Sunday, July 19, 2015

Gillian Margot Trio - A Pink-Filled Sky

Size: 131,6 MB
Time: 56:17
File: MP3 @ 320K/s
Released: 2010
Styles: Jazz Vocals
Art: Front

01. Winter Rime (5:59)
02. Mood Indigo (5:36)
03. Kiss (5:46)
04. Red With Blue (4:53)
05. Get Out Of Town (3:49)
06. January (6:09)
07. A Pink-Filled Sky (5:24)
08. When We Danced (8:05)
09. Nature Boy (7:07)
10. No Words (3:24)

Gillian Margot is the rarest sort of singer – the kind that makes people sit up and listen. She has an exquisite voice, a disarmingly wide range and a style that is deeply rooted in the tradition of the great jazz vocalists, yet she possesses a gift of storytelling and emotionally intelligent lyrical delivery that is refreshingly free of “jazz singer” clichés. Trained as a vocalist, multi-instrumentalist and dancer, Ms. Margot feels equally at home in the musical worlds of jazz, R&B and pop, and delivers a stage presence and confidence honed through years of performing for audiences worldwide.

In 2010, Gillian Margot independently released A Pink-Filled Sky with her chamber project, the Gillian Margot Trio. An acoustic collaboration of voice, piano and double bass, the album features a spectrum of original contemporary jazz which reveals hints of Margot’s classical training and improvisational tendencies. Captured live in concert, A Pink-Filled Sky showcases the trio’s penchant for in-the-moment arranging of standard jazz repertoire, their element of surprise and healthy irreverence echoed in the delighted applause of the live audience.

A Pink-Filled Sky

Benjamin Koppel, Larry Goldings, Bill Stewart - Hammond Street

Size: 159,7 MB
Time: 69:10
File: MP3 @ 320K/s
Released: 2006
Styles: Jazz: Hammond Organ
Art: Front

01. Ostrich Itch (10:21)
02. Jetlag ( 9:07)
03. H.T.E.S.T.A.C. (How To Explain Socialism To A Cat) ( 5:44)
04. Hammond Street ( 9:22)
05. Make Sure You're Sure ( 5:16)
06. Armadillo Run ( 6:55)
07. Holtemmen ( 6:06)
08. Pasadena Pancakes ( 6:00)
09. Coconino County (Part Ii) (10:15)

With the popularity of Hammond B-3 organ-based recordings, it's becoming hard to differentiate one from another. Ever since the patriarchal organ sounds of Jimmy Smith's hot greased soul and Larry Young's smooth sophistication, the organ combo has flourished. Copenhagen alto saxophonist Benjamin Koppel offers his spin on the idiom with Hammond Street.

Koppel is a versatile and gifted player who has led ensembles in jazz, crossover and classical music. He's an alto stylist with a tone similar to Phil Woods and Greg Osby; his horn is quick and lyrical. And when you add these attributes to the in-demand drumming of Bill Stewart and one of today's foremost B-3 players, Larry Goldings, the result is more than just your average B-3 grind session.

On eight originals and a cover of Stevie Wonder's "Make Sure You're Sure, Koppel leads the trio in a what feels like a live setting where the interaction among the musicians creates an utterly enjoyable atmosphere. There's a some experimentation on "H.T.E.S.T.A.C, where Goldings pulls off a cathedral organ timbre, and some heavy bop on "Ostrich Itch, where the trio engages in playful communication and unexpected solos, wrapping the piece up with an abstract ending.

The ballads "Jetlag and "Holtemmen are alluring and poignant, with Koppel's soulful sax burning against luxuriant backdrops as the trio plays with intimacy. They swing hard on "Pasadena Pancakes and close the set with "Coconino County (Part II ) —a prime cut of savvy and groove-inspired music. ~By Mark F. Turner

Personnel: Benjamin Koppel: alto saxophone; Larry Goldings: Hammond B-3 organ; Bill Stewart: drums.

