Friday, July 9, 2021

Paolo Tomelleri Big Band - The Overwhelming Love

Styles: Jazz, Big Band
Year: 2019
File: MP3@320K/s
Time: 111:27
Size: 260,4 MB
Art: Front

(2:11) 1. Intro America West Side Story
(5:08) 2. Moonglow
(3:16) 3. L'uomo dal Braccio D'oro
(4:56) 4. Them There Eyes
(5:59) 5. Acque Amare
(4:25) 6. Le Strade di Notte
(4:00) 7. Fever
(3:51) 8. I Wish I Were Twins
(6:25) 9. After You've Gone
(5:26) 10. What's Good for Me
(4:06) 11. Woodchopper's Ball
(5:20) 12. Maria
(4:57) 13. Dark Eyes
(5:23) 14. Just a Gigolo
(8:52) 15. I've Found a New Baby
(4:22) 16. I've Got You Under My Skin
(2:02) 17. Typewriter
(4:17) 18. Almost in Your Arms
(5:48) 19. What a Little Moonlight Can Do
(3:16) 20. Whirlybird
(3:34) 21. Luna indiscreta
(3:04) 22. I Wish I Knew
(3:57) 23. Rockin' in Rhythm
(6:41) 24. C Jam Blues

After the great success of the 2012 and 2013 editions of “International Live Swing” and after “Jazz Broadway 2011”, the great gala dedicated to swing music and dance returns to Milan. The best performers on the international scene will "tell us", with music and dance, how Jazz was born from the contamination of a large number of musical and entertainment genres: from Broadway musicals to Hollywood music, up to the jazz reinterpretation of famous classical music pieces.

Special Guests: Dan Barrett (trombone, US), Rebecca Kilgore (vocal, US), Frank Roberscheuten (clarinet, US), Martin Breinschmid (vibraphone and drums, US) With the participation of: Rossano Sportiello (jazz piano, US), Paolo Alderighi (jazz piano, IT), Stephanie Trick (jazz piano, US) And with the extraordinary participation of: Karima Ballerini Swing: Vincenzo Fesi (dancer and choreographer of the stage area of the theater, IT), Marco Larosa and Sonia Salsedo (dancers and choreographers of the stalls areas, IT) and a dance group of international importance: Isabella Gregorio (IT), Katja Hrastar (Slovenia), Moe Sakan (Japan), Remy Kuoaku Kouame (France) and Pontus Persson (Swiden).

"Jazz Side Story" refers to the great "West Side Story", but it is also a metaphor for how Jazz interprets the theme of our life and other forms of musical expression. West Side Story is the famous musical adaptation of the great Leonard Bernstein of Romeo and Juliet (Shakespeare 1594).

The theme of the two lovers opposed by circumstances is much older and recalls dramas and legends of ancient Greece and the Celtic world, such as Troilus and Cressida, Tristan and Isolde, of course.

The theme is that of "overwhelming love", which through West Side Story, brings us to the role that Jazz has had in the world of music.

Overwhelming love is the "fil rouge" of the show: a narration of music and dance set in the America of the '30s and' 40s, through a path that intertwines the history of music, costume and vintage style, swing dances and by composers who in their time were great innovators.

On the stage of the Dal Verme the Big Band by Paolo Tomelleri, 20 brass to which is added a section of 12 strings, 2 opposing pianos, 2 drums and other instruments constitute a unique formation of its kind, which po jazz is transformed into a big band, until it becomes one of the largest symphonic rhythm orchestras in Italy.

The protagonists of the evening are jazz music and swing dance, the challenges between soloists on the international scene, which retrace Broadway musicals and certain themes of classical music.

It is known that that era was also linked to the world of dance. The orchestras addressed an audience of dancers, especially in New York. The Roseland, the Alhambra, the Savoy Ballroom were the places where most of the young people went to hear their idols. Ballrooms for 2000 people. Dancing also played a fundamental role in Broadway plays, vaudeville shows, the Cotton Club. There was no successful show that did not feature a group of dancers. It was precisely the dance, despite racial discrimination, that brought black and white boys and girls together. Swing dance became a kind of fever of the time and, subsequently, it was considered by historians to be an important element of social aggregation. At Dal Verme, as in the great shows of the time, a phenomenal dance troupe will be staged to revive the atmosphere of the great ballrooms in the America of the 1930s and 1940s. The dancers invited to the gala come from all over Europe. The choreographies are curated by Vincenzo Fesi, an internationally renowned artist and dancer.Translate By Google https://www.ipomeriggi.it/eventi/jazz-side-story-the-overwhelming-love/

The Overwhelming Love

Marlene VerPlanck - Loves Johnny Mercer

Styles: Vocal
Year: 1979
File: MP3@320K/s
Time: 52:56
Size: 123,3 MB
Art: Front

(2:03) 1. I Remember You
(2:12) 2. That Old Black Magic
(2:19) 3. Early Autumn
(2:12) 4. Hit the Road to Dreamland
(2:33) 5. Skylark
(3:31) 6. Any Place I Hang My Hat Is Home
(2:16) 7. Fools Rush In
(2:09) 8. Day In - Day Out
(1:58) 9. Lets Take the Long Way Home
(2:19) 10. I'm Old Fashioned
(2:05) 11. Jeepers Creepers
(3:36) 12. Midnight Sun
(2:58) 13. Something's Gotta Give
(3:03) 14. I Thought About You
(1:44) 15. Out of This World
(2:27) 16. P.S. I Love You
(2:09) 17. My Shining Hour
(2:57) 18. How Do You Say Auf Wiedersehn
(2:39) 19. Summer Wind
(2:57) 20. Charade
(2:40) 21. Love's Got Me in a Lazy Mood

