Wednesday, February 3, 2016

Mario Adnet - Jobim Jazz: Ao Vivo

Size: 147,3 MB
Time: 63:32
File: MP3 @ 320K/s
Released: 2007
Styles: Jazz: Brazilian Jazz
Art: Front

01. Jobim Jazz (Live) (4:56)
02. Mojave (Live) (3:23)
03. Sue Ann (Live) (3:31)
04. Surfboard (Live) (4:42)
05. O Boto (Live) (4:41)
06. Rancho Nas Nuvens (Live) (5:34)
07. So Danço Samba (Live) (3:41)
08. Wave (Live) (3:51)
09. Tema De Jazz (Live) (6:05)
10. Bonita (Live) (4:22)
11. Paulo Voo Livre (Live) (5:12)
12. Por Causa De Voce (Live) (2:47)
13. Estrada Do Sol (Live) (3:46)
14. Polo Pony (Live) (6:56)

Although we often think of Antonio Carlos Jobim's bossa nova material as a kind of jazz, it isn't really, although he was familiar with the genre and often used its inflections and moods. With this album, however, Jobim definitely becomes jazzy. Guitarist Mario Adnet set out to do two things — keep the Brazilian roots of the music faithfully intact, but also give jazz arrangements, including horns, to the pieces, some of which have rarely been heard. He's succeeded beautifully in both aims. His charts capture the subtle melodies and gorgeous sprung rhythms, but offer a full sound, with room for improvisation. Kudos, too, to the band, who play superbly throughout, while the singing is understated (even that of Joyce on "Paulo Voo Livre"), keeping the focus firmly on the instrumentalists. Adnet is obviously a scholar of Jobim's work, and a passionate fan, with a deep desire to bring more people to Jobim's music, and to highlight the jazz elements in it. It becomes more than an academic exercise, and the lulling, often beautiful sound is filled with little inventions that propel it along.

Jobim Jazz

Lola Haag - Romantico

Size: 105,3 MB
Time: 44:53
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz Vocals, Latin Jazz
Art: Front

01. Aquellos Ojos Verdes (2:29)
02. Somos Novios (4:22)
03. Perfidia (2:18)
04. Sabor A Mi (3:04)
05. Quizas, Quizas, Quizas (2:43)
06. La Media Vuelta (2:39)
07. Solamente Una Vez (3:00)
08. Besame Mucho (3:30)
09. Esta Tarde Vi Llover (3:43)
10. Piel Canela (3:14)
11. Historia De Un Amor (3:27)
12. Amor, Amor, Amor (2:42)
13. La Sombra De Tu Amor (4:35)
14. Quien Sera (3:01)

Lola Haag is a native of Wisconsin who has been living in California for most of her adult life. Early influences were the great female jazz singers including Ella, Sarah, Peggy Dinah and so many others. She studied the performers who were entertainers, those who really knew how to relate to their audiences. Her musical tastes run from the
great American Songbook and the fabulous songwriters of that era to the outstanding contemporary songwriters of today from Jazz to Broadway.

Lola loves to sign. When she was growing up she was teased by her siblings that she would sing along with anything, including the instrumentals! Her grandmother fibbed and told her that eating burnt toast would give you a good singing voice. She ate all the family’s toast scraps for years.

Prior to starting a Jazz recording and performing career, Lola pursued her love of the American Musical Theatre playing many lead roles including: Mama Rose in “Gypsy”, Anna in “The King And I”, Adelaide in “Guys & Dolls”, Guinevere in “Camelot” and many others. She directed a youth theater for over 10 years, teaching children and teens acting, singing and performing skills.

During this time, Lola worked on perfecting her craft as a singer and entertainer and longed for the day when she could share her love for the greatest music ever written with the Jazz Club circuit. She began appearing in clubs all over California developing her “chops” on the music of Cole Porter, Stevie Wonder, Gershwin, Billy Joel, Billy Strayhorn, Ellington and others. Her club experiences let to recording opportunities.

She recorded her first Jazz CD, “A Tribute to Sarah Vaughan” which featured the Jerome Kern song “All The Things You Are” and Sarah’s hit “Whatever Lola Wants”, which Lola has adopted as her own signature song. Lola’s version was one of the top Jazz vocal downloads in iTunes for many months.

Her second Jazz CD pays homage to the great Billie Holiday. In her own style, Lola’s version
of “God Bless The Child” really shows the depth of her delivery. Her interpretation of Duke Ellington’s “In A Sentimental Mood” and the ballad “He’s Funny That Way” are gems that highlight Lola’s relaxed style.

