Don Ellis - Live in India

Styles: Trumpet Jazz
Year: 2010
File: MP3@320K/s
Time: 68:23
Size: 157,0 MB
Art: Front

(13:00)  1. Fine Line
( 6:26)  2. TR'S Theme
( 7:16)  3. Storyville
(12:26)  4. Open Wide
( 8:40)  5. Dark Curved Eyebrows
(10:47)  6. Desire
( 9:46)  7. Image of Maria

A talented trumpeter with a vivid musical imagination and the willingness to try new things, Don Ellis led some of the most colorful big bands of the 1965-75 period. After graduating from Boston University, Ellis played in the big bands of Ray McKinley, Charlie Barnet, and Maynard Ferguson (he was featured with the latter on "Three More Foxes"), recorded with Charles Mingus, and played with George Russell's sextet (at the same time as Eric Dolphy). Ellis led four quartet and trio sessions during 1960-1962 for Candid, New Jazz, and Pacific Jazz, mixing together bop, free jazz, and his interest in modern classical music. However it was in 1965 when he put together his first orchestra that he really started to make an impression in jazz. Ellis's big bands were distinguished by their unusual instrumentation (which in its early days had up to three bassists and three drummers including Ellis himself), the leader's desire to investigate unusual time changes (including 7/8, 9/8, and even 15/16), its occasionally wacky humor (highlighted by an excess of false endings), and an openness towards using rock rhythms and (in later years) electronics. Ellis invented the four-valve trumpet and utilized a ring modulator and all types of wild electronic devices by the late '60s. By 1971, his band consisted of an eight-piece brass section (including French horn and tuba), a four-piece woodwind section, a string quartet, and a two-drum rhythm section. A later unrecorded edition even added a vocal quartet. Among Don Ellis's sidemen were Glenn Ferris, Tom Scott, John Klemmer, Sam Falzone, Frank Strozier, Dave MacKay, and the brilliant pianist (straight from Bulgaria) Milcho Leviev. The orchestra's most memorable recordings were Autumn, Live at the Fillmore, and Tears of Joy (all for Columbia). After suffering a mid-'70s heart attack, Ellis returned to live performing, playing the "superbone" and a later edition of his big band featured Art Pepper. Ellis's last recording was at the 1977 Montreux Jazz Festival, a year before his heart finally gave out. ~ Scott Yanow https://www.allmusic.com/artist/don-ellis-mn0000180060/biography

Personnel:  Trumpet – Don Ellis; Bass – Leon Gaer; Drums – Dave Crigger; Piano – Randy Kerber; Voice – Emilie Diehl

Live in India

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Teri Thornton - Sings Open Highway

Styles: Vocal
Year: 1963
File: MP3@320K/s
Time: 57:06
Size: 134,5 MB
Art: Front

(2:52)  1. Open Highway (Route 66 Theme)
(4:21)  2. This Is All I Ask
(3:12)  3. Baby, Won't You Please Come Home
(2:21)  4. You Don't Know
(3:35)  5. Seems Like Old Times
(2:49)  6. Where Are You Running
(2:00)  7. Everytime I Think About You
(3:48)  8. The Day I Stop Lovin' You
(4:03)  9. Goodbye Is a Lonesome Sound
(3:31) 10. Music, Maestro, Please
(3:48) 11. Born to Be Blue
(2:49) 12. You
(2:53) 13. Why Don't You Love Me
(2:23) 14. Won't Someone Please Belong to Me
(2:46) 15. Where Are You Love?
(2:00) 16. To Remember You By
(2:29) 17. Cold, Cold Heart
(2:22) 18. Either Way I Lose
(2:55) 19. The Secret Life

Teri Thornton was a jazz singer on her way at the time of this album's original release; but she plummeted into a world of drug addiction and didn't record another release for nearly 35 years, shortly before her death in 2000 from cancer. Her attractive, rich voice is a highlight of this CD reissue, which has seven additional tracks evidently recorded for a planned follow-up that never saw the light of day. Sadly, this release is plagued by inconsistency in the choice of material and the rather dated arrangements of conductor Larry Wilcox, which make this release seem targeted more to the easy listening crowd. There are relatively few standards present, though her warm rendition of "This Is All I Ask" and the very jazzy (and thankfully string-free) take of "Baby, Won't You Please Come Home," with its almost conversational rejoinders from Clark Terry's muted trumpet, are highlights of the release, while "Born to be Blue" has some of the best orchestral writing on the date. She delves into a Ray Charles-like R&B vein with the campy "Every Time I Think About You" and the uneven ballad "The Day I Stopped Loving You." Nelson Riddle's "Open Highway" (the theme to the television series Route 66) seems like it might have had potential, but the overwhelming strings and Bobby Scott's monotonous piano don't stand the test of time. Particularly disappointing are the lack of solo opportunities for the strong supporting cast (Joe Newman, Ernie Royal, Eddie Bert, Jerry Dodgion, Kai Winding, and Billy Byers) on eight of the first dozen tracks. The additional material has little to recommend it, as most of the songs are extremely forgettable, especially the a hokey treatment of country singer Hank Williams' "Cold, Cold Heart," complete with syrupy strings and corny backing vocals. ~ Ken Dryden https://www.allmusic.com/album/open-highway-mw0000586673

Sings Open Highway

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Dick Sisto - Spirit of Life

Styles: Vibraphone Jazz
Year: 2013
File: MP3@320K/s
Time: 62:28
Size: 144,6 MB
Art: Front

