Showing posts with label Lionel Hampton. Show all posts
Showing posts with label Lionel Hampton. Show all posts

Monday, June 28, 2021

Lionel Hampton - Air Mail Special

Styles: Vibraphone Jazz
Year: 1954
File: MP3@320K/s
Time: 31:54
Size: 73,2 MB
Art: Front

( 7:38) 1. Air Mail Special
( 6:13) 2. Soft Winds
( 6:51) 3. It's Only a Paper Moon
(11:11) 4. The Way You Look Tonight

This impossible-to-find LP from the 1950s contains two fine selections featuring a quartet comprised of Lionel Hampton, Oscar Peterson, Ray Brown and Buddy Rich but is most memorable for the other two numbers which add the great clarinetist Buddy DeFranco to the band. Their version of "It's Only a Paper Moon" is remarkably uptempo and really swings hard; Hampton challenges his fellow legends to some spectacular playing.~ Scott Yanow https://www.allmusic.com/album/air-mail-special-mw0000277498

Personnel: Vibraphone, Leader – Lionel Hampton; Bass – Ray Brown; Clarinet – Buddy DeFranco; Drums – Buddy Rich

Air Mail Special

Tuesday, June 22, 2021

Lionel Hampton - Lionel Hampton & Friends - Rare Recordings Vol. 1

Styles: Vibraphone Jazz
Year: 1977
File: MP3@320K/s
Time: 64:31
Size: 151,6 MB
Art: Front

(6:29) 1. Seven Come Eleven
(6:07) 2. Line For Lyons
(7:27) 3. Cherokee
(4:35) 4. So Long Eric
(4:21) 5. I Know That You Know
(9:22) 6. Stardust
(7:00) 7. Cute
(6:23) 8. Sweet Sue
(5:07) 9. Slop
(7:34) 10. Gerry Meets Hamp

During the mid-to-late '70s, Lionel Hampton sought to recapture the magic of his classic '30s all-star recordings with a series of albums featuring his vibes with musicians who he normally did not encounter in his travels. This particular CD draws one or two selections apiece from seven of these albums (originally on the Who's Who label), all but one from 1977. The lone exception, a version of "Stardust" from 1965, has quite a lineup (trumpeters Clark Terry and Thad Jones, trombonist J.J. Johnson, Lucky Thompson on soprano and tenor great Coleman Hawkins) and is quite listenable but does not live up to its potential.

The same can be said for most of these performances which include meetings with pianists Earl Hines and Teddy Wilson, a workout with baritonist Gerry Mulligan, a version of "Cherokee" featuring Steve Marcus's soprano and drummer Buddy Rich, two selections with Dexter Gordon (who has a rare outing on soprano during "Seven Comes Eleven") and a pair of numbers from what would be bassist Charles Mingus's final recording date. Hopefully, these interesting sessions, even though they do not reach the creative heights of Hampton's earlier recordings, will eventually be reissued on CD complete and in chronological order.~ Scott Yanow https://www.allmusic.com/album/lionel-hampton-friends-rare-recordings-vol-1-mw0000309774

Lionel Hampton & Friends - Rare Recordings Vol. 1

Saturday, June 19, 2021

Lionel Hampton - Vintage Hampton

Styles: Vibraphone Jazz
Year: 1993
File: MP3@320K/s
Time: 71:49
Size: 165,3 MB
Art: Front

( 5:17) 1. Peggy's Blue Skylight
( 6:18) 2. Apple Core
( 4:18) 3. Lullaby Of Birdland
( 6:12) 4. Take The 'A' Train
( 3:44) 5. Midnight Blues
( 7:43) 6. The Man I Love
( 8:06) 7. Blues For Gates
( 5:17) 8. Fatha Meets Gates
(10:05) 9. As Long As We're Here
( 6:12) 10. Fables Of Faubus
( 8:31) 11. Blues For Gerry

During 1977, vibraphonist Lionel Hampton had the opportunity to record full albums with all-star groups headed by Charles Mingus (a nonet also including Woody Shaw and Gerry Mulligan), Mulligan, Dexter Gordon, Buddy Rich, Teddy Wilson and Earl Hines, among many others. One or two selections from each of those sets are included in this 1993 CD reissue, plus two titles "Ghost of a Chance," "Stella By Starlight," "When I Fall In Love" and "Sweet Sue."~ Scott Yanow https://www.allmusic.com/album/vintage-hampton-mw0000115008

Ricky Ford - Tenor Saxophone; Dexter Gordon - Soprano and tenor Saxophone; Lionel Hampton - Vibes; Earl Hines - Piano; Hank Jones - Piano; Thad Jones - Trumpet; Charles Mingus - Bass; Gerry Mulligan - Sax (Baritone); Bucky Pizzarelli - Guitar; Buddy Rich - Drums; Dannie Richmond - Drums; Woody Shaw - Trumpet; Lucky Thompson - Soprano Saxophone; Jack Walrath - Trumpet; Teddy Wilson - Piano; Teddy Wilson Jr. - Drums; Oliver Jackson - Drums; Paul Jeffrey - Tenor Saxophone; Steve Marcus - Soprano Saxophone; Bob Neloms - Piano; Grady Tate - Drums; Candido - Conga; Coleman Hawkins - Tenor Saxophone; George Duvivier - Bass; Clark Terry - Trumpet; Milt Hinton - Bass; J.J. Johnson - Trombone; Osie Johnson - Drums; Barry Kiener - Piano; Peter Matt - Horn; Arvell Shaw - Bass; Tom Warrington - Bass; Tom Warrington - Trumpet; Sam Turner - Conga

