Wednesday, March 25, 2015

Dave Stryker Trio - Stardust

Bitrate: MP3@320K/s
Time: 66:53
Size: 153.1 MB
Styles: Post bop, Guitar jazz
Year: 1994
Art: Front

[8:24] 1. Things Ain't What They Used To Be
[7:51] 2. You Go To My Head
[7:54] 3. I'll Take Romance
[6:48] 4. Stardust
[9:58] 5. Eastern Standard Time
[6:57] 6. Blues On 45th
[6:34] 7. You And The Night And The Music
[6:30] 8. Nancy With The Laughing Face
[5:53] 9. Cotton Tail

This SteepleChase set from the Dave Stryker (and virtually everything recorded by organist Joey DeFrancesco), is very much a throwback to the 1960s. Stryker and DeFrancesco had never played together before, but the repertoire, which includes the "So What"-based "Eastern Standard Time," an original blues tune familiar to just about everyone, along with seven standards. The organist's constant riffing and enthusiastic soloing (which at this time was starting to develop more of a distinctive personality beyond Jimmy Smith) constantly inspire Stryker to come up with fiery statements of his own; it is to his credit that he never sounds like a sideman in his own group. With drummer Adam Nussbaum offering solid support, this set will be enjoyed by bop and straight-ahead jazz organ fans. ~Scott Yanow

Stardust

Booker Little - Save Your Love For Me

Bitrate: MP3@320K/s
Time: 79:08
Size: 181.1 MB
Styles: Trumpet jazz
Year: 2015
Art: Front

[5:40] 1. Moonlight Becomes You
[4:13] 2. Sweet And Lovely
[5:36] 3. Calling Softly
[4:27] 4. Dungeon Waltz
[5:51] 5. Matilde
[6:42] 6. We Speak
[5:09] 7. If I Should Lose You
[8:07] 8. Quiet Please
[4:47] 9. Man Of Words
[4:53] 10. Grand Valse
[6:13] 11. Strength And Sanity
[6:48] 12. Life's A Little Blue
[5:13] 13. Booker's Blues
[5:23] 14. Who Can I Turn To

The first trumpeter emerging after Clifford Brown's death to gain his own sound, Booker Little had a tremendous amount of potential before his premature death. He began on trumpet when he was 12 and played with Johnny Griffin and the MJT + 3 while attending the Chicago Conservatory. Little was with Max Roach (1958-1959) and then freelanced in New York. He recorded with Roach and Abbey Lincoln, was on John Coltrane's Africa/Brass album, and was well-documented during a July 1961 gig at the Five Spot with Eric Dolphy. Little had a memorable melancholy sound and his interval jumps looked toward the avant-garde, but he also swung like a hard bopper. Booker Little led four sessions (one album apiece for United Artists, Time, Candid, and Bethlehem), but died of uremia at the age of 23, a particularly tragic loss. ~bio by Scott Yanow

Save Your Love For Me

Stevie Wonder - Eivets Rednow

Bitrate: MP3@320K/s
Time: 31:40
Size: 72.5 MB
Styles: R&B, Motown, Soul
Year: 1968/2004
Art: Front

[3:12] 1. Alfie
[3:45] 2. More Than I Dream
[3:28] 3. A House Is Not A Home
[3:04] 4. How Can You Believe
[2:24] 5. Never My Love Ask The Lonely
[6:46] 6. Ruby
[2:43] 7. Which Way The Wind
[3:19] 8. Bye Bye World
[2:54] 9. Grazing In The Grass

By 1968, Motown had Wonder pegged as a soul-pop shouter, so his harmonica instrumental of "Alfie," and the movie theme that had been a Top 15 hit for Dionne Warwick in 1967 was released under another name -- his own spelled backwards and on a different record label. This album, issued after that single made number 66 on the pop chart, consists of more harmonica instrumentals, everything from "A House Is Not a Home" to "Grazing in the Grass," and is enough to convince you that Wonder, who, after all, broke through playing harmonica, is a tuneful player of the instrument, more a Larry Adler than a Bob Dylan. Nevertheless, this is a minor item in the Wonder catalog. ~William Ruhlmann

