Showing posts with label Cherry Poppin' Daddies. Show all posts
Showing posts with label Cherry Poppin' Daddies. Show all posts

Tuesday, September 26, 2017

Cherry Poppin' Daddies - White Teeth, Black Thoughts

Bitrate: MP3@320K/s
Time: 37:15
Size: 85.3 MB
Styles: Retro Swing
Year: 2013
Art: Front

[3:55] 1. The Babooch
[3:44] 2. I Love American Music
[3:20] 3. Whiskey Jack
[2:27] 4. Doug The Jitterbug
[3:26] 5. White Teeth, Black Thoughts
[4:05] 6. Brown Flight Jacket
[2:28] 7. Bloodshot Eyes
[2:44] 8. Jakes Frilly Panties
[3:16] 9. Huffin' Muggles
[2:47] 10. I Want A Bowlegged Woman
[4:58] 11. Concrete Man Blues

Cherry Poppin' Daddies' sixth studio album, 2013's White Teeth Black Thoughts, is the band's first album of all swing-oriented material since their hit 1997 compilation Zoot Suit Riot. The album also follows up the group's more eclectic, world music-infused 2008 album Susquehanna and ska-centric 2009 compilation Skaboy JFK. Loosely inspired by the American financial crisis of 2007-2008, lead singer Steve Perry began re-investigating various Dust Bowl and Depression-era swing songs as a way of finding historical context for the nation's troubles. This led Perry and the Daddies to cover several songs from the '30s, '40s, and '50s, something the band had heretofore eschewed in favor of sticking to original material. To these ends, the band takes on Wynonie Harris' "Bloodshot Eyes," Bull Moose Jackson's "I Want a Bowlegged Woman," and Louis Jordan's "Doug the Jitterbug." While these cover songs never stray too far afield from the original arrangements, they do sound fresh and imbued with that crisp (punk-informed, if not literally punk-sounding) Cherry Poppin' Daddies style of swing. Elsewhere, the band delves into several no less compelling originals, including the very socio-satirical "The Babooch," the bluesy "I Love American Music," and the glitter rock meets Cab Calloway-sounding "Brown Flight Jacket." The result is an album of exuberant, urbane dance music that moves from popular standards to new compositions with devilish ease. ~Matt Collar

White Teeth, Black Thoughts

Friday, May 1, 2015

Cherry Poppin' Daddies - Please Return the Evening - Salute the Music of the Rat Pack!

Styles: Vocal
Year: 2014
File: MP3@320K/s
Time: 45:00
Size: 103,3 MB
Art: Front

(2:46)  1. The Best Is Yet to Come
(3:08)  2. Come Fly With Me
(3:24)  3. The Lady Is a Tramp
(2:23)  4. Ain't That a Kick in the Head
(2:42)  5. Fly Me to the Moon
(1:59)  6. I'm Gonna Live Until I Die
(4:58)  7. Luck Be a Lady
(3:31)  8. I've Got You Under My Skin
(2:39)  9. Mr. Success
(3:21) 10. The Way You Look Tonight
(2:44) 11. Ring-A-Ding-Ding
(3:10) 12. Just One of Those Things
(2:28) 13. The Boys’ Night Out
(2:40) 14. Come Back to Me
(3:00) 15. That's Life

Although Cherry Poppin' Daddies became a popular act during the swing revival of the late 1990s, the eight-piece band formed one decade prior in Eugene, Oregon. Vocalist Steve Perry (aka MC Large Drink, a nickname intended to distance Perry from the famous Journey frontman) and bassist Dan Schmid initially crossed paths at the University of Oregon, and a shared interest in punk music convinced the students to leave school and pursue a band. After playing together in the Jazz Greats and St. Huck, the duo shifted gears in 1989 by forming Cherry Poppin' Daddies, a unique band whose lineup gradually encompassed guitarist Jason Moss, drummer Tim Donahue, trumpeter Dana Heitman, saxophonists Sean Flannery and Ian Early, and keyboard player Dustin Lanker. The musicians' dedication to ska, swing, jazz, and jump blues made them oddities in the Northwest, where grunge had already begun its reign. Nonetheless, Cherry Poppin' Daddies enjoyed a brief surge of success several years later, when the popularity of "Zoot Suit Riot" helped launch a nationwide swing music revival. Once formed, it didn't take long for the Cherry Poppin' Daddies to attract attention in the Northwest. Their performances were riddled with theatrics, phallic props, and lavish costumes, making them the recipients of much curiosity and a fair amount of backlash. Moreover, the music mixed elements of swing and jazz with punky rock & roll, while a horn section populated the group's eight-person lineup. The resulting sound was both energetic and unconventional, but America was in the midst of its love affair with grunge, and Cherry Poppin' Daddies' earliest records 1990's Ferociously Stoned and 1994's Rapid City Muscle Car  proved to be little more than cult favorites.

