Time: 60:36
Size: 138.7 MB
Styles: Country, Adult Contemporary
Year: 1993
Art: Front
[3:02] 1. Old Cape Cod
[3:42] 2. The Wayward Wind
[3:55] 3. Secret Love
[3:22] 4. Fever
[3:35] 5. When I Fall In Love
[3:43] 6. Allegheny Moon
[3:06] 7. You Belong To Me
[2:43] 8. Born To Be With You
[2:37] 9. True Love
[2:42] 10. Teach Me Tonight
[4:06] 11. Cry Me A River
[2:53] 12. Make Love To Me
[3:06] 13. Hey There
[2:43] 14. It Only Hurts For A Little While
[4:21] 15. I'm Confessin' (That I Love You) I'm A Fool To Care
[3:07] 16. Wanted
[4:42] 17. I Really Don't Want To Know
[3:03] 18. Moments To Remember
Murray drops any pretense of singing pure country and steps into a Patti Page/Peggy Lee guise instead. The whole set consists of her taking on chestnuts like "The Wayward Wind," "Secret Love," and "Cry Me a River." ~Dan Cooper
Anne Murray is the last of the great Alto's. She has that special and undefinable vocal presense, so unique it has a mysterious way of entering your heart and soul. Listening to her haunting vocal rendition to ''Hey There'' reminds all of us that love's not just a one way street. There are only a handful of today's contemporary vocalists who can control and utilize their voice effectively, people like Linda Eder, Harry Connick, Jr., Sarah Mc Lachlan, and cabaret artists like Lee Lessack, Karen Mason, Michael Poss... just to name a few. But, will the young "bubble gum" pop-country Diva generation ever decide to stop "scatting" and just simply sing the melodies of today's songs? Our new generation of teenage singers could use a couple of vocal lessons from Anne Murray, because Anne's phrasing on the ''Croonin''' CD is a real a treat, and I think a lesson for a lot of today's teenage pop/country music stars. ~Amazon
Anne Murray is the last of the great Alto's. She has that special and undefinable vocal presense, so unique it has a mysterious way of entering your heart and soul. Listening to her haunting vocal rendition to ''Hey There'' reminds all of us that love's not just a one way street. There are only a handful of today's contemporary vocalists who can control and utilize their voice effectively, people like Linda Eder, Harry Connick, Jr., Sarah Mc Lachlan, and cabaret artists like Lee Lessack, Karen Mason, Michael Poss... just to name a few. But, will the young "bubble gum" pop-country Diva generation ever decide to stop "scatting" and just simply sing the melodies of today's songs? Our new generation of teenage singers could use a couple of vocal lessons from Anne Murray, because Anne's phrasing on the ''Croonin''' CD is a real a treat, and I think a lesson for a lot of today's teenage pop/country music stars. ~Amazon
Croonin'
