Benedikt Jahnel Trio - The Invariant

Styles: Piano Jazz
Year: 2017
File: MP3@320K/s
Time: 45:29
Size: 106,3 MB
Art: Front

(5:49)  1. Further Consequences
(5:10)  2. The Circuit
(9:31)  3. Mirrors
(3:48)  4. Mono Lake
(6:44)  5. Part Of The Game
(5:39)  6. For The Encore
(3:55)  7. Interpolation One
(4:50)  8. En passant

Sometimes there's no substitute for experience, as demonstrated by this trio as it celebrates its tenth anniversary as a working unit. Last heard on Equilibrium (ECM, 2012), it's an international group that met through a series of lucky coincidences: Berlin-based pianist/composer Benedikt Jahnel is joined by Spanish bassist Antonio Miguel and Canadian drummer Owen Howard. Jahnel has also appeared on ECM as a member of Cyminology, a jazz group with culturally and ethnically diverse influences which primarily performs with Persian lyrics sung by Cymin Samawatie. Opener "Further Consequences" starts things off in odd-metered, yet swinging fashion. "The Circuit" continues that feeling, with Howard again using brushes; the tune ends somewhat unconventionally, on a lyrical bass solo from Miguel. "Mirrors" is the longest track on the program. It features a long, monumental sounding theme that unwinds slowly. There is a striking breakdown section featuring an unaccompanied bass solo (with piano and drum commentary), before returning to the grand theme. It's a striking piece, full of both structure and a sense of freedom in the playing. "Part Of The Game" finds its energy in an insistent ostinato rhythm, initially set up by Howard's drums, which have an especially prominent role through the entire piece. 

While certainly not just a drum feature, it does put a special focus on rhythm. The energy never lets up, but the group finds plenty of variety in the development. "For The Encore" is perversely not placed at the end of the program but it has a deliberate calm that would work very well for a quiet encore after an energetic set. "Interpolation One" is built upon a slow ostinato, from which the thematic material emerges. The encore feeling is revisited in the ballad "En Passant" (named for a chess move) that ends the album. Among the many ECM piano trios Jahnel's trio leans more toward the compositional side of the composition/improvisation spectrum. But it's still very much a jazz band, with all of the players making a significant contribution to the sound. ~ Mark Sullivan https://www.allaboutjazz.com/the-invariant-benedikt-jahnel-ecm-records-review-by-mark-sullivan.php

Personnel: Benedikt Jahnel: piano; Antonio Miguel: bass; Owen Howard: drums.

The Invariant

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Benedikt Jahnel Trio - Equilibrium

Styles: Piano Jazz
Year: 2012
File: MP3@320K/s
Time: 53:47
Size: 123,5 MB
Art: Front

( 5:01)  1. Gently Understood
( 7:11)  2. Sacred Silence
(13:52)  3. Moorland & Hill Land
( 9:01)  4. Wrangel
( 4:41)  5. Augmented
( 4:19)  6. Hidden Beauty
( 9:39)  7. Equilibrium

He may be better known internationally to ECM fans for his participation in the pan-cultural Cyminology, but German pianist Benedikt Jahnel has been devoting just as much attention to his multinational trio featuring Spanish bassist Antonio Miguel and American drummer Owen Howard. Releasing the trio's debut in 2008 on Viennese guitarist Wolfgang Muthspiel's Material Records imprint, Jahnel's work with Max.Bab has rendered superficial comparisons to Esbjorn Svensson, but if the world is looking for someone to pick up the mantle left by the late Swedish pianist, it'll have to keep on looking. Beyond being relatively young and leading a piano trio with a strong penchant for lyricism, there's little else with which to compare Jahnel's trio and e.s.t. A truth already apparent on Modular Concepts (Material, 2008), but even clearer with Equilibrium, the trio's long overdue follow-up and ECM debut. If anything, there are some similarities in Jahnel's approach to fellow label mate, pianist Nik Bärtsch and Ronin, most recently heard on Live (ECM, 2012). But if Bärtsch and Jahnel share a certain rigor when it comes to rhythmic constructs and, more importantly, rhythmic placement, Jahnel is more intrinsically driven by song form even, as is the case with the opening "Gently Understood," if he takes a long time getting there. Through the first three of its five minutes, Jahnel's trio collectively explores a modal, pedal toned vamp, building to an extemporaneous climax only to fade to a near-whisper and the introduction of the pianist's chordal theme albeit one where Howard both holds down the form and explores further, a tasteful meshing of delicate cymbals and reverb-drenched, rim shot-driven drums. What gives Jahnel's trio some of its personality is the way that it plays with conventional roles. Howard whose 20-year career has included collaborations with everyone from saxophonist Chris Potter to guitarist Ben Monder is, himself, a deeply melodic player; one who can, at times, leave more rhythmic concerns to Jahnel. 

In the opening minutes of Equilibrium's longest track, "Moorland & Hill Land," Jahnel's pulsating exploration of the lower register of his piano almost blends into a single voice with Miguel's resonant arco. Ultimately unfolding into a spare, Erik Satie-like passage, Jahnel gradually shifts to an arpeggio-driven piano a cappella that finally, eight minutes in, leads to a full trio treatment. Filled with unrelenting forward motion, Jahnel shifts that very propulsion between left and right hands, while Miguel's spare anchor supports Howard's strong thematic foil for Jahnel. If Jahnel's trio often operates in keyboardist Joe Zawinul's long-held "nobody solos/everybody solos" ethos, that doesn't mean there aren't shining moments for its members. The gently majestic "Sacred Silence" is defined largely by Miguel, and the bassist's strong allegiance to motivic development also features near the end of "Moorland," while Howard is the clear melodist alongside Jahnel in the latter half of "Augmented." It's all about embedding the piano trio tradition into a new context where things aren't always as they seem. With Equilibrium, Jahnel has carved his own evocative space on a label that may seem loaded down with piano trios, but for whom, in the case of Jahnel, there's clearly room for one more. ~ John Kelman https://www.allaboutjazz.com/equilibrium-benedikt-jahnel-ecm-records-review-by-john-kelman.php

Personnel: Benedikt Jahnel: piano; Antonio Miguel: double bass; Owen Howard: drums.

Equilibrium

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