Sunday, January 2, 2022

Quincy Jones - Back On The Block

Styles: R&B, Crossover Jazz
Year: 1989
File: MP3@320K/s
Time: 57:55
Size: 134,8 MB
Art: Front

(1:04) 1. Prologue (Q's Rap)
(6:34) 2. Back On The Block
(5:11) 3. I Don't Go For That
(4:54) 4. I'll Be Good To You
(0:31) 5. The Verb To Be
(3:31) 6. Wee B. Dooinit
(6:28) 7. The Places You Find Love
(2:53) 8. Jazz Corner Of The World
(5:34) 9. Birdland
(5:04) 10. Setembro (Brazilian Wedding Song)
(3:44) 11. One Man Woman
(4:46) 12. Tomorrow (A Better You, Better Me)
(0:54) 13. Prelude To The Garden
(6:40) 14. The Secret Garden

Back on the Block is a 1989 studio album produced by Quincy Jones. The album features legendary musicians and singers from across three generations, including Ella Fitzgerald, Miles Davis, Joe Zawinul, Ice-T, Big Daddy Kane, Sarah Vaughan, Dizzy Gillespie, George Benson, Luther Vandross, Dionne Warwick, Barry White, Chaka Khan, Take 6, Bobby McFerrin, Al Jarreau, Al B. Sure!, James Ingram, El DeBarge, Ray Charles and a 12-year-old Tevin Campbell.

Multiple singles were lifted from the album and found success on Pop and R&B radio, including "I'll Be Good to You", "I Don't Go for That", "The Secret Garden (Sweet Seduction Suite)", and "Tomorrow (A Better You, Better Me)" which was originally an instrumental track on the Brothers Johnson's Look Out for #1 set. "Tomorrow" is also noteworthy for introducing a young Tevin Campbell to the music scene. Back on the Block won the 1991 Grammy Award for Album of the Year. Jones' track, "Setembro (of brazilian composers Gilson Peranzzetta and Ivan Lins)" was featured on the soundtrack of the 1991 film, Boyz n the Hood. Back on the Block topped the R&B Albums chart at number-one for twelve weeks, and topped the Contemporary Jazz Albums chart as well.

Back on the Block featured the last studio recordings of jazz singers Ella Fitzgerald and Sarah Vaughan. Fitzgerald and Jones had previously worked together on her 1963 album with Count Basie, Ella and Basie!. Jones had produced three albums with Sarah Vaughan when they both worked for Mercury Records. At the 33rd Grammy Awards, Back on the Block won seven Grammy Awards, including the Grammy Award for Album of the Year.

In arranging, Jerry Hey, Quincy Jones, Ian Prince and Rod Temperton won the Grammy Award for Best Instrumental Arrangement for "Birdland", and Glen Ballard, Hey, Jones and Clif Magness won the Grammy Award for Best Instrumental Arrangement Accompanying Vocal(s) for "The Places You Find Love". Jones also won the Grammy Award for Best Jazz Fusion Performance for "Birdland", and the Grammy Award for Producer of the Year, Non-Classical. Bruce Swedien won the Grammy Award for Best Engineered Album, Non-Classical for his work on the album. Ray Charles and Chaka Khan won the Grammy Award for Best R&B Performance by a Duo or Group with Vocal for "I'll Be Good To You". The Grammy Award for Best Rap Performance by a Duo or Group went to Big Daddy Kane, Ice-T, Kool Moe Dee, Melle Mel, Quincy Jones III and Jones for "Back on the Block".https://en.wikipedia.org/wiki/Back_on_the_Block

Personnel includes: Quincy Jones (vocals, keyboards, programming); Bobby McFerrin (vocals, bass, percussion); Ella Fitzgerald, Sarah Vaughan, Chaka Khan, Dionne Warrick, Al Jarreau, Luther Vandross, Barry White, Take 6, Tevin Campell, James Ingram, El DeBarge, Al B. Sure! (vocals); Ice-T, Big Daddy Kane, Kool Moe Dee, Melle Mel (rap vocals); James Moody, Gerald Albright (alto saxophone); Dizzy Gillespie, Miles Davis (trumpet); Herbie Hancock, George Duke (keyboards); George Benson, Steve Lukather, Paul Jackson, Jr., (guitar); Nathan East (bass); Harvey Mason (drums); Steve Porcaro, Josef Zawinul, Rod Temperton (programming); Paulinho Da Costa (percussion).

Back On The Block

Art Blakey & The Jazz Messengers - The Big Beat

Styles: Jazz, Hard Bop
Year: 1960
File: MP3@320K/s
Time: 50:13
Size: 115,2 MB
Art: Front

(9:39) 1. The Chess Players
(6:09) 2. Sakeena's Vision
(6:07) 3. Politely
(8:50) 4. Dat Dere
(6:29) 5. Lester Left Town
(6:41) 6. It's Only A Paper Moon
(6:15) 7. It's Only A Paper Moon (Alternate Take)

Perhaps the best known and most loved of Art Blakey's works, The Big Beat is a testament to the creative progress of one of the best jazz drummers of all time. Now over 40 years old, The Big Beat is as thunderous as ever. Here, Blakey combines his rhythm with tenor saxophonist Wayne Shorter's brilliant composing to make what could only be termed a "structurally raw" album. Each track rips through bebop as quickly as Blakey ripped through drum heads. "Dat Dere" and "Lester Left Town" stand out as part of the true canons for hot jazz. Two alternate versions of "It's Only a Paper Moon" round out the album, both brimming with the fluid integrity of the song and the drive only Blakey could provide. As one of the few drummers to step out and lead, not just play backup, Blakey created a true jazz treasure in The Big Beat.~ Christopher Fielderhttps://www.allmusic.com/album/the-big-beat-mw0000191549

Personnel: Art Blakey — drums; Lee Morgan — trumpet, flugelhorn; Wayne Shorter — tenor saxophone; Bobby Timmons — piano; Jymie Merritt — bass

The Big Beat