Tuesday, April 21, 2015

Hal Singer - Hal Singer With Charlie Shavers: Blue Stompin'

Bitrate: MP3@320K/s
Time: 38:25
Size: 88.0 MB
Styles: Hard Bop, Soul-jazz
Year: 1959/1994/2009
Art: Front

[ 6:25] 1. Blue Stompin'
[ 6:51] 2. Windy
[ 5:00] 3. With A Song In My Heart
[11:02] 4. Midnight
[ 4:29] 5. Fancy Pants
[ 4:35] 6. The Blast Off

Recorded in Hackensack, NJ; February 20, 1959. Bass – Wendell Marshall; Drums – Osie Johnson; Piano – Ray Bryant; Tenor Saxophone – Hal Singer; Trumpet – Charlie Shavers.

This is a fun set of heated swing with early R&B overtones. The title cut is a real romp, with tenor saxophonist Hal Singer and trumpeter Charlie Shavers not only constructing exciting solos but riffing behind each other. With the exception of the standard "With a Song in My Heart," Singer and Shavers wrote the remainder of the repertoire, and with the assistance of a particularly strong rhythm section (pianist Ray Bryant, bassist Wendell Marshall and drummer Osie Johnson), there are many fine moments on this enjoyable set. Recommended. ~Scott Yanow

Hal Singer With Charlie Shavers: Blue Stompin"

David Hazeltine - Modern Standards

Size: 133,3 MB
Time: 57:28
File: MP3 @ 320K/s
Released: 2005
Styles: Jazz
Label: Sharp Nine
Art: Front

01. Witchcraft (7:09)
02. A House Is Not A Home (6:42)
03. Yesterday (5:17)
04. Who Can I Turn To (5:22)
05. How Deep Is Your Love (5:58)
06. Moment To Moment (7:54)
07. A Time For Love (6:24)
08. Somewhere (5:30)
09. For The Love Of You (7:07)

Personnel: David Hazeltine (piano); David Hazeltine; David Williams (double bass); Joe Farnsworth (drums).

On this set, pianist David Hazeltine performs songs from the 1960s and '70s. While "Witchcraft," "Who Can I Turn To," "Moment to Moment," "A Time for Love," and "Somewhere" (along with, to a lesser extent, "A House Is Not a Home") have all long ago qualified as jazz standards, the other selections, by the Beatles, the Bee Gees, and the Isley Brothers, are a bit off the wall. However, Hazeltine manages to swing each of them, turning the music into viable devices for his trio. Certainly "How Deep Is Your Love" has never been swung this hard. The overall playing is high quality if conventional, with the repertoire and Hazeltine's inventive solos (along with his close interplay with bassist David Williams and drummer Joe Farnsworth) making this outing stand apart from many of the other current trio recordings. ~Scott Yanow

Modern Standards

Agathe Jazz Quartet - Feeling Alive

Size: 114,1 MB
Time: 49:05
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals
Art: Front

01. I've Got A Crush On You (5:20)
02. Favela (4:56)
03. Blues (Feat. Fred Wesley) (1:24)
04. My One And Only Love (4:06)
05. Feeling Alive (6:01)
06. Absurdo Natural (4:25)
07. Droppin' Things (5:38)
08. Got Lost (5:01)
09. Blues (Feat. Jeremy Bruyere) (1:59)
10. Softly As In A Morning Sunrise (4:30)
11. Don't Go To Strangers (5:38)

Agathe Iracema is a radiant and talented French-Brazilian singer who found her way from the age of 14. She impressed the famous jazz-woman from New-York, Sheila Jordan, during one of her master-class, who then encouraged Agathe. One year later, she released her first album and didn’t stop performing since then. Her sensuality is emanating from her genuine and fresh tone of voice, her virtuosity and her smooth phrasing. In her new album “Feeling Alive”, you will hear both jazz standards and creations. Agathe Iracema is offering us her luminous vision of a modern and intense jazz, which has never been more alive. Built around three compositions of the lead singer, it will take you through a journey of, love, life, and the art of living together.

Agathe Iracema: vocals / Léo Montana: piano / Christophe Wallemme: doublebass / Pierre-Alain Tocanier: drums.

