Sunday, September 30, 2018

Joe Farrell - Farrell's Inferno

Styles: Saxophone And Flute Jazz
Year: 1980
File: MP3@320K/s
Time: 44:01
Size: 101,2 MB
Art: Front

(5:47)  1. Let's Go Dancing
(6:08)  2. Autumn Leaves
(5:58)  3. Dreams
(5:38)  4. Whip It Up
(7:17)  5. Invitation
(6:46)  6. Flamingo
(6:24)  7. Moon Germs

Joe Farrell's CTI albums of 1970-1976, which combined together his hard bop style with some pop and fusion elements, made him briefly popular among listeners not familiar with his earlier work. Farrell began playing clarinet when he was 11 and, after graduating from the University of Illinois in 1959, he moved to New York where he worked with the Maynard Ferguson Big Band (1960-1961) and Slide Hampton (1962), and recorded with Charles Mingus, Dizzy Reece, and a notable series with Jaki Byard (1965). A member of both the Thad Jones/Mel Lewis Orchestra (1966-1969) and Elvin Jones' combo (1967-1970), Farrell's distinctive sound on tenor and general versatility were assets. A member of the original version of Return to Forever (1971-1972), Farrell was fairly prosperous during the 1970s when his solo CTI records sold well, but a drug problem gradually caught up with him. After performing with Mingus Dynasty in the late '70s and recording with Louis Hayes in 1983, he moved to Los Angeles where he scuffled during his last couple of years. Farrell died from bone cancer in 1986 at age 48. In addition to CTI, Farrell recorded as a leader for Warner Bros., Xanadu, Contemporary, RealTime, Timeless, and (with Airto and Flora Purim) Reference. ~ Scott Yanow https://www.allmusic.com/artist/joe-farrell-mn0000125160/biography

Personnel:  Joe Farrell (Tenor sax, soprano sax, flute); Victor Feldman (Piano); John Guerin (Drums); Bob Magnusson (Bass).

Farrell's Inferno

Danny Moss, Roy Williams Quintet - Steamers!

Styles: Saxophone Jazz
Year: 1998
File: MP3@320K/s
Time: 75:09
Size: 173,0 MB
Art: Front

(6:17)  1. Just In Time
(7:39)  2. It's Allright With Me
(5:40)  3. Them There Eyes
(4:57)  4. Too Late Now
(4:36)  5. It's A Wonderful World
(5:58)  6. Li'l Darlin'
(5:24)  7. You're My Everything
(3:46)  8. Isn't It Romantic
(6:48)  9. There Is No Greater Love
(4:38) 10. Mood Indigo
(6:06) 11. Hiya
(8:15) 12. Blues To Be There
(4:58) 13. I've Found A New Baby

Britisher Danny Moss and long time side kick, Roy Williams, with their group carry on in the tradition of small group swing recalling those great combos led by John Kirby, Charlie Shavers, Benny Carter, Buck Clayton and many, many others. The Moss/Williams quintet takes us on a stroll through 13 tunes, all but two of them oft-heard standards. The other two tracks, Johnny Hodges' "Hiya" and Duke Ellington's "Blues to Be". The Ellington tune is from his and Billy Strayhorn's "Newport Suite" which they prepared for the 1958 edition of that festival. Moss, until he retired, was a mainstay of the British jazz scene since the 1950's and has performed with many US jazzers when they visited that part of the world. His approach to the tenor sax has been influenced by the likes of Coleman Hawkins, Zoot Sims and Al Cohn. The co-leader of the Quintet, trombonist, Roy Williams, is also a jazz veteran starting his professional career in 1960, and over the years has developed a reputation as an unsurpassed sight reader. His trombone recalls the great ones, Carl Fontana, Frank Rosolino and Lawrence Brown. The other members of the quintet, John Pearce on piano, Len Skeat on bass and Charly Antolini on drums have the task of backing Moss and Williams, which they do with fervor and skill. There's nothing earth shattering on this disk, nor do I suspect was there any intention that there should be. 

