Saturday, May 12, 2018

Frank Sinatra - Sinatra Sings Gershwin

Bitrate: MP3@320K/s
Time: 50:06
Size: 114.7 MB
Styles: Vocal
Year: 1943/2003
Art: Front

[1:51] 1. Somebody Loves Me
[3:17] 2. I've Got A Crush On You
[2:52] 3. Embraceable You
[3:17] 4. Someone To Watch Over Me
[2:56] 5. Oh Bess, Where's My Bess
[5:17] 6. Porgy And Bess Medley # 1
[3:43] 7. It Ain't Necessarily So
[1:04] 8. 's Wonderful
[1:42] 9. A Foggy Day
[2:26] 10. I've Got A Crush On You
[1:29] 11. Night And Day (Show Opening)
[1:57] 12. Soon
[2:38] 13. Embraceable You
[8:37] 14. Porgy And Bess Medley # 2
[2:22] 15. Someone To Watch Over Me
[3:05] 16. Love Walked In
[1:23] 17. Closing Comments

Sings Gershwin compiles Sinatra’s studio recording of Gershwin songs for Columbia with fourteen previously unreleased Sinatra radio and TV programs broadcast while he was a Columbia artist, including his famous 1947 Gershwin tribute for CBS radio, Songs by Sinatra. He’s essentially the pop crooner here, dedicating “Embraceable You,” for example, “...to little Nancy on her seventh birthday.” And his repartee with his female co-lead in “It Ain’t Necessarily So” shows him a charming comic. But some Gershwin material allows Sinatra room to explore jazzy effects, too, as in the way the swinging trumpet sings back to his verses in “I’ve Got a Crush on You.”

Sinatra was obviously a big fan of Porgy & Bess, from which he broadcast two different medleys. The first splits “Summertime” in half with quick snatches of “I Got Plenty O’ Nuttin’” by a supporting vocal group. The second, from the CBS radio tribute, strings together “Summertime,” “There’s A Boat That’s Leaving Soon For New York,” “Street Cries,” and “Bess You Is My Woman Now,” and in every one Sinatra’s voice resonates strong and true. “Someone to Watch Over Me” finds Sinatra still bright-eyed and in love with love; decades later, he would sound more suspicious he might never find her... ~Chris M. Slawecki

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Bobby Selvaggio - Modern Times

Bitrate: MP3@320K/s
Time: 67:14
Size: 153.9 MB
Styles: Saxophone jazz
Year: 2009
Art: Front

[5:23] 1. Quick Solutions
[8:10] 2. Timbuktu Step
[6:32] 3. You've Changed
[4:41] 4. Whirlwind
[8:12] 5. Waiting
[6:49] 6. More Or Less
[6:19] 7. Out Of Time
[9:14] 8. Fastfood Wisdom
[7:20] 9. Time Being
[4:30] 10. Modern Times

Bobby Selvaggio: alto saxophone, soprano saxophone (4, 5, 10); Kenny Werner: piano (3-5, 7, 9, 10); Sean Jones: trumpet (1, 2, 6, 8); Matt Wigton: bass; Nathan Douds: drums; Dan Murphy: piano; Paul Tynan: flugelhorn.

Alto saxophonist Bobby Selvaggio carries an expressive torch when he fronts this ensemble. His fifth CD as leader brings nine original pieces and a cover of "You've Changed" into the improvisation arena for a program of acoustic modern jazz that ranges from quirky and dynamic to bluesy and frank. His fluid tone and easygoing articulation carry the alto and soprano on a journey that respects tradition while pumping new energy into the scene. Selvaggio leaps with high-octane drive on numerous romps and simmers gently with passion on the session's ballads.

A few expressive squeals and experienced blue tones help the leader to create his message with class. He and trumpeter Sean Jones interpret "More or Less" with an authentic legacy that recalls Julian "Cannonball" Adderley feeling down home and pretty much at ease. Along with piano, double bass and background drums, the quintet shines enthusiastically in its candor. Walking bass and an economical rhythm make this track stand out as an automatic favorite. The same happens with "Fastfood Wisdom," which provides sparks for Selvaggio's quintet in a flurry of expressive conversation. This unit has plenty to say, and it's all highly creative. Selvaggio's title track takes a dreamy situation and allows it to ramble with lethargy as a tired soul with moaning interest. Other selections, such as "Out of Time" and "Timbuktu Step," follow a quicker pace that provides spontaneity and refreshing solace. Selvaggio moves randomly through a field where nothing stays the same as he lifts the music and shares it with his fellow artists in a show of rhythmic variety.