(5:04)  1. Angelica
(3:53)  2. Heavan
(4:04)  3. Rain Check
(5:12)  4. Lotus Blossom
(3:38)  5. Don't You Know I Care
(3:58)  6. Ninety-Nine Per Cent
(8:04)  7. Wise One
(5:55)  8. Dear Lord
(6:10)  9. After the Rain
(4:47) 10. Equinox
(6:37) 11. Acknowledgment
(5:00) 12. Resolution

Dick began studying the vibes in Grammar school with marimba master Jose Bethancourt of the Chicago Symphony. He attended Notre Dame H.S., which also produced pianists Jim McNeely, Al Pheeney and trombonist James Pankow. While there he was awarded "best soloist" at the state competition. He attended North Texas State Univ. for one year and took a quartet to the Collegiate Jazz Festival where he was judged, "an excellent player" by Julian "Cannonball" Adderley.( see Press Clips ) The following year he attended Northwestern Univ. playing in the lab band as a soloist along side David Sanborn. He left Northwestern to form The Quartet Four with drummer Maurice White, who later founded Earth, Wind and Fire. After moving to northern California in the 70's Sisto recorded with guitarist Jerry Hahn, drummer George Marsh, saxophonist Rich Fudoli, and pianist composer Bill 'Allaudin' Mathieu on Tom Buckner's ground breaking album entitled Ghost Opera. He receieved a California Arts Council Grant, composing and performing music for the poetry of Gary Snyder and Lawrence Ferlinghetti. He relocated to Louisville Kentucky and played clubs and festivals throughout the midwest including The Jazz Showcase and the Green Mill in Chicago as well as The Jazz Kitchen In Indianapolis and the Blue Wisp in Cincinnatti . He has toured Great Britain five times, where he played prominent venues including the Pizza Express in London, where he received rave reviews. A few of the musicians he performed at Jazz Festivals with are Milt Hinton, David "Fathead' Newman, Willie Pickens, Ira Sullivan, Fred Hersch and Barry Ries. As music director of the famous Seelbach Hotel (as seen in films The Hustler and The Insider), Sisto's trio worked with numerous players including Joe Morello, Joe and Pat Labarbera, Kevin Mahagony. 

Bobby Shew, Fred Hersch, Drew Gress, Barry Ries, Bob Shephard, David Hazeltine, Rufus Reid, Bobby Broom, Dave Samuels, Rich Perry, Andy LaVerne, Walt Weiskoff and many others including gigs with guitarists Larry Koonse in LA and Ben Monder in NYC. Sisto has given clinics and master classes throughout the U.S. including the Univ. of N. Texas, Queens College in N.Y. and at Leigh Howard Stephen's World Vibe Congress in Asbury Pk. New Jersey. He is the author of the popular Jazz Vibraphone Book, which is used as a text in many schools and has been the Vibraphone teacher at the Jamey Aebersold Summer Jazz Workshops for many years. He is a Musser vibraphone artist and has two Signature mallet models with Mike Balter Mallets. As the host of two long-running Public Radio shows for the Louisville Public Media NPR affiliate station, Sisto has interviewed and performed with Phil Woods, Toots Thielmans, Fred Hersch, Kenny Werner , Don Braden, Barry Ries, Rufus Reid, Bob Bodley and many of the others mentioned in other contexts. He has recorded four CD's with Fred Hersch, Drew Gress, Tom Rainey, Kenny Werner, Barry Ries, Bobby Broom, Dennis Irwin, Jim Anderson and Mike Hyman. All the releases received heavy national airplay and were "charted". After releasing American Love Song he was signed with Atlantic Records just before their demise. Sisto appears as a sideman on several albums including Mark Colby's tribute to Stan Getz. The original music on the CD Soul Searching was used as the sound track for the DVD documentary of the same name about the life of the monk, writer Thomas Merton, whom Sisto knew in the 60's. The DVD has been aired several times on PBS. His wife Penny is the internationally acclaimed fabric artist and son Jeremy is the accomplished actor of stage and screen. http://www.dicksisto.com/bio.asp

Spirit of Life

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Urbie Green - 'Round Midnight

Styles: Trombone Jazz
Year: 2011
File: MP3@320K/s
Time: 32:19
Size: 74,7 MB
Art: Front

(3:23)  1. Round Midnight
(2:32)  2. Baby, Won't You Please Come Home
(2:39)  3. Cherokee
(3:15)  4. Dinner For One, Please James
(3:23)  5. Home, Cradle Of Happiness
(3:33)  6. I Ain't Got Nobody
(3:27)  7. I Won't Dance
(3:16)  8. It Must Be True
(3:39)  9. Let's Face The Music And Dance
(3:08) 10. Little John

A fine jazz player with a beautiful tone who has spent most of his career in the studios, Urbie Green is highly respected by his fellow trombonists. He started playing when he was 12; was with the big bands of Tommy Reynolds, Bob Strong, and Frankie Carle as a teenager; and worked with Gene Krupa during 1947-1950. Green had a stint with Woody Herman's Third Herd, appeared on some of the famous Buck Clayton jam sessions (1953-1954), and was with Benny Goodman off and on during 1955-1957. He played with Count Basie in 1963, and spent a period in the 1960s fronting the Tommy Dorsey ghost band (1966-1967), but has mostly stuck to studio work. Urbie Green recorded frequently as a leader in the 1950s up to 1963 (for Blue Note, Vanguard, Bethlehem, ABC-Paramount, and dance band-oriented records for RCA and Command). He has appeared much less often in jazz settings since then, but did make two albums for CTI in 1976-1977. ~ Scott Yanow https://www.allmusic.com/artist/urbie-green-mn0000300013/biography

'Round Midnight

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