Hammond Street

Neil Diamond - Gold: Live At The Troubadour 1970

Size: 103,7 MB
Time: 38:38
File: MP3 @ 320K/s
Released: 1989
Styles: Pop/Rock
Art: Front

01. Lordy (Live) (4:59)
02. Both Sides Now (Live) 3 (4:13)
03. Solitary Man (Live) (3:25)
04. Holly Holy (Live) (4:52)
05. Cherry, Cherry (Live) (3:11)
06. Kentucky Woman (Live) (2:41)
07. Sweet Caroline (Live) (3:35)
08. Thank The Lord For The Night Time (Live) (3:11)
09. And The Singer Sings His Song (Live) (3:35)
10. Brother Love's Traveling Salvation Show (Live) (4:53)

"Gold: Recorded Live at the Troubadour" is a live album recorded July 15, 1970 at Doug Weston's Troubadour in Hollywood, California and released August 22, 1970.

While no singles were released in support of the album, the opening track Lordy appeared as the B-side of Cracklin' Rosie. This is the only recording available of this song.

Review:
Though Hot August Night is better known as the definitive Neil Diamond live album, Gold will have value for those who prefer the songsmith's pop-rock beginnings to the slick sophistication that made him a superstar. Recorded live at Hollywood club the Troubadour, Gold provides a chance to hear Diamond in a looser, more rock-oriented setting than he'd ever attempt on vinyl again. Leading a small, raucous band with breathless enthusiasm, Diamond pours sweat and energy into numbers like "Thank the Lord for the Night Time" and "Cherry Cherry," giving them a satisfyingly raw rock and roll spirit. As befits a gig of this type, ballads are kept to a minimum in favor of upbeat material, and Diamond's personable, unpretentious delivery on this recording saves songs like "Sweet Caroline" and "Lordy" from the bloated schmaltz that most listeners either love or loathe him for. By the climax of "Brother Love's Travelling Salvation Show," Diamond has sung himself nearly hoarse, and the connection with his audience is evident. As his career exploded in the years to come, there would be no more intimate venues like the Troubadour, and his music would swell in size accordingly. Gold is likely to sound thin and unpolished to the legions of fans who made Diamond a top concert draw for his mega-hit ballads, but it's still a great snapshot of the singer/songwriter at the end of his hit-making rock and roll days as he begins his ascent into adult contemporary pop stardom. ~by Fred Beldin

Gold

Lindsey Webster - You Change

Size: 102,3 MB
Time: 44:08
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz/Soul/R&B Vocals
Art: Front

01. Fool Me Once (3:51)
02. I Found You (4:12)
03. Open Up (4:24)
04. Lost One (3:04)
05. You Change (5:03)
06. In Love (4:59)
07. Bleed (2:27)
08. I'm Strong (4:55)
09. Break Through (3:52)
10. Universe (7:16)

Do you remember that moment when you first heard Anita Baker or Sade; the effortless, sultry, and soaring vocal that captures all of your attention? Lindsey Webster's delicate and powerful voice takes you to that place - an unabashed nod to the greats and yet 100 percent Lindsey. The Soul Songstress is proud to announce the release of her sophomore album, You Change, via Atlanta Records on July 17.

The album is an eloquent collection of work showcasing Webster's expressive vocals and uncanny talent and the two lead singles "Fool Me Once" and "Open Up" are out now and available to stream HERE. ""You Change" shows the growth we've made as artists since our first album; in both our songwriting and who we are as artists. From a delicate song like "Bleed", a song about utter heartbreak, to an anthem like "I'm Strong", we explore many facets of our songwriting and are extremely happy with the result", states Webster.

Growing up in Woodstock, NY with a heavy emphasis on arts and music, her grade school had a progressive music program where Lindsey cultivated a deep love of music by learning the cello. After playing for 10 years, often in first chair, she moved to NYC to attend Fiorello H. LaGuardia School for the Music, Art & Performing Arts. As she grew musically, she transitioned from strings to voice where she heard her calling and found herself.

In 2009, Lindsey met her partner, Keith Slattery, and started performing professionally. Together, with a band of world-class musicians, they've performed over 600 shows in venues including Bearsville Theater, Levon Helm Studios, Helsinki Hudson, Daryl's House, The Falcon, The Lambs Club, Rockwood Music Hall, The Red Lion, and Groove.

The success of her first album and winning "Best Acoustic Song" in the Independent Music Awards caught the eye of Brian Hurst from UK's soulandjazz.com. Hurst brought Webster to Atlanta Records, who signed her to release her second album, You Change.

