Styles: Saxophone Jazz
Year: 1979
File: MP3@320K/s
Time: 44:52
Size: 103,5 MB
Art: Front
( 8:29) 1. Amsterdam After Dark
( 7:21) 2. New Arrival
( 4:58) 3. Lo-Joe
(10:17) 4. Autumn In New York
( 7:54) 5. Apache Dance
( 5:50) 6. Blondie's Waltz
Amsterdam After Dark
Year: 1979
File: MP3@320K/s
Time: 44:52
Size: 103,5 MB
Art: Front
( 8:29) 1. Amsterdam After Dark
( 7:21) 2. New Arrival
( 4:58) 3. Lo-Joe
(10:17) 4. Autumn In New York
( 7:54) 5. Apache Dance
( 5:50) 6. Blondie's Waltz
Legendary tenor saxophonist blows up a storm with the Hilton Ruiz Trio. This has been reissued on CD. Best cut is "New Arrival." ~ Michael G. Nastos, Rovi
George Coleman's highest visibility occurred when he was a member of the Miles Davis Quintet (1963-1964), playing alongside Davis, Herbie Hancock, Ron Carter, and Tony Williams. His decision to leave the group after several notable recordings cut short his potential fame (his eventual replacement was Wayne Shorter), but Coleman has created a great deal of rewarding music since. Part of the rich Memphis jazz scene of the early '50s, he started playing in blues bands in the South (including with B.B. King in 1952 and 1955-1956). He moved to Chicago in 1957 (where he played with the MJT+3), and to New York the following year. Coleman was with the Max Roach Quintet (1958-1959), Slide Hampton's octet (1959-1961), and Wild Bill Davis (1962), before joining Davis. Following that association, he was with Lionel Hampton, Elvin Jones, and Charles McPherson. Since the mid-'70s, George Coleman has mostly led his own groups, and has recorded both as a leader (for Timeless, Theresa, and Verve) and as a sideman quite frequently; one of his more notable appearances from earlier years was on Herbie Hancock's 1964 classic Maiden Voyage. ~ Scott Yanow https://itunes.apple.com/us/artist/george-coleman/id4833395#fullText
Personnel: George Coleman (tenor saxophone); Hilton Ruiz (piano); Billy Higgins (drums).
George Coleman's highest visibility occurred when he was a member of the Miles Davis Quintet (1963-1964), playing alongside Davis, Herbie Hancock, Ron Carter, and Tony Williams. His decision to leave the group after several notable recordings cut short his potential fame (his eventual replacement was Wayne Shorter), but Coleman has created a great deal of rewarding music since. Part of the rich Memphis jazz scene of the early '50s, he started playing in blues bands in the South (including with B.B. King in 1952 and 1955-1956). He moved to Chicago in 1957 (where he played with the MJT+3), and to New York the following year. Coleman was with the Max Roach Quintet (1958-1959), Slide Hampton's octet (1959-1961), and Wild Bill Davis (1962), before joining Davis. Following that association, he was with Lionel Hampton, Elvin Jones, and Charles McPherson. Since the mid-'70s, George Coleman has mostly led his own groups, and has recorded both as a leader (for Timeless, Theresa, and Verve) and as a sideman quite frequently; one of his more notable appearances from earlier years was on Herbie Hancock's 1964 classic Maiden Voyage. ~ Scott Yanow https://itunes.apple.com/us/artist/george-coleman/id4833395#fullText
Personnel: George Coleman (tenor saxophone); Hilton Ruiz (piano); Billy Higgins (drums).
Amsterdam After Dark
Thanks for the underrated GC!! Cheers Daniel, from Spain...
ReplyDeleteHey Daniel, Thank you as always my friend!
DeleteCheers too!
Hi Giullia. I am really sorry to make a re-up request so soon after another, but please re-up this record if you can. Please!!
ReplyDeleteNew link posted!
Delete22-04-2019