Sunday, April 10, 2016

Sarah Vaughan - How Long Has This Been Going On?

Styles: Vocal Jazz
Year: 1978
File: MP3@320K/s
Time: 49:00
Size: 157,3 MB
Art: Front

(5:38)  1. I've Got the World on a String
(4:40)  2. Midnight Sun
(6:03)  3. How Long Has This Been Going On?
(5:10)  4. You're Blase
(4:40)  5. Easy Living
(6:46)  6. More Than You Know
(6:14)  7. My Old Flame
(3:06)  8. Teach Me Tonight
(3:43)  9. Body and Soul
(2:54) 10. When Your Lover Has Gone

This set features the great Sarah Vaughan in a typically spontaneous Norman Granz production for Pablo with pianist Oscar Peterson, guitarist Joe Pass, bassist Ray Brown, and drummer Louie Bellson. Sassy sounds wonderful stretching out on such songs as "Midnight Sun," "More Than You Know," "Teach Me Tonight," and "Body and Soul," among others. All ten of the melodies are veteran standards that she knew backwards but still greeted with enthusiasm. A very good example of late-period Sarah Vaughan.~Scott Yanow http://www.allmusic.com/album/how-long-has-this-been-going-on-mw0000032467

Personnel: Sarah Vaughan (vocals); Oscar Peterson (piano); Joe Pass (guitar); Ray Brown (bass); Louis Bellson (drums).

How Long Has This Been Going On?

David Linx, Maria João & Brussels Jazz Orchestra - A Different Porgy & Another Bess

Styles: Vocal
Year: 2012
File: MP3@320K/s
Time: 72:24
Size: 166,2 MB
Art: Front

(7:06)  1. A red-headed woman
(4:59)  2. A woman is a sometime thing
(6:00)  3. I love you, Porgy
(7:16)  4. Buzzard song
(8:09)  5. My man is gone now
(6:32)  6. Oh Lord, I'm on my way
(6:53)  7. Clara, Clara, don't be downhearted
(5:48)  8. Bess you are my woman now
(7:04)  9. Oh, doctor Jesus
(7:04) 10. I've got plenty of nothing
(5:28) 11. Summertime

The French classical label Naive has made a successful foray into jazz with recordings like Mina Agossi's Red Eyes (2012); and Tania Maria's Tempo (2012). A Different Porgy and Another Bess is the first thematic big-band offering from the label. Drawing from the George Gershwin/DuBose Heyward opera, Porgy and Bess (1935), A Different Porgy highlights eleven vocal pieces from the book. The music performed by the Brussels Jazz Orchestra, under the direction Frank Vaganee, features David Linx in the role of Porgy and Maria Joao as Bess. The arrangements are bright and progressive, courtesy of a wide swath of people in and outside the band. A portion of the eleven pieces chosen for recital are expected. "I Love You Porgy," "My Man is Gone Now," "I Got Plenty of Nothing" and "Summertime" are all present and accounted for. But there are also Lesser-heard songs here: "A Red-Headed Woman," "Oh Lord, I'm On My Way" and "Oh, Dr. Jesus" are included to great effect in breaking up preconceptions and expectations that might cloud a Porgy and Bess-based disc. That said, there is actually no danger in this simply being one more interpretation of an over-interpreted collection of songs; the songs' arrangers and the Brussels Jazz Orchestra see to that.

A first listen sounds like a wild ride in one of those hover-cars from Luc Besson's 1997 film, The Fifth Element. Songs that should be familiar sound about as foreign as they possibly can: think playing "The Maple Leaf Rag" backwards in the Star Wars (1977) bar scene. Well, maybe not that jarring, but certainly provocative. Subsequent listens bear out the relationships of these songs with those Gershwin penned. This is where the invention of arrangement and free spirit benefit the old book, making it new again. This, coupled with a crack and very big band, makes A Different Porgy and Another Bess a valuable contribution to understanding the evolution of jazz.~C.Michael Bailey http://www.allaboutjazz.com/a-different-porgy-and-another-bess-david-linx-naive-review-by-c-michael-bailey.php
 
Personnel: David Linx: vocals; Maria Joao: vocals; Frank Vaganee: artistic director, lead alto and soprano saxophones, flute; Dieter Limbourg: alto and soprano saxophones, clarinet, flute; Kurk Van Herck: tenor saxophone, flute, clarinet; Bart Defoort: tenor saxophone, clarinet; Bo Van Der Werf: baritone saxophone; bass clarinet; Serge Plume: lead trumpet, flugelhorn; Nico Schepers: trumpet, flugelhorn; Pierre Drevet: trumpet, flugelhorn; Jeroen Van Malderen: trumpet, flugelhorn; Marc Godfroid: lead trombone; Lode Mertens: trombone; Ben Fleerakkers: trombone; Laurent Hendrick: bass trombone; Hendrick Braeckman: guitar; Nathalie Loriers: piano, Fender Rhodes; Jos Machtel: double bass; Martijn Vink: drums; Chris Joris: congas; Carlo Willems: glockenspiel, tam tam gong.