Pianists Kenny Werner and Dan Murphy add considerably to the leader's modern jazz session by planting its harmonic foundation and stretching out with creative solo work. Selvaggio enjoys the interplay and smokes alongside their stellar support. Each track contains a new surprise that finds the saxophonist and his musical partners carrying the jazz torch over uncharted territory.

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Anita O'Day - Waiter, Make Mine The Blues

Bitrate: MP3@320K/s
Time: 41:53
Size: 95.9 MB
Styles: Vocal jazz
Year: 1961/2007
Art: Front

[2:27] 1. That Old Feeling
[3:40] 2. Angel Eyes
[2:12] 3. The Thrill Is Gone
[4:23] 4. Detour Ahead
[5:10] 5. Yesterdays
[3:20] 6. Waiter, Make Mine Blues
[4:41] 7. Whatever Happened To You
[3:02] 8. When Sunny Gets Blue
[2:49] 9. Stella By Starlight
[3:25] 10. Mad About The Boy
[3:00] 11. A Blues Serenade
[3:39] 12. Goodbye

Waiter, Make Mine Blues pairs Anita O'Day with arranger Russ Garcia, whose delightful and imaginative treatments perfectly complement the singer's lithe vocals. West Coast greats including Barney Kessel and Bud Shank are also on hand to lend the session an even lighter, sweeter tone that couches the melancholy the album's title portends -- songs like "The Thrill Is Gone" and "When Sunny Gets Blue" capture O'Day at her most affecting, balancing her trademark sophistication with the world-weary resignation of one who has loved and lost. ~Jason Ankeny

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Dick Reynolds - Music & Friends

Bitrate: MP3@320K/s
Time: 55:53
Size: 127.9 MB
Styles: Big band
Year: 2013
Art: Front

[5:10] 1. Otra Vez Alvarez (A Tribute To Ruben Alvarez)
[7:13] 2. A Song For Johnny (A Tribute To Johnny Frigo)
[3:03] 3. Playin' It Cool
[4:16] 4. Fancy Miss Nancy (A Tribute To Nancy Wilson)
[2:45] 5. Special Thoughts Of You (A Tribute To Carol Ettman)
[5:01] 6. Elena
[3:40] 7. A Benny For Your Thoughts (A Tribute To Ben Mocini)
[3:26] 8. Border Town
[3:30] 9. A Song For Stan (A Tribute To Stan Getz)
[5:12] 10. Gentle Is The Breeze
[3:37] 11. The Gospel Truth
[5:08] 12. Hipity Hopity Funkity
[3:46] 13. Reflections (A Tribute To My Fishing Pond)

DICK REYNOLDS - piano, electric piano (except 1,7,12); RICHARD DREXLER - piano (1,7,12), electric bass (12); PAULINHO GARCIA - guitar (6,9,10); KELLY SILL - bass (except 12); JOEL SPENCER - drums; ALEJO POVEDA - percussion. HORNS (1,4,7,12): Trumpets: DANNY BARBER, KIRK; GARRISON, DOUG SCHARF, ART HOYLE; Trombones: SCOTT BENTALL, ANDY; BAKER, TOM MATTA, MIKE YOUNG; Saxes: MIKE SMITH, PAT MALLINGER; STEVE EISEN, ROB HAITE, JERRY DIMUZIO. HOWARD LEVY - harmonica (6,9); ART HOYLE - fluegelhorn (2); MARK COLBY - tenor sax (3,8,11); VICTOR GARCIA - trumpet (3,8,11); TOM GARLING - trombone (3,8,11); MIKE SMITH - alto sax, flute, alto flute (2,5,8,11).

Through the jingle house he co-founded in the 1960s, composer, pianist, arranger and producer Dick Reynolds ruled Chicago's commercial recording scene throughout its heyday, supplying the world with thousands of melodies and slogans, many still recognized today. By then, he had also been the house pianist at the famed Mr. Kelly's for over a decade, where he accompanied all the greats of the period including Mel Torme, Sarah Vaughn, and Carmen McRae. With "Music & Friends," Reynolds steps back into the studio he left at retirement in 1996, creating a joyous, hard-swinging session with a reassembled band of many of the musicians he worked with over the years, including Howard Levy, Mark Colby, Mike Smith, Kelly Sill, and many more of Chicago's finest.