The album features comfortable and versatile playing in slow, medium and up tempos for the ensemble work and for Moss' and Williams' solos. Pearce and Skeat are given the opportunity to showcase their wares on a pleasant medium tempo "You're My Everything". "Isn't It Romantic" features Williams playing trombone in the style of Frank Rosolino. Danny Moss' tenor turns sultry and the Williams trombone assumes a languid tone on a very slowly navigated "L'il Darlin'". "Just in Time"," I've Found a New Baby" and "There Is No Greater Love" are given a spirited, but not frantic, reading. Moss and Williams combine for a moving version of "Mood Indigo". They kick off the tune together and then each takes an extended solo with some knowledgeable and sophisticated improvisions on the theme of this lovely tune. Steamers! is an album you'll pull out after a hard day at the office, on the freeway or when entertaining in an intimate setting. This one is recommended. ~ Dave Nathan https://www.allaboutjazz.com/steamers-danny-moss-review-by-dave-nathan.php

Personnel: Danny Moss - Tenor Saxophone; Roy Williams - Trombone; John Pearce - Piano; Len Skeat - Bass; Charly Antolini - Drums

Steamers!

Ketil Bjornstad - New Life

Styles: Piano Jazz
Year: 2002
File: MP3@320K/s
Time: 60:08
Size: 138,0 MB
Art: Front

( 6:12)  1. Blue Man
( 3:51)  2. The Night
( 3:53)  3. Song for the Sun
( 3:39)  4. By the Fjord
( 3:48)  5. Ophelia's Arrival
( 4:35)  6. The Token
( 4:22)  7. Sara
( 6:48)  8. Late Summer
( 3:06)  9. Turning Around
( 4:56) 10. Days in Paris
(10:55) 11. When Sleep Brings Us Apart
( 3:56) 12. New Life

A classically trained jazz pianist with a bent toward avant-garde improvised music, Ketil Bjørnstad is a well-known musician and writer in Europe. With his cerebral, atmospheric style that belies a palpable inner passion and an inclination toward genre-crossing compositions, Bjørnstad helped develop and popularize the "European jazz" aesthetic. He is also a writer and poet and has published over 30 works beginning with his 1972 poetry collection Alone. Born in Oslo, Norway, Bjørnstad studied classical piano in London and Paris before making his debut in 1969 at age 16 with the Oslo Philharmonic Orchestra playing Béla Bartók's third piano concerto. Surrounded by the vibrant arts scene in Oslo during the '70s, Bjørnstad became interested in jazz and developing his own style of music. Citing an array of influences from Bach and Ravel to Thelonious Monk and Miles Davis, Bjørnstad began working in an improvised idiom. In 1973, he released his debut album Åpning featuring what would become a core group of longtime associates in drummer Jon Christensen, guitarist Terje Rypdal, and bassist Arild Andersen. The album would be the first of several outings Bjørnstad would record for Phillips. Over the years, Bjørnstad's particular mix of jazz, classical, folk, and rock music would become highly influential in the development of what became known as "European jazz." Although he has become well-associated with the premier European jazz label ECM, he did not record for the label until later in his career with 1993's Water Stories, 1994's The Sea, 1997's The River, and 1998's The Sea II. 

In 2000, Bjørnstad released the duo album Epigraphs with cellist David Darling on ECM. That same year, he composed the millennium oratorio "Himmel Rand," featuring the texts of the poet Stein Mehren. In 2002, he released the cinematic soundscape album Before the Light on Universal. In 2004, Bjørnstad released the rock-oriented Seafarer's Song featuring his ensemble with vocalist Kristin Asbjornsen. Four years later, he returned to ECM for the concert album Live in Leipzig with guitarist Rypdal. In 2008, Bjørnstad once again worked with drummer Christensen as well as tenor saxophonist Tore Brunborg for the ECM release Remembrance. In 2011, Bjørnstad delivered the duo album Night Song with cellist Svante Henryson on ECM. The pianist, who is also a published poet, novelist, and essayist, has stated that the Italian filmmaker Michelangelo Antonioni was one of his greatest influences; to that end, he composed a series of works meant to act as "a soundtrack to an inner film." Recording with bassist Arild Andersen percussionist Marilyn Mazur, cellist Anja Lechner, Eivind Aarset on guitar and electronics, and saxophonist Andy Sheppard, Bjørnstad released the live suite La Notte in the late spring of 2013. 2014 proved prolific for the composer and pianist. His first release of the year, appearing in March, was a 2012 recording entitled Sunrise: A Cantata on Texts by Edward Munch, performed by the pianist, his quartet, vocal soloist Kari Bremnes, and the Oslo Chamber Choir under the direction of conductor Egil Fossum. The musical work was set to surviving written texts by the famous painter. In October of that year, ECM also released the 2012 premier performance of Bjørnstad's A Passion for John Donne, a work based on the poet's life, commissioned by the Oslo International Church Festival, and performed live with the pianist's group the Oslo Chamber Choir under the direction of Hakon Daniel Nystedt. Interestingly, it featured the saxophonist Hakon Kornstad in a dual role, not only playing his horn but as a vocal soloist. ~ Matt Collar & Thom Jurek https://itunes.apple.com/ie/album/new-life/1207167576