Vintage Hampton

Sunday, May 30, 2021

Various - Swingin' Talkin' Verve

Bitrate: MP3@320K/s
Time: 55:54
Size: 128.0 MB
Styles: Swing, Big Band
Year: 1998
Art: Front

[ 2:34] 1. Quincy Jones - Air Mail Special
[ 2:32] 2. Louis Jordan - Ain't Nobody Here But Us Chickens
[ 3:15] 3. Lionel Hampton - Flying Home
[ 3:16] 4. Buddy Rich - Dateless Brown
[ 3:19] 5. Gene Krupa Big Band - Let Me Off Uptown
[ 3:24] 6. Harry James & His Orchestra - Crazy Rhythm
[ 2:53] 7. Lionel Hampton - The Blues Ain't News To Me
[10:03] 8. Buddy Rich - Jumpin' At The Woodside
[ 2:23] 9. Harry James & His Orchestra - Back Beat Boogie
[ 3:15] 10. Louis Jordan - Is You Is Or Is You Ain't My Baby
[14:24] 11. Benny Goodman - Sing Sing Sing Pts. 1 & 2
[ 4:29] 12. Clarence 'Gatemouth' Brown - Caldonia

Verve was never much of a label for the kind of music that would sound familiar to those looking for a good swing revival compilation. Still, the label scoured its vaults and came up with Swingin' Talkin' Verve, a variant on their usual series of proto-acid jazz (read: soul-jazz, Afro-Cuban, jazz-funk, etc.). The results aren't bad at all, although several of the tracks don't date from the '40s golden age of swing. Included are Gene Krupa's "Let Me Off Uptown," Buddy Rich's "Jumpin' at the Woodside," Quincy Jones' "Air Mail Special," and Harry James' "Back Beat Boogie." ~Keith Farley

Swingin' Talkin' Verve

Thursday, September 17, 2020

Various Artists - Esquire Jazz Concert - Metropolitan Opera House

Styles: Swing,Dixieland
Year: 1944/2012
File: MP3@320K/s
Time: 74:44
Size: 175,6 MB
Art: Front

(2:00)  1. Esquire Bounce
(4:12)  2. Basin Street Blues
(3:22)  3. Sweet Lorraine
(8:26)  4. I Got Rhythm
(2:52)  5. The Blues
(5:13)  6. Esquire Blues
(4:23)  7. Mop Mop
(3:39)  8. Do Nothin' Till You Hear From Me
(4:15)  9. Billie's Blues
(1:28) 10. I'll Get By
(3:43) 11. I Gotta Right To Sing The Blues
(3:25) 12. Tea For Two
(3:06) 13. My Ideal
(2:51) 14. Buck Jumpin'
(3:13) 15. Stompin' At The Savoy
(5:01) 16. For Bass Only
(3:33) 17. Back O' Town Blues
(3:06) 18. I've Got A Feeling I'm Falling
(1:39) 19. Honeysuckle Rose
(2:43) 20. Squeeze Me
(2:23) 21. Muskrat Ramble

The first Esquire All-Star Concert, which took place in 1944, has been well documented on various discs, generally in bits and pieces, but this CD has more of the music than most issues. Originally recorded on transcription discs for distribution by various Armed Forces Radio programs, including One Night Stand, Jubilee, and Swing Session, the music is sometimes briefly intruded upon by an announcer who felt obligated to identify a soloist in the middle of a song. But this is a rare opportunity to hear many jazz masters of the 1940s in a jam session atmosphere, including Louis Armstrong, Jack Teagarden, Lionel Hampton, Coleman Hawkins, Roy Eldridge, and Red Norvo, to name a few. But the true star of the evening is the phenomenal pianist Art Tatum, who proves himself as a more than competent pianist in a group setting, something he was always accused of not being able to do. The highlight of the 21 selections on this Italian CD is easily the intense eight-minute workout of "I Got Rhythm," with potent solos by Tatum, Eldridge, Hawkins, and clarinetist Barney Bigard. The sound quality isn't bad for a vintage 1940s broadcast, though the rhythm section isn't always clearly audible. Unfortunately, the spelling of names and song titles is a bit sloppy, the music is out of sequence (unlike most reissues), and the concert took place on January 18, 1944, not January 13 as listed. This memorable concert should be part of any serious jazz collection. ~ Ken Dryden https://www.allmusic.com/album/esquire-jazz-concert-1944-mw0000927901

Esquire Jazz Concert - Metropolitan Opera House

Monday, August 31, 2020

Benny Goodman Trio, Quartet - After You've Gone Vol. 1

Styles: Clarinet Jazz, Swing
Year: 1987
File: MP3@320K/s
Time: 68:59
Size: 161,9 MB
Art: Front