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Charlie Galbraith & His All Star Jazz Band, Kenny Ball's Jazzmen - Touring The Clubs

Bitrate: MP3@320K/s
Time: 61:47
Size: 141.5 MB
Styles: Jazz
Year: 2005/2015
Art: Front

[3:25] 1. Weary Blues
[5:57] 2. Solitude
[2:02] 3. Manchester Rag
[4:27] 4. Wait Till The Sun Shines Nellie
[5:34] 5. Saratoga Swing
[3:05] 6. Sensation
[3:17] 7. Waiting For The Day
[4:44] 8. Savoy Blues
[4:55] 9. Journey To The Sky
[3:29] 10. Willie The Weeper
[6:57] 11. Creole Love Call
[4:19] 12. Otchi-Tchor-Ni-Ya
[3:57] 13. Rollin' Ball
[5:35] 14. Tiger Rag

Charlie Galbraith,tbn; Bryan Jones, tptMartin Downer, sop. s; ax; Pat Mason, pno; Tim Streeton, bjo; Matt Patton, bass. Tunes 11-14: Kenny Ball, tpt; Dave Jones, clt; John Bennet, tbn; Ron Weatherburn,pno; Paddy Lightfoot, bjo; Vic Barton, bass; Ron Bowden, drs.

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Dexter Gordon - The Essential Dexter Gordon: The Columbia Years (2-Disc Set)

Dexter Gordon (tenor saxophone), Louis Hayes (drums), Ronnie Mathews (piano), Woody Shaw (fluegelhorn), Stafford James (bass), Woody Shaw (trumpet), Dexter Gordon (soprano saxophone), Howard Johnson (baritone saxophone), Frank Wess (piccolo), Benny Bailey (fluegelhorn), Wayne Andre (trombone), Slide Hampton (trombone), Benny Bailey (trumpet), Frank Wess (flute), Frank Wess (alto saxophone), Victor Lewis (drums), George Cables (piano), Rufus Reid (bass), Eddie Gladden (drums), Johnny Griffin (tenor saxophone), Dexter Gordon (speaker), Percy Heath (bass), Cedar Walton (piano), Art Blakey (drums), George Benson (guitar), Tony Williams (drums), Stan Getz (tenor saxophone), CBS Jazz All-Stars (vocal).

Dexter Gordon (February 27, 1923 – April 25, 1990)[1] was an American jazz tenor saxophonist. He was among the earliest tenor players to adapt the bebop musical language of people such as Charlie Parker, Dizzy Gillespie, and Bud Powell to the instrument. Gordon's height was 6 feet 6 inches (198 cm), so he was also known as "Long Tall Dexter" and "Sophisticated Giant". His studio and live performance career spanned over 40 years.

Gordon's sound was commonly characterized as being "large" and spacious and he had a tendency to play behind the beat. He was famous for humorously inserting musical quotes into his solos. One of his major influences was Lester Young. Gordon, in turn, was an early influence on John Coltrane and Sonny Rollins. Rollins and Coltrane then influenced Gordon's playing as he explored hard bop and modal playing during the 1960s.

Album: The Essential Dexter Gordon (Disc 1)
Bitrate: MP3@320K/s
Time: 78:18
Size: 179.3 MB
Styles: Saxophone jazz
Year: 2015
Art: Front

[13:46] 1. Gingerbread Boy
[13:09] 2. 'round Midnight
[13:02] 3. Body And Soul
[14:00] 4. It's You Or No One
[ 7:36] 5. Laura
[ 8:50] 6. Red Top
[ 7:52] 7. Fried Bananas

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Album: The Essential Dexter Gordon (Disc 2)
Bitrate: MP3@320K/s
Time: 79:14
Size: 181.4 MB
Styles: Saxophone jazz
Year: 2015
Art: Front

[ 6:35] 1. The Moontrane
[ 7:23] 2. Tanya
[ 8:42] 3. Ruby, My Dear
[13:03] 4. Blues Up And Down
[ 0:54] 5. Introduction
[17:02] 6. More Than You Know
[ 9:34] 7. Hi Fly
[ 9:18] 8. Gotham City
[ 6:39] 9. Polka Dots And Moonbeams

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Billy Butterfield - The Golden Horn

Styles: Trumpet Jazz
Year: 2014
File: MP3@320K/s
Time: 35:47
Size: 82,8 MB
Art: Front