Released in July 2013 is Lola’s latest CD “Here I Go Again…” It is a collection of audience favorites from her live Jazz performances. The album has a light swingin’ style and features many familiar songs, including a samba version of “I’ve Grown Accustomed To his Face” to a unique smooth groove version of Billy Joel’s “New York State Of Mind”. The final tune on the album is a new rendition of “Somewhere Over The Rainbow”. It gives the listener a chance to hear Lola display the vocal power that is a hallmark of her live shows.

Lola Haag & Her Jazz Ensemble perform continuously in Jazz clubs from New York to California. Her recordings are heard world wide on radio stations around the globe.

Romantico

Rich Crandall - Buddy Nowhere: 1930s

Size: 76,5 MB
Time: 32:26
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Piano Jazz
Art: Front

01. Out Of Nowhere (3:15)
02. A Kiss To Build A Dream On (3:44)
03. My Buddy (4:07)
04. Tea For Two (3:13)
05. I Cover The Waterfront (2:56)
06. The Blue Room (2:59)
07. I'll Never Be The Same (2:59)
08. Don't Blame Me (3:36)
09. Strollin' With My Baby Back Home (2:59)
10. Out Of Nowhere (Reprise) (2:33)

Crandall’s style of playing piano is clearly jazz, but there’s a warmth that pervades throughout his playing—when performing “live”, on his trio albums, his daughter’s vocal albums, and now on this new solo album, “Buddy Nowhere” 1930s.

It began in the Midwest heartland of the U.S.—specifically Chicago where he was first raised—with the nurturing encouragement of his music-loving, piano playing father, Robert. Maybe “Buddy Nowhere” is a return to musical roots of sorts for Rich, who went on to forge his own jazz path through Wisconsin and Michigan before breaking loose to San Francisco and finally Honolulu. That’s where he's settled, married, and passed the musical torch to daughter Angela.

“Clear melodic lines, good time, and rich chords are what communicate best for me,” says Crandall. “Popular appeal’s a trap. Playing in a way that seeks—reaches out beyond one’s ego—is what’s crucial for musical language to communicate, I think.”

Crandall adds…“Music is fantasy—and I believe ‘Buddy Nowhere’ subtly and concisely captures my own fantasies surrounding these song favorites…from a time period way before my own.”

Crandall’s albums include “Solo Travel”, trio albums “Soothsayer”, “Til Further Notice”, and “Last Takes with Rory.” He also produced and his trios performed on Angela Crandall’s “Shine” and “Malaika.” All were recorded on the Music Formats.

Buddy Nowhere: 1930s

David Gonzalez - Jazz Gumbo

Size: 99,6 MB
Time: 36:39
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz: New Orleans Jazz, Vocals
Art: Front

01. Do You Really Know What It Means To Miss New Orleans (2:12)
02. Do You Know What It Means To Miss New Orleans (Charlie Miller) (3:46)
03. Never Make Your Move Too Soon (3:52)
04. Chile Con Soul (4:16)
05. Sophisticated Lady (5:12)
06. Rhythm-A-Ning (3:31)
07. A Night In Tunisia (4:37)
08. Summer Song (4:15)
09. I'm Walkin' (4:52)

Hello everyone, and thank you for stopping by. I’m David Gonzalez, a man some might say is a wearer of many hats. Well, my favorite “hat” has been that of a jazz vocalist.

Over the past four plus decades I’ve shared the stage with musicians who performed with Duke Ellington, Count Basie, Woody Herman, Benny Goodman to Charlie Parker, George Shearing, Cal Tjader, Tito Puente to vocalists such as Frank Sinatra, Joe Williams, Ella Fitzgerald, Sarah Vaughn ,Billie Holliday and of course, me.

Those were memorable times and over the past several years, I have added to those memorable times with performances with some wonderful jazz musicians in New Orleans. So much so, that for the past three years I’ve been working on a recording project that will feature three different ensembles of New Orleans jazz musicians.

The first ensemble features a tribute to New Orleans that I composed along with two other songs with Charlie Miller (Dr. John, Thelonius Monk, Machito, Larry Harlow, Chuck Mangione…), Darrel “Sugar Bear” Francis (the “hardest working man in show business”) and Eric Robinson (a gifted guitarist). I even persuaded Charlie Miller to sing a “New Orleans” song!

The second ensemble features Thaddius Richard, piano (has a platinum and gold record for his time with Paul McCartney and Wings), Richard Moten, bass, Gerald French, drums, and for one song, trombonist Rick Trolsen.