Feeling Alive

Greg Adams - East Bay Soul That's Life

Size: 110,8 MB
Time: 47:38
File: MP3 @ 320K/s
Released: 2015
Styles: Smooth Jazz, Pop, Rock, Soul, R&B
Art: Front

01. Little Black Dress (4:08)
02. Hush Hush (5:15)
03. Come Together (3:56)
04. Get Smart (4:10)
05. Going In Circles (5:02)
06. Didn't Wanna Do It (4:10)
07. Grow Old With Me (4:55)
08. Earth To Mars (3:39)
09. Without You (2:57)
10. Damned If You Do (4:49)
11. Let's Stay Together (4:31)

Jazz trumpeter Greg Adams, known by his work for Tower of Power, is now building a new monument with the formation East Bay Soul. Adams has recorded six solo albums, two releases with East Bay Soul and fourteen recordings as a founding member of Tower of Power. That's Life is his third album with the band.

Greg is joined by Kay-Ta Matsuno, guitar, Joey Navarro, keys, Dwayne “Smitty” Smith, bass, Herman Matthews, drums and Johnny Sandoval, percussion. The horn section consist of Lee Thornburg, trumpet, flugelhorn, French horn and trombone, Johnnie Bamont, alto, tenor and bari sax. Greg Vail, alto and tenor sax.

If one frequently plays with a band, then the recording of a new CD is a flash. Greg say’s? “It’s like looking bliss in the eye. Before you know it, we’ve made a record. It is amazing how it happens.” The album starts powerfully with Little Black Dress. Darryl Walker gives this song his voice and makes it to his own. With Hush Hush Greg Adams presents his muted trumpet in perfect harmony with the horn section. A self-perpetuating piece.

The Beatles song Come Together receives an attractive coating by Greg's muted trumpet. Do you like Reggae? Then listen to the cool Get Smart. After the intro the horizon opens to the full brass sound. On Going Circles Darryl Walker impresses anew with his melodious voice well supported by a broad horn arrangement. Didn’t Wanna Do It is not a piece as musician would regret to play. It starts restrained and then gets infectious.

The sentimental Grow Old With Me has for Greg certainly biographical traits. Though it is a love letter written for a friend’s wife. Earth To Mars is funky and rocking, a salute to Greg’s percussive horn style and a tribute retro funk. Without You comes with a melancholic trumpet and a mellow string background. The bombastic themed orchestral song (Greg's description) Damned If You do got his lyrics by Rocky Maffit. Greg comments? “Rocky had it for a while and nothing was coming to him, until one day he said “Damned If I Do” out loud. Now we had the title and lyric for the song.?

Final piece is the classic Let’s Stay Together by Al Green. This song is very popular with renditions of Eric Darius, Peter White, Walter Beasley and more. Every musician has a special approach. East Bay Soul's very own version has to thank Darryl Walker. East Bay Soul is a high powered band with the great soul singer Darryl Walker and a formidable horn section. That's Life is the next step to a new legend.

East Bay Soul: That's Life

Mary Stallings - Feelin' Good

Size: 125,6 MB
Time: 53:54
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals
Art: Front

01. Close Your Eyes (4:16)
02. Try A Little Tenderness Introducing Girl Talk (5:51)
03. Li'l Darling (4:18)
04. I Want To Talk About You (5:25)
05. Feeling Good (5:01)
06. Reflections (5:24)
07. Night In Tunisia (4:22)
08. Monk's Dream (3:57)
09. Afro Blue (5:01)
10. You Send Me (5:05)
11. Yesterdays (5:08)

”Mary Stallings does not dwell on nostalgia, but rather continues to look-forward as a self-assured and sincere singer.”
– Audiophile Audition

Writing about Mary Stallings The New York Times declared that “perhaps the best jazz singer singing today is a woman almost everybody seems to have missed.” Bay Area jazz lovers chuckled ruefully over yet another blast of East Coast parochialism, long recognizing Ms. Stallings as a singular jazz treasure. Her talents were also recognized by the likes of Dizzy Gillespie, Billy Eckstine, Count Basie, Cal Tjader, Ben Webster and Wes Montgomery, who all went out of their way to showcase this supremely soulful singer. For her latest HighNote outing, Bruce Barth occupies the piano bench and handles the arranging duties with Peter Washington and Kenny Washington rounding out the rhythm section. Mary herself requested the added tone color of Steve Nelson’s vibes, Freddie Hendrix’s trumpet and the latin percussion of the irrepressible Ray Mantilla. So here again is Mary Stallings, enjoying her recording resurgence, singing with such confidence, poise and authority that every tune feels like a custom-tailored garment expertly made for her fine-grained tone, relaxed phrasing and supple sense of swing.