You Change

Tom Glenn - Shuffle Time

Size: 116,0 MB
Time: 49:44
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Guitar Jazz, Crossover Jazz
Art: Front

01. Capewalk (2:43)
02. Rainbarrel (4:51)
03. Down And Dirty (4:09)
04. Shuffle Time (2:40)
05. Morning In Rio (8:00)
06. My Shining Hour (5:32)
07. Beantown Samba (6:21)
08. Salt Shaker (5:05)
09. Waltzing On Buzzard's Bay (5:52)
10. Contradance (4:25)

Tom Glenn (Composer and Guitarist) learned his instrument from Pat Martino, a master of the Jazz Guitar. He went on to compose numerous scores for NFL Films,New Jersey Network (EMMY AWARD 1987), Columbia Records and various other outlets.He has performed in numerous jazz fests, concerts and with many artists throughout the US.
His motto states that if you want to sound great,surround yourself with great performers! The ones on this CD are just that!
Keyboards-Tom Adams....music director for Bette Midler, performer on Jay Leno's Tonite Show, etc,
Sax/Flute-Denis DiBlasio......featured for years with the Maynard Ferguson band, head of JazzDepartment at ROWAN University, etc.
BASS-Andy Lalasis.....toured worldwide with Pat Martino, perfomed as bassist with hundreds of leading acts in Atlantic City, etc.
Drums-Grant MacAvoy...enshrined on the Philly Music Walk of Fame, recorded for over 30 years with many famous artists
To maintain the live sound and feel of our music, we recorded directly to tape at RADScape Recording owned by Randy Weaver.

Music:
"We just got done listening to Tom's wonderful CD! Fabulous playing(very smooth),excellently recorded, innovative and sophisticated chord structures, and a tight ensemble". In the short time since its completion, "Shuffle Time" has received rave reviews and enormous response from listeners!
The music on Shuffle Time is appealing to both jazz afficienados and lovers of good melody and rhythms....just about anyone who incorporates music in their daily routine......we hope you enjoy our songs!

Shuffle Time

Jack Perla - Enormous Changes

Size: 120,3 MB
Time: 51:04
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Rock, Fusion, Vocals
Art: Front

01. Enormous Changes (5:17)
02. The World (3:32)
03. Swimming Upstream (4:04)
04. Mighty Erudite (4:36)
05. The Unknowing (3:43)
06. Memorial Day (4:41)
07. Spaghetti Western (1:46)
08. House Of Straw (3:38)
09. Falling (3:50)
10. Things I Love (3:29)
11. Lilacs (3:57)
12. We Would Fall (3:27)
13. Secret Agent Man (3:09)
14. The Blue Lights (1:48)

Personnel:
Jack Perla - Piano, Accordion, Electric Piano
Crystal Monee Hall - Voice
Jordan Carp - Voice
Robin Coomer - Voice
Gawain Matthews - Guitars, Electric Bass (11)
David Arend - Upright Bass
Jason Slota - Drums, Percussion
Sam Bass - Cello
David Phillips - Pedal Steel

Following recent commissions from the Opera companies of Los Angeles, St. Louis and Seattle, composer & pianist Jack Perla decided here to step out in an entirely different direction. Gathering top Bay-area and NY R&B, jazz and indie-rock musicians, Perla guides them through 14 of his modern original songs. Life changes of his past few years are reflected in the sinister funk of "Swimming Upstream," or the haunting "Lilacs," with the distinctive and powerful voices of Jordan Carp, Crystal Monee Hall, and Robin Coomer featured throughout.

Beginning in New York with his group Music Without Walls, with violinist Mark Feldman and woodwindist Marty Ehrlich, and later in his present home-base of San Francisco, Perla has steadily forged a reputation for his cross-fertilization of jazz and classical music. His operas and instrumental compositions have been widely performed, and he's toured the U.S., Europe and Japan performing jazz and world music. "...a composer of great vision." - East Bay Express.

Enormous Changes

Ella Fitzgerald - Sings The Harold Arlen Songbook (2-Disc Set)

Recorded in 1960 and '61, this is one of the last and very best of Fitzgerald's songbooks spotlighting individual composers. Arlen's lyrical songs, filled with bluesy touches and abstractions from the blues form, are perfect jazz fodder (he wrote for Duke Ellington at the Cotton Club, circa 1930), and beautiful tunes in their own right. Fitzgerald is in peak voice; she's attentive to the nuances of soulful lyrics (Ira Gershwin's "The Man That Got Away"), and lightly teases some witty ones (like Johnny Mercer's "Ac-cent-tchu-ate the Positive"). Billy May's big-band arrangements are models of self-effacing fleetness--punchy without hysteria, smooth without syrup--and enlivened by alto saxophonist Benny Carter and trumpeter Don Fagerquist. But May also brings a delicate sensibility to introductory verses, interludes, and tender ballads. Strings on a few tracks are for variety, not window-dressing. Arlen's graceful American art songs have never had a better showcase--even if they could have skipped "Ding! Dong! The Witch Is Dead." ~Kevin Whitehead