The third ensemble features Lawrence Sieberth, piano, Richard Moten, bass, Gerald French, drums, Andrew Baham, trumpet, and Alexey Marti (from Cuba), latin percussion.

This was indeed a labor of love and I hope you will enjoy this "Jazz Gumbo" experience. Laissez Les Bon Temps Rouler!

Jazz Gumbo

Vibrham Trio - Vibrham

Size: 84,4 MB
Time: 36:08
File: MP3 @ 320K/s
Released: 2006
Styles: Jazz: Acid Jazz, Hammond Organ
Art: Front

01. Walkin' In Harlem (4:26)
02. Icaro (6:15)
03. From Jhon To Jhon (5:23)
04. Kandisky (4:09)
05. Sballad (2:50)
06. Blues.It (3:59)
07. Quiet Song (4:08)
08. Dr. Smith (4:54)

VIBRHAM is a very uncommon organ-based trio!

Formed by Francesco Fabbri (Hammond B3), Jacopo Bazzarri (Vibes) and Massimo Discepoli (Drums) the band found another way to play jazz, with the amazing strenght of Hammond organ and the melodic and smooth sound of the vibes.

The music of VIBRHAM trio is a mix of jazz, Funk, Swing and Drum&Bass.

Eight tracks, each composed by one or more member of the Band!

Walkin in Harlem is a powerful funky tunes composed by Francesco Fabbri when he was in harlem to have lessons with the greatest Dr. Lonnie Smith.

Icaro is a dreaming jazz-latin tunes, composed by Massimo Discepoli.

From jhon to jhon (intentionally wrong!!) is another straight-up funky composition made by the organist Francesco fabbri.

Kandisky is the Drum&bass tunes! This is an amazing song with a lot of tempo changes inside!

Sballad is a melodyc song played only with vibes and marimba
from Jacopo Bazzarri and composed by Bazzarri and Fabbri togheter.

Blues.it is how Francesco fabbri use to see the blues!

Quiet song is a latin feel composition by the vibraphonist jacopo Bazzarri.

Dr. Smith is the last track of this album! Dedicated to the great Dr. Lonnie Smith and composed by Francesco fabbri.

Vibrham

Zhanna Sattarova - Sketches For The Mood

Size: 110,6 MB
Time: 47:42
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals, Electronic
Art: Front

01. Nuages (3:16)
02. So Fine (4:09)
03. To Beat Takeshi (4:50)
04. Elixir (4:15)
05. Nature Boy (5:14)
06. Honeysucle Rose (3:45)
07. I Got Stand A Ghost Of A Chance With You (5:14)
08. Blue Skies (4:49)
09. Dreamland (4:01)
10. Karakesek (3:15)
11. Kar Kizy (4:48)

1. Started playing the piano at the age of 4
2. From 7, going to musical school for gifted children
3. From 7 to 18, being a classical piano player
4. In 1991, Graduated Almaty Conservatory Institute as a classical piano player
5. From 21, Started learning what the Jazz Music is by herself
6. From 21, Started sing as a singer regarding Jazz
7. From 23, Started being a Jazz singer in Almaty
8. Working in the club in cities in Kazakhstan
9. Got membership of IAJE(International Association of Jazz Educators)
10. Being a representative of Kazakhstan in the U.S., Russia, Kirgizstan, etc.
11. Being a representative of Jazz festivals in Kazakhstan, New York, LA.
12. Organized many Jazz groups and Jazz Bands in Almaty
13. She prefers to play mainstream Jazz
14. Also enjoy playing Funk Music, Electronic Music
15. Composed many songs and lyrics as composer
16. 2012, released new album dedicated to Takesh Kitano (Japanese Movie Maker)
17. Got nickname as First lady of Jazz in Central Asia.

Sketches For The Mood

Maria Muldaur - Maria Muldaur's Music For Lovers

Bitrate: MP3@320K/s
Time: 54:10
Size: 124.0 MB
Styles: Louisiana Blues vocals
Year: 2000
Art: Front

[5:26] 1. Fanning The Flames
[5:25] 2. Think About You
[4:49] 3. Latersville
[6:50] 4. It Feels Like Rain
[4:23] 5. Gee Baby, Ain't I Good To You
[4:05] 6. We Can Let It Happen Tonight
[4:21] 7. Soothe Me
[4:17] 8. Talk Real Slow
[4:16] 9. I Wanna Be Loved
[5:09] 10. Someday When We're Both Alone
[5:05] 11. Southland Of The Heart

