Showing posts with label Fraser MacPherson. Show all posts
Showing posts with label Fraser MacPherson. Show all posts

Sunday, October 6, 2019

Fraser Macpherson Trio - Live at the Planetarium

Styles: Saxophone Jazz
Year: 2015
File: MP3@320K/s
Time: 50:54
Size: 117,1 MB
Art: Front

(4:54)  1. I'm Getting Sentimental Over You
(5:54)  2. Li'l Darlin'
(3:57)  3. Lush Life
(6:21)  4. My Funny Valentine
(4:40)  5. Tangerine
(9:25)  6. Django
(5:14)  7. I Cried for You
(6:23)  8. Secret Love
(4:02)  9. (Back Home Again In) Indiana

Fraser MacPherson was a first-call studio musician for decades before he released his first jazz album in the mid-70s. Despite it being self-produced, Fraser: Live at the Planetarium (featuring Oliver Gannon on guitar and Wyatt Ruther on bass) received raves from near and far. Cadence, out of New York, named it one of the top ten albums of 1976, describing the music as “the most glorious, inspiring sounds.” Britain’s Jazz Journal wrote, “If the jazz on Canada’s West Coast is all of this caliber, lead me to it!” and called MacPherson “a prodigiously gifted and swinging saxophonist.” Stereo Review listed it as “Jazz Record of the Month,” adding, “I really don’t know if they play together regularly. Judging by the rapport in evidence on the record, however, I’m quite willing right now to lay a little money on it.” Someone should have taken the critic up on the bet because the truth of the matter is that the concert at the Planetarium was just the trio’s fifth after forming earlier that year. From that point on, though, the group was in demand all around the world. MacPherson and Gannon, both separately and together, would go on to make numerous CDs. The Planetarium album, however, was never one of them. It was released only on vinyl and cassette. Forty years after the original concert, the album has finally been made available digitally. Prior to this, you had to scour fine second-hand record shops then dust off your turntable in order to hear it. 

Now, not only can you listen to it on any device you want, there’s the added bonus of two tracks that didn’t make it onto vinyl. Secret Love and Indiana are outstanding additions that could easily have made the cut were it not for time. The album is a classic without them, but they’re further evidence that the first seven tracks were no fluke! Fraser: Live at the Planetarium remains a favourite of many, including some damn fine younger musicians who wore out their copies of it. Take the great saxophonist and pianist Phil Dwyer, for example, a Juno Award-winner himself and fellow Member of the Order of Canada (MacPherson and Gannon picked up a Juno in 1983 for their duo album I Didn’t Know About You, and MacPherson became a Member of the Order of Canada in 1987). Phil writes: "My dad was a huge fan of “Fras” going back to the Cave days. When the Planetarium album was released, I’m sure he bought one of the first copies. I would have been 11 years old then and the music on the album meshed perfectly with my tastes at the time (Pres, Ben Webster, Johnny Hodges). Over the years that album was one of the most frequently played in our house often it was one of the only things that my dad and I could agree on! After giving it another listen prior to writing down these thoughts, I have to say that it sounds better to me than ever. Fraser, Oliver and Wyatt achieved the perfect balance of swing, melody and wit that is the hallmark of the best that jazz has to offer." And Richard Underhill, another Juno Award-winning saxophonist (and founding member of Shuffle Demons), was another big fan. He writes: "Live at the Planetarium was a gift to me on my 14th birthday. My mother had chosen that and another classic jazz album, Time Out, as inspiration for an aspiring young sax player in Salmon Arm, BC. She chose well. “Take Five” echoed through the house on many an after-school eve, but “I Cried For You” and “Tangerine” got top billing.

I played Live at the Planetarium hundreds of times and marveled at the elegant beauty of every note on the album. Fraser MacPherson’s warm and inviting tone, his effortless driving swing and lyrical lines soared over Oliver Gannon’s intricate yet hard-swinging guitar accompaniment. Live at the Planetarium enticed me into the world of jazz with grace and groove and to this day remains one of my favourite albums. I’m excited by the re-release and can’t wait to hear the bonus tracks!" On a personal note, I have to say this is also my favourite of my father’s recordings. It didn’t start out that way, though. As an elementary school student, I’d been pestering him to get his own band. I remembered his days leading the band at the Cave Supper Club and was taken with the trumpets, trombones, drums, the occasional flute, and piano. When that job died down after about a decade, he found himself recording jingles, TV, and being a sideman. I wanted to see my dad as the leader again. When he told me he finally got his own group, I admit I was disappointed to see just a guitar and bass accompany him. What kind of band was that?! But I tagged along during the pressing of that album and heard the music over and over again for a few weeks. And I haven’t stopped listening to it since, including the tracks the public will now hear for the first time, Secret Love and Indiana. I’m sure you’ll love them as I have all these years. We’ll give the last word to guitarist Gannon, who was 30 when he played this concert and who’s still going strong with his own groups and recordings. "Playing with Fraser for over 20 years was one of the best things that ever happened to me. Every night I learned so much just listening to his beautifully melodic playing. This recording of a concert at the Planetarium was done shortly after the trio was formed and thanks to some glowing reviews from the States, it led to a few cross-Canada tours, many jazz festival gigs in Europe and North America and four tours of the former U.S.S.R. Thank you, Fras; I loved every minute of it!" ~  Guy MacPherson https://store.cdbaby.com/cd/frasermacpherson1