Album: Sings The Harold Arlen Songbook (Disc 1)
Bitrate: MP3@320K/s
Time: 50:26
Size: 115.5 MB
Styles: Jazz vocals
Year: 1962/2001
Art: Front

[7:10] 1. Blues In The Night
[4:01] 2. Let's Fall In Love
[5:12] 3. Stormy Weather
[2:21] 4. Between The Devil And The Deep Blue Sea
[3:58] 5. My Shining Hour
[2:42] 6. Hooray For Love
[4:34] 7. This Time The Dream's On Me
[4:07] 8. That Old Black Magic
[4:49] 9. I've Got The World On A String
[3:58] 10. Let's Take A Walk Around The Block
[3:50] 11. Ill Wind
[3:37] 12. Ac-Cent-Tchu-Ate The Positive

Sings The Harold Arlen Songbook (Disc 1)

Album: Sings The Harold Arlen Songbook (Disc 2)
Bitrate: MP3@320K/s
Time: 61:50
Size: 141.6 MB
Styles: Jazz vocals
Year: 1962/2001
Art: Front

[5:06] 1. When The Sun Comes Out
[3:21] 2. Come Rain Or Come Shine
[3:45] 3. As Long As I Live
[3:27] 4. Happiness Is A Thing Called Joe
[3:33] 5. It's Only A Paper Moon
[5:18] 6. The Man That Got Away
[3:55] 7. One For My Baby (And One More For The Road)
[5:08] 8. It Was Written In The Stars
[3:29] 9. Get Happy
[5:09] 10. I Gotta Right To Sing The Blues
[2:41] 11. Out Of This World
[4:16] 12. Over The Rainbow
[3:15] 13. Ding-Dong! The Witch Is Dead
[2:45] 14. Sing My Heart
[4:03] 15. Let's Take A Walk Around The Block
[2:32] 16. Sing My Heart

Sings The Harold Arlen Songbook (Disc 2)

Mundell Lowe - Guitar Player (Remastered)

Bitrate: MP3@320K/s
Time: 32:53
Size: 75.3 MB
Styles: Guitar jazz
Year: 2011
Art: Front

[5:45] 1. Scrapple From The Apple
[2:41] 2. Beach Time
[4:13] 3. Violets For Your Furs
[3:44] 4. Early Morning Soft Shoe
[6:50] 5. Satin Doll
[2:48] 6. Prelude To A Kiss
[6:49] 7. Angel Eyes

"Some years ago I recorded an album for RCA RECORDS. A nice little album...went nowhere in terms of sales though. I thought at the time, one of the problems was the recording (engineering), it was not very good. My friend Eric Van der Wyk has remastered that record...what a difference! This recording has never sounded as good! I wish Eric had been there when it was first recorded! Thank you Eric....GOOD JOB...." ~Mundell Lowe

Guitar Player (Remastered)

Andy Farber & His Swing Mavens - Bluesectomy

Bitrate: MP3@320K/s
Time: 58:44
Size: 134.5 MB
Styles: Big Band, Swing
Year: 2008
Art: Front

[3:23] 1. Bluesectomy
[3:58] 2. What You Gonna Do
[4:11] 3. Sometimes I'm Happy
[4:39] 4. Just A-Settin' And A-Noshin'
[4:13] 5. Struttin' With Some Farbecue
[5:07] 6. Till I Laid My Eyes On You
[3:23] 7. You Hit The Spot
[5:16] 8. One For Ernie
[4:04] 9. Primrose Path
[4:55] 10. On The Street Where You Live
[3:36] 11. Save Another Dance For Me
[4:02] 12. Walkin' After Midnight
[5:26] 13. The Blues Train
[2:23] 14. The Mean Reeds

