Showing posts with label Bobby Short. Show all posts
Showing posts with label Bobby Short. Show all posts

Monday, September 18, 2017

Bobby Short - Heebie Jeebies (2 parts)

Nightclub entertainer Bobby Short performed from the 1930s to the 2000s, primarily singing the songs of the masters of pre-rock popular song, especially Cole Porter, George Gershwin, Noël Coward, and Rodgers & Hart, while accompanying himself on piano. The quintessential cabaret artist, the dapper Short, who often made best-dressed lists, perfectly articulated the lyrics in a husky baritone, delighting his well-heeled customers, particularly at the ritzy Cafe Carlyle of the Carlyle Hotel on the Upper East Side of Manhattan, where he was in residence from 1968 to 2004. Live performance was his métier, but he also made a series of recordings for Atlantic Records, Telarc, and other labels, along with occasional forays into film and television acting as well as the musical theater.

The ninth of ten children born to Rodman Jacob Short, a coal miner, and Myrtle (Render) Short, a domestic, in Danville, IL, Robert Waltrip Short, nicknamed Bobby, took an early interest in the family piano and, despite a few lessons, was essentially self-taught. He began playing professionally in local roadhouses at the age of eight or nine. Soon, he was performing at society parties in a white tuxedo. In July 1936, when he was 11, he attracted the attention of booking agents who, with his mother's permission, took him to Chicago to perform in vaudeville and on radio. In June 1937, after finishing grade school, he traveled to dates in Cleveland and Toledo, then moved to New York City, where he appeared at the Frolics Cafe in October and at La Grande Pomme, as well as at other clubs and theaters around the country. He returned to Danville in the summer of 1938 to attend to high school and performed only in local venues over the next several years. But after graduating in 1942 he went back to show business permanently, opening at the Capitol Lounge in Chicago that July, followed by engagements in Cleveland, Omaha, and Los Angeles, where he settled in 1943. By the following year, however, he was working in Milwaukee and St. Louis, and in the spring of 1945 he was an opening act at the Blue Angel in New York City for four weeks. He then returned to California, by way of an appearance in Phoenix, where he performed at the Haig and the Café Gala over the next few years. While he was at the Haig, in the late '40s or early '50s, he made a record that was sold at the club. He also appeared without credit in the film musical Call Me Mister, released in January 1951, singing "Going Home Train."

Over the years, Short came to represent the elegance and sophistication of New York with his tuxedoed appearance and repertoire of standards. As a result, he became attractive to advertisers, who frequently featured him in television commercials and print ads for such products as perfume and designer jeans. He also got other opportunities to perform. In February 1979, he acted in the ABC television mini-series Roots: The Next Generations, and in May 1980 he was a producer and participant in the Broadway revue Black Broadway, which had a brief run at Town Hall. His other TV guest appearances included the series The Love Boat, Tattingers, In the Heat of the Night, Central Park West, Frasier, and 7th Heaven. There were also films. He was seen and heard as himself, performing Cole Porter's "I'm in Love Again" at the Cafe Carlyle in Woody Allen's Hannah and Her Sisters in 1989, and his recording of Porter's "I Happen to Like New York" was heard over the titles of Allen's Manhattan Murder Mystery in 1993. (Other soundtrack-only appearances included Savages [1972] and Love Affair [1994].) He also appeared in the films For Love or Money (1993) and Man of the Century (1999), and in the TV movies Hardhat and Legs (1980), A Night on the Town (1983), and Blue Ice (1992). He published a second memoir, Bobby Short: The Life and Times of a Saloon Singer, written with Robert Mackintosh, in 1995. He died of leukemia at the age of 80 on March 21, 2005. ~bio by William Ruhlmann

Album: Heebie Jeebies Part 1
Bitrate: MP3@320K/s
Time: 53:27
Size: 122.4 MB
Styles: Vocal jazz
Year: 2016

[3:23] 1. You've Got That Thing
[2:40] 2. Heebie Jeebies
[2:24] 3. I'm In Love Again
[1:41] 4. The Younger Generation
[2:26] 5. Nagasaki
[2:53] 6. Don't Bring Lulu
[3:02] 7. Changes
[2:07] 8. At The Animals Ball
[3:05] 9. I've Got You On My Mind
[2:19] 10. I Love You Samantha
[2:44] 11. Hooray For Love
[2:12] 12. Down In Mexico
[2:47] 13. This Is What I Call Love
[2:22] 14. Be My Host
[3:45] 15. Delia's Gone
[2:51] 16. Bojangles Of Harlem
[3:37] 17. Something To Live For
[1:33] 18. Losing My Mind
[2:41] 19. Love Is Here To Stay
[2:46] 20. I Like The Likes Of You

Heebie Jeebies Part 1

Album: Heebie Jeebies Part 2
Bitrate: MP3@320K/s
Time: 58:40
Size: 134.3 MB
Styles: Vocal jazz
Year: 2016
Art: Front

[3:50] 1. Now
[2:26] 2. Island In The West Indies
[2:02] 3. You Are Not My First Love
[2:33] 4. Over And Over Again
[3:01] 5. Sweet Bye And Bye
[2:39] 6. From Now On
[3:44] 7. Dinah
[1:50] 8. You Make Me Feel So Young
[4:19] 9. Manhattan
[2:27] 10. I Can't Get Started
[3:34] 11. Autumn In New York
[2:10] 12. Gimme A Pigfoot
[3:44] 13. The Best Is Yet To Come
[2:23] 14. Witchcraft
[4:00] 15. I've Got Your Number
[2:30] 16. It Amazes Me
[2:38] 17. On The Other Side Of The Tracks
[2:51] 18. My Personal Property
[3:43] 19. Hey Look Me Over
[2:05] 20. I Walk A Little Faster