New Life

Jack Lee - Pray

Styles: Guitar Jazz
Year: 2016
File: MP3@320K/s
Time: 70:54
Size: 163,1 MB
Art: Front

(6:02)  1. Seoulman
(5:50)  2. Pray
(5:15)  3. Happy
(5:39)  4. First Snow
(5:48)  5. Love 2 Love
(5:07)  6. Pangyo Blues
(4:58)  7. Unity Village
(5:11)  8. Transformation
(5:34)  9. La Antigua
(4:46) 10. 6-8 Logic
(5:25) 11. Aqui O
(5:52) 12. Close to Home
(5:21) 13. Tikal Walk

A shadowy but important figure in American power pop and the earliest days of punk, Jack Lee was a member of the Nerves, a wildly influential trio that also included Peter Case (later of the Plimsouls) and Paul Collins (who went on to front the Beat). Lee also wrote the group's best-known tune, "Hanging on the Telephone," which went on to be a hit for Blondie and became a pop perennial covered by many artists. Jack Lee was born in Alaska on March 25, 1952. In the early '70s, Lee left home and traveled to San Francisco, California in hopes of making a career out of music. Initially, Lee had trouble getting gigs, and he busked for change along Fisherman's Wharf. There he met fellow street musician Peter Case, who was also an aspiring singer and songwriter. Lee and Case liked each other's songs, and soon they teamed up with New Jersey exile Paul Collins, another tunesmith looking to form an upbeat rock band. In 1974, they started playing out as the Nerves, with Lee on guitar, Case on bass, and Collins on drums. In 1976, the Nerves relocated to Los Angeles, and self-released a four-song EP that featured two songs from Lee, "Hanging on the Telephone" and "Give Me Some Time." The group set out to spread the word with a nationwide tour they booked themselves, and when they came home to Los Angeles they started booking independent shows for themselves and other L.A. bands. While the Nerves' sound was lean but hooky pop with a British Invasion influence, they admired the spunk and D.I.Y. attitude of the burgeoning punk scene in Los Angeles; dubbing their practice space the Hollywood Punk Palace, they began hosting shows with bands such as the Weirdos, the Screamers, the Zeros, and the Dils. The Nerves were building momentum, but came to an abrupt halt in 1977 when Lee quit the band; Case and Collins briefly continued as the Breakaways, but by year's end that band had also broken up.  Initially, Lee laid low and was barely visible on the music scene, but in 1978, just as his phone and electricity were about to be shut off for nonpayment, he was contacted by Deborah Harry, asking if he would mind if Blondie recorded a version of "Hanging on the Telephone" for their third album.

Lee gave them his blessing, and Blondie's cover of "Hanging on the Telephone" rose to number five on the U.K. singles charts, and hit the Top 20 in Ireland, Belgium, and the Netherlands. The song was included on Blondie's 1978 album Parallel Lines, which went on to sell over a million copies in the United States alone. Later on, Def Leppard and L7 would also cover the song, and Cat Power cut a version for a television commercial. "Hanging on the Telephone" proved to be a lucrative copyright for Lee, and in 1979, Suzi Quatro recorded another of his tunes, "You Are My Love," for the album Suzi … and Other Four Letter Words. And in 1983, Paul Young cut Lee's "Come Back and Stay" for his debut album, No Parlez; the single became a major international hit, going Top Ten in ten countries, while two other songs by Lee, "Sex" and "Oh Women," were also featured on the album.  Lee was doing quite well as a songwriter, but that didn't translate into a successful recording career. Lee released his first album, Jack Lee's Greatest Hits, Vol. One, in 1981, through his own Maiden America label. Sales were modest, and it was 1985 before Lee issued his self-titled sophomore effort, which appeared on the French label Lolita Records. That same year, Lee left for London, where he would spend two years working with other artists before he came back to Los Angeles. After spending some time working in the film industry, Lee seemed to drop out of show business, though in the 21st century he played a handful of shows with a band called the Jack Lee Inferno, and said he was recording a new album. That LP has yet to appear, but in 2016, Lee's two out-of-print albums from the '80s were reissued by Alive Naturalsound Records (which released a Nerves anthology, One Way Ticket, in 2008) in a collection titled Bigger Than Life. https://itunes.apple.com/us/album/pray/1179519878