(2:45)  1. After You've Gone - Take 2
(3:23)  2. Body and Soul - 1996 Remastered - Take 2
(3:13)  3. Who? (From the First National Film "Sunny")
(2:48)  4. Someday Sweetheart
(2:30)  5. China Boy
(3:09)  6. More Than You Know
(3:14)  7. All My Life - 1987 Remastered
(3:02)  8. Oh, Lady Be Good
(2:45)  9. Nobody's Sweetheart
(3:27) 10. Too Good To Be True
(3:22) 11. Moonglow - Take 1
(2:42) 12. Dinah (From "The Plantation Revue")
(3:18) 13. Exactly Like You
(3:22) 14. Vibraphone Blues
(3:18) 15. Sweet Sue - Just You
(3:27) 16. My Melancholy Baby
(3:22) 17. Tiger Rag
(2:49) 18. Stompin' at the Savoy - Take 2
(3:23) 19. Whispering
(3:44) 20. Ida, Sweet As Apple Cider
(3:06) 21. Tea For Two
(2:38) 22. Runnin' Wild

Although Benny Goodman came to fame as leader of a big swinging orchestra, from nearly the beginning he always allocated some time to playing with smaller groups. On July 13, 1935, the Benny Goodman Trio debuted (featuring drummer Gene Krupa and pianist Teddy Wilson) and 13 months later vibraphonist Lionel Hampton made the unit a quartet. The first interracial group to appear regularly in public, this outlet gave BG an opportunity to stretch out and interact with his peers. The CD After You've Gone contains the first ten Trio recordings and the initial twelve studio performances by the Quartet. Helen Ward contributes two fine vocals but the emphasis is on the close interplay between these brilliant players.~ Scott Yanow https://www.allmusic.com/album/original-benny-goodman-trio-and-quartet-sessions-vol-1-after-youve-gone-mw0000651279

Personnel: Clarinet – Benny Goodman; Drums – Gene Krupa; Piano – Teddy Wilson; Vibraphone – Lionel Hampton

After You've Gone  Vol. 1

Friday, November 8, 2019

Lionel Hampton and Dexter Gordon - Lionel Hampton with Dexter Gordon

Styles: Vibraphone Jazz
Year: 1994
File: MP3@320K/s
Time: 39:06
Size: 90,1 MB
Art: Front

(7:01)  1. Cutie
(7:56)  2. They Say That Falling In Love With You Is Wonderful
(4:20)  3. Lullaby Of Birdland
(5:13)  4. I Should Care
(6:30)  5. Seven Comes Eleven
(8:04)  6. Blues For Gates

One of many impromptu sessions staged in 1977 for Lionel Hampton's Who's Who in Jazz label, this recording features the basic band of Hampton on vibes, Bucky Pizzarelli on guitar, Hank Jones on piano, George Duvivier on bass, Oliver Jackson on drums, and Candido Camero on congas that is common to many of the albums, plus, in this case, Dexter Gordon (an alumnus of the Hampton big band) on tenor and soprano saxophone. The songs are mostly standards like "They Say That Falling in Love Is Wonderful" and "I Should Care," and Hampton and Gordon are given extended solo time in the relaxed arrangements, with Pizzarelli and Jones also taking occasional turns. The charm of all the 1977 Who's Who sessions is their intimacy: they sound more like something overheard after the final set in a club than formal recordings. This is one of the better ones. ~ William Ruhlmann https://www.allmusic.com/album/lionel-hampton-with-dexter-gordon-mw0000188260

Personnel: Vibraphone, Producer – Lionel Hampton; Soprano Saxophone, Tenor Saxophone – Dexter Gordon; Bass – George Duvivier; Congas – Candido; Drums – Oliver Jackson; Guitar – Bucky Pizzarelli; Piano – Hank Jones

Lionel Hampton with Dexter Gordon

Tuesday, October 30, 2018

Lionel Hampton & His Giants Of Jazz 1979 - Hamp In Haarlem

Styles: Vibraphone Jazz
Year: 1979
File: MP3@320K/s
Time: 44:37
Size: 104,2 MB
Art: Front

( 7:35)  1. Glad Hamp
( 6:02)  2. Ol' Man River
( 6:21)  3. Greasy Greens
( 2:43)  4. Mr. P.C.
(12:05)  5. Hamp's Got The Blues
( 9:50)  6. Salsa, Ein Burgermeister De Francoise

Lionel Hampton was the first jazz vibraphonist and was one of the jazz giants beginning in the mid-'30s. He has achieved the difficult feat of being musically open-minded (even recording "Giant Steps") without changing his basic swing style. Hamp started out as a drummer, playing with the Chicago Defender Newsboys' Band as a youth. His original idol was Jimmy Bertrand, a '20s drummer who occasionally played xylophone. Hampton played on the West Coast with such groups as Curtis Mosby's Blue Blowers, Reb Spikes, and Paul Howard's Quality Serenaders (with whom he made his recording debut in 1929) before joining Les Hite's band, which for a period accompanied Louis Armstrong. At a recording session in 1930, a vibraphone happened to be in the studio, and Armstrong asked Hampton (who had practiced on one previously) if he could play a little bit behind him and on "Memories of You" and "Shine"; Hamp became the first jazz improviser to record on vibes. It would be another six years before he found fame. Lionel Hampton, after leaving Hite, had his own band in Los Angeles' Paradise Cafe, until one night in 1936 when Benny Goodman came into the club and discovered him. Soon, Hampton recorded with B.G., Teddy Wilson, and Gene Krupa as the Benny Goodman Quartet, and six weeks later he officially joined Goodman. An exciting soloist whose enthusiasm even caused B.G. to smile, Hampton became one of the stars of his organization, appearing in films with Goodman, at the famous 1938 Carnegie Hall concert, and nightly on the radio. In 1937, he started recording regularly as a leader for Victor with specially assembled all-star groups that formed a who's who of swing; all of these timeless performances (1937-1941) were reissued by Bluebird on a six-LP set, although in piecemeal fashion on CD. Hampton stayed with Goodman until 1940, sometimes substituting on drums and taking vocals. In 1940, Lionel Hampton formed his first big band, and in 1942 had a huge hit with "Flying Home," featuring a classic Illinois Jacquet tenor spot (one of the first R&B solos). 

