to dispel the notion of a one-man synthesizer show. Surprisingly, given the range of styles Pine visits on House of Legends the music is often rhythmically unchallenging and the predictable beat on a number of tracks can become a little monotonous.

The calypso jaunt "Claudia Jones" skips along at a breezy pace with standout solos from Pierre and Pine. The native Indian intro to "Song of the Maroons" conjured by Michael Bammi Rose's flute, bass drum and hand-held cymbals/shakers gives way to an uplifting melody driven by strummed guitar. Rose and Pine's solos are joyful expressions of play. "House of Hutch" and "From Father to Son" continue the party vein. The former features a swinging, Latin-tinged piano solo from Canonge and another breathless torrent of notes from Pine that raises the temperature. The latter tune another calypso-influenced number pits Pine and veteran trumpeter Eddie Tan Tan Thornton together in a passionate give-and-take. "Ma-Di-Ba" fuses infectious melody and groove in a celebration of Nelson Mandela and South Africa's stirring music of the townships. Pine saves the most frenetic to last a double time meringue take on "Tico Tico." Pierre, Canonge and the leader each contribute solos on a full-throttle rendition that provides a rousing group exclamation, and one that can only be followed by someone pulling the plug. Pine doesn't set out to reinvent the wheel on his latest roots adventure, though he does give some of his finest solos yet committed to record, surely stretching the reach of the soprano saxophone to its limits. House of Legends may not be the most innovative or progressive recording Pine has ever done, but it's certainly the most enjoyable. ~ Ian Patterson https://www.allaboutjazz.com/courtney-pine-house-of-legends-by-ian-patterson.php

Personnel: Courtney Pine; soprano sax (1-11), EWI (4), alto flute (7); Mervyn Africa: acoustic piano (1); Mark Crown: trumpet (2); Trevor Edwards: trombone (2-3, 8); Rico Rodriquez: trombone (2); Mario Canonge: acoustic piano (2-6, 8-9); Cameron Pierre: electric guitar: (2-4, 6, 8-9), acoustic guitar (5, 7), banjo (7); Miles Danso: double bass (2-11); Rod Youngs: drums (2-11); Annise Hadeed: steel pan (3-4, 6-7, 9); Ellen Blair: violin (5); Natalie Taylor: viola (5); Amanda Drummond: viola (5); Jenny Adejayan: cello (5); Michael Bammi Rose: flute (7); Dominic Grant: acoustic guitar (7); Eddie Tan Tan Thornton: trumpet (9); Claude Deppa: flugelhorn (10); Lucky Ranku: electric guitar (10).

House of Legends

Monday, December 5, 2016

Courtney Pine - Closer to Home

Styles: Saxophone Jazz
Year: 1992
File: MP3@320K/s
Time: 51:42
Size: 118,8 MB
Art: Front

(0:55)  1. Opus 1 (Intro)
(4:11)  2. Get Busy
(4:03)  3. Blue Tide
(3:28)  4. I Don't Care
(0:24)  5. Dancehall (Interlude)
(3:52)  6. Kingston
(0:32)  7. Marcus (Interlude)
(4:30)  8. Be Mine Tonight
(5:09)  9. I'm Still Waiting
(1:06) 10. Closer (Interlude)
(3:53) 11. Closer to Home
(4:32) 12. Never Be Lonely
(1:10) 13. Garvey (Interlude)
(3:50) 14. In Time (All Will Know)
(0:35) 15. Dancehall 2 (Interlude)
(2:41) 16. Home Song
(0:53) 17. Opus 1 (Outro)
(5:49) 18. Courtney Blows (Live)

A '92 release by British saxophonist Courtney Pine, who with each album moves more toward the musical center. He's working with pop, rock, and reggae compositions and musicians, but at the same time still playing forceful, frequently dynamic tenor and soprano solos. It's not really fusion, nor is it the kind of uncompromising jazz that he once championed. ~ Ron Wynn http://www.allmusic.com/album/closer-to-home-mw0000280135

Personnel: Courtney Pine (saxophone, keyboards, alto flute, bass synthesizer, drums, computer programming); Dean Fraser (baritone saxophone); Delroy Donaldson, Tony Gad (keyboards, bass); Robbie Lynn (keyboards); Pierre (guitar synthesizer); Stanley (guitar); Danny Browne (bass); Cameron Cleavie, Sly Dunbar (drums, percussion); Drummie (percussion);

Closer to Home

Thursday, December 1, 2016

Courtney Pine - Underground

Styles: Saxophone, Clarinet And Flute Jazz
Year: 1997
File: MP3@320K/s
Time: 66:10
Size: 164,4 MB
Art: Front

(1:11)  1. Intro - Inhale
(6:59)  2. Modern Day Jazz
(6:15)  3. Tryin' Times
(5:55)  4. Oneness Of Mind
(5:37)  5. Invisible (Higher Vibe)
(9:50)  6. The Book Of ... (The Dead)
(5:55)  7. Children Of The Sun
(4:52)  8. The In-Sense Song
(7:50)  9. Silver Surfer
(6:57) 10. Underground
(0:56) 11. Outro - Xhale
(3:46) 12. Save The Children

The first thing that becomes clear on Courtney Pine's Underground is that the hip-hop-jazz hybrids of the 1990s (such as Digable Planets, A Tribe Called Quest, US3, or even the Dream Warriors) missed their target; the combination is much stronger when it's jazz-hip-hop, and the latter becomes a textural element. Pine sticks to his guns-frenetic melodies, engaging song structures, and a keen ability to keep his jazz cool and never lite. Those talents shine further when given the icing of exquisite samples, particularly when the rapid-fire cuts and sharp sense of humor show a respect for turntablism. And lest Pine's jazz fans be dismayed, tracks like "Invisible" seamlessly slip back into Pine's masterful (more traditional) jazz persona. 

Of particular note is "Tryin' Times," one of the few tracks with vocals, which acts as both a lounge singer vehicle as well as venue for Pine's dizzying saxophone acrobatics. Underground is a great introduction to Pine's work, and if there's any justice, will someday be recognized as a benchmark jazz-hip-hop hybrid experiment. ~ Jaime Vázquez http://www.allmusic.com/album/underground-mw0000595653

Personnel: Courtney Pine (soprano & tenor saxophones, bass clarinet, flute); Jhelisa (vocals); Nicholas Payton (trumpet); Cyrus Chestnut (acoustic piano, Hammond B-3 organ, Wurlitzer electric piano); Mark Whitfield (guitar); Reginald Veal (acoustic bass); Jeff "Tain" Watts (drums); DJ Pogo (DJ).

Underground