MARY STALLINGS, vocals
Featuring: Bruce Barth, piano • Steve Nelson, vibes • Freddie Hendrix, trumpet • Ray Mantilla, percussion • Peter Washington, bass • Kenny Washington, drums

Feelin' Good

Jeanne Newhall - French Kiss

Size: 101,5 MB
Time: 43:41
File: MP3 @ 320K/s
Released: 2015
Styles: Pop, Jazz, Easy Listening, Classical
Art: Front

01. Autumn Leaves (Les Fueiles Mortes) (3:40)
02. Where Do I Begin (From Love Story) (4:49)
03. Gymnopedie 2 (2:46)
04. I Dreamed A Dream (From Les Miserables) (4:10)
05. How Do I Keep The Music Playing (3:50)
06. The Windmills Of Your Mind (Les Moulins De Mon Coeur) (3:28)
07. First Arabesque (5:16)
08. If We Only Have Love (Quand On N'a Que L'amour) (3:53)
09. Valse Lente (From Coppelia) (3:15)
10. Yesterday When I Was Young (Hier Encore) (3:19)
11. What Now My Love (Et Maintenant) (2:31)
12. Lullaby (From Jocelyn) (2:39)

Jeanne Newhall is rooted in change. As a vocalist, a composer of words and music, and a classically trained pianist, Newhall has always had a passion for new experiences and the fresh directions they can bring. Her explorations have led her to the realms of jazz and R&B—and even hip hop—and rock and pop , expanding her musical universe and revealing themselves in her warm, rich vocals, lyrical vocabulary and the immaculately nuanced notes of her piano. Common through the warp and weft of all her changes and adventures and endeavors is an enduring sense of spirit and the spiritual. “I have often been told that music brings peace, happiness and goodness,” says Newhall, who has practiced Ashtanga Royal Yoga daily for more than 10 years. “My charge is to always keep that in mind; it is. I go to it when I go to the instrument. It is there, waiting. It did not come from practicing hard or being a child prodigy. It came later and it came with long struggle and slow surrender. The only way I can gracefully take a bow to this sublime influence in my life is to sing and play to it and for it.”

Jeanne Newhall’s life has always been filled with words and music. Raised on a farm in Arizona, she grew up in the starkly beautiful shadows of the Sierra Estrella Mountains west of Phoenix. When her music-loving parents bought the six-year old Jeanne a piano, she could barely reach the keys. She made her professional debut at 14, and before she was 16, had graduated high school, mastered six Mozart concertos and moved to New York City to study piano with Nadia Reisenberg. Subsequently, she turned down offers from the Juilliard, Eastman and Curtis Institutes, opting to study piano with the acclaimed Abbey Simon at Indiana University, ultimately earning a degree in performance from Arizona State University.

In college, friends introduced her to jazz and the connection was immediate. “A whole new world of possibilities not limited by the boundaries of classical music suddenly opened up for me—melodies, voicings, improvisation,” she recalls. “I almost left school then and there.” She didn’t leave school, but she did alter her course. She listened to all the jazz she could find and she listened to R&B, which she had loved since grade school.

French Kiss

Kim Nalley - She Put A Spell On Me: Kim Nalley Sings Nina Simone

Bitrate: MP3@320K/s
Time: 55:04
Size: 126.1 MB
Styles: Jazz vocals, Soul jazz
Year: 2006
Art: Front

[4:01] 1. My Baby Just Cares For Me
[6:42] 2. On The Evening By The Moonlight
[4:11] 3. See-Line Woman
[9:23] 4. You Can Have Him
[4:23] 5. I Put A Spell On You
[7:38] 6. House Of The Rising Sun
[4:31] 7. Trouble In Mind
[4:59] 8. Mississippi Goddamn
[7:48] 9. I Wish I Knew How It Would Feel To Be Free
[1:23] 10. Extro (Band Introductions)

Kim Nalley (vocals) Tammy Hall (piano) Greg Skaff (guitar) Michael Zisman (bass) Kent Bryson (drums).

"Nina Simone was a singer, a social commentator, and a fighter. Often called the High Priestess of Soul, she was revered for her command of folk, blues, protest songs, and show tunes. So is it any wonder that Kim Nalley's CD "She Put a Spell on Me: Kim Sings Nina Simone" has been so popular? Nalley, whose hand in reopening the North Beach hot spot Jazz at Pearl's has made her into something of a hero in her own right, seems the perfect choice to interpret and pay tribute to the late, great Dr. Simone." -San Francisco Weekly.

"I've always been influenced by Nina Simone, " Nalley says, "by her singing and her absolutely amazing piano playing. And I've always been moved by her music and by her insistence on speaking out about civil rights and women's rights."

