Wednesday, February 22, 2017

Zoot Sims, Al Cohn, Phil Woods - Jazz Alive! A Night At The Half Note

Bitrate: MP3@320K/s
Time: 39:42
Size: 90.9 MB
Styles: Bop, Saxophone Jazz
Year: 1959/2010
Art: Front


[ 9:01] 1. Lover Come Back To Me
[10:14] 2. It Had To Be You
[ 8:58] 3. Wee Dot
[11:27] 4. After You've Gone

Alto Saxophone – Phil Woods; Bass – Knobby Totah; Drums – Paul Motian; Piano – Mose Allison; Tenor Saxophone – Al Cohn, Zoot Sims. Recorded live at The Half Note, February 6 and 7, 1959.

Zoot Sims and Al Cohn always made great music together; this live recording documents portions of two nights' work together at the Half Note in New York City, assisted by pianist Mose Allison, bassist Nabil Totah and drummer Paul Motian. Their brisk setting of "Lover, Come Back to Me" features Cohn, Sims and Allison soloing in turn, building the fire before the eventual trading of fours between the tenor saxophonists. After a relaxed rendition of "It Had to Be You," alto saxophonist Phil Woods is added to the mix for the next two numbers, recorded the very next evening. The guest sets up the percolating mid-tempo setting of "Wee Dot," with the tenors following him. The delightful interplay within the long workout of "After You've Gone" signals the chemistry between the three friends. Bop and cool fans will want to make any effort to hear this excellent release. ~Ken Dryden

Jazz Alive! A Night At The Half Note

Bangles - Greatest Hits

Bitrate: MP3@320K/s
Time: 47:50
Size: 109.5 MB
Styles: Contemporary pop/rock
Year: 1984
Art: Front

[2:54] 1. Hero Takes A Fall
[3:40] 2. Going Down To Liverpool
[3:04] 3. Manic Monday
[3:49] 4. If She Knew What She Wants
[3:23] 5. Walk Like An Egyptian
[3:02] 6. Walking Down Your Street
[3:20] 7. Following
[2:46] 8. Hazy Shade Of Winter
[3:28] 9. In Your Room
[3:55] 10. Eternal Flame
[3:02] 11. Be With You
[4:41] 12. I'll Set You Free
[3:34] 13. Everything I Wanted
[3:05] 14. Where Were You When I Needed You

Weighing in at 14 tracks, Greatest Hits is a good, basic collection of the Bangles' biggest singles, containing all the hits, including the previously non-LP "Hazy Shade of Winter," plus a couple of album tracks and, for the dedicated, a new cover of the Grass Roots' "Where Were You When I Needed You." It may be easy to carp about fine album tracks from All Over the Place and Different Light that should have been included, yet this is a fine sampler/introduction that might not necessarily capture the Bangles' best -- in this context, their ties to the Paisley Underground and college rock seem nonexistent -- but still finds them as masters of irresistible pop singles. ~Stephen Thomas Erlewine

Greatest Hits

Blossom Dearie - They Say It's Spring (2-Disc Set)

A distinctive, girlish voice, crisp, impeccable delivery, and an irrepressible sense of playful swing made Blossom Dearie one of the most enjoyable singers of the vocal era. Her warmth and sparkle ensured that she'd never treat standards as the well-worn songs they often appeared in less capable hands. And though her reputation was made on record with a string of excellent albums for Verve during the '50s, she remained a draw with Manhattan cabaret audiences long into the new millennium.

Actually born with the name Blossom Dearie in the New York Catskills, she began playing piano at an early age and studied classical music before making the switch to jazz while in high school. After graduation, she moved to New York and began appearing with vocal groups like the Blue Flames (attached to Woody Herman) and the Blue Reys (with Alvino Rey). She also played cocktail piano around the city, and moved to Paris in 1952 to form her own group, the Blue Stars of France. Dearie also appeared in a nightclub act with Annie Ross, and made a short, uncredited appearance on King Pleasure's vocalese classic, "Moody's Mood for Love." She recorded an obscure album of piano solos, and in 1954, the Blue Stars hit the national charts with a French version of "Lullaby of Birdland." After hearing Dearie perform in Paris in 1956, Norman Granz signed her to Verve and she returned to America by the end of the year. Her eponymous debut for Verve featured a set of standards that slanted traditional pop back to its roots in Tin Pan Alley, Broadway, and cabaret. Her focus on intimate readings of standards ("Deed I Do," "Thou Swell") and the relaxed trio setting (bassist Ray Brown and drummer Jo Jones, plus Dearie on piano) drew nods to her cabaret background. On her next few records, Dearie stuck to her focus on standards and small groups, though her gift for songwriting emerged as well with songs like "Blossom's Blues." She performed in solo settings at supper clubs all over New York, and appeared on the more cultured of the late-'50s New York talk shows. Her husband, flutist Bobby Jaspar, made several appearances on her records, notably 1959's My Gentleman Friend. After a recording break in the early '60s, Blossom Dearie signed to Capitol for one album (1964's May I Come In?), but then recorded sparingly during the rest of the decade.