Personnel: Tenor Saxophone – Fraser; Bass – Wyatt Ruther; Guitar – Oliver Gannon; Remix – Geoff Turner 

Live at the Planetarium

Tuesday, April 15, 2014

Fraser Macpherson Quartet - Encore

Styles: Saxophone Jazz
Year: 1990
File: MP3@320K/s
Time: 61:19
Size: 140,7 MB
Art: Front

(5:46)  1. Up in Steve's Room
(6:02)  2. Everything I Love
(6:12)  3. Someday You'll Be Sorry
(3:57)  4. Chelsea Bridge
(6:10)  5. Comes Love
(6:25)  6. Rabbit's Habit
(5:23)  7. If Dreams Come True
(4:49)  8. Come Sunday
(5:07)  9. You're Driving Me Crazy
(5:58) 10. Easy Street
(5:27) 11. Night Spot

Swing/bop saxophonist Fraser MacPherson (1928-1993) possessed a style deeply rooted in the tradition of the great pre-bop saxophonists, owing a significant stylistic debt to Zoot Sims. Born in Victoria, British Columbia in 1928, MacPherson moved to Vancouver in 1948 and began a career as a studio and nightclub musician. In 1975, MacPherson formed a trio with guitarist Oliver Gannon and bassist Wyatt Reuther and began to focus solely on jazz. He won a Juno Award in 1983 for Best Canadian Jazz Recording and in 1987 was made a member of the Order of Canada (which is fundamentally the Canadian equivalent of being knighted). ~ Bio   https://itunes.apple.com/ca/artist/fraser-macpherson-quartet/id268255590#fullText

Encore

Tuesday, April 8, 2014

Fraser MacPherson - Live at Puccini's 1977

Styles: Saxophone Jazz
Year: 2008
File: MP3@320K/s
Time: 48:59
Size: 112,7 MB
Art: Front + Back

(4:38)  1. I Got Rythm
(5:59)  2. All the Things You Are
(3:43)  3. Body and Soul
(3:33)  4. Goose Pimples
(5:21)  5. Someday You'll Be Sorry
(2:40)  6. Sweet Georgia Brown
(5:07)  7. Struttin' With Some BBQ
(4:35)  8. Drop Me Off In Harlem
(4:37)  9. Sophisticated Lady
(3:10) 10. Honeysuckle Rose
(3:12) 11. Young and Foolish
(2:19) 12. Back Home Again In Indiana

Raised in Victoria, BC, John Fraser MacPherson played clarinet and piano during his formative years. Later he took up the alto and tenor, establishing himself first in Vancouver as an altoist in the bebop tradition before learning to appreciate the subtleties of Johnny Hodges. He stuck to the tenor from the early 1970s on, earning an international reputation, largely influenced by Lester Young, whom he revered. MacPherson moved to Vancouver in 1948. In 1956-57 he studied in New York with Vincent James Abato (saxophone) and Henry Zlotnick (flute). He worked for 20 years in local nightclubs, among them the Palomar (1950-4, with the bands of Chuck Barber, Bob Reid, and Lance Harrison) and the Cave (1961-3 with Chris Gage, 1964-70 leading his own band), where he played with such visiting luminaries as Ella Fitzgerald, Earl Hines, Tony Bennett and Duke Ellington. Concurrently he was a first-call studio musician (saxophone, flute, and clarinet) and occasionally played saxophone with the Vancouver Symphony Orchestra. 

For many years MacPherson pursued his jazz career largely on CBC radio and TV, initially as a member of the Ray Norris Quintet (circa 1951) and later as a featured sideman with Doug Parker and trombonist Dave Robbins on such shows as 'Jazz Workshop,' as well as fronting his own groups, including a quintet in the early 1960s featuring Carse Sneddon on trumpet and valve trombone, and Gage on piano. Those musicians were later replaced by Ian MacDougall on trombone and Parker on piano. He was heard on alto saxophone as the leader of a nonet in the so-called West Coast style on 'Jazz Workshop' and 1963-4 with a string orchestra in a CBC series of his own called 'The Pretty Sounds of Jazz' (later 'The Sounds of the Sixties'). In 1978, under the aegis of Overture Concerts, he made the first of an unprecedented four tours in the USSR -- his was the first North American jazz group to be invited back behind the former Iron Curtain. Other tours followed in 1981, 1984, and 1986. MacPherson performed under Radio Canada International sponsorship in Europe (Montreux, The Hague) in 1979. In Canada he has made several national tours and performed at most of the major festivals eg, the Montreal Jazz Festival in 1982 and 1984, the Edmonton Jazz Festival in 1984 and 1986, and regularly at the Vancouver Jazz Festival. 

