Styles: Jazz, Big Band
Year: 2004
File: MP3@320K/s
Time: 78:20
Size: 181,4 MB
Art: Front
(7:06) 1. Overjoyed
(4:28) 2. Clima Suave (Smooth & Cool)
(4:29) 3. Trail of the Sidewinder
(6:58) 4. Imagine
(3:47) 5. Standing Tall
(5:41) 6. Down Yonder
(5:36) 7. Life in the City (Really Turns Me On)
(5:17) 8. All That Jazz N Razz a Ma Tazz
(7:29) 9. Prodigal Son
(6:32) 10. All Along the Watchtower
(5:25) 11. Over the Rainbow
(4:55) 12. Never Too Late (To Fall in Love Again)
(4:18) 13. Ya Gotta Respect Ya Self
(6:13) 14. Goin' Bukyld
Soul Axess
Year: 2004
File: MP3@320K/s
Time: 78:20
Size: 181,4 MB
Art: Front
(7:06) 1. Overjoyed
(4:28) 2. Clima Suave (Smooth & Cool)
(4:29) 3. Trail of the Sidewinder
(6:58) 4. Imagine
(3:47) 5. Standing Tall
(5:41) 6. Down Yonder
(5:36) 7. Life in the City (Really Turns Me On)
(5:17) 8. All That Jazz N Razz a Ma Tazz
(7:29) 9. Prodigal Son
(6:32) 10. All Along the Watchtower
(5:25) 11. Over the Rainbow
(4:55) 12. Never Too Late (To Fall in Love Again)
(4:18) 13. Ya Gotta Respect Ya Self
(6:13) 14. Goin' Bukyld
Since the breakup of the original Crusaders in the '80s, there have always been two factions battling for the name: the occasional Joe Sample-Wilton Felder projects billed as "the Crusaders," and another group of rotating smooth jazz musicians led by trombonist Wayne Henderson, usually called the Jazz Crusaders. This new fun-filled, very brassy, and stylistically diverse collection features Felder on only three tracks, but, not surprisingly, one of the best is "Down Yonder," a gospel-inflected midtempo funk number that joyfully recalls the old Crusaders' Southern roots. Elsewhere, it's more a gathering of contemporary greats, with Henderson forming tasty horn sections with guest saxmen Everette Harp (on the bouncy cover of Stevie Wonder's "Overjoyed," also featuring a crisp Norman Brown guitar solo) and Ronnie Laws. Vibist Roy Ayers adds a touch of class to the Latin-flavored "Clima Suave (Smooth & Cool)," and Bobby Lyle (piano) and Dwight Sills (guitar) find ample room to shine on their numbers. The only drawback is Henderson's seeming need to join the hip-hop generation by adding several rap vocals, one of which pays obligatory homage to jazz heroes ("All That Jazz n Razz a Ma Tazz"). Along with an overreliance on pop covers, this sort of thinking makes Henderson's effort a far less rewarding experience than Sample and Felder's return to the front porch on the previous year's Rural Renewal. There are always glimmers of unique creativity, however. A cover of "Over the Rainbow" featuring vocalist Phillip Ingram features a cool Take 6-like intro, but then evolves into something much more pedestrian. ~ Jonathan Widran https://www.allmusic.com/album/soul-axess-mw0000333594
Personnel: Bass – Larry Kimpel, Nathan East; Drums – Tony Moore; Guitar – Brian Price, Dwight Sills; Keyboards – Bobby Lyle, Herman Jackson; Soprano Saxophone – Ronnie Laws; Tenor Saxophone – Everette Harp, Ronnie Laws, Wilton Felder; Vibraphone – Roy Ayers; Vocals – Jean Carne, Phillip Ingram; Producer – Wayne Henderson
Personnel: Bass – Larry Kimpel, Nathan East; Drums – Tony Moore; Guitar – Brian Price, Dwight Sills; Keyboards – Bobby Lyle, Herman Jackson; Soprano Saxophone – Ronnie Laws; Tenor Saxophone – Everette Harp, Ronnie Laws, Wilton Felder; Vibraphone – Roy Ayers; Vocals – Jean Carne, Phillip Ingram; Producer – Wayne Henderson
Soul Axess