Wednesday, December 10, 2014

Girlyman - Remember Who I Am

Size: 101,2 MB
Time: 43:12
File: MP3 @ 320K/s
Released: 2004
Styles: Folk Pop
Art: Front

01. Viola (3:49)
02. Hey Rose (3:02)
03. Say Goodbye (4:17)
04. Fall Stories (2:43)
05. The Shape I Found You In (3:28)
06. Maori (3:23)
07. Montpelier (3:53)
08. Even If (3:24)
09. David (4:32)
10. My Sweet Lord (3:42)
11. Postcards From Mexico (2:40)
12. Amaze Me (4:13)

So who's behind the irresistible moniker of Girlyman, a trio that fits the bill for swirling styles and gender roles, both individually and collectively? Doris Muramatsu and Tylan Greenstein, whose 2002 debut as The Garden Verge received an Outmusic Award for Best New Recording by a duo, make up two-thirds of Girlyman. Rounding out the group is former Bostonian and Boston Music Award winner Nate Borofsky.

The accolades don't stop there, however. In 2002, Girlyman was voted "Most Wanted to Return" by fans at the prestigious Falcon Ridge Folk Festival; surprisingly, the trio had formed as a musical unit only a few months before the event. One listen to the 12 tracks on Girlyman's first studio project, "Remember Who I Am," and you'll understand why they snagged an audience-favorite nod so effortlessly.

Their resonant sound is one that you're almost guaranteed not to expect. Equal parts Alison Krauss & Union Station and REM, Girlyman's mellow, rootsy atmospherics feel right at home in an intimate acoustic venue like Harvard Square's Club Passim, where the trio recently performed. The group members trade songwriting responsibilities on most numbers, though their techniques flow together as smoothly as their electric harmonies.

Aptly titled, "Remember Who I Am" is a stirring collection of remembrances -of friends, of lovers, of ways of life. "Viola," the disc's lovely opening elegy, dips and soars more gracefully than many songs of its kind ("I drowned myself tonight in sangria/ Made with sliced up fruit and cheap marsala"). Other ballads such as "Say Goodbye" and "The Shape I Found You In" move deeply and deliberately courtesy of Joe Dye's pedal steel guitar, which floats through the songs like a somber ghost. The dreamy "Maori" boasts a gorgeous melodic finesse as it contemplates the faraway natives of New Zealand, while "Amaze Me" tells a quirky tale of love for America in a dark time. Each song hooks into what's visceral and true. -Jason Roush, Bay Windowsy.

Remember Who I Am

Luciano Invernizzi - The Other Side Of Luciano Invernizzi

Size: 149,6 MB
Time: 64:57
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz: New Orleans Jazz, Blues Jazz
Art: Front

01. Loose Blues (5:02)
02. When My Dreamboat Come Home (4:33)
03. Rosetta (6:30)
04. Saint James Infirmary (6:56)
05. When Your Hair Has Turned To Silver (5:58)
06. Too Marvelous For Words (7:30)
07. Linger Awhile (6:31)
08. Backwater Blues (5:43)
09. More Rain More Rest (4:47)
10. Love Letters In The Sand (5:53)
11. S'posin (5:29)

Since I was a kid is dedicated to listening to and studying jazz music enjoying executions of Louis Armstrong, King Oliver, Jelly Roll Morton and the traditional jazz in General drawing, to trombone players such as Kid Ory, Jim Robinson, Vick Dickinson.

In Milan in the 1960s with a group of enthusiasts founded the "Bovisa New Orleans Jazz Band", a complex that is inspired by the New Orleans style, which, in forty years of activity, accompanied in their tour in Italy several New Orleans musicians among which we mention: Louis Nelson, capt. John Handy, Don Ewel, Albert Nicholas, Thomas Jefferson, Alvin Alcorn, Emanuel Sayles, Wingy Manone Freddie Kohlmann, and many others.

Numerous jazz events to which the "Bovisa New Orleans jazz Band" participate: wins first prize at the "Italian festival" review of Foligno in ' 63; Represents Italy at the "New Orleans Festival" in Frankfurt in ' 64; at the Jazz Band Ball "in Paris in ' 67 and ' Grand Parade du Jazz" in Nice in ' 74 and ' 75, in almost all editions of the "New Orleans Music Festival" of Lugano and Ascona before then. He has participated in more editions of "Umbria Jazz" and, over the years, almost all national and European jazz festival, ... Unable to list them all.

Invernizzi has also had the pleasure of accompanying LOUIS ARMSTRONG in a television broadcast and, in addition to guiding the orchestra he founded, he also plays with other Italian and European complex of traditional jazz. In one of his frequent trips to New Orleans, he performed at "Presenvation Hall" with Percy Humphrey and his band.