During the remainder of the decade, Hampton's extroverted orchestra was a big favorite, leaning toward R&B, showing the influence of bebop after 1944, and sometimes getting pretty exhibitionistic. Among his sidemen, in addition to Jacquet, were Arnett Cobb, Dinah Washington (who Hampton helped discover), Cat Anderson, Marshall Royal, Dexter Gordon, Milt Buckner, Earl Bostic, Snooky Young, Johnny Griffin, Joe Wilder, Benny Bailey, Charles Mingus, Fats Navarro, Al Gray, and even Wes Montgomery and Betty Carter. Hampton's popularity allowed him to continue leading big bands off and on into the mid-'90s, and the 1953 edition that visited Paris (with Clifford Brown, Art Farmer, Quincy Jones, Jimmy Cleveland, Gigi Gryce, George Wallington, and Annie Ross) would be difficult to top, although fights over money and the right of the sideman to record led to its breakup. Hampton appeared and recorded with many all-star groups in the 1950s including reunions with Benny Goodman, meetings with the Oscar Peterson Trio, Stan Getz, Buddy DeFranco, and as part of a trio with Art Tatum and Buddy Rich. He also was featured in The Benny Goodman Story (1956). Since the 1950s, Lionel Hampton has mostly repeated past triumphs, always playing "Hamp's Boogie Woogie" (which features his very rapid two-finger piano playing), "Hey Ba-Ba-Re-Bop," and "Flying Home." However, his enthusiasm still causes excitement and he remains a household name. Hampton has recorded through the years for nearly every label, including two of his own (Glad Hamp and Who's Who). Despite strokes and the ravages of age, Lionel Hampton remained a vital force into the 1990s. In January 2001, a vibraphone he had played for 15 years was put into the National Museum of American History. On August 31, 2002, at age 94, Lionel Hampton suffered major heart failure and passed away. ~ Scott Yanow https://www.allmusic.com/artist/lionel-hampton-mn0000833150/biography

Personnel: Lionel Hampton - vibraphone, drums, piano, vocals; Joe Newman, Wallace Davenport - trumpet; Curtis Fuller - trombone; Steve Slagle - alto saxophone; Paul Moen - tenor saxophone;  Paul Jeffrey - baritone saxophone;  Wild Bill Davis - organ, piano;  Gary Mazzaroppi - bass;  Richie Pratt - drums

Hamp In Haarlem

Wednesday, October 24, 2018

Benny Goodman - The Legendary Small Groups

Styles: Clarinet Jazz
Year: 2003
File: MP3@320K/s
Time: 42:03
Size: 97,3 MB
Art: Front

(2:48)  1. After You've Gone
(3:30)  2. Body and Soul
(2:33)  3. China Boy
(3:25)  4. Moonglow
(2:42)  5. Dinah
(3:19)  6. Sweet Sue
(2:50)  7. Stompin' at the Savoy
(3:23)  8. Whispering
(2:39)  9. Runnin' Wild
(2:46) 10. Avalon
(3:25) 11. Where or When
(2:45) 12. I'm a Ding Dong Daddy (from Dumas)
(2:35) 13. The Blues in Your Flat
(3:17) 14. Dizzy Spells

With the mass of collectable material being produced featuring present day jazz stars it is easy to ignore the earlier recordings on which many jazz fans were weaned. As the swing era progressed it engendered the formation of small groups within the ‘modern’ setting none more popular than those led by Benny Goodman in the 1930s. The ‘Trio’ was formed in 1935 and ‘Quartet’ in late 1936. At that time nobody, including Artie Shaw, could compare with Goodman’s unbelievable technique and the recordings enjoyed immense popularity. Although Goodman had used Teddy Wilson on earlier recordings with his band it wasn’t until they played together in an impromptu trio that Benny became aware of Wilson’s great potential. "Teddy and I began to play as though we were thinking with the same brain," was how he described that session. "It was a real kick." Within a month they were in the recording studio.Tracks 1 & 3 to some extent confirm Goodman’s comments and with Krupa’s strict tempo both numbers move along at pace. ‘Body and Soul’ is one of the most popular tunes from the period and whilst the trio treat it with respect I feel that there is far greater appeal when it is played on saxophone where it can receive more expressive treatment. ‘Where or When’ with Goodman staying on the melody gives Wilson the opportunity to show his recognised talent as an accompanist. 