Maria Muldaur, Johnny Adams, Bonnie Raitt, Mavis Staples, Charles Brown (vocals); Danny Caron, Sonny Landreth, Anthony Paule, Cranston Clements (guitar); Jim Rothermel (clarinet, alto & tenor saxophones); Marty Grebb (saxophone, piano); Steve Campos (trumpet, cornet, flugelhorn); David Matthews (piano, organ); Mike Thompson (keyboards); Hutch Hutchinson, Reggie McBride (bass); Steve Potts, Lee Spath, Tony Braunagel (drums); Tracy Nelson, Jenni Muldaur, Ann Peebles, Linda Tillery, Lady Bianca, Jon Cleary (background vocals).

The musicianship, production, and song selection are all top-notch, and Muldaur, whose voice has grown huskier and even sexier since her '70s heyday, wraps her pipes around these tunes like a heavy fog slowly rolling in over New Orleans' Lake Ponchartrain. She effortlessly straddles jazz and blues, transforming anything she touches into a smooth, easygoing, yet sizzling slice of oozing romance. The way her voice lingers over words, adding just a trace of Southern twang as the subtle backing musicians set up a languid groove, makes the listener feel like they're sinking into their favorite easy chair. The song titles tell it all; "Soothe Me," "Fanning the Flames," and "We Can Let It Happen Tonight" set the mood without even hearing a note, and after you've played this once, you'll want to find your special someone to share it with all over again. If you own none of the trio of Maria Muldaur albums where these songs originated, this is a reasonable place to begin your collection of this classic singer, especially if you're in the mood for love. ~ Hal Horowitz

Maria Muldaur's Music For Lovers

Duke Pearson - The Right Touch

Bitrate: MP3@320K/s
Time: 42:31
Size: 97.3 MB
Styles: Piano jazz
Year: 2007
Art: Front

[6:51] 1. Chili Peppers
[6:35] 2. Make It Good
[5:52] 3. My Love Waits (O Meu Amor Espera)
[6:33] 4. Los Malos Hombres
[5:21] 5. Scrap Iron
[6:14] 6. Rotary
[5:02] 7. Los Malso Hombres

Duke Pearson rises to the challenge of writing for an all-star octet (with trumpeter Freddie Hubbard, trombonist Garnett Brown, altoist James Spaulding, Jerry Dodgion on alto and flute, Stanley Turrentine on tenor, bassist Gene Taylor, drummer Grady Tate, and the leader/pianist), contributing colorful frameworks and consistently challenging compositions. The set is full of diverse melodies (the CD reissue has a previously unissued take of "Los Malos Hombres") played by a variety of distinctive soloists; many of these songs deserve to be revived. This is one of the finest recordings of Duke Pearson's career. ~Scott Yanow

The Right Touch

Dave Lennox - Before Beyond & Blue

Bitrate: MP3@320K/s
Time: 72:26
Size: 165.8 MB
Styles: Contemporary jazz
Year: 2008
Art: Front

[5:11] 1. All About Jimmy
[7:15] 2. Funkaloo
[7:59] 3. Done Lost My Way With You
[5:23] 4. Talisman
[4:48] 5. Cruisin'
[7:29] 6. Sackville St Blues
[7:46] 7. Walkdown
[6:09] 8. The Moocher
[6:12] 9. Hobo Groove
[5:05] 10. All Star Blues
[9:05] 11. Somewhere Your Light Will Always Shine

Dave Lennox received formal tuition on piano and composition at the Municipal School of Music and the Royal Irish Academy in Dublin, Ireland. Walking into a local record shop, he was introduced to Jimmy McGriiff's "I got a woman" album. Jimmy and the Hammond organ made a deep impression and left a lasting legacy. After being involved with a number of bands in Dublin and writing and recording the title music for Ireland's top music show at the time, "Like Now", he moved to London, England. Once in the UK, gigs, tours, albums, radio and TV shows followed with numerous artists and bands. "I have been so privileged and lucky to play for people like Al Green, Archie Shepp, Dee Dee Bridgewater, Ginger Baker, Jay Owens, Mick Abrahams, Art Wood and so many others".

Daves first CD "Lufthalle", was written and recorded in the late 1980's but sat on the shelf for some years as Dave busied himself touring and writing for TV. It was finally released by Note Music in 2006. Best described as a "Jazz Fusion" work, it contains many influences from the era in which it was written and is an entirely solo effort. The second CD "Before Beyond and Blue, sees Dave joined by guitarist Winston DeLandro, Mick Eve on tenor sax and drummer Chris Sharley attempting to recreate some of the atmosphere from the Blue Note era. Driving organ grooves and lots of swing are the main components with an overall bluesy mood.