He also has appeared on occasion in the USA (Concord and the Kool Jazz Festival in Detroit with Rosemary Clooney) and in 1986 performed in Australia. MacPherson has remained a favourite on CBC radio jazz shows, among them 'Jazz Radio-Canada' and 'Jazz Beat,' and was host in the summer of 1977 for the former program's series devoted to the history of jazz in Canada. MacPherson was nominated for two Juno Awards, winning 'Best Jazz Album' in 1983 for his duo recording with Gannon (I Didn't Know about You). Besides work under his own name, MacPherson can be heard on recordings by Anita O'Day, Oliver Jones, Charles Mountford, Eiji Kitamura, Dave McMurdo and the Canadian Jazz All-Stars (featuring Jones, Ed Bickert, Jim Galloway, Terry Clarke and Dave Young). MacPherson was made a Member of the Order of Canada in 1987 and won the Oscar Peterson Trophy shortly before his death in 1993. ~ Bio   http://www.amazon.com/Fraser-MacPherson/e/B000APXHKU/ref=ac_dtp_sa_bio

Personnel: Fraser MacPherson (tenor saxophone); Oliver Gannon (guitar); Wyatt Ruther (bass guitar).

Live at Puccini's 1977

Thursday, April 3, 2014

Fraser MacPherson Quartet - Honey & Spice

Styles: Saxophone Jazz
Year: 1987
File: MP3@320K/s
Time: 46:02
Size: 107,4 MB
Art: Front

(4:40)  1. Soon
(6:40)  2. How Deep is The Ocean
(4:44)  3. How Long Has This Been Going On
(6:06)  4. Blue Prelude
(6:15)  5. I Love You Samantha
(6:31)  6. Suddenly It's Spring
(4:43)  7. Memories of You
(6:21)  8. You Took Advantage of Me

Although recorded in Montreal, Canada, this album features the same quartet (with guitarist Oliver Gannon, bassist Steve Wallace and drummer John Sumner) that tenor saxophonist Fraser MacPherson used during his notable tours of the Soviet Union. All eight of the selections are veteran songs (Cole Porter's mid-'50s "I Love You Samantha" is the most recent), and the emphasis is on relaxed, slow to medium tempos. MacPherson's cool tone sounds as beautiful as ever and works well with Gannon's quiet guitar. ~ Scott Yanow   
http://www.allmusic.com/album/honey-and-spice-mw0000664401.

Personnel:  Fraser MacPherson (tenor sax); Oliver Gannon (guitar); Steve Wallace (bass); John Sumner (drums)

Honey & Spice

Wednesday, March 26, 2014

Fraser MacPherson Quintet - Our Blues

Styles: Saxophone Jazz
Year: 2007
File: MP3@320K/s
Time: 51:48
Size: 119,4 MB
Scans:

(2:53)  1. Our Blues
(4:48)  2. Born to Be Blue
(3:51)  3. Whisper Not
(5:14)  4. Round Midnight
(4:57)  5. Louisiana
(4:11)  6. Theme
(3:56)  7. Crazy Rhythm
(5:27)  8. Spring Can Really Hang You Up the Most
(4:43)  9. Woody 'n' You
(5:29) 10. Round Midnight
(6:13) 11. Speak Low

The late Fraser MacPherson (1928-93) was among the most admired musicians in Canadian jazz. A prominent member of the Vancouver jazz scene for over four decades, "Fras" remains a much beloved icon to virtually every Vancouver jazz player that's come along in the last fifty years. As a tenor player from the early 1970s, he earned an international reputation. These marvelous tracks, originally captured by CBC radio, date from 1962 and 1963. Fraser is in great company, including legendary pianist Chris Gage, who has never been previously heard on a commercially released recording, and who was said to be the only serious rival to Oscar Peterson at that time. Sadly, Gage was to take his own life in November 1964. 

After moving to Vancouver in 1948, he studied in NYC (1956-57), and worked for 20 years in local nightclubs, among them the Palomar (1950-54) with Chuck Barber, Bob Reid, and Lance Harrison) and the Cave (1961-63 with Chris Gage, then to 1970 with his own band), where he played with such visiting luminaries as Ella Fitzgerald, Earl Hines, Tony Bennett and Duke Ellington. Concurrently he was a first-call studio musician (saxophone, flute, and clarinet) and occasionally played saxophone with the Vancouver Symphony Orchestra. MacPherson, with Oliver Gannon, won a Juno Award for Best Jazz Album in 1983 for I Didn't Know About You, (Sackville 4009), was made a Member of the Order of Canada in 1987, and won the Oscar Peterson Trophy shortly before his death in 1993.   http://vancouverjazz.com/newcd/2007/05/fraser-macpherson.html
Personnel:  Fraser MacPherson, tenor saxophone; Carse Sneddon, trumpet, valve trombone; Chris Gage, piano; Stan Johnson, bass; Jimmy Wightman, drums
Recorded in Vancouver BC, July 26, 1962 and January 31, 1963

Our Blues