Eivets Rednow 

Sarah Vaughan & The Jimmy Rowles Quintet - S/T

Bitrate: MP3@320K/s
Time: 34:12
Size: 78.3 MB
Styles: Standards, Vocal jazz
Year: 1974
Art: Front

[4:58] 1. Folks Who Live On The Hill
[7:58] 2. That Face
[4:38] 3. That Sunday
[5:20] 4. A House Is Not A Home
[4:26] 5. Frasier (The Sensous Lion)
[6:48] 6. Morning Star

Sarah Vaughan's sole small-group recording with pianist Jimmy Rowles (aside from a pair of tribute albums to Duke Ellington in 1979) was recorded live at an unlisted location in 1974 for Mainstream. Although Rowles proves himself to be a consummate accompanist, and Vaughan is in her usual outstanding form, excessive reverb is used on several of the tracks, giving the album a somewhat cavernous sound. The singer's interest in a variety of material is evident, including chestnuts like "The Folks Who Live on the Hill," and W.C. Handy's "Morning Star," along with the then-current pop hit "A House is Not a Home" (which is strangely credited to a another pair rather than its actual composers, Burt Bacharach and Hal David), and Jimmy Rowles' campy collaboration with Johnny Mercer, "Frasier (The Sensuous Lion)." Tenor saxophonist Teddy Edwards and trumpeter Al Aarons join Vaughan and her quartet on three selections. This LP, which has only been reissued in Japan, is worth picking up, in spite of the questionable production.

Sarah Vaughan & The Jimmy Rowles Quintet

Bobby Hackett - Dream Awhile

Bitrate: MP3@320K/s
Time: 37:31
Size: 85.9 MB
Styles: Easy Listening
Year: 2012
Art: Front

[3:04] 1. Stairway To The Stars
[3:38] 2. Stardust
[2:53] 3. Misty
[2:25] 4. The Boy Next Door
[3:14] 5. These Foolish Things
[3:36] 6. Fools Rush In
[3:03] 7. Sweet And Lovely
[2:51] 8. Bewitched
[2:59] 9. I Couldn't Sleep A Wink Last Night
[3:30] 10. Dream
[2:41] 11. It's Been A Long, Long Time
[3:32] 12. That Old Feeling

Bobby Hackett was one of the true class acts in space age pop. His wistful trumpet solos added a unique and essential touch to music by everyone from Glenn Miller to Jackie Gleason to Dizzy Gillespie. Before he died of a heart attack just short of collecting Social Security, he joked that "I've been working steady since I was 14."

Hackett actually started out playing guitar as much as trumpet, and when working for Glenn Miller in the early 1940s, he only occasionally got to bring out his horn. Despite this fact, he got the spotlight solo on "String of Pearls" when MGM made The Glenn Miller Story, starring James Stewart (and Henry Mancini arrangements). Hackett worked swing, Dixieland, and bebop, depending on the gig, and earned a peerless reputation regardless of the setting. Jazz critic Leonard Feather wrote that Hackett had "a consistent habit of unceremoniously putting all the notes in the right place at the right time."

That reputation led Jackie Gleason to ask for Hackett by name when he was putting his first easy listening album together. He gave Hackett free rein to improvise over the melody, and a distant and fading coda of Hackett's playing closed out many a Gleason number. Hackett was for several years the only performer to be mentioned by name on Gleason's album. Hackett later returned the compliment, commenting only half-jokingly, "I got my music lessons from Jackie Gleason." After Hackett moved on to other things, Gleason enlisted Harry "Sweets" Edison (and later, Don Goldie) to reproduce Hackett's sound.

Hackett put out a number of albums under his own name on a variety of labels. For the most part, these are imitation Gleason albums, only with Hackett featured a little more prominently. He also did an occasional straight jazz album, but not as often as most of his fans would have liked.