She Put A Spell On Me: Kim Nalley Sings Nina Simone, has been shortlisted for Grammy Award consideration in the Best Jazz Vocal category (2006). Active members of the Recording Academy vote from among the CDs on this list to select the five nominees in each category that will go on to compete for the Grammy.

She Put A Spell On Me was recorded live in 2005 during a five-night run at Jazz at Pearl's, the classy San Francisco nightclub that Nalley co-owns with her husband, Steve Sheraton. The CD immediately attracted glowing reviews, not least for its impressive range of material. Nalley takes on difficult and controversial material such as "Mississippi Goddamn," Simone's protest of anti-civil rights terrorism, moving jazz ballads like Irving Berlin's "You Can Have Him, " African chant in "See-Line Woman" and well-known folk tunes such as "House for the Rising Sun." The degree to which Nalley succeeded in capturing the essence of Nina Simone's spirit, while remaining true to her own musical heart and style, has now been made clear once again by this well-deserved recognition from the Grammy Awards nominators for She Put A Spell On Me: Kim Nalley Sings Nina Simone.


Big Jay McNeely - Nervous

Bitrate: MP3@320K/s
Time: 54:49
Size: 125.5 MB
Styles: West Coast blues, Jazz-blues, Saxophone jazz
Year: 2009
Art: Front

[2:32] 1. Nervous Man, Nervous
[2:17] 2. Big Jay Shuffle
[2:41] 3. 3-D
[2:50] 4. Roadhouse Boogie
[2:46] 5. Real Crazy Cool
[3:49] 6. Body And Soul
[3:21] 7. Deacon's Hop
[2:18] 8. The Goof
[2:48] 9. Insect Ball
[3:43] 10. Tenderly
[3:20] 11. There Is Something On Your Mind
[2:35] 12. Back... Shack...Track
[3:39] 13. I Got The Message
[2:40] 14. Nervous Man, Nervous
[2:46] 15. Texas Turkey [take 1]
[2:13] 16. She Don't Work
[3:04] 17. Third Dimension (3-D) [take 2]
[2:35] 18. Nervous Man, Nervous
[2:46] 19. Deacon's Hop

A thorough 19-track examination of McNeely's early heyday, incorporating a live 1951 reprise of his signature "Deacon's Hop," and the King label classics "3-D," "Nervous Man Nervous," and "Texas Turkey," a handful of live 1957 efforts that include the crazed "Insect Ball," and McNeely's original hit version of the incendiary blues ballad "There Is Something on Your Mind" (with Little Sonny Warner handling the Ray Charles-influenced lead vocal). ~Bill Dahl

Nervous

Dexter Gordon - The Classic Blue Note Recordings (2-Disc Set)

Recording Date: August 29, 1962 - May 29, 1965. Superb playing partners include Bud Powell, Freddie Hubbard, Philly Joe Jones and Billy Higgins.

A master of the tenor sax in the small-group bop setting, Dexter Gordon's marvelous tone, elegant lead lines, and deliberate behind-the-beat phrasing made him an obvious influence on John Coltrane and Sonny Rollins, among others, and although his body of work is much lauded, he still manages to be somehow underappreciated in the pantheon of great tenor sax players. Beset with drug and other personal problems throughout his career, Gordon had several "comebacks," but none more striking than his 1961 to 1965 sojourn with Blue Note Records, a period that produced Gordon's best work. Gordon released nine albums for the label in the early '60s, and this two-disc, 18-track compilation takes cuts from such stellar LPs as Clubhouse, Our Man in Paris, One Flight Up, and Go! to make a nice overview of the Blue Note years. The consistency on display here is startling, and if Gordon wasn't as openly exploratory as Coltrane or Rollins, he didn't really need to be. He knew the pocket and he knew when to move it. Barring purchasing all of Gordon's Blue Note albums individually (which isn't currently possible -- Blue Note really should reissue all of them), picking up this set is probably the next best thing. ~Steve Leggett

Album: The Classic Blue Note Recordings (Disc 1)
Bitrate: MP3@320K/s
Time: 65:07
Size: 149.1 MB
Styles: Saxophone jazz, Hard Bop
Year: 2003

[ 6:23] 1. Soy Califa
[ 6:41] 2. I'm A Fool To Want You
[ 6:28] 3. Hanky Panky
[ 7:28] 4. Darn That Dream
[ 8:14] 5. A Night In Tunisia
[ 6:29] 6. Cheese Cake
[ 5:19] 7. Guess I'll Hang My Tears Out To Dry
[ 5:41] 8. Mcsplivens
[12:20] 9. Society Red