Invernizzi and is also a component of Jambalya six "by Vittorio Castelli, and was among the founders of the" Pegasus Brass Band ", and regularly collaborates with Barry Martyn Sammy Rimington, Doc Houlind, Keith Smith, Walter Weber, Rudy Balliu and other leading European band

The Other Side Of Luciano Invernizzi

Sweet Lu Olutosin - Sweet Lou's Blues (With Antonio Ciacca Quintet)

Size: 106,6 MB
Time: 46:03
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz Vocals, Swing
Art: Front

01. Malcolm's Song (Theme For Malcolm) (7:40)
02. Every Day I Fall In Love (6:21)
03. Those Lagos Blues (Lagos Blues) (6:33)
04. Call Him Blackjack (Blackjack) (3:25)
05. Let's Go Driftin' (Driftin’) (5:22)
06. Nancy With The Laughing Face (4:23)
07. The Baron (Baron 5) (3:49)
08. Be My Mamacita (Mamacita) (3:31)
09. Sweet Lou's Blues (Sweet Lou) (4:56)

After 35 years in the Military as a Police Officer and achieving the rank of Colonel, Lutalo Olutosin aka ' Sweet Lu’ Olutosin found that his calling to be a Jazz Vocalist was still as strong as it was the day he entered Military Service.

Today Lu is a bandleader, featured Soloist, and Recording artist. His freshman release achieved status on the US Jazz Charts in 2011. Lu has received Critical acclaim and Glowing reviews in industry standard publications like All About Jazz, Jazz USA, Jazz Times and Others.

Sweet Lu has just completed his most recent work in New York City entitled “Sweet Lou’s Blues” where he teamed with Antonio Ciacca’s quintet of esteemed Jazz musicians including Jeremy Pelt, Jerome Jennings, Tivon Pennicott, and Mike Karn. The CD is already receiving Great reviews in Jazz industry publications.

Here is what people are saying about “Sweet Lou’s Blues”

“as the title tune came to a close I unabashedly shouted “Applause, Applause!” to Lutalo Olutosin for a vision that unquestionably hit the sweet spot on the mark” ....... Carl Anthony, Notorious Jazz

“My personal favorite of the nine tunes offered up for true jazz listeners to enjoy (now & for a long time to come) was “Those Lagos Blues“… this one alone makes the purchase of the CD well worth it! I give Lu & his excellent crew a MOST HIGHLY RECOMMENDED, with an “EQ” rating of a (perfect) 5.00; which means that this one also gets the “PICK” of this issue for “best jazz vocals”.

Sweet Lou's Blues

Geoffrey Aymar - The Trio Vol. 1

Size: 99,2 MB
Time: 42:57
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz: Mainstream Jazz, Piano Jazz
Art: Front

01. It Could Happen To You (3:50)
02. Minor Memories (4:47)
03. How Long Has This Been Going On 4 (6:01)
04. You Are My Sunshine (4:20)
05. I Fall In Love Too Easily (4:37)
06. Summertime (4:24)
07. Green Dolphin Street (8:39)
08. Our Love Is Here To Stay (6:14)

Los Angeles based pianist, Geoff Aymar, has digitally released (for the first time) his first two trio CD’s recorded in the late 1990’s. The Trio--Volume One and Volume Two. The two volumes were recorded in one long session with bassist and legendary producer/engineer, Malcolm Cecil and drummer Johnny Kirkwood (Louis Jordan, Dinah Washington, Plas Johnson). The trio worked together regularly at a hotel in Marina Del Rey when this was recorded which made them a cohesive and finely-tuned musical ensemble.

Geoff was a fixture for many years at the Marina Beach Marriott Hotel where he played five nights a week both solo and with small groups. As jazz critic Scott Yanow noted “Aymar plays on a much higher level than the usual hotel pianist.” The hotel gig was fertile ground for Geoff’s musical muse at the time and allowed him to play with many of the finest jazz musicians in LA. Musicians such as: guitarists Frank Potenza and Larry Koonse; bassists Eugene Wright, Andy Simpkins, Al Mckibbon, Luther Hughes; Saxophonists Rob Kyle, Jeff Clayton, Ricky Woodard among many others.

These CD’s were recorded at 29th Street Studio in Torrance, California. The studio was owned by David Benoit and recorded on David’s personal Steinway from his home that happened to be in the studio at the time of the recording. The sound quality is extraordinary thanks to Malcolm who won a Grammy award for engineering Steve Wonder’s “Innervision”. Johnny’s playing is hard swinging and tightly wound around Malcolms growling bass notes that dance between Geoff’s bluesy and melodic improvisations.