He shifted away from easy listening toward the end of his career, when he moved from New York City to Cape Cod. He became a regular at the legendary Colorado Jazz Parties and appearing with small combos in New York Boston. If Hackett tended to be pretty undiscriminating in his choice of what he played on, the same can't be said of his performances. Bobby Hackett was one of the few performers who truly shaped the sound of easy listening and space age pop.

Dream Awhile

Monique Kessous - Liverpool Bossa

Bitrate: MP3@320K/s
Time: 31:04
Size: 71.1 MB
Styles: Latin jazz-pop
Year: 2007/2013
Art: Front

[2:53] 1. The Fool On The Hill
[3:10] 2. Michelle
[2:36] 3. A Hard Day's Night
[3:31] 4. Hey Jude
[2:32] 5. Here There And Everywhere
[2:17] 6. If I Fell
[3:07] 7. In My Life
[3:46] 8. She Loves You
[2:09] 9. With A Little Help From My Friends
[2:41] 10. Till There Was You
[2:18] 11. Yesterday

Aos 9 anos, Monique fez sua primeira apresentação, quando participou de um Festival de Música representando o seu colégio, à frente de um coral de 40 crianças. Na adolescência estudou canto lírico e popular, piano, aprendeu a tocar violão com seu irmão Denny Kessous, e começou a compor. Decidida a seguir carreira musical, fez seu primeiro show em 2001 no Teatro Ipanema aonde pela primeira vez mostrou suas composições.

Em seguida, começou a cantar em algumas bandas e formou o grupo Entretantos, com Denny no violão, o guitarrista João Arruda e a percussionista Jadna Zimmerman, passando a se apresentar em bares e casas noturnas, cantando música brasileira. Elogiada pelo produtor musical Alberto Rosenblit, após um show seu, foi convidada por ele a gravar uma demo. Ao ouvir sua voz, Roberto Menescal fez uma música para ela cantar, chamada Comunique-se, que mais tarde ganhou letra de Monique.

Em 2005, foi chamada por Menescal para gravar o projeto “Liverpool Bossa”(Albatroz), lançado em julho de 2007 no Brasil, Taiwan, Colômbia e Argentina.

Liverpool Bossa

The James Moody & Hank Jones Quartet - Our Delight

Styles: Saxophone And Piano Jazz
Year: 2008
File: MP3@320K/s
Time: 76:57
Size: 176,9 MB
Art: Front

(5:26)  1. Our Delight
(6:54)  2. Birk's Works
(5:28)  3. Con Alma
(6:44)  4. Lady Bird
(5:14)  5. Eternal Triangle
(7:31)  6. Body and Soul
(6:51)  7. Good Bait
(6:05)  8. Darben the Red Foxx
(9:23)  9. Soul Trane
(5:15) 10. Woody 'N You
(6:37) 11. Old Folks
(5:24) 12. Moody's Groove

Marking the very first pairing of these two giants of Jazz, Our Delight brings together two legends, saxophonist James Moody and pianist Hank Jones in a performance with one purpose, to delight jazz audiences with the music of Tadd Dameron and Dizzy Gillespie. The late great trumpeter took Moody under his wing and became his mentor, providing a jazz education that gives the saxophonist a unique perspective of Gillespie's music. Jones traveled a different path, gaining an enrichment of jazz by performing with a virtual "Who's Who" of musicians from Detroit to New York, from the '40s to the present. Both men are indeed masters of their craft as is evident from the music contained in this historic recording. Rounding out The James Moody and Hank Jones Quartet are bassist Todd Coolman and drummer Adam Nussbaum, who both felt fortunate, as Coolman writes "to have perhaps absorbed at least an ounce of Moody's and Jones' expertise" on this remarkable session. Remarkable because the music swings in true bop fashion, with Moody leading the way with sharp tenor solos throughout. 

