Time: 45:13
Size: 103.5 MB
Styles: Chanson, Pop/Jazz
Year: 2017
Art: Front
[3:16] 1. La Complainte De La Butte
[3:31] 2. La Mer
[2:27] 3. Quand Tu Dors Pres De Moi
[3:14] 4. Ne Me Quitte Pas
[4:06] 5. Les Feuilles Mortes
[3:21] 6. Le Déserteur
[3:46] 7. Marie Marie
[3:21] 8. Avec Le Temps
[2:59] 9. Que Reste-T-Il De Nos Amours
[1:50] 10. Ballade à Sylvie
[3:02] 11. La Chansons De Prévert
[3:49] 12. Une Belle Histoire
[3:01] 13. Non Andare Via
[3:23] 14. Col Tempo
Born in Monfalcone, in early childhood Gino Paoli moved to Genoa, the Italian city with which he became associated and that he called home. Singing in local bands, Paoli was discovered by Dischi Ricordi, which began releasing his singles. Beginning in 1960 the songs that would come to define him -- including "Sassi," of which 300 versions were eventually recorded -- were issued. Despite his success, the '60s were tumultuous years for Paoli, and he took a break from music. He returned in 1971 with Le Due Facce Dell'Amore, and one of his most beloved albums, I Semafori Rossi Non Sono Dio (a tribute to Spanish singer Joan Manuel Serrat), arrived in 1974. Paoli continued releasing nearly an album a year over the ensuing decades. ~ Marisa Brown
Born in Vicenza almost by accident, Danilo Rea is Roman but not of adoption. It is Roman because its music story is born in Rome, among the walls of its home, where the enchantment for the old vinyls of Modugno is stronger, even from the smallest of any fun: the real game is to play piano, true charm is music, the real dream is the melody, the true abandonment is in harmony. And the passion becomes a study at the Conservatory of Santa Cecilia, where he graduates in piano with the highest marks and where he currently teaches in jazz.
Classical, rock and pop studios influence its formation and converge through jazz, its true passion, in an unmistakable and unique style composed of two fundamental ingredients: melody and improvisation.
As soon as he was older he started with the historical Trio of Rome with Enzo Pietropaoli and Roberto Gatto; Parallelly accompanies as pianist the most important Italian songwriters: Mina wants it before Gino Paoli, and both remain faithful in the years to this day. Meanwhile he collaborated with Claudio Baglioni, Pino Daniele, Domenico Modugno, Fiorella Mannoia, Riccardo Cocciante, Renato Zero, Gianni Morandi and Adriano Celentano. (Translated from Italian.)
Born in Vicenza almost by accident, Danilo Rea is Roman but not of adoption. It is Roman because its music story is born in Rome, among the walls of its home, where the enchantment for the old vinyls of Modugno is stronger, even from the smallest of any fun: the real game is to play piano, true charm is music, the real dream is the melody, the true abandonment is in harmony. And the passion becomes a study at the Conservatory of Santa Cecilia, where he graduates in piano with the highest marks and where he currently teaches in jazz.
Classical, rock and pop studios influence its formation and converge through jazz, its true passion, in an unmistakable and unique style composed of two fundamental ingredients: melody and improvisation.
As soon as he was older he started with the historical Trio of Rome with Enzo Pietropaoli and Roberto Gatto; Parallelly accompanies as pianist the most important Italian songwriters: Mina wants it before Gino Paoli, and both remain faithful in the years to this day. Meanwhile he collaborated with Claudio Baglioni, Pino Daniele, Domenico Modugno, Fiorella Mannoia, Riccardo Cocciante, Renato Zero, Gianni Morandi and Adriano Celentano. (Translated from Italian.)
3