Friday, April 16, 2021

Wendell Eugene - Wendell Eugene & His Mardi Gras Band with Brian Carrick

Styles: Trombone Jazz
Year: 2010
File: MP3@320K/s
Time: 70:50
Size: 166,8 MB
Art: Front

(5:13) 1. When You & I Were Young Maggie
(3:31) 2. Mary Wore a Golden Chain
(5:25) 3. Frankie & Johnny
(3:12) 4. Bye Bye Blackbird
(3:51) 5. Do What Ory Say
(6:51) 6. Lover
(5:01) 7. Tennessee Waltz
(4:14) 8. The Last Mile of the Way
(5:34) 9. At Mardi Gras
(7:06) 10. Milk Cow Blues
(5:05) 11. My Memphis Baby
(3:54) 12. Eh La Bas
(3:39) 13. Walk Through the Streets of the City
(3:58) 14. Oh! How I Miss You Tonight
(4:10) 15. Just a Closer Walk with Thee

Wendell Eugene, one of the most respected and longest-serving trombonists in traditional New Orleans jazz, died Tuesday of pneumonia. He was 94. Eugene still performed at the Palm Court Jazz Cafe and local festivals as recently as 2015. By then, he had succeeded the late trumpeter Lionel Ferbos as the city’s oldest active jazz musician.During a career of more than seven decades, Eugene shared stages with the likes of Louis Armstrong, Paul Simon and the Temptations, as well as local jazz luminaries like George Lewis, Paul Barbarin, Albert “Papa” French, Danny Barker, Kermit Ruffins and Dr. Michael White.

Wendell Albert Eugene was born in New Orleans in 1923. His eldest sibling, Homer Eugene Jr., a trombonist, guitarist and banjo player, gave young Eugene his first trombone. By age 15, Wendell was performing professionally. He served in the Navy during World War II. Stationed in California, he performed with the Navy’s marching and concert bands. He backed Armstrong during a USO show in 1943.=After the war, he hit the road with the Lucky Millender and Buddy Johnson orchestras, performing in New York, Chicago and elsewhere. Skilled at reading and writing music, he assisted older musicians and tutored younger ones.

With a family to support he and his late wife of 54 years, Bernice, raised four daughters and wanting to stay closer to home, he took a job as a Postal Service letter carrier in 1949. He also taught trombone at New Orleans’ Grunewald School of Music and continued to perform at night and on weekends. He scheduled vacation time so that he could tour with the Onward Brass Band, the Olympia Brass Band, the Tuxedo Brass Band and Andrew Hall's Society Jazz Band. He also contributed to hundreds of jazz and rhythm & blues recordings, including many produced by Allen Toussaint.

When he retired from the Postal Service in 1979, he devoted himself to playing music full time. He appeared in numerous documentaries about New Orleans jazz. He performed at the first New Orleans Jazz and Heritage Festival and the first French Quarter Festival. He made yearly appearances at both festivals for decades. At age 91, he was still performing regularly with Ferbos’ Palm Court Jazz Band, Andrew Hall’s Society Jazz Band and Gregg Stafford’s Tuxedo Brass Band, always as a sentimental favorite with audiences. He found common cause with musicians much younger than himself while maintaining his standards of excellence. In 2013, he performed at a house party alongside trumpeter Irvin Mayfield, who was more than 50 years his junior.

He recorded his final album as a bandleader, “If I Had My Life to Live Over,” at age 90. Survivors include four daughters, Adele Blanchard, Wendolyn Hampton, Shelia Eugene and Patrice McNeal; six grandchildren; nine great-grandchildren; and two great-great grandchildren. A funeral is scheduled for Saturday at Transfiguration of the Lord Catholic Church, 2212 Prentiss Ave. Visitation will start at 8:30 a.m., followed by a Mass at 10 a.m. Interment will be at Mount Olivet Cemetery.

Charbonnet Funeral Home is in charge of arrangements. https://www.nola.com/entertainment_life/keith_spera/article_d0448e63-054c-5ccd-9318-cde9db1ab246.html

Personnel: Trombone – Wendell Eugene; Banjo – Louis Lince; Bass – Gerald Adams (4); Clarinet – Brian Carrick; Drums – Ernest Elly; Piano – Andrew Hall (16); Trumpet – Jamie Wight; Vocals – Brian Carrick (tracks: 2, 6, 8), Jamie Wight (tracks: 10, 14), Wendell Eugene (tracks: 4, 12)

Wendell Eugene & His Mardi Gras Band with Brian Carrick

Mindi Abair - The Best of Mindi Abair

Styles: Saxophone Jazz
File: MP3@320K/s
Time: 79:51
Size: 183,8 MB
Art: Front

(3:30) 1. Lucy's (Radio Edit)
(3:49) 2. Bloom (Radio Edit)
(3:20) 3. Flirt
(4:23) 4. I'll Be Your Home (feat. Keb' Mo')
(6:18) 5. Imagine
(3:48) 6. Come as You Are
(3:52) 7. Be Beautiful
(4:01) 8. True Love
(4:26) 9. True Blue
(4:08) 10. Wild Heart
(4:01) 11. Seven Day Fool (feat. The Boneshakers)
(5:06) 12. Make It Happen (feat. Booker T. Jones)
(3:19) 13. Haute Sauce (feat. The Boneshakers)
(4:22) 14. Good Day for the Blues (feat. The Boneshakers) [Radio Edit]
(3:59) 15. Pretty Good for a Girl
(5:35) 16. Just Say When (feat. Greg Allman)
(4:28) 17. Smile
(2:54) 18. I Love to Play the Saxophone (feat. The Boneshakers)
(4:24) 19. April (Radio Edit)

During her remarkable 21-year recording career, Mindi Abair has garnered 2 GRAMMY Nominations, recorded with some of the biggest names in music, and built a substantial following among jazz and blues audiences with her soaring melodies and powerhouse style. The Best of Mindi Abair is a 19-song collection of her biggest hits, previously unreleased gems, a few of Mindi’s personal favorites, and her brand-new song “April.” It features a 16-page booklet of personal liner notes written by Mindi, and photos spanning her career drawn from her archive. Smooth jazz hits like “Lucy’s,” “Bloom” and “Come As You Are” appear as radio edits, available here for the first time, so you can listen as you originally fell in love with them on the radio. “Make It Happen,” written and recorded with legendary soul icon Booker T. Jones, has never been released until now.

Other inspired collaborations include “I’ll Be Your Home” featuring Keb’ Mo’, “Just Say When” penned and recorded with Gregg Allman, and her woman-powered blues anthem “Pretty Good For A Girl” featuring guitar hero Joe Bonamassa. Fan favorite “Be Beautiful” checks into the compilation, as does a previously unissued take on the John Lennon classic, “Imagine.” “I Love To Play The Saxophone” and “Good Day For The Blues” hail from her albums as Mindi Abair and The Boneshakers, and the brand-new song, “April,” recorded as the world was shutting down in 2020 rounds out the collection. It brings Mindi's path full circle as it’s an instrumental reminiscent of her classic hits and provides the perfect jumping off point for the next chapter to begin. Follow the arc of Mindi’s unique musical journey with this 19-song collection featuring songs from 11 different albums, 8 unique tracks that have never been available to the public before now, 28 stunning photos, and Mindi telling her story in her own words … a must for any Mindi fan.

The Best of Mindi Abair