His solo is one of the best on the disc. The quartet is far more appealing and adventurous than the trio. All their tracks show just how well these musicians worked together weaving around the melody and chords with added quotes and breaks as they got into the mood of things. They were renowned for their clever and intricate introductions and there is no greater evidence of this than on ‘Runnin’ Wild’ and ‘I’m a Ding Dong Daddy.’ Having said that I find the most involved and exciting piece is ‘Dizzy Spells.’ Dave Tough’s crisp brushwork lays down a presto tempo whilst the other three excel themselves in both instrumental technique and ad lib soloing. Overall Goodman and his musicians give more than a satisfactory account of themselves and the disc is recommended. ~ Jack Ashby http://www.musicweb-international.com/jazz/2002/Oct02/Goodman_small.htm

Personnel:  Benny Goodman, Clarinet – Teddy Wilson, Piano – Lionel Hampton, Vibraphone – Gene Krupa, Drums

The Legendary Small Groups

Saturday, October 20, 2018

Lionel Hampton All Star Band - At Newport '78

Styles: Vibraphone Jazz
Year: 1978
File: MP3@320K/s
Time: 37:21
Size: 86,9 MB
Art: Front

( 4:51)  1. Stompin' At The Savoy
( 4:49)  2. On The Sunny Side Of The Street
(10:05)  3. Hamp's The Champ
( 7:18)  4. Carnegie Hall Blues
(10:16)  5. Flying Home

Good / It sounds as a masterpiece symbolizing the swing era, a luxury board that recorded the concerts in '78 in New York, high in the Lionel • Hampton All Star B band! https://www.jetsetrecords.net/lionel-hampton-lionel-hampton-all-star-band-at-newport-78/i/162512626001/

Personnel:  Conductor, Vibraphone – Lionel Hampton;  Alto Saxophone – Charles McPherson;  Alto Saxophone, Clarinet, Flute – Earle Warren;  Baritone Saxophone – Pepper Adams;  Bass – Chubby Jackson;  Clarinet – Bob Wilber;  Drums – Panama Francis;  Guitar – Billy Mackel;  Piano – Ray Bryant; Tenor Saxophone – Arnett Cobb, Paul Moen;  Trombone – Benny Powell, Eddie Bert, John Gordon;  Trumpet – Doc Cheatham;  Trumpet, Flugelhorn – Cat Anderson, Jimmy Maxwell, Joe Newman

At Newport '78

Wednesday, June 6, 2018

Lionel Hampton - The Lionel Hampton Quintet

Styles: Vibraphone Jazz
Year: 1954
File: MP3@320K/s
Time: 72:10
Size: 168,0 MB
Art: Front

(17:11)  1. Flying Home
( 6:33)  2. Je Ne Sais Pas
( 5:52)  3. On the Sunny Side of the Street
( 6:25)  4. April in Paris
( 9:28)  5. Don't Be That Way
( 8:36)  6. These Foolish Things
(11:14)  7. The Way You Look Tonight
( 6:48)  8. It's Only a Paper Moon

In 1954, producer Norman Granz held a couple of marathon recording sessions featuring vibraphonist Lionel Hampton, pianist Oscar Peterson, bassist Ray Brown, drummer Buddy Rich, and (on April 13) clarinetist Buddy DeFranco. This set has three selections from the DeFranco date (a 17-plus-minute "Flying Home," the original "Je Ne Sais Pas," and "On the Sunny Side of the Street") and one from the earlier session ("April in Paris"). Hampton is typically exuberant throughout (grunting rather loudly during a few later ensemble choruses on "Flying Home"), DeFranco and Peterson are as swinging as usual, and the overall music is quite joyous. Even if "Flying Home" does not reach Granz's claim of being the best-ever version of the song (one misses the honking tenor and screaming trumpet), this is an excellent and rather spontaneous outing. [The Verve Master Edition also features the tracks "Don't Be That Way," "These Foolish Things," "The Way You Look Tonight," and "It's Only a Paper Moon."] ~ Scott Yanow https://www.allmusic.com/album/the-lionel-hampton-quintet-mw0000591293 

Personnel:  Lionel Hampton - vibraphone;  Buddy DeFranco - clarinet;  Oscar Peterson - piano;  Ray Brown - double bass;  Buddy Rich - drums

The Lionel Hampton Quintet

Friday, April 13, 2018

Art Tatum - The Best Of The Pablo Group Masterpieces (Remastered)

Bitrate: MP3@320K/s
Time: 69:57
Size: 160.1 MB
Styles: Piano jazz
Year: 2003/2006
Art: Front

[5:03] 1. Perdido
[7:07] 2. Memories Of You
[3:34] 3. You Took Advantage Of Me
[7:12] 4. All The Things You Are
[5:22] 5. Body And Soul
[6:13] 6. Under A Blanket Of Blue
[4:11] 7. The Moon Is Low
[7:11] 8. Just One Of Those Things
[3:49] 9. Street Of Dreams
[7:11] 10. Somebody Loves Me
[7:14] 11. My Ideal
[5:45] 12. Deep Night

Alto Saxophone – Benny Carter (tracks: 6, 9); Bass – John Simmons (tracks: 3, 7), Red Callender (tracks: 2, 4, 8, 11, 12); Drums – Alvin Stoller (tracks: 3, 7), Bill Douglass (2) (tracks: 2, 4, 11, 12), Buddy Rich (tracks: 1, 5, 10), Jo Jones (tracks: 8), Louis Bellson (tracks: 6, 9); Guitar – Barney Kessel (tracks: 10); Piano – Art Tatum; Tenor Saxophone – Ben Webster (tracks: 4, 11); Trumpet – Harry "Sweets" Edison (tracks: 10), Roy Eldridge (tracks: 3, 7); Vibraphone [Vibes] – Lionel Hampton (tracks: 1, 5, 10).