Personnel: Jack Lee (Electric and Acoustic guitars, Guitar Synth, keyboards); Charles Blenzig (Piano and keyboards); Hogyu Hwang (Acoustic Bass); Harvey Mason (Drums); Annekei, Nathan East (Vocals);  Melvin Lee Davis (Bass);  Norihito Sumitomo (Keyboards, Sax);  Lewis Pragasam,  Billy Kilson (Drums).

Pray

Tia Brazda - Daydream

Styles: Vocal
Year: 2018
File: MP3@320K/s
Time: 26:43
Size: 62,5 MB
Art: Front

(3:29)  1. Right on Time
(2:48)  2. Moondust Baby
(3:16)  3. Daydream
(3:40)  4. Un amour boheme
(4:22)  5. Perfect Distraction
(3:20)  6. Irreplaceable
(2:50)  7. Livin' Easy
(2:54)  8. Brand New Day

Tia Brazda's jazz-pop gems and retro style have established her as a sparkling presence on the jazz scene at home and abroad, paying homage to the golden era while adding a modern twist. Having honed her cutting-edge sound in the clubs of Toronto, she burst onto the scene in 2012, hitting #1 on the iTunes Canada Jazz Chart as well as receiving play on BBC Radio 6, CBC Radio, Jazz FM 91.1 in Toronto and college radio stations across Canada. This debut brought her to Paris and Amsterdam as well as cities around the UK in support, in addition to performing at major festivals at home across Canada.  In 2015 Tia followed up with her debut full-length album 'Bandshell', which also debuted at #1 on the iTunes Jazz Chart and #3 on the Nielsen Soundscan Chart in Canada. It was also ranked the #5 best Canadian jazz release of 2015 by Jazz FM 91 in Toronto. The album also hit #24 on the CMJ national radio chart in the U.S. after being added to over 35 stations nationwide. In support of 'Bandshell', Tia toured Canada, the U.S. and Spain in 2015 and 2016, performing at such major festivals such as the Festival International de Jazz de Montreal (main stage), Xerox Rochester International Jazz Festival (front cover of festival program), TD Toronto International Jazz Festival, Jazz Sudbury Festival, All-Canadian Jazz Festival and Iboga Summer Festival (Spain). In 2016 she also released an electro-swing collection of remixes titled 'Bandshell Remixed', featuring prominent DJs from around the globe, including Wolfgang Lohr and Sound Nomaden. Tracks from this release continue to be featured on BBC6 Radio in the UK and Rai Radio 1 in Italy and the album made the Best of 2016 list by the Craig Charles Funk and Soul Show on BBC6 Radio in the UK. In 2017 Tia performed at the Montreux Jazz Festival as well as the San Jose Jazz Summer Fest (rated "Best of the Fest") as part of her European and North American touring. In September 2018, Tia releases her new all original album, 'Daydream', which finds her irresistible voice cradled in a rich and varied atmosphere of strings, horns, and backing vocals, in service of her positive outlook on various states of romance. She moves effortlessly from the bossa nova of the title track, to the pure jazz balladry of “Irreplaceable,” to the tango-infused French chanson of “Un amour bohème”  with the songs sounding as strong as if they’ve been around forever. Brazda strides confidently on a brave new musical path as well, with her most pop-oriented recordings to date: among them, the soulful “Right On Time,” the big, brassy chorus (and synthesizer solo!) of “Moondust Baby,” and the optimistic, can’t-miss, enthusiasm of the pure-pop “Brand New Day” a song that would sound entirely at home as Michael Bublé’s next single. The album also features a who’s who of Juno-nominated players including Larnell Lewis of Snarky Puppy on drums, Shirantha Beddage on saxophone, William Sperandei on trumpet, Adrean Farrugia on piano, William Carn on trombone and Marc Rogers on bass. The funky track “Livin’ Easy” also features a songwriting collaboration and genre-bending piano solo by Marc Pelli of Billboard #1 group, MAGIC!, whose song “Rude” continues to be a global phenomenon. http://www.tiabrazda.com/about.html

Daydream