Born in Huntington, Long Island, Andy Farber started playing clarinet at the age of 8, but by age 9 had settled on the saxophone. Influenced by his father's professional drumming and a great music collection, Mr. Farber grew up listening to Art Blakey, Miles Davis and Charlie Parker. At 10, he attended jazz workshops studying with Budd Johnson, Chris Woods, and Dave Burns. At 13 he studied classical oboe and jazz saxophone at the Usdan Center for the Arts on Long Island. When he was 17 years old, Farber auditioned for Branford Marsalis and was accepted into The Tri-state McDonalds' Jazz Ensemble. Joining the ensemble he went on to perform with Mr. Marsalis, Randy Brecker, and Steve Turre, to name a few. Mr. Farber continued his education at The Manhattan School of Music in NYC where he studied jazz composition with David Berger and Mike Abene. During this time, he played in David Berger's Big Band and simultaneously formed and led his own quintet called The Hard Bop Repertory Company. He grew this into a 15-piece ensemble, Andy Farber & his Orchestra, which performed original compositions regularly at the West End Gate in NYC for the next year and a half.

In late 1993 Andy met jazz vocalese artist Jon Hendricks. Collaborating on Jon's CD "Boppin\' at the Blue Note," Mr. Farber wrote arrangements which featured Jon and guests Al Grey, Wynton Marsalis, Benny Golson, Red Holloway, and Clark Terry. For the next three years Andy was part of The Jon Hendricks Explosion, acting as Musical Director, saxophonist, and arranger. In addition to gigs too numerous to name, The Explosion performed several weeks at The Blue Note in NYC, and toured Europe and the US playing jazz festivals & nightclubs.

Following Mr. Farber's tenure with Jon. Hendricks, he joined Wynton Marsalis and the Lincoln Center Jazz Orchestra on tenor saxophone. Since 1997, he has been freelancing as a saxophonist, arranger, and conductor for people like Wynton Marsalis, Jon Hendricks, Shirley Horn, Bobby Short, Ann Hampton Calloway, Frankie Laine, Alan Harris, Cynthia Scott, Billy Stritch, Stevie Wonder, B.B. King, Bob Dylan, Vanessa Williams, and Roseanna Vitro to name a few. Farber's arrangements have been performed by The Boston Pops Orchestra, the Philly Pops Orchestra, the Boca Pops Orchestra and several symphony orchestras throughout Europe. Farber has been a guest conductor of the Lincoln Center Jazz Orchestra and in 2004 made his symphonic conducting debut with the Bronx Arts Ensemble. His work as an arranger, conductor and instrumentalist can be heard on numerous recordings. In 1998, Mr. Farber released his debut CD entitled "Double A" with partner Andrew Williams, on After 9 Records. Mr. Farber is in constant demand as a multi-facetted reedman and a sampling of the groups or artists he has performed with are: The Duke Ellington Orchestra, The Count Basie Orchestra, The Artie Shaw Band, The Harry James Band, Illinois Jacquet Big Band, Vince Giordano's Nighthawks, Bob Dorough, Marcus Roberts, Bobby Short, The Onyx Club Sextet, etc. Currently Mr. Farber leads his own band fronted by jazz vocalist Jerry Costanzo, Andy Farber & his Swing Mavens, a 9-piece ensemble that performs Mr. Farber\'s arrangements and original compositions. As well as Jazz, Swing & American Popular Standards. The band can be heard on Farber's latest release, "Bluesectomy" (NJR Records) and at jazz clubs and performing arts centers in and around the New York and the East Coast. When not playing jazz, Mr. Farber composes and produces music for television and film at Duotone Audio Group in NYC.

Bluesectomy

Archie Semple - The Clarinet Of Archie Semple

Styles: Clarinet Jazz
Year: 2010
File: MP3@320K/s
Time: 68:18
Size: 157,8 MB
Art: Front

(3:03)  1. Good Goody
(3:13)  2. After Last Night With You
(2:54)  3. I Can't Believe That You're In Love With Me
(2:19)  4. I Want To Be Happy
(3:09)  5. 77 Blues
(3:37)  6. Solitude
(3:19)  7. Home
(2:37)  8. Please Don't Talk About Me When I'm Gone
(4:37)  9. Ammonia Blues
(3:09) 10. No Regrets
(2:32) 11. Sweet & Lovely
(4:06) 12. Wrap Your Troubles In Dreams
(3:06) 13. Ole Miss
(3:18) 14. Sugar Babe
(3:26) 15. Bei Mir Bist Du Shoen
(4:15) 16. I Cover The Waterfront
(2:25) 17. The Needle
(3:41) 18. I'm In The Market For You
(2:45) 19. Please Don't Talk About Me When I'm Gone
(2:47) 20. Home
(3:51) 21. Ammonia Blues