Finally, in the early '70s, she formed her own Daffodil Records label and began releasing her own work, including 1974's Blossom Dearie Sings and the following year's My Favorite Celebrity Is You. She also performed at Carnegie Hall with Anita O'Day and Joe Williams, billed as the Jazz Singers. She continued to perform and record during the 1980s through to the early 2000s, centered mostly in New York but also a regular attraction in London as well. She retired from playing live in 2006 due to health concerns and died quietly in her Greenwich Village apartment on February 7, 2009. ~bio by John bush

Album: They Say It's Spring (Disc 1)
Bitrate: MP3@320K/s
Time: 75:08
Size: 172.0 MB
Styles: Vocal jazz
Year: 2015

[3:46] 1. They Say It's Spring
[4:13] 2. Manhattan
[2:10] 3. 'deed I Do
[2:48] 4. I'm Hip
[6:00] 5. Someone To Watch Over Me
[2:10] 6. Rhode Island Is Famous For You
[2:28] 7. Plus Je T'embrasse
[2:09] 8. Comment Allez Vous
[3:23] 9. Now At Last
[3:20] 10. Tea For Two
[2:47] 11. I Won't Dance
[3:27] 12. Try Your Wings
[2:21] 13. Tout Doucement
[3:20] 14. Bang Goes The Drum (And You're In Love)
[2:50] 15. Always True To You In My Fashion
[2:42] 16. Let Me Love You
[2:25] 17. L'etang
[2:51] 18. It's Love
[3:12] 19. It Might As Well Be Spring
[2:58] 20. Dance Only With Me
[3:06] 21. It's Too Good To Talk About Now
[2:03] 22. Just One Of Those Things
[3:34] 23. Lonely Town
[2:08] 24. I Hear Music
[2:44] 25. Lover Man (Oh Where Can You Be)

Album: They Say It's Spring (Disc 2)
Bitrate: MP3@320K/s
Time: 79:14
Size: 181.4 MB
Styles: Vocal jazz
Year: 2015
Art: Front

[3:54] 1. Some Other Time
[3:10] 2. Love Is Here To Stay
[3:31] 3. Just In Time
[4:17] 4. Napoleon
[1:58] 5. Moonlight Saving Time
[2:43] 6. Once Upon A Summertime
[3:25] 7. More Than You Know
[4:00] 8. Lucky To Be Me
[3:46] 9. Gentleman Friend
[2:39] 10. Life Upon The Wicked Stage
[3:39] 11. Little Jazz Bird
[4:28] 12. Like Someone In Love
[4:17] 13. It Amazes Me
[2:10] 14. Johnny One Note
[2:37] 15. Give Him The Ooh-La-La
[1:38] 16. Down With Love
[2:48] 17. Guys And Dolls
[3:04] 18. If I Were A Bell
[4:12] 19. I Walk A Little Faster
[3:24] 20. I Like Myself
[3:22] 21. Hold Me, Hold Me, Hold Me
[2:26] 22. Everything I've Got
[2:41] 23. Confession
[1:48] 24. Buckle Down Winsocki
[3:06] 25. Chez Moi

They Say It's Spring (Disc 1)(Disc 2)

The Cooltrane Quartet - Cool Jazz Blends

Bitrate: MP3@320K/s
Time: 44:15
Size: 101.3 MB
Styles: Lounge, Jazz-pop
Year: 2014
Art: Front

[3:55] 1. Should I Stay Or Should I Go
[4:07] 2. Like A Virgin
[3:55] 3. Holding Back The Years
[4:22] 4. Smoke On The Water
[4:07] 5. Wonderwall
[2:37] 6. Breathe (In The Air)
[4:00] 7. Oh! Darling
[4:40] 8. Some Like It Hot
[5:19] 9. Back To Black
[7:08] 10. Who's Gonna Ride Your Wild Horses


Cool Jazz Blends

Ruby Braff - The Master Takes

Bitrate: MP3@320K/s
Time: 44:07
Size: 101.0 MB
Styles: New Orleans jazz
Year: 2013
Art: Front

[5:54] 1. 's Wonderful
[4:09] 2. I Wish I Could Shimmy Like My Sister Kate
[4:27] 3. Ad Lib Blues
[3:47] 4. Hustlin' And Bustlin' For Baby
[2:46] 5. There's A Small Hotel
[5:18] 6. When It's Sleepy Time Down South
[2:33] 7. Shoe Shine Boy
[3:09] 8. Flaky
[7:03] 9. Fine And Mellow
[4:56] 10. What's The Reason (I'm Not Pleasing You)