A rich and rewarding core sample, selected from one of Norman Granz's deepest gold mines. The full set of Tatum ensemble master takes was released on eight vinyl records in 1975, appearing with alternate takes as a box of seven compact discs in 1990. Since then, each separate session has been issued on a single, affordable CD. With the release of this best-of, the only remaining untried reissue format stratagem could almost be conducted according to the laws of chance. If someone were to divide up the existing 59 master takes (saving the alternate takes for a "Best of the Tatum Alternates" compilation), the entire body of work could be issued as a numbered best-of series, the titles carefully shuffled at random. But each volume would possibly still omit something that could be considered essential. This is the insoluble problem with anything calling itself a best-of. Fortunately, the Tatum group recordings produced by Norman Granz during the years 1954, 1955, and 1956 actually deserve the word "masterpieces." While Tatum himself is honored as one of the very most gifted and influential of all jazz musicians, without exception every musician who participated in these sessions was adept, inspired, and, in many cases, masterful. (There are those who would suggest that the Art Tatum/Ben Webster date could stand by itself as the best of the group masterpieces.) Here, for once, is a package worthy of its title. A bit of the best of some of the very best jazz ever recorded. ~arwulf arwulf

The Best Of The Pablo Group Masterpieces (Remastered) mc
The Best Of The Pablo Group Masterpieces (Remastered) zippy

Monday, March 19, 2018

Lionel Hampton - Swingsation

Bitrate: MP3@320K/s
Time: 55:12
Size: 126.4 MB
Styles: Big band, Vibraphone jazz
Year: 1998
Art: Front

[3:08] 1. Flying Home
[3:02] 2. Royal Family
[3:17] 3. In The Bag
[3:03] 4. Loose Wig
[3:05] 5. Flying Home No. 2
[3:20] 6. Hamp's Boogie Woogie
[3:08] 7. Million Dollar Smile
[2:26] 8. Ribs And Hot Sauce
[3:17] 9. Blow Top Blues
[3:19] 10. Hey! Ba-Ba-Re-Bop
[5:53] 11. Rockin' In Rhythm (Parts 1 & 2)
[5:59] 12. Airmail Special (Parts 1 & 2)
[3:08] 13. Cobb's Idea
[2:38] 14. Hamp's Got A Duke
[3:17] 15. Midnight Sun
[3:04] 16. Red Top

Since Hampton's big band started in the late '20s and endured for decades beyond, this collection cannot be comprehensive. But in the mid-'30s to late '40s, they were in their prime and a force to be reckoned with. So this slice of history is a decent introduction for those not familiar with the drummer and vibists' mix of unflappable swing, layered charts and friendly jive. Of course you get two obligatory versions of "Flying Home," classics "Air Mail Special," "Blow Top Blues," and "Red Top," goof tunes like "Hey Ba-Ba-Re-Bop!," the ultimate heart stopper "Midnight Sun," and lesser known but potent jam numbers "Cobb's Idea" and "Hamp's Got a Duke." It's a good start toward learning about one of the more important musical and sociological icons of America. ~Michael G. Nastos

Swingsation mc
Swingsation zippy

Sunday, February 4, 2018

Lionel Hampton, Oscar Peterson - Jazz Masters 26

Bitrate: MP3@320K/s
Time: 64:50
Size: 148.4 MB
Styles: Vibraphone jazz, Swing
Year: 1994
Art: Front

[ 4:42] 1. Jam Blues
[ 7:58] 2. Always
[ 6:10] 3. Soft Winds
[ 9:54] 4. Star Dust
[ 6:29] 5. Je Ne Sais Pas
[10:10] 6. Tenderly
[ 6:20] 7. Hallelujah!
[ 7:08] 8. Sweethearts On Parade
[ 5:56] 9. Date With Oscar

Vibraphonist Lionel Hampton and pianist Oscar Peterson are the stars of this delightful collection of jazz recordings supervised by producer Norman Granz over an almost exactly 12-month period extending from 1953 to 1954. Granz's marvelous knack for bringing together excellent musicians resulted in the combined presence of trumpeters Roy Eldridge and Dizzy Gillespie, trombonist Bill Harris, clarinetist Buddy DeFranco, tenor saxophonists Ben Webster and Flip Phillips, guitarist Herb Ellis, bassist Ray Brown, and drummer Buddy Rich. The combination of musical minds is extraordinary, and Hamp's amazing wavelength is dependably positive and uplifting. ~arwulf arwulf

Jazz Masters 26 mc
Jazz Masters 26 zippy

Saturday, January 13, 2018

Lionel Hampton - Centennial Celebration

Bitrate: MP3@320K/s
Time: 60:09
Size: 137.7 MB
Styles: Vibraphone jazz
Year: 2009
Art: Front

