Wednesday, October 16, 2013

The Great Jazz Trio - Love For Sale

Bitrate: 320K/s
Time: 44:44
Size: 102.4 MB
Styles: Bop, Piano jazz
Year: 1976/2009
Art: Front

[6:55] 1. Love For Sale
[6:51] 2. Glad To Be Unhappy
[6:42] 3. Gee Baby, Ain't I Good To You
[5:47] 4. Secret Love
[6:05] 5. Someone To Watch Over Me
[6:22] 6. Autumn Leaves
[6:00] 7. Tenderly (Bonus)

The name of the group might be immodest, but the combination of pianist Hank Jones, bassist Buster Williams and drummer Tony Williams lives up to its billing. Originally cut for the Japanese East Wind label and last available domestically as an Inner City LP, this swinging but unsurprising session features boppish interpretations of six jazz standards including "Love for Sale," "Secret Love," and "Autumn Leaves."

Love For Sale

Amanda Carr - Live In San Giorgio

Bitrate: 320K/s
Time: 47:47
Size: 109.4 MB
Styles: Jazz vocals
Year: 2000
Art: Front

[5:36] 1. Sweet Marta
[5:22] 2. That Old Devil Moon
[3:10] 3. The Nearness Of You
[4:38] 4. Watch What Happens
[6:57] 5. Nothing's Wrong
[4:08] 6. They Can't Take That Away From Me
[6:21] 7. Night And Day
[5:02] 8. Save Your Love For Me
[6:29] 9. Take Your Time

"So where is San Giorgio, Italy?.S.G. is a quaint 11th century village just a few miles south of the Italian Alps where the 2,300 local residents peacefully make their living or commute to the larger surrounding cities of Turin, Ivrea or Milan. In 1998, I was performing in Ivrea for the Eurojazz Festival which included appearances in peripheral cities and towns. A good friend of mine, who lives in San Giorgio, proudly showed me around this village and I stayed a few nights with his family... I fell in love with the place: the ancient winding streets, the central square framed by its historic church and the people who were so accommodating and interested in me and my music. After viewing the Teatro Comunale (Central Theater), we decided it would certainly be worth doing a concert there. I contacted Luigi Martinale in Turin and the rest of the trio who agreed to perform in March of 99 when I returned to Italy. The theater acoustics rendered a good opportunity for a live recording and thus, the birth of the CD. The material I chose is a combination of original compositions and American standards that I thought would gracefully cross the language barrier. Limited time with the players and a feeble grasp of Italian was a challenge that created a naturally dynamic environment and , ultimately, an exciting recording. The generous instrumental and solo sections, to me, make for good listening. Live in San Giorgio is the result of four of us whimsically getting together and, transcending mere words, coming up with something delightfully memorable."

Live In San Giorgio

Nat King Cole - To Whom It May Concern

Bitrate: 320K/s
Time: 37:06
Size: 85.0 MB
Styles: Easy listening
Year: 1959/2008
Art: Front

[2:56] 1. To Whom It May Concern
[3:53] 2. Lovewise
[3:18] 3. Too Much
[3:00] 4. In The Heart Of Jane Doe
[2:57] 5. A Thousand Thoughts Of You
[3:07] 6. You're Bringing Out The Dreamer In Me
[2:54] 7. My Heart's Treasure
[2:53] 8. If You Said No
[3:37] 9. Can't Help It
[2:37] 10. Lovesville
[1:52] 11. Unfair
[3:56] 12. This Morning It Was Summer

Nat "King" Cole's interesting 1959 experiment in creating a unique collection of songs in the style of classic 1920s and `30s pop songs features the singer performing works by such storied talents as Sammy Cahn and Johnny Burke, in inimitably romantic fashion. String arrangements come courtesy of Cole's frequent collaborator Nelson Riddle, all adding up to a solid helping of sophisticated late-1950s musical memorabilia. All tracks have been digitally remastered. Personnel includes: Nat "King" Cole (vocals), Nelson Riddle (conductor).