The Classic Blue Note Recordings (Disc 1)

Album: The Classic Blue Note Recordings (Disc 2)
Bitrate: MP3@320K/s
Time: 56:22
Size: 129.0 MB
Styles: Saxophone jazz, Hard bop
Year: 2003
Art: Front

[7:42] 1. Heartaches
[5:39] 2. Three O'clock In The Morning
[6:03] 3. Don't Explain
[6:12] 4. It's You Or No One
[5:20] 5. Modal Mood
[4:13] 6. Ernie's Tune
[6:42] 7. Broadway
[7:25] 8. You've Changed
[7:02] 9. Second Balcony Jump

The Classic Blue Note Recordings (Disc 2)

Mikel Gaztelurrutia - The New Jazz Voices Ensemble

Bitrate: MP3@320K/s
Time: 51:30
Size: 117.9 MB
Styles: Piano jazz, Vocal harmony group
Year: 2009
Art: Front

[5:47] 1. Roxanne
[3:32] 2. Caravan
[5:59] 3. Samba Do Novo Amor
[4:40] 4. Do Nothing Til You Hear From Me
[4:49] 5. Don't You Worry About A Thing
[4:37] 6. A Blossom Fell
[3:15] 7. I Got Rhythm
[5:46] 8. Boulevard Of Broken Dreams
[1:26] 9. Take The A Train
[3:09] 10. Mood Indigo
[1:28] 11. Satin Doll
[1:13] 12. It Don't Mean A Thing
[5:45] 13. Oinazez

Take a handful of jazz standards - works of Ellington and George Gershwin-, season with a pair of infallible "popular classics" as Roxanne (The Police) or Do not you worry about a thing (Stevie Wonder) - and all rounded off with a piece in key of Bossa -Samba Do Novo Amor "and a beautiful composition of Aita Donostia-Oinazez-to round out its international flavor. The result: an exotic dish that will surprise diners who like the delicate flavors.

Special disc recorded at the Coliseum theater Eibar (Gipuzkoa) from the hand of the pianist Mikel Gaztelurrutia. Built on a tremendously solid trio work(Vincent Thomas-drums, Richie Ferrer-bass-and Mikel Gaztelurrutia-piano- ), the repertoire of The New Jazz Voices Ensemble contains little gems.

The voice is the real leitmotiv of this project, giving it unique: perhaps some small versions of it trite naivety of their choice, but in all of them you can appreciate a creative approach made from the affection and respect for the original one and a thorough and detailed work. The uninitiated will discover a flawless collection of songs in a very affordable context. Those whom they are familiar repertoire, can enjoy the classics with a not normal treatment.

The New Jazz Voices Ensemble

Leon Russell - Life Journey

Bitrate: MP3@320K/s
Time: 47:47
Size: 109.4 MB
Styles: Album rock, Country-Blues-Rock
Year: 2014
Art: Front

[2:16] 1. Come On In My Kitchen
[3:10] 2. Big Lips
[4:49] 3. Georgia On My Mind
[4:06] 4. That Lucky Old Sun
[4:16] 5. Fever
[3:26] 6. Think Of Me
[4:27] 7. I Got It Bad & That Ain’t Good
[5:41] 8. The Masquerade Is Over
[4:09] 9. I Really Miss You
[5:23] 10. New York State Of Mind
[2:52] 11. Fool’s Paradise
[3:05] 12. Down In Dixieland

Prior to his Elton John-endorsed career resurrection via the 2010 duet album The Union, Leon Russell cranked out self-released oddities to little notice. Once The Union again made Russell a draw, there was little chance that he would revive his MIDI keyboards, and Life Journey indeed stays far, far away from those cramped, tinny settings, preferring to revive the loose-limbed, woolly Tulsan rock & roll that made his reputation. Working with Tommy LiPuma -- a veteran producer who had never recorded with Russell but who helmed many successful jazz sessions, including George Benson's Grammy-winning Breezin' -- Russell primarily sticks to standards, whether they're by Robert Johnson, Hoagy Carmichael, or Billy Joel, and that's how it should be. Although he's a fine songwriter, as evidenced here by his two originals -- "Big Lips" and "Down in Dixieland," raucous numbers both -- Russell is a stylist, bending songs to fit his swinging piano and slow drawl. He may occasionally follow a straight line with a ballad but he knows how to draw out the phrases on "That Lucky Old Sun," finding an unexpected contour in familiar melody, and he finds funk in "Come On in My Kitchen" while tearing up "Fever" and leaving "New York State of Mind" as a splashy big-band celebration of the Big Apple. This small list suggests how Life Journey touches upon much of the music Russell has sung over the years -- it's heavy on R&B, blues, jazz, and swing, but strangely lacking in much country -- and LiPuma is a perfect match for this celebratory approach. Where The Union occasionally veered toward the austere, Life Journey is robust and soulful, emphasizing the raggedness of Russell's voice and smooth boogie in his playing. It's a joyous thing to hear, a record that recaptures much of the magic of Leon's Shelter records without being fussy. ~Stephen Thomas Erlewine