(2:49)  1. Stardust
(3:00)  2. Wonderland By Night
(3:12)  3. And The Angels Sing
(2:47)  4. Love Theme From La Strada
(2:57)  5. You Made Me Love You
(2:56)  6. Melancholy Serenade
(3:00)  7. When It's Sleepy Time Down South
(3:10)  8. Oh, Mein Papa
(2:36)  9. Cherry Pink And Apple Blossom White
(2:58) 10. Pretend
(3:13) 11. Tenderly
(3:05) 12. Memories Of You

A versatile pre-bop trumpeter with a beautiful tone, Billy Butterfield could play pretty ballads and heated Dixieland with equal skill. After early experience in the mid-'30s with the bands of Austin Wylie and Andy Anderson, Butterfield became famous while playing with Bob Crosby's Orchestra (1937-1940), taking the main solo on the original version of "What's New," and making numerous records with both the big band and the Bobcats. In 1940, he was with Artie Shaw, participating in the famed Gramercy Five sessions and taking a classic solo on Shaw's rendition of "Star Dust"; in addition, Butterfield can be seen and heard playing "Concerto for Clarinet" with Shaw in the film Second Chorus. After stints with Benny Goodman (1941) and Les Brown, Butterfield spent time in the military, and then led a lyrical (but commercially unsuccessful) big band (1945-1947). He worked mostly in the studios during the 1950s and '60s, occasionally emerging for Dixieland dates with Eddie Condon, and was a key member of the World's Greatest Jazz Band (1968-1972). In later years, he continued popping up in Dixieland settings both for records and concerts. ~ Scott Yanow https://www.allmusic.com/artist/billy-butterfield-mn0000767816/biographyhttps://www.allmusic.com/artist/billy-butterfield-mn0000767816/biography

The Golden Horn

Olivier Hutman & Alice Ricciardi - Is It Real

Styles: Vocal And Piano Jazz
Year: 2016
File: MP3@320K/s
Time: 46:43
Size: 107,9 MB
Art: Front

(4:09)  1. No Way by Mistake
(3:46)  2. A Coin Without a Face
(4:11)  3. Your Call
(5:17)  4. Sweet Inertia
(4:53)  5. Don't Think Twice
(4:31)  6. Sunday Morning Drive
(3:53)  7. Is It Real?
(3:58)  8. Tana Bolero
(4:29)  9. Strange Deal
(7:31) 10. The Night We Called It a Day

Born in 1954, Olivier Hutman first studied classical piano, then, after discovering Oscar Peterson, he turned to jazz: he is part, with Jacky Terrasson, Baptiste Trotignon, Manuel Rocheman, the great tradition jazz of the French scene. He has played with guitarist Christian Escoudé, trumpet player Eric le Lann and many American musicians like Art Farmer, James Moody and Steve Grossman and, at the Jazz in Liege in 2009, we could hear him with Rick Margitza. In trio, he notably recorded Five in Green and accompanied several singers: Dee Dee Bridgewater, Anne Ducros (Urban Tribe in 2007) and Denise King (No Tricks in 2010, Give me the high sign in 2013).

Here he is, in the company of the Italian singer Alice Ricciardi . Graduated from the Milan Conservatory, she also took classes with Rachel Gould. In her name, she recorded Comes love, with Roberto Tarenzi on piano and Omptics with Pietro Lussu. If Denise King is part of the great tradition of American vocal jazz (Billie Holiday, Nina Simone, Carmen Mc Rae, with a serious register, with inflections from the blues), Alice Ricciardi is closer to current white singers like Stacey Kent. In the repertoire, next to Bob Dylan's Do not think twice to the folk moods and Matt Dennis's The night we called it the day, eight original compositions: music by Olivier Hutman, lyrics by his wife Viana Wember-Hutman. After several albums perfectly rooted in the great classical jazz tradition, Hutman, with the contralto voice of Alice Ricciardi, turns to very melodic original compositions combining different stylistic influences: jazz, folk and pop.~ Claude Loxhay http://www.jazzhalo.be/reviews/cdlp-reviews/o/olivier-hutman-meets-alice-ricciardi-is-it-real/

Is It Real

Joe Lovano - Sounds of Joy

Styles: Saxophone Jazz
Year: 1991
File: MP3@320K/s
Time: 60:29
Size: 138,9 MB
Art: Front

(6:33)  1. Sounds of Joy
(6:38)  2. Strength and Courage
(4:30)  3. I'll Wait and Pray
(7:00)  4. Cedar Avenue Blues
(7:55)  5. Bass and Space
(9:33)  6. Ettenro
(4:20)  7. Until the Moment Was Now
(8:24)  8. This One's for Lacy
(5:33)  9. 23rd Street Theme