Cult British Jazz musician featured on a set of rare recordings. Archie Semple had all the ingredients to become a cult figure of British Jazz: a highly inventive and distinctive player, played in some legendary bands, was plagued by ill health, retired from playing aged 36 and died nine years later. He emerged onto the Edinburgh Jazz scene in the late 1940s and, like a number of his contemporaries, notably Sandy Brown, Alex Welsh and Al Fairweather, he travelled south to join the burgeoning London Jazz scene. He joined the now legendary bands of Mick Mulligan and Freddie Randall before joining the band formed by Alex Welsh in 1955. He would remain with Welsh until 1963 and stop playing a year later .The influences of Jazz legends Edmond Hall and Pee Wee Russell can be detected in his playing, but he developed his own unique style which made him instantly recognisable. He made few recordings under his own name and this set comes mainly from the archives of  the 77 Records label and includes some previously unissued material. One of the UK's best Jazz pianists, Fred Hunt is on most of the tracks and a few feature, trumpeter, Dickie Hawdon, who would go on to be Head Of Light Music at the City of Leeds College Of Music, and who is another Jazz musician seriously underrepresented on disc. These recordings never enjoyed wide circulation which, again, helped Archie Semple's cult status. http://www.amazon.co.uk/The-Clarinet-Of-Archie-Semple/dp/B0046BTZWS

Personnel:  Archie Semple – Clarinet;  Fred Hunt – Piano;  Dickie Hawdon – Trumpet.

The Clarinet Of Archie Semple

Holly Shelton, David Shelander - Perdido Beach

Styles: Jazz, Vocal
Year: 2000
File: MP3@320K/s
Time: 34:57
Size: 82,1 MB
Art: Front

(2:02)  1. Perdido Beach
(3:34)  2. Stars Fell on Ala
(3:59)  3. Skylark
(3:06)  4. Walkin' After Midnight
(3:42)  5. Crazy
(4:00)  6. Piano Man
(3:10)  7. No More Chasing Rainbows
(3:01)  8. Gold Tooth Blues
(2:51)  9. Tennessee Waltz
(3:57) 10. Wind Beneath My Wings
(1:30) 11. Perdido Beach (Reprise)

“Memphis vocalist Holly Shelton who divides her time between here and west Florida has a national pedigree in cabaret singing, acting and dancing. There’s nothing like coming home, however, and on the tasty platter “Back to Beale Street,” she touches on her jazzier side of the Mid-South’s (and her) musical roots. A smooth and expressive singer Shelton can pull off most any style, from the standard How High the Moon to Joni Mitchell’s great Furry Sings the Blues. And that allows plenty of range for a “jazz” record, where Shelton offers a jumping Hit That Jive, Jack! on one end of the spectrum and a chiffon-like bossa nova by Antonia Carlos Jobim on the other. The best track is also the most unexpected, a sophisticated reading of Mable John’s Stax classic Your Good Thing Is About to End that keeps the moody emotion of the original front and center. Ending the record with W.C Handly’s The Memphis Blues is a foregone (and appropriate) conclusion.

It helps that Shelton has accompaniment from such Bluff City pros as keyboardist Rene Koopman, bassist Tim Goodwin and drummer Donnie Patterson (dubbed the Backroom Boys here), plus cameos by saxophonist Jim Spake and Tom Clary on trumpet (the latter’s quotation of Beale Street Blues in Furry Sings the Blues is a keeper).”  Bill Ellis, The Commercial Appeal, Memphis, Tennessee

“Allow yourself abundant time to be enchanted in Holly’s magical web. (She) is a take-no-prisoners, all knowing interpreter of the standard song. Take it from me, Holly Shelton is a stupendously talented and tasteful vocalist that you never forget.”  Dan Singer, IN TUNE INTERNATIONAL Magazine

“Holly’s something over six feet tall, and there isn’t a stage built that will contain her.”  Bill Campbell, The Northwest Florida Daily News

“I think you’re a terrific singer, and your version of ‘(Peel Me A) Grape,’ is the best I’ve heard in a long time. Blossom would appreciate the way you handled her stuff, too.”  Best wishes, Dave Frishberg

“Shelton has earned the label of ‘Jazz Singer,’ but could just as easily be called a pop singer, a bluesy torch singer, a cabaret singer, even a country singer, as her many fans will attest, she sings well in all these styles.” Thom Botsford, Jazz Eclectic, The Real Paper, Pensacola, Florida.

