George Colligan - The Newcomer

Styles: Piano Jazz
Year: 1997
File: MP3@320K/s
Time: 67:05
Size: 154,5 MB
Art: Front

( 7:38)  1. The Big Push
( 8:17)  2. Submersion
( 8:56)  3. The Newcomer
(11:30)  4. #10
( 9:28)  5. So in Love
( 8:46)  6. Empty Canvas
( 7:30)  7. Ricardo's Tune
( 4:57)  8. Evidence

A veteran of groups led by saxophonist Gary Bartz and vocalists Vanessa Rubin and Cassandra Wilson, pianist George Colligan's second recording for Steeplechase is also his first leading a quintet. Colligan is joined by trumpeter Ingrid Jensen, tenor saxophonist Mark Turner, bassist Dwayne Burno, and drummer Billy Drummond as they perform an unusual program of five originals, three by Colligan, one standard, an up-tempo rendition of Cole Porter's "So in Love," and two jazz classics. Originally a trumpeter, the Herbie Hancock-influenced pianist proves himself quite proficient on his chosen instrument, contributing an excellent solo on Wayne Shorter's overlooked "The Big Push." 

Other favorites include the complex "Empty Canvas," where each soloist gets a different meter to play over; "Ricardo's Tune," a Latin-influenced melody that swings on the bridge and during the solos' and one of the fastest versions of Thelonius Monk's "Evidence" that one will ever hear. A fine musical statement from an emerging talent. 

~ Greg Turner https://www.allmusic.com/album/newcomer-mw0000413639

Personnel:   George Colligan - piano; Ingrid Jensen - trumpet, flugelhorn; Mark Turner - tenor saxophone; Dwayne Burno - bass; Billy Drummond - drums

The Newcomer

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The Filthy Six - The Filthy Six

Styles: Acid Jazz
Year: 1989
File: MP3@128K/s
Time: 63:56
Size: 59,1 MB
Art: Front

(3:59) 1. Lick Du Jour
(5:45) 2. Fingerbite
(6:24) 3. Get Carter
(6:01) 4. The Take
(4:53) 5. Rehab
(7:39) 6. This
(5:41) 7. Blue Donald
(5:26) 8. Catwalk
(7:49) 9. Mozambique
(4:31) 10. Three Foot Stumble
(5:43) 11. Knockout

The Filthy Six are the most exciting, authentic Soul Jazz outfit in the UK today and have established themselves as one of the most electric live acts on the scene. Their soaring horns, blistering guitar and gut-wrenching Hammond are fuelled by one of the hardest grooving rhythm sections around producing a hip-shakingly powerful mixture of jazz, funk and boogaloo totally in keeping with the finest traditions of the Blue Note sound. These instrumental groove merchants fuse boundless energy and incredible musicianship to create tight, funky music that moves the mind, body and soul whilst simultaneously tearing the roof off every venue they play!

Led by trumpeter Nick Etwell (Tom Jones, Foo Fighters, Mumford & Sons) this crack unit of erudite musical gunslingers have graced the bands of some of the biggest names in music including Amy Winehouse, Jill Scott, Beck, Mark Ronson, Jack White, Dionne Warwick, Pee Wee Ellis, David Axelrod, Ronnie Spector, Basement Jaxx, Spiritualized, 4hero, Atomic Bomb Band, Madness, Galactic and the James Taylor Quartet to name but a few. From their literal 'underground' beginnings down at the infamous Tatty Bogle Club, deep beneath the heart of London's Soho, the band built up a faithful following at their monthly 'Thursday Boogaloo' sessions in the mid 00's. Moving above ground and into venues across London and beyond they gained notoriety for the intensity of their live shows. This reputation took them up and down the country and out into the festival arena, spreading the Filthy gospel even further afield as they went. After signing to Acid Jazz Records in 2009 the boys released their debut LP 'The Filthy Six' in June 2010, attracting new fans and good reviews in the process.

The next couple of years saw the recording of 'live' sessions for Mark Lamarr (Radio2) and the Craig Charles Funk and Soul Show (6Music) for BBC Radio as well as performing a series of scintillating festival sets including the London, Marlborough, Greenwich, Ealing, Reading and Isle of Wight Jazz Festivals; Vintage at Goodwood (where they also backed up Northern Soul legend Ann Sexton), Edinburgh Festival, St Paul Soul Jazz Festival (France) and a headline slot at the Jazz Lounge, Glastonbury. The Filthy horns also squeezed in a little hop across the pond to join Brit funkateers The New Mastersounds at one of their legendary 'House Of Blues' (NOLA) sets at the New Orleans Jazz Festival. In between all of this they topped the bill at the Acid Jazz 21st Anniversary show, recorded a second album and still found time to bring the house down at some of London’s most discerning music venues; Jazz Café, Pizza Express Jazz Club, Cargo, Vortex and the world famous Ronnie Scott's Jazz Club. 2012 saw the bands second release for Acid Jazz - 'The Fox' - garner plaudits from scenesters and critics alike, including 'Album of the week' on Jazz FM.