Marlene Ver Planck is a perfect person to interpret the lyrics of Johnny Mercer because she has both a beautiful voice and a straightforward approach. The original LP had 16 selections and found the singer accompanied by pianist Tony Monte, guitarist Bucky Pizzarelli, bassist Milt Hinton and drummer Butch Miles in 1978. Ten years later to fill out the CD reissue, the same cast returned to record five additional songs. The performances are quite concise (only four of the 21 pieces are over three minutes) but each is long enough to get its point across. Highlights include "I Remember You," "Early Autumn," "Skylark," "Something's Gotta Give," "I Thought About You" and "Love's Got Me in a Lazy Mood." Recommended.~ Scott Yanow https://www.allmusic.com/album/loves-johnny-mercer-mw0000200393

Personnel: Marlene Ver Planck; Tony Monte: piano; Bucky Pizzarelli: guitar; Milt Hinton: bass; Butch Miles: drums

Loves Johnny Mercer

Gary Burton & The Hum Trio - Live at Midem 1981

Styles: Vibraphone Jazz
File: MP3@320K/s
Time: 48:23
Size: 111,5 MB
Art: Front

(6:36) 1. Didi's Bounce
(8:58) 2. Theme for a Friend
(5:29) 3. Alregia
(1:09) 4. Introduction for Gary Burton
(6:08) 5. My Foolish Heart
(5:24) 6. Chega De Saudade (No More Blues)
(8:59) 7. The Night Has a Thousand Eyes
(5:36) 8. Little African Flower

Born in 1943 and raised in Indiana, Gary Burton taught himself to play the vibraphone and, at the age of 17, made his recording debut in Nashville, Tennessee, with guitarists Hank Garland and Chet Atkins. Two years later, Burton left his studies at Berklee College of Music to join George Shearing and subsequently Stan Getz, with whom he worked from 1964-1966.

As a member of Getz's quartet, Burton won Down Beat magazine's Talent Deserving of Wider Recognition award in 1965. By the time he left Getz to form his own quartet in 1967, Burton had also recorded three albums under his name for RCA. Borrowing rhythms and sonorities from rock music, while maintaining jazz's emphasis on improvisation and harmonic complexity, Burton's first quartet attracted large audiences from both sides of the jazz-rock spectrum. Such albums as Duster and Lofty Fake Anagram established Burton and his band as progenitors of the jazz fusion phenomenon. Burton's burgeoning popularity was quickly validated by Down Beat magazine, which awarded him its Jazzman of the Year award in 1968. During his subsequent association with the label (1973-1988) the Burton Quartet expanded to include the young Pat Metheny on guitar, and the band began to explore a repertoire of modern compositions. In the '70s, Burton also began to focus on more intimate contexts for his music. His 1971 album Alone at Last, a solo vibraphone concert recorded at the 1971 Montreux Jazz Festival, was honored with a Grammy Award. Burton also turned to the rarely heard duo format, recording with bassist Steve Swallow, guitarist Ralph Towner, and most notably with pianist Chick Corea, thus cementing a long personal and professional relationship that has garnered an additional two Grammy Awards.

lso in the '70s, Burton began his career with Berklee College of Music in Boston. Burton began as a teacher of percussion and improvisation classes at Berklee in 1971. In 1985 he was named Dean of Curriculum. In 1989, he received an honorary doctorate of music from the college, and in 1996, he was appointed Executive Vice President. Burton began recording for GRP records in the '80s and '90s. In 1990, he paired up again with his former protege Metheny for Reunion, which landed him the top spot on Billboard magazine's jazz chart. Burton is now recording for Concord Records. Departure (Gary Burton & Friends) was released in 1997 by Concord Records as well as Native Sense, a new duet collaboration with Chick Corea, which garnered a Grammy Award in 1998. Also in 1997, Burton recorded his second collection of tango music, Astor Piazzolla Reunion, featuring the top tango musicians of Argentina, followed by Libertango in 2000, another collection of Piazzolla music. His 1998 Concord release, Like Minds, an all-star hit featuring his frequent collaborators Chick Corea, Pat Metheny, Roy Haynes, and Dave Holland, was honored with a Grammy win, Burton's fifth. Gary's vibraphone tribute CD, For Hamp, Red, Bags and Cal, was released in March 2001 on Concord and garnered Gary's 12th Grammy nomination. His most recent release in 2002 is a unique project with Makoto Ozone, his pianist collaborator of the past twenty years. In Virtuosi the pair explore the improvisational possibilities of classical themes including works by Brahms, Scarlatti, Ravel, Barber and others. In an unusual move, the Recording Academy nominated Virtuosi in the classical category of the Grammy awards, a unique honor for Gary. For the immediate future, Gary is going to be concentrating on performing with the NEXT GENERATIONS band. His most recent recording NEXT GENERATIONS was released in March of 2005 on Concord. https://musicians.allaboutjazz.com/garyburton

Live at Midem 1981