To Whom It May Concern

The Quintet Of The Hot Club Of San Francisco - QHCSF

Bitrate: 320K/s
Time: 61:24
Size: 141.4 MB
Styles: Gypsy jazz, Swing
Year: 2006
Art: Front

[5:34] 1. Don't Panic
[2:57] 2. Place De Broukere
[4:59] 3. Giselle - Waltz D'Entichement
[4:01] 4. I'm Not Impressed
[4:58] 5. Caravan
[5:13] 6. And I Love Her
[5:33] 7. Round Midnight
[6:11] 8. Jitterbug Waltz
[3:15] 9. Armando's Rumba
[5:16] 10. Manoir De Mes Rêves
[2:33] 11. Flambeé Montalbanaise
[4:04] 12. Melodie Au Crepscule
[3:36] 13. My Walkin' Stick
[3:09] 14. Parfum

Paul Mehling, the leader of HCSF and the man dubbed the godfather of American gypsy jazz, discovered the music of Django Reinhardt and the Quintet of the Hot Club of France in grammar school. Decades later the music that took root in his young soul finally bore fruit.

“I was born in Denver and grew up in what is now Silicon Valley, when it was all fruit trees,” Mehling recalls. “My father was a record collector. I grew up with the music of Benny Goodman, Tommy Dorsey, Glen Miller and all the swing era bands. He’d come home and turn on the stereo and, at a year old, I’d sit in front of the speakers and soak up the music. To this day, I get a sense of déjà vu whenever I hear a song I heard back then. When I was older, I became a discipline problem because I wanted to stay up all night and listen to records. Being exposed to swing at and early age predisposed me to playing this kind of music.

“I had an older sister who turned me onto rock’n’roll. When I was six, we saw The Beatles on Ed Sullivan and it was like getting hit by lightening. I said, ‘I wanna do that - make the girls scream and give people the buzz I get from hearing the music.’ The Beatles made music guitar-centric and I picked up the guitar. I tried playing in rock bands, but it didn’t work for me. The music wasn’t satisfying. I liked the acoustic guitar better and learned classical music, but that wasn’t what I wanted either. Then I heard Django: three guitars, bass, and violin and they sounded and acted like a rock band. I saw pictures of them and they looked sharp, sophisticated and mysterious.

QHCSF

Barbara Knight - Angel Eyes

Styles: Vocal Jazz, Bossa Nova
Year: 2007
File: MP3@320K/s
Time: 60:12
Size: 139,7 MB
Art: Front

(3:54)  1. I'm Beginning To See The Light
(4:03)  2. Spring Is Here
(5:00)  3. You Go To My Head
(5:08)  4. A Single Flower
(5:13)  5. Angel Eyes
(1:48)  6. Secret Love
(4:37)  7. Garota De Ipanema
(5:52)  8. You Don't Know What Love Is
(2:50)  9. Skylark
(4:49) 10. What Is This Thing Called Love
(4:43) 11. Choices
(3:13) 12. Lullaby Of Birdland
(4:15) 13. Old Devil Moon
(4:41) 14. A Nightingale Sang In Berkeley Square

"Angel Eyes", the second release by vocalist Barbara Knight, was well worth the wait. This recording is an amazing journey for Barbara, one she shares with Russell Schmidt on piano, David Morgan on bass, Jim Rupp on drums, and Jack Schantz on flugelhorn. The small-band setting lets her spread her wings and soar, as she introduces fresh interpretations of the classic jazz standards, arranged by renowned bassist David Morgan as well as several by Barbara herself. Two of the songs on this CD are originals written by band members, the achingly beautiful “A Single Flower” by saxophonist Howie Smith and Morgan’s own “Choices”, both tunes including new lyrics by Barbara. Another memorable feature of the CD are the four duets, each with a different member of the band, making this recording unmatched by any other in the vocal jazz genre.  http://www.cdbaby.com/cd/barbaraknight

Gretchen Parlato - Live In NYC

Styles: Vocal
Year: 2013
File: MP3@320K/s
Time: 61:12
Size: 140,1 MB
Art: Front

(7:42)  1. Butterfly
(5:59)  2. All That I Can Say
(3:29)  3. Alô, Alô
(8:43)  4. Within Me
(3:54)  5. Holding Back The Years
(8:43)  6. Juju
(7:51)  7. Weak
(5:58)  8. On the Other Side
(8:50)  9. Better Than

After the success of her last studio album "The Lost And Found", Gretchen Parlato releases her first live album on CD and DVD in one package. The acclaimed singer explains the process behind this album which she produced herself:  "I've always wanted to capture and share the magical energy, connection, and interaction of a live performance. singing with Taylor Eigsti, Alan Hampton, Burniss Earl Travis, Mark Guiliana, and Kendrick Scott has uplifted and inspired me, each of them supporting and challenging me as a singer. Over these years of touring together, two specific bands have stood out to me: Taylor-Alan-Mark, and Taylor-Burniss-Kendrick. Each band has their own unique dynamic and approach to the music. I knew I had to feature both on this live CD/DVD.  http://www.propermusic.com/product-details/Gretchen-Parlato-Live-In-NYC-CD-DVD-158030