Life Journey

Hal Singer & Massimo Farao Trio - We're Still Buddies

Bitrate: MP3@320K/s
Time: 59:25
Size: 136.0 MB
Styles: Contemporary jazz
Year: 2005
Art: Front

[8:55] 1. There Is No Greater Love
[9:22] 2. In A Sentimental Mood
[3:10] 3. Jungle Juice
[5:47] 4. Were Still Buddies
[9:29] 5. Solitude
[4:30] 6. Thinkin Of Paola
[5:05] 7. Almost Like Being In Love
[5:43] 8. For All We Know
[7:21] 9. On The Trail

Equally at home blowing scorching R&B or tasty jazz, Hal "Cornbread" Singer has played and recorded both over a career spanning more than half a century. Singer picked up his early experience as a hornman with various Southwestern territory bands, including the outfits of Ernie Fields, Lloyd Hunter, and Nat Towles. He made it to Kansas City in 1939, working with pianist Jay McShann (whose sax section also included Charlie Parker), before venturing to New York, in 1941, and playing with Hot Lips Page, Earl Bostic, Don Byas, and Roy Eldridge (with whom he first recorded in 1944). After the close of the war, Singer signed on with Lucky Millinder's orchestra.

Singer had just fulfilled his life's ambition -- a chair in Duke Ellington's prestigious reed section -- in 1948, when a honking R&B instrumental called "Cornbread" that he'd recently waxed for Savoy as a leader began to take off. That presented a wrenching dilemma for the young saxist, but in the end, his decision to go out on his own paid off; "Cornbread" paced the R&B charts for four weeks and gave him his enduring nickname. ~bio by Bill Dahl

Massimo Farao plays tuneful melodic piano trio jazz with echoes of Bill Evans, Oscar Peterson & Makoto Ozone. Highly recommended.

We're Still Buddies

Suss Von Ahn - Train To Stockholm

Styles: Jazz, Vocal
Year: 2006
File: MP3@320K/s
Time: 47:55
Size: 110,3 MB
Art: Front

(3:36)  1. Train to Stockholm
(3:51)  2. Give Me a Winter
(4:15)  3. Spending My Time
(3:06)  4. My Foolish Heart
(3:05)  5. Alone Again, Naturally
(4:28)  6. The Way My Heart Sings
(3:02)  7. This Time
(4:31)  8. Could It Be
(2:42)  9. Song of Happiness
(2:15) 10. Straighten Up and Fly Right
(3:30) 11. Gotta Be
(3:22) 12. Misery Boulevard
(2:42) 13. Hush Now
(3:24) 14. When Was the Day

In the follow up to ”Zeldas Park”(2004) Suss von Ahn once again shows her strength as a songwriter, pianist and singer. Most of the tracks on the new album are a mix of jazz and pop with a lot of attention paid to arrengements and colour extravaganza from Stockholm Session Strings and Stockholm Power Horns. “Train to Stockholm” and “Gotta be” has been released as singles in Scandinavia and has got a lot of airplay. Extraordinary musicians like Per Lindvall on drums and Mats Öberg on harmonica contributes. Most of the songs are written by Suss but two covers are included. One of them “Alone again,naturally” (Gilbert O´Sullivan) is taken from Suss´Japanese album “Cry me a river”(Spice of Life) and the other is Nat King Cole´s “Straighten up and fly right” in a wonderful a cappella version.  http://www.cdbaby.com/cd/sussvonahn2

Russell Malone - Playground

Styles: Guitar Jazz
Year: 2013
File: MP3@320K/s
Time: 51:44
Size: 119,1 MB
Art: Front

(6:34)  1. You Should Know Better
(3:35)  2. You've Got a Friend
(4:29)  3. Blues For Mulgrew
(3:50)  4. Something To Live For
(4:43)  5. Sugar Buzz
(5:24)  6. Playground
(4:19)  7. Remind me
(4:57)  8. We've Only Just Begun
(6:48)  9. Invisible Colors
(7:01) 10. Mandela