A Different Porgy & Another Bess

George Coleman - Amsterdam After Dark

Styles: Saxophone Jazz
Year: 1979
File: MP3@320K/s
Time: 44:52
Size: 103,5 MB
Art: Front

( 8:29)  1. Amsterdam After Dark
( 7:21)  2. New Arrival
( 4:58)  3. Lo-Joe
(10:17)  4. Autumn In New York
( 7:54)  5. Apache Dance
( 5:50)  6. Blondie's Waltz

Legendary tenor saxophonist blows up a storm with the Hilton Ruiz Trio. This has been reissued on CD. Best cut is "New Arrival." ~ Michael G. Nastos, Rovi

George Coleman's highest visibility occurred when he was a member of the Miles Davis Quintet (1963-1964), playing alongside Davis, Herbie Hancock, Ron Carter, and Tony Williams. His decision to leave the group after several notable recordings cut short his potential fame (his eventual replacement was Wayne Shorter), but Coleman has created a great deal of rewarding music since. Part of the rich Memphis jazz scene of the early '50s, he started playing in blues bands in the South (including with B.B. King in 1952 and 1955-1956). He moved to Chicago in 1957 (where he played with the MJT+3), and to New York the following year. Coleman was with the Max Roach Quintet (1958-1959), Slide Hampton's octet (1959-1961), and Wild Bill Davis (1962), before joining Davis. Following that association, he was with Lionel Hampton, Elvin Jones, and Charles McPherson. Since the mid-'70s, George Coleman has mostly led his own groups, and has recorded both as a leader (for Timeless, Theresa, and Verve) and as a sideman quite frequently; one of his more notable appearances from earlier years was on Herbie Hancock's 1964 classic Maiden Voyage. ~ Scott Yanow https://itunes.apple.com/us/artist/george-coleman/id4833395#fullText

Personnel: George Coleman (tenor saxophone); Hilton Ruiz (piano); Billy Higgins (drums).

Amsterdam After Dark

The John Webber Quartet - Down for the Count

Styles: Guitar Jazz
Year: 2014
File: MP3@320K/s
Time: 64:42
Size: 156,7 MB
Art: Front

( 5:26)  1. Look Love Away
( 5:14)  2. Down for the Count
( 5:44)  3. Lulu's Hope
( 6:33)  4. The Thrill Is Gone
( 8:00)  5. This Love of Mine
( 9:40)  6. Big G Blues
( 6:58)  7. Twilight in Seville
( 6:45)  8. Minor March
(10:17)  9. Make Someone Happy

Recorded live before a studio audience at New York City s Unity Center, Down for the Count, named for an actual Italian Count and Bologna benefactor to many in NYC s straight-ahead jazz scene, fulfills the expectations of the bandleader; I got the guys I was comfortable working with, because I know that with them, it s always going to be swinging. And swing it does! Featuring a mixed program of originals: Lulu s Lope (named for Webber s daughter), Twilight in Seville (reflective of the guitarist s time spent listening to Andrés Segovia and one of the few pieces contained here in which Webber lays down a beautiful chordal introduction utilizing Spanish harmony or was the true inspiration behind the tune a night spent in a Spanish Bodega while on tour when, after buying drinks for the local musicians, Webber found himself down for the count when the sunrise rolled in) and Minor March; George Coleman s blues line Big G Blues; and obscure jazz standards that Webber has creatively reimagined and arranged, Down for the Count is a loose, swinging affair. Clear communicative phrasing, effervescent rhythmic interplay, complete mastery of the jazz language and a bright Gibson ES-330 tone (Grant Green s 1960s guitar of choice) that soars hornlike above the blue chip rhythm section of Mabern, Farnsworth and Nat Reeves (a veteran of the bands of Jackie MacLean and Mabern and, as evidenced by the tremendous synchronization between bass and drums, a long time musical running mate of drummer Farnsworth), all coalesce to, as the title of the final tune trumpets (a favourite of Coleman s and a song which this rhythm section with Webber on bass perform regularly in Big G s band) Make Someone Happy. This recording does just that.~Editorial Reviews http://www.amazon.com/Down-Count-John-Webber-Quartet/dp/B00L4X49A4

Personnel: John Webber (guitar); Harold Mabern (piano); Nat Reeves (acoustic bass); Joe Farnsworth (drums).

Down for the Count