Heebie Jeebies Part 2

Saturday, November 19, 2016

Bobby Short - Late Night at the Cafe Carlyle

Styles: Vocal And Piano Jazz
Year: 1992
File: MP3@320K/s
Time: 56:16
Size: 129,5 MB
Art: Front

(2:21)  1. Do I Hear You Saying 'I Love You'?
(4:28)  2. Tea for Two
(2:03)  3. Night and Day
(3:00)  4. Too Marvelous for Words
(3:16)  5. Love Is Here to Stay
(2:53)  6. Drop Me Off in Harlem
(4:08)  7. Body and Soul
(4:33)  8. I Can't Give You Anything But Love
(2:58)  9. I Can Dream, Can't I?
(3:36) 10. I Get a Kick Out of You
(5:38) 11. Satin Doll
(3:14) 12. Street of Dreams
(3:25) 13. The Nearness of You
(2:19) 14. Paradise
(2:21) 15. Easy to Love
(2:37) 16. After You, Who?
(3:19) 17. Ev'ry Time We Say Goodbye

After more than three decades, off and on, Bobby Short moved from Atlantic Records to the audiophile Telarc label, which wisely began the new association by tracking him to his lair, the Cafe Carlyle of the Carlyle Hotel on Manhattan's Upper East Side, where he had been entertaining patrons for a quarter-century. Captured over three nights in June 1991, the 66-year-old singer/pianist presented a ballad set appropriate to the "late night" billing of the title. He doesn't worry about repeating tracks from his many modest sellers for Atlantic, revisiting Rodgers & Hart's "Do I Hear You Saying 'I Love You'" (first heard on Speaking of Love in 1958) at the outset, and also including new versions of the Gershwins' "Love Is Here to Stay," Cole Porter's "I Get a Kick out of You," and the standard "Body and Soul," all of which have graced previous discs. It doesn't matter, of course. Short was more a live performer than a recording artist, despite his extensive catalog, and his job was to give you heartfelt, animated, and sophisticated readings of evergreens like "Night and Day," "I Can't Give You Anything But Love," and "Too Marvelous for Words" (the last of which, come to think of it, he did previously on the home video At the Carlyle, filmed in the late '70s and released in 1986). Telarc was studious about getting a digital signal direct to disc, resulting in great clarity, all the better to hear the glasses clink during quiet passages. The album was released on the label's jazz division and Donald Elfman's liner notes use the word "jazz" frequently. But of course Short, who bills himself as "a saloon singer," was no more a jazz artist than ever, even though he obligingly threw in an instrumental version of Duke Ellington's "Satin Doll" on which bassist Beverly Peer and drummer Robert Scott get to do solos. (The marketing strategy worked, however. The album earned a placing in Billboard's jazz chart.) ~ William Ruhlmann http://www.allmusic.com/album/late-night-at-the-cafe-carlyle-mw0000071894

Personnel: Bobby Short (vocals, piano); Robert Scott (drums); Beverly Peer (bass).

Late Night at the Cafe Carlyle

Wednesday, February 4, 2015

Bobby Short - Sing Me A Swing Song

Bitrate: MP3@320K/s
Time: 37:02
Size: 84.8 MB
Styles: Vocal
Year: 1958/2010
Art: Front

[2:49] 1. It's Bad For Me
[2:32] 2. How Can You Forget
[2:41] 3. From Now On
[3:25] 4. Some Fine Day
[2:13] 5. I'm Checkin' Out, Goombye
[2:55] 6. I Got What It Takes
[1:19] 7. For No Rhyme Or Reason
[2:29] 8. Ebony Rhapsody
[2:09] 9. Ace In The Hole
[2:52] 10. Lydia
[2:09] 11. Don't Let It Get You Down
[2:51] 12. Montevideo
[3:08] 13. Rocks In My Bed
[3:24] 14. Wake Up, Chillun, Wake Up

After three albums of piano trio music with only the occasional added instrument, Bobby Short was given a somewhat expanded budget for Sing Me a Swing Song by Atlantic Records. The label paid for a six- or seven-piece horn section, along with a four-piece rhythm section, for two-thirds of the tracks. That still wasn't a big band by swing era standards, but it made the album the most musically varied of Short's career so far. Phil Moore's arrangements didn't make extensive use of the extra musicians, restricting them mainly to background color, but the fuller sound allowed Short to step back a bit as a vocalist. On earlier recordings, he often sounded like he was still in a club trying to bellow over noisy diners, but here he often sang more smoothly. The selection of material also added to the set's diversity. There was the usual complement of Cole Porter titles, but also the bluesy Duke Ellington songs "I'm Checking Out, Goombye" and "Rocks in My Bed," and the Marx Brothers novelty "Lydia." As usual, Short sold the lyrics unabashedly, but instead of competing with the horns, he worked with them well, especially on Porter's "For No Reason or Rhyme," which really made use of them for expressive purposes. It was enough to make you wonder what Short might accomplish with strings. ~William Ruhlmann

Sing Me A Swing Song