Russell Malone is a guitarist’s guitarist. He shares with Joe Pass the distinction for being equally a superb accompanist and leader, as evidenced by recordings with Diana Krall, Harry Connick, Jr., Shirley Horn and Wynton Marsalis as well as his own recordings. He opens MaxJazz's inaugural String Series with two originals for jazz quartet. "You Should have Known Better" is a breezy, almost pop-oriented piece that features Malone’s brilliant chord soloing, heavily influenced by George Benson. "Blues for Mulgrew" is a straight-ahead offering that blazes at light speed out of the current Jazz Mainstream. Malone plays musical pinochle with pianist Martin Bejerano, weaving in and out of those same twelve bars. The first standard is Billy Strayhorn’s "Something to Live For." Here, Malone shows his superb ballad stripes, playing is a light grace that never once stoops toward cliché. The very same can be said for the solo recital of Carole King’s "You’ve Got a Friend," a song that has been patiently waiting to enter the jazz standards canon. Malone shows that he can play the guitar as one would play the piano. 

His tone is thick and round and sumptuous and is nowhere better showcased. His quartet interpretation of the Carpenters’ "We’ve Only Just Begun" exists in perfect harmony with the King composition. Vibraphonist Joe Locke joins Malone on bopish "Sugar Buzz," both musicians swinging relentlessly while squeezing out 64th notes effortlessly. This is certainly a virtuoso performance vehicle. Alto saxophonist Gary Barth Joins him on "Mandela," providing the piece a John Coltrane-esque plaintive wail reminiscent of "Alabama" and "A Love Supreme." Russell Malone is an understated guitarist whose technique and taste have made him very much in demand during recent history. ~ C.Michael Bailey  http://www.allaboutjazz.com/playground-russell-malone-maxjazz-review-by-c-michael-bailey.php

Personnel: Russell Malone (guitar); Gary Bartz (alto saxophone); Joe Locke (vibraphone); Martin Bejerano (piano); Tassili Bond (bass); E.J. Strickland (drums).

Paul Tillotson - Lindy Hop Blues: Live at Jelly Roll

Styles: Jazz, Retro Swing
Year: 2008
File: MP3@320K/s
Time: 55:56
Size: 128,9 MB
Art: Front

(0:57)  1. Mildred's Intro
(3:22)  2. Satin Doll
(2:54)  3. Shotgun Boogie
(4:36)  4. Dear Old Dad
(2:53)  5. Soul Swinga Nova (Soul Bossa Nova)
(4:26)  6. Pink Panther
(4:51)  7. The Way You Look Tonight
(2:33)  8. C Jam Blues
(3:45)  9. Big Swinging Taxi (Big Yellow Taxi)
(2:52) 10. Tebadadeda
(2:56) 11. Easy Does It
(5:16) 12. Blackbird
(5:53) 13. Lindy Hop Blues
(4:06) 14. Tidbits
(4:29) 15. Blues for Stephanie

The Power of dance is a positive force that makes me high. High on jazz. High on dancing. High on life. There is an unspoken dialogue between the dancers and the musicians, and when that connection happens, dancing is not just physical. It’s soulful. On Sept. 22, 2007, the Paul Tillotson Love Trio got everyone high. I mean if they can get 93 year-old Frankie Manning out on the floor, you know they’re doing something right! Paul has that special ingredient that is hard to explain. Too many musicians these days don’t realize it’s not about how many notes you play, it’s really about playing together: together as a band and together as one with the dancers. 

I can’t dance if the music doesn’t move me. When Frankie and I danced to Satin Doll, we could feel the Love Trio’s connection on every beat. The Love Trio’s music is so swingin’ and so beautiful that I was compelled to dance all night. This CD is a way to share-and preserve- the magical energy radiated by the Love Trio every night they play. I was lucky to be a part of that evening, and now you can too. I hope these songs continue to move you for years and years to come, as they moved me the first time I heard them. Thank you Paul, James, and Mike. Thank you Jelly Roll Productions. Thank you dancers. The light was on and shining bright that night! ~ Dawn Hampton  (Slide Hampton’s sister/Dance Royalty)  http://www.cdbaby.com/cd/tillotson6

Ramsey Lewis - Them Changes

Styles: Piano Jazz
Year: 1970
File: MP3@320K/s
Time: 44:59
Size: 104,9 MB
Art: Front