However, Jones and the rest of the band are not far behind in claiming their own portion of the music. While the majority of the twelve tunes are from Dameron and Gillespie, there are a select few charts from others, including the familiar Heyman/Green standard "Body & Soul," Moody's own "Darben the Red Foxx" and Jimmy Heath's "Moody's Groove," which provides a bonus vocal performance by Roberta Gambarini. But the music kicks off with Moody's brisk read of Dameron's title tune, leading to Gillespie's minor blues "Birk's Works" where both masters display their ample chops. The duo deliver a memorable performance on the beautifully haunting ballad "Soul Trane" as Moody blows softly to Nussbaum's delicate brush strokes, in turn giving way to Jones, who comes through with delicious piano lines. The program comes to a close with "Moody's Groove," but not before the band runs through a quick rendition of "Woody N' You," and a laid back read of "Old Folks" which captures Moody on the flute. James Moody and Hank Jones combine here to make, as the liner notes state, "a cohesive, solid and deep musical statement" that seems to convey a message: that this historic recording was in many ways Our Delight to perform. With this album, Moody and Jones mark a milestone in music and have thankfully, and finally filled a void in jazz that has existed for far too long. ~ Edward Blanco  http://www.allaboutjazz.com/our-delight-james-moody-ipo-recordings-review-by-edward-blanco.php
 
Personnel: James Moody: tenor saxophone and flute (11); Hank Jones: piano; Todd Coolman: bass; Adam Nussbaum: drums.

Barbara Lusch - Rock Me Sweet

Styles: Jazz, Vocal
Year: 2014
File: MP3@320K/s
Time: 44:57
Size: 104,0 MB
Art: Front

(4:19)  1. Dancing In the Dark
(3:28)  2. Hot Blooded
(2:55)  3. I Want You To Want Me
(3:44)  4. Living On a Prayer
(3:33)  5. Sweet Child O' Mine
(5:04)  6. Owner of a Lonely Heart
(4:04)  7. Hungry Like the Wolf
(4:50)  8. Cat People
(4:26)  9. Where the Streets Have No Name
(3:52) 10. Dancing With Myself
(4:37) 11. Running On Empty

Barbara Lusch has a unique and compelling way with a song that goes straight to your heart. Her 2014 recording, Rock Me Sweet (Slim Style Records), is a surprising and magnetic reinterpretation of some of the best loved rock anthems of the 80's. Well-known hits of male rock icons such as Bruce Springsteen, Bon Jovi and Bono have been transformed by Barbara into sophisticated, sexy, and soulful songs. ~ Editorial Reviews  http://www.amazon.com/Rock-Me-Sweet-Barbara-Lusch/dp/B00MP5UR2O

The Dave Weckl Acoustic Band - Of The Same Mind

Styles: Jazz Funk, Fusion
Year: 2014
File: MP3@320K/s
Time: 70:02
Size: 161,2 MB
Art: Front

(8:10)  1. What Happened To My Good Shoes
(6:16)  2. Something's Happening
(9:40)  3. Songo Mikele
(8:48)  4. Stay Out
(7:11)  5. Koolz
(6:29)  6. Stella On The Stairs
(7:23)  7. Pacific Grove Fog
(6:16)  8. Agua De La Musica
(9:44)  9. All Blues

The Dave Weckl Acoustic Band represents the realization of a dream. In 2013, while touring with Mike Stern, Dave was reintroduced to playing with the amazing Makoto Ozone. Dave met Makoto in the '80s, and Makoto blew Dave away during this tour! Each night, Mike would give some space for Dave, Makoto, and Tom Kennedy to improvise a song. The guys would take this opportunity to really stretch out! The chemistry was amazing. At some point, Mike would start to noodle on his guitar; to come back in and continue the show. But the trio was having so much fun! So, one night, Dave yelled "stay out!" to Mike while the trio was jamming. That little jam became a song on this record - and it is aptly titled "Stay Out." :) This record is loaded with straight ahead jazz, a little funk, a little Latin, and more. Check out the video, below, for a taste.  http://www.daveweckl.com/otsm.htm