[ 5:06] 1. Perdido
[ 7:04] 2. Makin' Whoopee
[ 5:26] 3. Body And Soul
[ 7:13] 4. Somebody Loves Me
[ 8:01] 5. Deep Purple
[ 3:41] 6. Hamp's Boogie Woogie
[13:01] 7. Ring Dem Bells
[10:35] 8. Flyin' Home

This compilation features material drawn from the holdings of Pablo and Telarc, which were consolidated after Concord purchased both Fantasy and Telarc. The anthology includes five tracks from Lionel Hampton's work with pianist Art Tatum in 1955. While Tatum intimidated some players in jam sessions, the vibraphonist was not one to take on the challenge of the pianist's flurry of notes, while Buddy Rich's drumming is also up to their fireworks, especially in the playful "Makin' Whoopee." Things are a bit more relaxed for the ballads adding Harry "Sweets" Edison, Barney Kessel, and Red Callender, though Tatum never lets up. The last three songs come from Hampton's work as a leader for Telarc, all recorded at the Blue Note in 1991, when the vibraphonist was in his early eighties. Yet he had lost none of his firepower, thriving in front of an audience and backed by a superb rhythm section consisting of Hank Jones, Milt Hinton, and Grady Tate. Trombonist Al Grey is showcased in an abbreviated "Hamp's Boogie Woogie," while the leader is fueled by the riffs of Clark Terry, James Moody, Buddy Tate, and Grey in the rousing extended workout of his signature tune, "Flying Home." This collection will prompt younger fans less familiar with Lionel Hampton to seek out the complete CDs from which these performances were drawn. ~Ken Dryden

Centennial Celebration mc
Centennial Celebration zippy

Thursday, September 21, 2017

Lionel Hampton - Just One Of Those Things

Bitrate: MP3@320K/s
Time: 66:58
Size: 153.3 MB
Styles: Vibraphone jazz
Year: 1999
Art: Front

[ 7:41] 1. Just One Of Those Things
[ 6:09] 2. Midnight Sun
[ 7:34] 3. This Can't Be Love
[17:07] 4. Flying Home
[ 2:58] 5. It's A Blue World
[ 7:20] 6. Indiana
[ 3:08] 7. Hamp's Boogie Woogie
[14:57] 8. Body And Soul

Lionel Hampton (vibraphone); Oscar Peterson (piano); Buddy DeFranco (clarinet); Herb Ellis (guitar); Ray Brown (bass); Buddy Rich (drums).

Verve's Just One of Those Things contains a selection of eight highlights from Lionel Hampton's sessions with Oscar Peterson between 1953 and 1954. This may be just a sampler, but it's a highly enjoyable one, since Hampton and Peterson were at the top of their form during this era. The compilers have skillfully balanced familiar selections with slightly esoteric choices (including 78 rpm master takes of "It's a Blue World" and "Hamp's Boogie Woogie"), resulting in an informative, entertaining introduction to one of the great pairings of '50s jazz. ~Stephen Thomas Erlewine

Just One Of Those Things

Monday, August 28, 2017

Lionel Hampton - Ring Dem Vibes

Bitrate: MP3@320K/s
Time: 43:11
Size: 98.9 MB
Styles: Vibraphone jazz
Year: 2001/2007
Art: Front

[ 7:44] 1. Ring Dem Bells
[ 2:13] 2. Seven Come Eleven
[ 4:28] 3. On The Sunny Side Of The Street
[ 7:06] 4. Blue Lou
[10:30] 5. Psychedelic Sally
[ 4:41] 6. Vibraphone Blues
[ 6:26] 7. Hamp's Thing

Alto Saxophone – Michel Attenoux; Double Bass – Michel Gaudry; Drums – Sam Woodyard; Guitar – William Mackel; Organ – Reynold Mullins (tracks: 6); Piano – Raymond Fol, Reynold Mullins (tracks: 3, 4); Tenor Saxophone – Gérard Badini (tracks: 1, 5, 7); Trombone – Claude Gousset (tracks: 1, 5, 7); Vibraphone – Dany Doriz (tracks: 2); Vibraphone, Vocals – Lionel Hampton. Recorded on May 25 (1, 2, 5, 7) and 26 (3, 4, 6) 1976, at the Hoche studio, Paris.

Lionel Hampton's two-day session for Blue Star in 1976 was a very productive date; he only brought along two regulars, guitarist Billy Mackel and pianist/organist Reynold Mullins, but was joined by an assortment of outstanding European players, including pianist Raymond Fol, alto saxophonist Michel Attenoux (who had worked with Hampton before), trombonist Claude Gousset, tenor saxophonist Gerard Badini, bassist Michel Gaudry, and former Ellington drummer Sam Woodyard, who was living and working in Paris. Hampton was only 68 years old at the time of the recording and still had the reputation for wearing out men a third of his age on the bandstand; his enthusiasm is infectious from the opening number, "Ring Dem Bells," as he introduces each soloist in turn in a lively jam. Dany Doriz, the man who had instigated this session, joins Hampton on vibes for a spirited if brief run through "Seven Come Eleven." The leader also revisits old favorites such as his "Vibraphone Blues" (which includes some humorous commentary in addition to his vocal) and standards like "Blue Lou" and "On the Sunny Side of the Street" with the same vigor as when he first recorded them decades earlier. One surprise inclusion is Horace Silver's "Psychedelic Sally," which turns into an extended workout with one hot chorus inspiring yet another. The players mesh very well and each of the soloists is in top form when called upon. Although Lionel Hampton recorded frequently in the second half of the 1970s, this pickup session is among the best of the two dozen or so releases made during this period of his career. ~Ken Dryden

