Styles: Vocal And Piano Jazz
Year: 2016
File: MP3@320K/s
Time: 46:43
Size: 107,9 MB
Art: Front
(4:09) 1. No Way by Mistake
(3:46) 2. A Coin Without a Face
(4:11) 3. Your Call
(5:17) 4. Sweet Inertia
(4:53) 5. Don't Think Twice
(4:31) 6. Sunday Morning Drive
(3:53) 7. Is It Real?
(3:58) 8. Tana Bolero
(4:29) 9. Strange Deal
(7:31) 10. The Night We Called It a Day
Is It Real
Year: 2016
File: MP3@320K/s
Time: 46:43
Size: 107,9 MB
Art: Front
(4:09) 1. No Way by Mistake
(3:46) 2. A Coin Without a Face
(4:11) 3. Your Call
(5:17) 4. Sweet Inertia
(4:53) 5. Don't Think Twice
(4:31) 6. Sunday Morning Drive
(3:53) 7. Is It Real?
(3:58) 8. Tana Bolero
(4:29) 9. Strange Deal
(7:31) 10. The Night We Called It a Day
Born in 1954, Olivier Hutman first studied classical piano, then, after discovering Oscar Peterson, he turned to jazz: he is part, with Jacky Terrasson, Baptiste Trotignon, Manuel Rocheman, the great tradition jazz of the French scene. He has played with guitarist Christian Escoudé, trumpet player Eric le Lann and many American musicians like Art Farmer, James Moody and Steve Grossman and, at the Jazz in Liege in 2009, we could hear him with Rick Margitza. In trio, he notably recorded Five in Green and accompanied several singers: Dee Dee Bridgewater, Anne Ducros (Urban Tribe in 2007) and Denise King (No Tricks in 2010, Give me the high sign in 2013).
Here he is, in the company of the Italian singer Alice Ricciardi . Graduated from the Milan Conservatory, she also took classes with Rachel Gould. In her name, she recorded Comes love, with Roberto Tarenzi on piano and Omptics with Pietro Lussu. If Denise King is part of the great tradition of American vocal jazz (Billie Holiday, Nina Simone, Carmen Mc Rae, with a serious register, with inflections from the blues), Alice Ricciardi is closer to current white singers like Stacey Kent. In the repertoire, next to Bob Dylan's Do not think twice to the folk moods and Matt Dennis's The night we called it the day, eight original compositions: music by Olivier Hutman, lyrics by his wife Viana Wember-Hutman. After several albums perfectly rooted in the great classical jazz tradition, Hutman, with the contralto voice of Alice Ricciardi, turns to very melodic original compositions combining different stylistic influences: jazz, folk and pop.~ Claude Loxhay http://www.jazzhalo.be/reviews/cdlp-reviews/o/olivier-hutman-meets-alice-ricciardi-is-it-real/
Here he is, in the company of the Italian singer Alice Ricciardi . Graduated from the Milan Conservatory, she also took classes with Rachel Gould. In her name, she recorded Comes love, with Roberto Tarenzi on piano and Omptics with Pietro Lussu. If Denise King is part of the great tradition of American vocal jazz (Billie Holiday, Nina Simone, Carmen Mc Rae, with a serious register, with inflections from the blues), Alice Ricciardi is closer to current white singers like Stacey Kent. In the repertoire, next to Bob Dylan's Do not think twice to the folk moods and Matt Dennis's The night we called it the day, eight original compositions: music by Olivier Hutman, lyrics by his wife Viana Wember-Hutman. After several albums perfectly rooted in the great classical jazz tradition, Hutman, with the contralto voice of Alice Ricciardi, turns to very melodic original compositions combining different stylistic influences: jazz, folk and pop.~ Claude Loxhay http://www.jazzhalo.be/reviews/cdlp-reviews/o/olivier-hutman-meets-alice-ricciardi-is-it-real/
Is It Real
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