“Best Vocalist on the Gulf Coast.”  Readers Poll, Pensacola News Journal, Gannett News Organization  http://www.hollyshelton.com/reviews.html

Perdido Beach

Ahmad Jamal - The Legendary Okeh & Epic Recordings

Styles: Piano Jazz
Year: 2005
File: MP3@320K/s
Time: 75:52
Size: 174,2 MB
Art: Front

(2:49)  1. The Surrey With The Fringe On Top
(2:42)  2. Will You Still Be Mine?
(2:54)  3. Ahmad's Blues
(2:34)  4. A Gal In Calico
(3:06)  5. Aki and Ukthay
(2:39)  6. Billy Boy
(3:25)  7. Black Beauty
(8:30)  8. Love For Sale
(2:46)  9. Something To Remember You By
(4:34) 10. Poinciana
(3:20) 11. Don't Blame Me
(2:38) 12. Autumn Leaves
(2:57) 13. They Can't Take That Away From Me
(3:43) 14. Old Devil Moon
(2:54) 15. It's Easy to Remember
(3:50) 16. Squeeze Me
(4:55) 17. Crazy He Calls Me
(4:24) 18. Pavanne
(3:55) 19. Perfidia
(3:49) 20. Rica Pulpa
(3:18) 21. The Donkey Serenade

This collection brings together the early OKeh and Epic recordings of innovative jazz pianist Ahmad Jamal, recorded between 1951 and 1955. Jamal ushered in a new era of melodic improvisation that stood in sharp contrast to bebop's previous innovations. These recordings were all done in trio settings, where the pianist was accompanied by guitarist Ray Crawford, and either Eddie Calhoun (1951 and 1952) or Israel Crosby on bass. The shimmering solos and light as a feather chord voicings are anything but lightweight. Sharp, harmonic invention, economical yet intuitive phrasing, and a deft sense of time pushed Jamal's star to ascendancy. Standout cuts here are his "Surrey with the Fringe on Top," which extrapolates the melody into new harmonic terrain; the beautiful arrangement of the traditional "Billy Boy"; Fats Waller's "Squeeze Me" with its beautiful ostinato, and Jamal's glorious read of "Perfidia." The sound on this set is gloriously remastered. There are period liner notes by Nat Hentoff, and a moving and appreciative essay by Randy Weston. ~ Thom Jurek  http://www.allmusic.com/album/the-legendary-okeh-and-epic-recordings-mw0000304473

Personnel: Ahmad Jamal (piano); Ahmad Jamal; Eddie Calhoun, Israel Crosby (acoustic bass); Ray Crawford (guitar).

The Legendary Okeh & Epic Recordings

Johannes Wallmann - Town Musicians

Styles: Piano Jazz
Year: 2015
File: MP3@320K/s
Time: 74:58
Size: 172,8 MB
Art: Front

( 7:46) 1. Water Music (For People without Aquariums)
( 6:10)  2. Wookie's Groove
( 1:04)  3. Interlude #1
(11:19)  4. November Song
( 5:40)  5. Paper Balls
( 8:56)  6. Lakeshore
( 6:32)  7. I COuld Have Danced All Night
( 1:12)  8. Interlude #2
( 7:06)  9. A House For Men And Birds
( 8:53) 10. Town Musicians
( 2:50) 11. Interlude #3
( 7:24) 12. Concurrencies

The music of pianist Johannes Wallmann, born in Germany but raised in Vancouver, has been shaped by the sounds of the various places he called "houses". Brooklyn is one of them. The rhythmic pulse of New York and Oakland meets the jagged coasts of the northwest Pacific coast and the vast expanses of the Midwest. He published "The Town Musicians" at Fresh New Talent Sount (dist. Socadisc).

Steeped in the tradition of jazz and fed to the music of Ellington and Coltrane, features compositions Wallmann looking to explore new territories, joining the harmonic complexity with an infectious groove, melodic introspection with a playful exuberance. Translate by google  http://www.francemusique.fr/jazz/jazz-bonus-johannes-wallmann-town-musicians-95535

Personnel:  Johannes Wallmann – Piano; Gilad Hekselman – Guitar;  Russ Johnson – Trumpet;  Sean Conly -  Bass;  Jeff Hirshfield – Drums; (tenor sax on #1 & 4).