Ring Dem Vibes

Tuesday, August 22, 2017

Gene Krupa, Lionel Hampton, Teddy Wilson - The Complete 1955 Session

Styles: Vibraphone And Piano Jazz
Year: 1955
File: MP3@320K/s
Time: 56:54
Size: 130,4 MB
Art:

(8:21)  1. Avalon
(6:32)  2. Just You, Just Me
(7:41)  3. Blues for Benny
(8:51)  4. I Got Rhythm
(5:56)  5. Moonglow
(7:13)  6. Airmail Special
(5:14)  7. The Man I Love
(7:03)  8. Body and Soul

This CD release contains the one and only quartet session by Gene Krupa, Lionel Hampton and Teddy Wilson without Benny Goodman, presented here in its entirety and for the first time ever on CD. With the sole addition of bassist Red Callender, the three stars swing from start to finish on this horn-less session that was originally issued in divided form onto an LP (Clef MGC681) and a difficult to find British 45 rpm EP (titled 'Strollin' Along' SEB 10086). http://www.freshsoundrecords.com/gene-krupa-lionel-hampton-teddy-wilson-albums/6057-the-complete-1955-sessions.html

Personnel:  Gene Krupa (d), Linel Hampton (vib), Teddy Wilson (p), Red Callender (b)

The Complete 1955 Session

Monday, July 24, 2017

Woody Herman & Lionel Hampton - Jazz Showcase

Styles: Clarinet And Vibraphone Jazz
Year: 2002
File: MP3@320K/s
Time: 72:16
Size: 174,9 MB
Art: Front

(6:02)  1. Body And Soul
(6:36)  2. Rose
(4:13)  3. Early Autumn
(7:20)  4. Caldonia
(6:09)  5. Mood Indigo
(5:25)  6. Mr. PC
(3:28)  7. I Wish You Love
(6:01)  8. It Don't Mean A Thing If It Ain't Got That Swing
(6:36)  9. Memories Of You
(8:45) 10. Old Man River
(6:20) 11. How High The Moon
(5:15) 12. Satin Doll

Woodrow Charles Herman (May 16, 1913 – October 29, 1987) was an American jazz clarinetist, alto saxophonist, singer, and big band leader. Leading various groups called "The Herd", Herman was one of the most popular bandleaders of the 1930s and 1940s. His bands often played music that was experimental for its time. He was a featured halftime performer for Super Bowl VII. Herman was born Woodrow Charles Thomas Herman in Milwaukee, Wisconsin, on May 16, 1913. His parents were Otto and Myrtle (Bartoszewicz) Herman. His mother was Polish. His father had a deep love for show business and this influenced Woody Herman at an early age. As a child he worked as a singer and tap-dancer in Vaudeville, then started to play the clarinet and saxophone by age 12. In 1931, he met Charlotte Neste, an aspiring actress; they married on September 27, 1936. Woody Herman joined the Tom Gerun band and his first recorded vocals were "Lonesome Me" and "My Heart's at Ease". Herman also performed with the Harry Sosnick orchestra, Gus Arnheim and Isham Jones. Isham Jones wrote many popular songs, including "It Had to Be You" and at some point was tiring of the demands of leading a band. Jones wanted to live off the residuals of his songs; Woody Herman saw the chance to lead his former band, and eventually acquired the remains of the orchestra after Jones' retirement. https://en.wikipedia.org/wiki/Woody_Herman

Jazz Showcase

Friday, July 14, 2017

Lionel Hampton - You Better Know It

Styles: Vocal And Vibraphone Jazz 
Year: 1964
File: MP3@320K/s
Time: 39:49
Size: 91,6 MB
Art: Front

(3:29)  1. Ring Dem Bells
(5:08)  2. Vibraphone Blues
(3:59)  3. Tempo's Birthday
(3:12)  4. Sweethearts on Parade
(5:34)  5. Moon over My Annie
(3:34)  6. Pick-A-Rib
(6:03)  7. Trick or Treat
(3:06)  8. Cute
(2:44)  9. A Taste of Honey
(2:55) 10. Swingle Jingle

Vibist Lionel Hampton's rhythmic abilities haven't been dulled by age, and he displayed his proficiency on this date, which includes the enjoyable bonus track "Moon Over My Annie." There was no wasted energy or unnecessary or exaggerated solos; just bluesy, assertive, muscular arrangements, accompaniment, and ensemble segments. Highlights included "Vibraphone Blues," "Trick or Treat" and "Swingle Jingle," in which Hampton shifted from vibes to piano. ~ Ron Wynn http://www.allmusic.com/album/you-better-know-it%21%21%21-mw0000623627

Personnel: Lionel Hampton (vocals, vibraphone, piano); Ben Webster (tenor saxophone); Clark Terry (trumpet); Hank Jones (piano); Milt Hinton (bass); Osie Johnson (drums).

You Better Know It