An 11 date tour of the UK and Ireland followed, proving to further their reputation as a live act not to be missed. The past couple of years have been busy for The Filthy Six with in excess of 100 gigs; highlights of which have included 3 *Sold Out* shows for the Craig Charles Funk & Soul Club in London (twice) and Manchester; 2 *Sold Out* shows at the Pizza Express Jazz Club, London; a headline slot at the Isle Of Wight Festival (Jazz Stage); short runs in France and Spain, as well as their first gigs in the USA. In 2014 the band completed 3 Tours over 6 months in the US - two extended trips across the 'Dirty South' and a 4 date run around New York - recording 'live' sessions for KUT Radio (Austin TX), Daytrotter (Nashville TN), The Birthplace Sessions (Tupelo MS), Spectra Sonic Sound Sessions (Birmingham AL) and the Echo Sessions, set in beautiful Asheville, North Carolina. 2015 brought the release of 2 short films documenting their Filthy fun and frolics across The South (with the help of their good friends at Stetson), the completion of their 3rd studio album, a series of monthly nights at the Brooklyn Bowl, London, and a run of After-show gigs for the Mumford & Sons 'Gentlemen Of The Road' festivals in the US. March 2016 has seen the release of a third studio album on Acid Jazz Records - More Filth. Undoubtedly their Filthiest yet, the record has been scientifically engineered to have you moving and grooving so hard you'll burn holes in not 1 but 2 pairs of boots and a large chunk of that dancefloor too... Bad. Ass. With tours of the US and the UK in April and May respectively, plus further dates throughout the summer and beyond, the Filthy story continues... https://www.jazzmusicarchives.com/artist/the-filthy-six

Personnel: Drums – Graham FoxElectric; Bass – Dan Drury; Guitar – Nigel Price; Organ – Pete Whittaker; Percussion – Snowboy; Saxophone – Mark Brown; Trumpet – Nick Etwell

The Filthy Six

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Champian Fulton - The Breeze And I

Styles: Vocal And Piano Jazz
Year: 2011
File: MP3@320K/s
Time: 58:29
Size: 134,3 MB
Art: Front

(4:52)  1. Exactly Like You
(3:52)  2. Day In, Day Out
(6:10)  3. Land's End
(4:32)  4. The Sheik of Araby
(2:49)  5. The One I Love Belongs To Some
(4:03)  6. Say It Isn't So
(3:56)  7. The Breeze And I
(4:09)  8. I'm Gonna Lock My Heart And Throw Away the Key
(5:29)  9. I'm Confessin
(4:02) 10. Easy To Love
(4:57) 11. I Can't Face The Music
(5:09) 12. My Heart Stood Still
(4:23) 13. If I Had You

For anyone unfamiliar with her music, Champian Fulton is a delightful surprise a waft of fresh air; a ray of sunshine that can brighten the darkest day. Fulton is a versatile pianist and singer who ingrains herself into the sentiment of a song. She has depth, emotional pitch and depth that rise to a high degree. It isn't surprising then, that besides leading her own groups in New York City (where she has been based since 2003), she has also played with Lou Donaldson, Frank Wess and Louis Hayes.  The Breeze and I, her third album, finds her in fine form on 13 standards. The choices give her plenty of room to stamp her credentials as a substantial and stylistic performer. Fulton sets the tone with the gently swinging "Exactly Like You," her phrasing neat, the emphasis fitting in perfectly. Her piano adds to the joyous sense of discovery as she rides the melody with verve. The blues are ripe for the picking on "I Can't Face the Music," and Fulton finds the vein into which she can filter a welter of pain. Her voice captures every nuance to elevate the song to a captivating high one that gets added power from her plaintive piano. She then turns in some stunning work as a pianist, as she romps across the break of "Day In Day Out" at fever pitch, rolling out a lode of ideas that complement her vocal delivery. The instrumental title track cements her approach; her playing sparkling, as she references the melody and then takes it to a new home where it jumps and swings. Bassist Neal Miner and drummer Fukushi Tainaka abet the comportment, making this tune absolutely irresistible. Fulton connects to the soul on this very commendable CD.~Jerry D’Souza https://www.allaboutjazz.com/the-breeze-and-i-champian-fulton-gut-string-records-review-by-jerry-dsouza.php

Personnel: Champian Fulton: piano, vocals; Neal Miner: bass; Fukushi Tainaka: drums.

The Breeze And I

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