Geoff went on to play many top venues in Los Angeles after these recordings while also pursuing a direction as a composer. His last CD “Can’t Stop Now” was his first disc of all original music and once again had Malcolm Cecil at the helm as producer..working his aural magic on the sessions. Can’t Stop Now features guitarist Larry Koonse, drummer Kendal Kay and bassist David May. The CD is also available on CDbaby.com


"Aymar's style is in keeping with the Les McCann school of pianists with a due nod to Oscar Peterson. That happy feeling that comes from the music of those players is ever present on these discs" Frank Rubolino--Cadence Magazine

"Geoff's music is exactly what KLON is all about, an engaging mix of memorable original compositions and fresh
straight ahead conceptions of jazz standards". Ken Borgers -- Former program director of KLON (now KJZZ 88.1 LOS Angeles)

"..the pianist shows originality and creativity within the mainstream of jazz" "A local artist well worth supporting" Scott Yanow--Jazz critic (Downbeat, Jazz Times, LA Times)

The Trio Vol. 1

Michele Santo - So Far

Size: 116,7 MB
Time: 50:26
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz/Pop Vocals
Art: Front

01. If I Only Had A Brain (5:35)
02. Devil May Care (4:51)
03. Bein' Green (5:10)
04. Alone Together (3:58)
05. Better Than Anything (5:09)
06. It Never Entered My Mind (3:36)
07. The Rules Of The Road (3:57)
08. Heart's Desire (4:24)
09. That's All (3:13)
10. Looking Back (Reflections) (5:13)
11. The Best Is Yet To Come (5:15)

Personnel:
Michele Santo, Vocals
Marty Mellinger, Piano and keyboards
Steve Varner, Bass
Erik Johnson, Drums

I couldn't get more info about this singer. Any help will be welcome.

So Far

Véronneau - Joie De Vivre - Joy of Living

Styles: Brazilian Jazz, Bossa Nova
Year: 2011
File: MP3@320K/s
Time: 36:49
Size: 87,3 MB
Art: Front

(4:55)  1. La Mer
(4:22)  2. The Gentle Rain
(2:58)  3. For No One
(3:27)  4. Corcovado
(3:43)  5. Cielito Lindo
(4:49)  6. The Street Where You Live
(3:53)  7. Brazil
(2:35)  8. Abertura do Verao (Opening of Summer)
(2:45)  9. One Note Samba
(3:18) 10. Blue Skies

Sweetly simple and sensual, Véronneau’s Joie de Vivre is a smooth record ideal for summer listening outside with a glass of wine or four, and some candlelight.Véronneau is the band of the marvellous French-Canadian singer Lynn Véronneau. With Ken Avis (guitar, vocals, percussion), David Rosenblatt (guitar, percussion) and Pete Walby (drums), Lynn’s outfit is sharp and dedicated to exploring the passion of music and life. The recording also features the violin of Dave Kline and the blistering, bluesy saxophone of Canadian Jeff Antoniuk. Joie de Vivre is a compilation of sorts, but it’s also a freshly original work.Véronneau presents their favourite music, delivering a selection of songs ranging from the Beatles to Rodgers and Hart. Brazilian samba, gypsy jazz and French music also reveal the band’s deep sensibilities to sampling from the jubilant palette of creativity.

More than simply singing covers and slinking away elsewhere, Lynn takes ownership of each individual piece and delivers an emotional, passionate performance every time. Her work on Lennon and McCartney’s haunting and gorgeous “For No One” takes on spectacular new meaning as Lynn emotes and phrases things elegantly. Backed by simple guitar, it’s one of my favourite tracks on the record.

The music of Antonio Carlos Jobim is given two opportunities to shine. “Corcovado” and “One Note Samba” embody the spirit of the Brazilian songwriter and composer. Lynn sails through the Gene Lees English lyrics on the former, guided all the while by Avis and Rosenblatt’s lovely playing.Whether she’s tackling the nuances of classic tunes (“La Mer”) or drawing on the pageantry of My Fair Lady (“The Street Where You Live”), Lynn is a consummate performer. Her voice packs a wallop, sure, but most importantly she sings with heart. As she pulls back on the big notes and enters into subtle patterns of expert phrasing, it feels as though she’s singing to one person at a time. Even with this intimate vibe, it’s clear that the music of Joie de Vivre is designed for big crowds and bright lights. The musical experience rendered by Lynn and co. is satisfying and bewitching, engaging in the tales it tells and the stories it leaves to mystery. The liner notes aren’t bad, either. ~ Jordan Richardson  http://blogcritics.org/i-hear-sparks-vronneau-joie-de/

Dave Pell Octet - Swingin' In The Ol' Corral

Styles: Saxophone Jazz
Year: 2011
File: MP3@320K/s
Time: 40:07
Size: 92,9 MB
Art: Front

(2:52)  1. I'm An Old Cowhand
(3:10)  2. Oklahoma Hills
(3:24)  3. Cool Water
(3:08)  4. I'll Be Hanged
(2:26)  5. Gal In Calico
(4:29)  6. Empty Saddles
(2:43)  7. Arkansas
(3:14)  8. Camptown March And Blues
(4:19)  9. South Of The Border
(4:13) 10. Wagon Wheels
(2:26) 11. Across The Alley From The Alamo
(3:38) 12. My Sombrero