By the mid-'90s, the country's fascination with formerly neglected musical styles (including easy listening, lounge, and swing) had increased the band's prominence, along with similar groups like Squirrel Nut Zippers and Royal Crown Revue. The band's third album, Kids on the Street, benefited from such increased interest, and its popularity earned Cherry Poppin' Daddies a distribution deal with Caroline Records. Lacking the money to record a new album, the band chose instead to cater to America's slowly building swing craze by compiling the most swing-oriented tracks from their back catalog. The result was 1997's Zoot Suit Riot, a compilation that also featured four new tracks. One such track was the titular "Zoot Suit Riot," which became a surprise Top 40 hit in 1998 and helped pave the way for such revivalist bands as Big Bad Voodoo Daddy and Brian Setzer Orchestra. The album had sold more than two million copies by 2000, but the swing craze had already begun to fizzle out, resulting in poor sales for the follow-up effort, Soul Caddy. As touring opportunities dried up, the band took a temporary hiatus. Lanker and Schmid turned their attention to a side project, Visible Men, while Perry returned to the University of Oregon to receive an undergraduate degree. Cherry Poppin' Daddies began touring again in 2002, although activity was limited to sporadic shows until 2008, when the release of the Latin-flavored Susquehanna prompted the group to launch their first full-length tour in years. In 2009, the group released the Skaboy JFK: The Skankin' Hits of the Cherry Poppin' Daddies, a collection of ska culled from their early albums.

Over the next few years, the Cherry Poppin' Daddies toured regularly, adjusting their lineup slightly as they went. In 2012, the group started a PledgeMusic campaign to raise funds so they could complete their next album, White Teeth, Black Thoughts. Their PledgeMusic campaign was successful and the album was released in July of 2013. The band's first album of all swing-oriented music since 1997's compilation Zoot Suit Riot, White Teeth, Black Thoughts is also the first Cherry Poppin' Daddies album to include cover songs. ~ Andrew Leahey & John Bush, Rovi ~ Bio  https://itunes.apple.com/us/artist/cherry-poppin-daddies/id2225241#fullText

Wednesday, April 29, 2015

Cherry Poppin' Daddies - Zoot Suit Riot

Styles: Retro Swing
Year: 1997
File: MP3@320K/s
Time: 51:27
Size: 118,4 MB
Art: Front

(3:52)  1. Zoot Suit Riot
(3:31)  2. Ding-Dong Daddy Of The D-Car Line
(2:28)  3. When I Change Your Mind
(3:16)  4. Here Comes The Snake
(3:08)  5. Mister White Keys
(2:39)  6. Come Back To Me
(2:57)  7. Brown Derby Jump
(3:35)  8. Dr. Bones
(3:41)  9. Pink Elephant
(4:07) 10. Master And Slave
(5:09) 11. Drunk Daddy
(4:00) 12. No Mercy For Swine
(3:04) 13. Cherry Poppin' Daddy Strut
(5:53) 14. Shake You Lovemaker

Somewhat conspicuously following the novelty success of Squirrel Nut Zippers, the Cherry Poppin' Daddies released the album Zoot Suit Riot, culling the best "straight" swing tracks from their first three albums, instead of the rock- and ska-influenced songs that inform much of those LPs. Unlike the Zippers, the Daddies don't seem to have much affection for the genre they're aping, so Zoot Suit Riot comes across as a smirking hipster joke, only without any humor and very little music. There are a few cuts that have a catchy hook and are reasonably infectious, yet the album suffers from its own condescending Gen-X attitude, as well as a lack of understanding about what made swing fun. ~ Stephen Thomas Erlewine  http://www.allmusic.com/album/zoot-suit-riot-mw0000025140