Showing posts with label Julian Vaughn. Show all posts
Showing posts with label Julian Vaughn. Show all posts

Thursday, July 19, 2018

Julian Vaughn - Bona Fide

Bitrate: MP3@320K/s
Time: 47:05
Size: 107.8 MB
Styles: Smooth jazz
Year: 2017
Art: Front

[4:03] 1. Bona Fide
[4:03] 2. Going Out
[3:55] 3. If I Could
[4:44] 4. 18th & Vine
[4:11] 5. Joy
[3:48] 6. All I Do Is Think Of You
[4:14] 7. Breeze
[3:59] 8. Remember The Time
[4:13] 9. You're The One
[4:55] 10. Reflection
[4:56] 11. I Wanna Love You

A dynamic lead bass player from Kansas City, bassist Julian Vaughn is rapidly becoming a major player in the contemporary jazz genre. Vaughn has made a name for himself as bassist in the smooth jazz genre which is dominated by saxophone players. Although the bass is often associated with funk, Vaughn likes to play with more of a finesse style as well as some funk.

Vaughn grew up in the church where his grandfather pastored until turning over the reins to Vaughn’s father. Like other kids at the church, he began his music career playing the drums, but says, “Trying to play the drums at church was like ten football players going after a fumble. Everyone wanted to play.” Years went by and the fight over the drums got old. At 15 Vaughn decided to try a different instrument. He picked up a bass guitar that another man in his church was playing and immediately fell in love. This was truly love at first sight. Vaughn taught himself how to play and soon realized he had the ability to play by ear. He soon discovered how to play songs and special techniques. When Vaughn was 19 his grandfather bought him a 6-string bass guitar. It was black with gold trim. He discovered the art of bass soloing and knew at that point it was more than just a hobby but was his life’s passion. “My friends use to get on me because I would stop playing the bass line and start soloing,” he remembers.

“Bona Fide” will be Vaughn’s 4th album and is expected to be some of his best work to date. Vaughn takes pride in being able to write and produce most of his music. “I want to be known as a great writer and producer just as much as I am an artist”. Vaughn wants to continue to redefine the lead bassist role in the smooth jazz genre.

Bona Fide mc
Bona Fide zippy

Wednesday, May 10, 2017

Julian Vaughn - Hey, Lester!

Size: 122,6 MB
Time: 52:48
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz
Art: Front

01. Hey Lester! (4:01)
02. Three Strikes (7:50)
03. He Bop (5:06)
04. Afro Blue, Afro Blues (3:59)
05. New Leans (5:22)
06. Equinox (7:30)
07. Night & Day (6:29)
08. Yes & No (8:36)
09. What's Up (3:51)

Personnel: Julian Vaughn (d), Albert Bover (p), Fredrik Carlquist (ts), Dennis 'El Huevo' Hernández (tp, flh), Barnabas Hangonyi (cello), Randy Greer, Danna Leese Roth (vcl), Fernando Tejero (keyb).

Hey Lester! Is a composition dedicated to Lester Bowie who was a great jazz trumpeter and married to the late great Fontella Bass whose big hit was Rescue Me. Lester was one of my biggest influencers and inspirations. A bit more about my original compositions: New Leans was inspired from the rebirth of New Orleans following Hurricane Katrina. The concept of Afro Blues was an idea inspired combining the blues of Nat King Cole and John Coltrane together. What’s Up is a different piece I created alongside my girl Dana Leese Roth.

Born and raised in St. Louis, Missouri, Julian is the only musician in his family. Growing up in a city synonymous with great music was his defining influence. He spent his childhood beating on anything he could find to resonate the music within, including his mother’s pots and pans, chairs and tables. At twelve years old Julian began his musical journey when his mom brought home his first drum-set and enrolled him at his local music school. At fifteen, he started to earn recognition playing in clubs with local musicians. At seventeen he received a call from a good friend, a fellow musician who was playing with Albert King, invited Julian to join them on tour as their drummer. The first time playing in a touring band, it was an unparalleled experience for a 17 year old boy from St Louis. A couple of years passed by playing to audiences all around the world until Julian got another call, this time from the legendary B.B. King who asked him to substitute and join them on a year long tour, another phenomenal experience.

Ironically the next call came from Ron Levy, the ex-piano player of B.B. King, who called Julian to join his band in Boston. Here he discovered the plethora of great conservatories and music teachers the city of Boston had to offer. Julian began his studies at the Berkley School of Music and studied alongside the great drummer Alan Dawson for 3 years. During that time he also met and collaborated with such esteemed musicians as Donald Harrison (saxophonist), Mike Stern (guitarist), Dave Kikoski (pianist), Jeff 'Tain' Watts (drummer), Marvin “Smitty” Smith (drummer) and blues musicians Otis Rush and Johnny Copeland.

It is in Boston where he also made his first album recording with the late great Johnny Copeland 'The Copeland Special.' This recording went on to win in 1981 the coveted W.C. Handy’s Best Blues Album of the Year award.

After studying and playing in Boston for four years, Julian embarked on a new adventure and moved to New York to become a touring musician with Johnny Copeland. Whilst living in the Big Apple Julian also joined the Jimmy McGriff Band as well as playing stints with Dr. Lonnie Smith, Jack McDuff, Charles Earland, Kenny Garrett, Joseph Bowie's group "Defunct Lester Bowie" and Arthur Blythe.

Hey, Lester!