(6:43)  1. Them Changes
(6:30)  2. Drown In My Own Tears
(8:18)  3. Oh Happy Day
(8:00)  4. Do Whatever Sets You Free
(5:12)  5. Something
(6:19)  6. See The End From The Beginning, Look Afar
(3:54)  7. The Unsilent Minority

Pianist and composer Ramsey Lewis has been a major figure in contemporary jazz since the late 1950s, playing music with a warm, open personality that's allowed him to cross over to the pop and R&B charts. Lewis was born in Chicago, Illinois on May 27, 1935, and was introduced to music by his father, who directed the choir at a local church and enjoyed the music of Duke Ellington and Art Tatum. Lewis began studying the piano when he was four years old, and was soon accompanying the choir at Sunday services. At the age of 15, he joined a jazz combo called the Cleffs, who played at parties and dances. Lewis was interested in a leaner, more bebop-oriented sound, and when the group splintered after several members joined the military, he formed the Ramsey Lewis Trio with two other former Cleffs, bassist Eldee Young, and percussionist Redd Holt. The trio became a fixture on the Chicago jazz scene, and they were signed to a deal with Chess Records, releasing their first album, Ramsey Lewis & His Gentlemen of Jazz, in 1956. Lewis and his trio continued to record and tour steadily over the years, building a sizable audience among jazz fans, but their career received a serious boost in 1965, when they recorded a swinging version of Dobie Gray's hit "The In Crowd" at a gig in Washington, D.C.

Chess released the track as a single, and it became a sizable pop hit, earning Lewis his first gold record, as well as a Grammy award for Best Jazz Performance. As Lewis' star rose, he returned to the pop charts in 1966 with versions of "Hang on Sloopy" and "Wade in the Water." Meanwhile, Young and Holt left Lewis' trio to form their own group, Young-Holt Unlimited, and the pianist hired a new rhythm section, Cleveland Eaton on bass and Maurice White on drums. In 1970, White resigned to form his own group, and Morris Jennings signed on as the trio's new percussionist. Lewis continued to record for Chess until 1972, when he moved to Columbia Records, and as his music developed a more contemporary groove, White's group, Earth, Wind & Fire (also on Columbia), was beginning to enjoy considerable success on the R&B charts. White produced Lewis' 1974 album Sun Goddess, in which he experimented with electronic keyboards for the first time, and several members of EWF played on the sessions; it became a major crossover hit and took Lewis to the upper ranks of the smooth jazz/fusion scene. Lewis would continue to record R&B-influenced material through the '70s, but continued to explore his roots in more traditional jazz sounds as well as Latin rhythms. In 1983, he went into the studio with Eldee Young and Redd Holt again for the album Reunion; in 1984, he collaborated with Nancy Wilson on The Two of Us; in 1988, he recorded with London's Philharmonia Orchestra for the album A Classic Encounter, and in 1989, Lewis and Dr. Billy Taylor cut a set of piano duets, We Meet Again.

In 1992, Lewis signed with the successful jazz label GRP Records, and in 1995, he launched the side project Urban Knights, in which he collaborated with a handful of successful crossover jazz stars, including Grover Washington, Jr., Earl Klugh, and Dave Koz. In 1997, Lewis added disc jockey to his résumé, hosting a popular show on Chicago's WNUA-FM that ran until 2009; the show went into syndication in 2006 under the name Legends of Jazz with Ramsey Lewis, and is still on the air. In 2005, Lewis looked back on his roots in gospel music with the album With One Voice, which earned him the Stellar Gospel Music Award for Best Gospel Instrumental Album. In 2007, he was commissioned to write a jazz ballet for the Joffrey Ballet Company, and "To Know Her …" debuted at Highland Park, Illinois' Ravina Music Festival, where Lewis is artistic director of the festival's jazz series, and helped found their Jazz Mentor Program. Lewis has also written several pieces for string ensemble and orchestra that have premiered at Ravina; highlights were featured on the 2009 album Songs from the Heart: Ramsey Plays Ramsey, his first release from Concord Records. In addition to his work as a performer, composer, educator, and disc jockey, Lewis has received five honorary doctorate degrees, won the National Endowment for the Arts' Jazz Master Award in 2007, and is one of the few noted jazz artists to carry the Olympic Torch, having briefly escorted the flame as it passed through Chicago en route to the 2002 Winter Games. Bio ~ Mark Deming  http://www.allmusic.com/artist/ramsey-lewis-mn0000334770/biography

Personnel:  Ramsey Lewis – piano, el. piano (Fender Rhodes),Phil Upchurch – el. guitar (Fender),Cleveland Eaton – el. bass (Fender), Morris Jennings - drums