Live In NYC

Randy Travis - Influence Vol. 1 : The Man I Am

Styles: Country
Year: 2013
File: MP3@320K/s
Time: 42:36
Size: 101,5 MB
Art: Front

(3:24)  1. Someday We'll Look Back
(3:22)  2. Big Butter And Egg Man
(3:27)  3. What Have You Got Planned Tonight Diana
(2:53)  4. Ever Changing Woman
(3:46)  5. Pennies From Heaven
(2:41)  6. Thanks A Lot
(3:28)  7. Trouble In Mind
(3:08)  8. My Mary
(3:08)  9. Saginaw, Michigan
(3:19) 10. I'm Always On A Mountain When I Fall
(3:37) 11. You Asked Me To
(2:38) 12. Why Baby Why
(3:40) 13. Tonight I'm Playing Possum With Joe Nichols

Multi-Platinum and seven-time Grammy winning icon Randy Travis presents his 21st studio album on Warner Bros. Records titled Influence Vol. 1: The Man I Am. Travis and his music has been a major influence to other country artists throughout his celebrated career thus far. In his 2013 album, Travis looks back at some of the songs and artists that were instrumental in crafting his musical career, including Merle Haggard, George Jones, Lefty Frizzell, among others. After releasing his 25th Anniversary Celebration album and going back through his repertoire of collaborations with artists including Zac Brown Band, Kenny Chesney, Don Henley, Alan Jackson, Jamey Johnson, Josh Turner, George Jones, Kris Kristofferson, Tim McGraw, Willie Nelson, Brad Paisley and Carrie Underwood, Travis reflected on the icons and their music that have inspired him over the years.

"When I think of my musical heroes of yesteryear, or the younger stars of this year, I am reminded that it is true we learn from the ones ahead of us, and teach the ones that follow. They are the reason I chose to make this album, " says Randy Travis. ~Editorial Reviews  http://www.amazon.com/Influence-Vol-The-Man-Am/dp/B00EBDXRKW

Influence Vol. 1 The Man I Am

Bobby Broom - Song and Dance

Styles: Soul Jazz
Year: 2007
File: MP3@320K/s
Time: 65:29
Size: 149,9 MB
Art: Front

(6:54)  1. Can't Buy Me Love
(6:23)  2. Where Is The Love?
(5:43)  3. Little Rascals Theme (Good Old Days)
(6:43)  4. Coming Home
(5:10)  5. Blues For Modern Man
(6:19)  6. Superstar
(8:33)  7. Smile
(7:33)  8. Wichita Lineman
(5:45)  9. You And The Night And The Music
(6:19) 10. Waiting And Waiting

Bobby Broom had recently turned 44 when he recorded Song and Dance in February and March 2005. In youth-obsessed markets like hip-hop, teen pop, or dance-pop, any artist who is 44 and successful probably became established 20 or 25 years earlier. But jazz is a different ball game. In jazz, age is a plus; it means more years developing your skills, improving your chops, and discovering who you are as an artist. Jazz is full of people who had more to say at 44 than they did at 24, and Broom has a lot to say on Song and Dance. This trio date finds the guitarist (who is joined by bassist Dennis Carroll and drummer Kobie Watkins) bringing his improvisational skills to a variety of material, which ranges from the Beatles' "Can't Buy Me Love" to Charlie Chaplin's "Smile" to "Where Is the Love?" (a major hit for Roberta Flack and Donny Hathaway in the early '70s). But whatever the song whether he is playing original compositions or tackling "Good Old Days (The Little Rascals Theme)"  Broom always keeps things personal and maintains the perspective of a jazz instrumentalist. 

Another highlight of this 65-minute disc is Jimmy Webb's "Wichita Lineman," which was a number one country hit for Glen Campbell in 1968; Broom has no problem taking "Wichita Lineman" out of country-pop and making the tune a vehicle for post-bop improvisation. And why shouldn't Broom find the jazz potential in songs that were recorded by the Beatles, Flack, or Campbell? Contrary to what some of the more dogmatic individuals in the jazz world would have listeners believe, worthwhile popular music did not end with Tin Pan Alley. Broom, of course, realizes that, and his open-mindedness is a definite advantage on this memorable CD. ~ Alex Henderson  http://www.allmusic.com/album/song-and-dance-mw0000485911

Song and Dance