Dave Pell's behind-the-scenes career may be more familiar to space age pop fans than his own accomplishments as a performer. As head of artists and repertory (A&R) for Liberty Records and United Artists in the 1960s, Pell produced many of the best-known albums by Martin Denny, Si Zentner, the Ventures, Trombones Unlimited, and others. But Pell started as a working musician in the heyday of the big bands. He joined Tony Pastor's band in 1944, spent two years working with Bob Crosby's Bobcats, then moved to Los Angeles and joined Les Brown's new "Band of Renown" group in 1947. As a tenor sax player, Pell became one of the stars of the Brown band, and he remained with them until 1955. He then formed his own group, the Dave Pell Octet, along with trumpeter Don Fagerquist, and adopted a lighter style, very much in the spirit of the West Coast jazz movement. Pell hired some of the best arranging talents available, including Marty Paich, Shorty Rogers, Jerry Fielding, and Bill Holman, and the group's albums sold well. 

Some critics panned the group as "middlebrow jazz" and Pell himself once referred to it as "mortgage-paying jazz," but its tight ensemble recordings have become highly collectable. Pell also recorded a series of albums with a larger band, performing in the style of the most famous names from the big band era, for a small budget label he owned called PRI. Several years later, he cashed in on the percussion album craze by hiring drummer Frankie Capp to overdub percussion parts on these recordings and released them as Percussion in a Tribute to ... on Kimberley Records, another label he started. Like many West Coast jazz musicians, Pell moved to the security of studio work as the interest and market for live jazz waned. He joined the staff of Liberty Records and soon became a major contributor. He worked hard on both the technical and musical sides, improving Liberty's studio processes and working to develop its roster of artists. He often collaborated with producer Snuff Garrett and arranger Bob Florence, cultivating both pop and rock artists. He was the first to record singer Vicki Carr, fresh out of stint as a girl singer in Ray Anthony's road show, and produced her first 11 albums, including It Must Be Him, which sold over a million copies. 

Pell released three albums under his own name on Liberty. The first two, in 1963, featured Florence's arrangements for small combo and jazz chorus. The last, released in 1969, is now a great favorite of soft pop/easy tempo fans, with terrific versions of Piero Umiliani's dippy classic, "Mah-Na, Mah-Na," the Electric Indians' "Kemo Sabe," and the title tune from the nude musical, "Oh, Calcutta." Pell and Florence are rumored to have become so familiar with Martin Denny's style that they ghosted several of Denny's albums while the performer was out on tour. Certainly Pell and Moog player Paul Beaver had more to do with the great Exotic Moog than Denny himself did, which Denny himself readily admits. After Liberty was ingested by United Artists, Pell became creative director for Motown Records, where he hired the Commodores and helped the label through its challenging transition from Detroit to Los Angeles, and from the "Motown sound" to 70s soul and disco. 

He worked with Garrett again in the 1980s, heading Garrett's Viva label, which had some of the hotter country artists of the period in Shelly West and David Frizzell, and running a music publishing conglomerate that encompassed over 30 different companies. He joined up with another West Coast jazz vet, Lennie Niehaus, and handled the soundtrack recordings for a number of Clint Eastwood and Burt Reynolds films, including "Sudden Impact" and "Sharkey's Machine" (which included the last known recording by former Liberty cover girl Julie London). He also founded Headfirst, a pioneering digital recording label. Pell continues to work in the music industry and has his own website, www.davepell.com. And over forty years after their first release, his "Tribute" series made its third appearance, this time on Pell's CD label, Group 7 Records. Bio ~ http://www.davepell.com/about.html

Philippe Chretien - A Love Story

Styles: Saxophone Jazz
Year: 2006
File: MP3@320K/s
Time: 43:26
Size: 99,4 MB
Art: Front

(10:00)  1. Summertime
( 6:32)  2. This Masquerade
( 6:44)  3. Love Story
( 8:11)  4. Besame Mucho
( 6:36)  5. Harlem Nocturno
( 5:21)  6. Ain't No Sunshine

Philippe Chretien, who was born in 1958 in Basel and taught by Chester Gill in piano and trumpet, tenor sax took place in 1979 in his preferred instrument. International concert experience he gained with renowned musicians and DJs of different directions. He has developed his very own style. In his solo project he works as a composer, producer and DJ. In elegant understatement his gala performances creating a relaxed and sensual atmosphere. Typical of Philippe Chretien is his distinctive tone and musical empathy. Jack Kreisberg (Blue Note, New York) brought it to the point: "He's got a killer sound". Bio ~ http://www.saxophonist.ch/deutsch/bio.html

A Love Story