One of the great swing/Dixieland cornetists, Ruby Braff went through long periods of his career unable to find work because his music was considered out-of-fashion, but his fortunes improved by the 1970s. A very expressive player who in later years liked to build his solos up to a low note, Braff's playing was instantly recognizable within seconds. Braff mostly worked around Boston in the late '40s. He teamed up with Pee Wee Russell when the clarinetist was making a comeback (they recorded live for Savoy), and after moving to New York in 1953, he fit easily into a variety of Dixieland and mainstream settings. Braff recorded for Vanguard as a leader, and with Vic Dickenson, Buck Clayton, and Urbie Green. He was one of the stars of Buck Clayton's Columbia jam sessions, and in the mid-'50s worked with Benny Goodman. But, despite good reviews and occasional recordings, work was hard for Braff to come by at times. In the 1960s, he was able to get jobs by being with George Wein's Newport All-Stars and at jazz festivals, but it was not until the cornetist formed a quartet with guitarist George Barnes, in 1973, that he became more secure. Afterward, Braff was heard in many small-group settings, including duets with Dick Hyman and Ellis Larkins (he had first met up with the latter in the 1950s), quintets with Scott Hamilton, and matching wits with Howard Alden. He remained one of the greats of mainstream jazz until his death in 2003. ~ Scott Yanow

The Master Takes

Miles Davis Feat. Sonny Rollins - Dig

Styles: Trumpet And Saxophone Jazz
Year: 2010
File: MP3@320K/s
Time: 45:39
Size: 104,8 MB
Art: Front

(7:36)  1. Dig
(5:26)  2. It's Only A Paper Moon
(5:42)  3. Denial
(9:56)  4. Bluing
(6:19)  5. Out Of The Blue
(4:01)  6. Conception (Bonus Track)
(6:35)  7. My Old Flame (Bonus Track)

Tenor saxophonist Sonny Rollins was present as a member of the Miles Davis sextet (alto saxophonist Jackie McLean, pianist Walter Bishop, bassist Tommy Potter, drummer Art Blakey) on Dig, which was part of a 10/5/51 session, all of which was also on a two-fer. I love this music, but I have to admit it sounds dated. This wasn't Miles Davis' best, but I've always appreciated it for McLean's cutting sax work. ~ Bob Rush http://www.allmusic.com/album/dig-mw0000652733

Alto Saxophone – Jackie McLean;  Bass – Tommy Potter;  Drums – Art Blakey;  Piano – Walter Bishop, Jr.;  Tenor Saxophone – Sonny Rollins;  Trumpet – Miles Davis

Dig

Andy LaVerne - Buy One, Get One Free

Styles: Piano Jazz
Year: 1992
File: MP3@256K/s
Time: 62:02
Size: 113,7 MB
Art: Front

(5:01)  1. Pairs of Chairs
(6:51)  2. Orbit (Unless It's You)
(5:39)  3. Fine Tune
(7:26)  4. Maiden Voyage
(6:12)  5. Buy One, Get One Free
(7:25)  6. By Myself
(6:20)  7. Elm
(5:12)  8. Invisible Denial
(4:24)  9. Intervallic Denial
(7:26) 10. Spain

Andy LaVerne is featured playing two Yamaha grand pianos on this session, though it was not your typical overdub; it was essentially done live with LaVerne playing first on one instrument equipped with a disklavier (essentially a computer that records all the nuances of what's played) and accompanying the first performance live on a second piano, enabling better interaction. LaVerne's hypnotic "Pair Of Chairs" introduces the concept with success, while Bill Evans' little known "Orbit" is given a Brazilian flavor. "Maiden Voyage" works particularly well with two pianos, which would be very difficult to pull off as a solo; then in Chick Corea's "Spain" LaVerne makes use of the full range of both keyboards combined for a richly textured arrangement. This is a very interesting experiment worth acquiring by fans of duo piano. ~ Ken Dryden http://www.allmusic.com/album/buy-one-get-one-free-mw0000725944

Buy One, Get One Free

Teddy Wilson - How High The Moon?

Styles: Piano Jazz
Year: 1945
File: MP3@320K/s
Time: 28:36
Size: 66,5 MB
Art: Front

(3:22)  1. How High The Moon?
(2:52)  2. After You've Gone
(2:54)  3. Dinah
(2:29)  4. Stompin' At The Savoy
(3:03)  5. I Surrender Dear
(1:56)  6. I Know That You Know
(2:55)  7. I'm Confessin'
(2:23)  8. Rose Room
(3:24)  9. It's The Talk Of The Town
(3:13) 10. Flyin' Home

The music on this CD has appeared a countless number of times, most recently as part of a Vintage Jazz Classics CD. The 1945 Teddy Wilson sextet (which features the pianist, vibraphonist Red Norvo and trumpeter Charlie Shavers) make the most of every second during their very concise versions of ten selections; all but two are under three minutes. Most of the solos are just a half-chorus long, but there are some strong moments, particularly from Shavers' fiery horn. The final selection, listed as "Flyin' Home," actually has no relation to that tune and is an obscurity called "Speculation." This is fun music, but due to the extreme brevity of this set (under 28 minutes) and the availability of the much more complete VJC CD, this can be safely skipped. ~ Scott Yanow http://www.allmusic.com/album/how-high-the-moon-mw0000977218

Personnel: Teddy Wilson (piano); Remo Palmieri (guitar); Charlie Shavers (trumpet); Red Norvo (vibraphone); Specs Powell (drums).

How High The Moon?