Molly Ryan - Let's Fly Away

Styles: Jazz, Vocal, Swing
Year: 2015
File: MP3@320K/s
Time: 57:55
Size: 133,7 MB
Art: Front

(4:01)  1. Wanderer
(3:09)  2. Beyond The Blue Horizon
(3:27)  3. Song Of The Wanderer
(4:41)  4. Far Away Places
(3:08)  5. Let's Fly Away
(2:42)  6. Flying Down To Rio
(4:06)  7. A Rainy Night In Rio
(4:31)  8. South Sea Island Magic
(4:04)  9. The Gypsy In My Soul
(3:40) 10. The Road To Morocco
(5:42) 11. Sous Le Ciel De Paris (Under Paris Skies)
(4:54) 12. Trav'lin' All Alone
(4:09) 13. It's Nice To Go Trav'ling
(5:32) 14. Anywhere I Wander

Originally from Roseville, CA, Molly made her jazz vocal debut at the age of 11 with the Reynolds Brothers’ Rhythm Rascals at the Sacramento Jazz Jubilee. Since moving to New York City in August of 2003, she has become one of the most sought-after vocalists on the New York jazz scene. She has performed alongside such prominent jazz artists as Randy Reinhart, Jon-Erik Kellso, Bria Skonberg, Dan Barrett, Mark Shane, Rossano Sportiello, as well as with the preeminent 1920s-style orchestra, Vince Giordano’s Nighthawks. She is a member of Gordon Au’s Grand Street Stompers, and appears on the band’s Christmas album, released in November 2012. Molly also performs periodically with the gypsy jazz group Fête Manouche and with James Langton’s New York All-Star Big Band, both of which spotlight her as rhythm guitarist as well as vocalist.

Molly has appeared at numerous jazz festivals throughout the country including the Hot Steamed Jazz Festival in Essex, CT, the Great Connecticut Traditional Jazz Festival, the Orange County Classic Jazz Festival in Southern California, the Sweet and Hot Music Festival in Los Angeles, and the Sacramento Jazz Jubilee, at which she has appeared both with her own group and with a band led by her friend and mentor, pianist Bob Ringwald. She has headlined in Paris at jazz clubs such as the famed Le Petit Journal and Autour de Midi, and has been featured as a guest vocalist with Andrej Hermlin’s Swing Dance Orchestra throughout Germany in a monumental tribute to clarinet legend Benny Goodman.

In 2004, Molly took part in a spectacular re-creation of Goodman’s Carnegie Hall Jazz Concert, as well as at the JVC Jazz Festival’s centennial tribute to Jimmy Dorsey at New York City’s famed jazz club Birdland. She headlined at Birdland every week last August for the club’s Sunday evening showcase, “Jazz Party.”

Molly’s debut album, Dream a Little Dream, featuring Bob Ringwald, was released in 2002. Her second solo album, Songbird in the Moonlight, featuring Dan Levinson, Mark Shane, Kevin Dorn, and Jon Erik Kellso, came out in 2008. Molly can also be heard on the albums Steppin’ Around with Dan Levinson’s Canary Cottage Dance Orchestra (Stomp Off Records, 2006), At the Codfish Ball with Dan Levinson’s Swing Wing (Loup-garous Productions, 2009), and Four on the Floor with the Palomar Quartet (Loup-garous Productions, 2008). Her album, Swing For Your Supper, came out in 2013 and features Bucky Pizzarelli, Randy Reinhart, Dan Levinson, Vince Giordano, Kevin Dorn, Dan Barrett, Mark Shane, as well as guest vocalists Banu Gibson and Maude Maggart. Molly can be heard on the Grammy Award-winning HBO television series Boardwalk Empire.

“A critic’s favorite,” proclaims The Wall Street Journal columnist Will Friedwald, in reference to Molly Ryan, one of the most sought-after vocalists on the New York jazz scene. She has performed at such prestigious venues as Café Carlyle, The Waldorf Astoria, Rainbow Room, and world-famous jazz clubs Birdland and Iridium. Her latest album, “Let’s Fly Away,” featuring piano legend Dick Hyman, was released earlier this year.  http://jeffandjoelshouseparty.com/musicians/molly-ryan/
 
Thank You my dear Friend!
Let's Fly Away