From Joe Lovano: This was not only my first trio recording as a leader, but the first time I played with the great Ed Blackwell. I wrote all the tunes for the session with Blackwell in mind, because he's been a great inspiration through the years. Blackwell's sound, touch, ideas, execution and personality all came through when he played. He was an amazing improviser and always created a very complete dialogue with you. The title, Sounds of Joy, is what I felt from Blackwell from all the music I heard him play through the years. Strength and Courage I wrote for him because that was his essence. He endured many years of kidney problems. In fact, he was one of the longest surviving dialysis patients, pioneering a technique where you could travel and do the procedure at different hospitals on the road. I played with Blackwell for two years, when we recorded this, and my first gig at the Village Vanguard. Like me, Anthony Cox, the bassist, was playing with John Scofield s group at the time. https://www.amazon.com/Sounds-Joy-Joe-Lovano/dp/B000027MH1

The Lovano date is a tour de force. In, out, the blues, ballads, the man from Cleveland has it all covered, from A to Z and beyond. Bret Primack ~ Jazz Times   

Personnel:  Joe Lovano tenor saxophone, soprano saxophone, alto saxophone, clarinet;  Anthony Cox bass; Ed Blackwel drums.

Sounds of Joy

Lynne Arriale Trio - Live

Styles: Piano Jazz
Year: 2005
File: MP3@320K/s
Time: 68:56
Size: 158,1 MB
Art: Front

( 8:09)  1. Iko Iko
( 6:11)  2. Home
( 6:34)  3. Braziliana
( 7:17)  4. Arise
( 8:21)  5. Come Together
( 5:55)  6. Flamenco
( 7:18)  7. Seven Steps to Heaven
(11:28)  8. Mountain of the Night
( 7:39)  9. Bemsha Swing

This CD/DVD set was recorded at the 36th annual Burghausen Jazz Week last year. The trio, which has been together since 1993, brings fresh ideas to the forum for this concert date, which took place in a large auditorium with excellent acoustics. The performance swings comfortably, and yet it's loaded with surprises. Pianist Lynne Arriale is a master of cool persuasion. She likes to caress the keyboard and let things settle in gradually. Whether she's interpreting a warm ballad or an up-tempo romp, she ensures that the music will proceed naturally without forcing the issue. Every note is to be savored for the value that it adds. Her performance is delicate; yet she swings her trio with ease. Lyrical beauty remains most important in this performance. The DVD (83 minutes) presents the full concert, while the CD (69 minutes) captures all selections save one. 

The camera zooms in, pans the stage, and captures each artist effectively. All the emotion of the trio's performance comes alive as they "get down. One particularly interesting camera angle shows the pianist and bassist working together, with the drummer's active reflection coming by way of the flat surface of the piano's lacquered body. The DVD also includes additional special features, including interview excerpts and valuable commentary. Songs such as "Come Together, "Seven Steps to Heaven, "Bemsha Swing and "Iko Iko are probably familiar to any audience. The group assembled for this occasion felt that intuitively. Arriale puts dramatic intensity into every piece without forcing a thing. Her interpretations flow naturally with plenty of heartfelt soul. The passion in her music makes this recommended performance an affair to remember. ~ Jim Santella https://www.allaboutjazz.com/live-lynne-arriale-motema-music-review-by-jim-santella.php

Personnel: Lynne Arriale: piano; Jay Anderson: bass; Steve Davis: drums.

Live

Peter O'Mara - Stairway

Styles: Guitar Jazz
Year: 1993
File: MP3@320K/s
Time: 61:36
Size: 141,1 MB
Art: Front

(5:37)  1. Abertura
(8:01)  2. Stairway
(6:16)  3. Round & Round
(7:05)  4. Crescent
(6:18)  5. Mr. Lucky
(5:33)  6. For Emily
(5:45)  7. Weather or Not
(8:19)  8. Change of Mind
(6:38)  9. Continuity
(2:01) 10. Irish

Born in Sydney, Australia in 1957. Early Studies at Academy of the Guitar under George Golla, Sydney Conservatorium as well as jazz clinics under Aebersold, Dave Liebman, Randy Brecker, John Scofield & Hal Galper. ...More http://www.peteromara.com/bio.html

Personnel: Peter O'Mara (guitar, acoustic guitar, electric guitar); Anthony Jackson (guitar); Tony Lakatos (saxophone); Russell Ferrante (piano, keyboards); Tom Brechtlein (drums); Alex Acuña (percussion).

Stairway