Currently Dave performs with a number of London based bands, most notably the Lee Ryder Band, Richie Milton and the Lowdown and the Grapevine Blues Band.

Before Beyond & Blue

Michelle Walker - Slow Down

Bitrate: MP3@320K/s
Time: 52:11
Size: 119.5 MB
Styles: Vocal jazz
Year: 2002
Art: Front

[3:51] 1. Nature Boy
[3:46] 2. Be My Baby
[2:27] 3. Pennies From Heaven
[4:15] 4. East Of The Sun
[3:52] 5. The Very Thought Of You
[2:42] 6. Sometimes I'm Happy
[4:25] 7. Summertime
[2:48] 8. Straighten Up And Fly Right
[3:40] 9. Kiss Of Life
[2:49] 10. Daddy
[4:05] 11. Slow Down
[3:59] 12. Your Song
[3:27] 13. Time After Time
[2:43] 14. Crazy He Calls Me
[3:14] 15. On The Sunny Side Of The Street

Her arrangements of straight-ahead standards and contemporary pop tunes blend genres effortlessly and with a fresh level of originality that is solidifying her own distinctive sound. Dave Nathan at AllAboutJazz.com says, Walker demonstrates an extraordinary degree of musicality. Michelle is often compared to Cassandra Wilson, Nina Simone and Betty Carter in style and tone. Based in New York City, Michelle Walker is a versatile singer blessed with a beautifully distinctive voice. This charismatic jazz vocalist uses an artful blend of blues, bebop, swing and soul that provides a musical playground for her and her band mates. With playful rhythmic expressiveness, Walker brings a level of sophisticated musicality to her lyrical phrasing that reveals her appreciation for mentor Mark Murphy. Yet, it is in her live performances where you hear the influences of Carter, Simone and Wilson. All seem to have provided her with a musical foundation but her study of them does not seem to have skewed her journey to find a singular voice.

Slow Down

Sonny Fortune - You and the Night and the Music

Styles: Saxophone Jazz
Year: 2007
File: MP3@320K/s
Time: 57:37
Size: 132,2 MB
Art: Front

(4:38)  1. Sweet Georgia Brown
(7:56)  2. You and the Night and the Music
(7:12)  3. Charade
(6:48)  4. 'Round Midnight
(6:37)  5. Besame Mucho
(6:05)  6. Love Song
(7:44)  7. The End of a Love Affair
(5:08)  8. For Duke and Cannon
(5:24)  9. BeBop

From the generation of post-bop saxophonists following in the shadow of John Coltrane, multi-instrumentalist Sonny Fortune comes closest to capturing Coltrane's spirit and intensity. Since the late 1960s, Fortune has made an indelible mark on jazz history, collaborating with Elvin Jones, McCoy Tyner, Miles Davis and Mongo Santamaria, among other luminaries. Despite his numerous side-man appearances and a fertile solo career, he remains a respected but unsung hero of the jazz cognoscenti. Dominated by standards and traditional tunes, You and the Night and the Music is a rarity in his oeuvre. The majority of Fortune's discography concentrates on his own compositions augmented with the occasional classic cover tune. Two Thelonious Monk tributes, Monk's Mood (Konnex, 1995) and Four In One (Blue Note, 1993), are the only sessions released under his own name where he isn't the primary writer.

Reveling in the tight-knit camaraderie of a veteran ensemble, his previous release, Continuum (Sound Reason, 2004), featured a similar line-up. Pianist George Cables, bassist Chip Jackson and drummer Steve Johns have all played with Fortune for well over a decade. With effusive commentary and attentive interaction, they revitalize these durable favorites with inspired verve and subtle twists.At age 68 Fortune shows no sign of losing steam. His tart alto tone and keening vibrato uncoil rapid-fire intervallic leaps and roiling cadences on a sweltering reading of "BeBop." Even the old chestnut, "Sweet Georgia Brown," is given a punchy reading as the quartet careens along with visceral ebullience.

Borrowing rhythmic traditions south of the border, the title track and "The End of a Love Affair" simmer over percolating Latin grooves. With winning invention, Henry Mancini's lilting "Charade" is given a noir-ish twist, transformed into a sultry escapade. Revealing a tender side, the leader's lyrical flute work on "'Round Midnight" and Cable's own "Love Song" attest to his melodic gifts. Demonstrating melodic maturity, deep-seated respect for tradition and an adventurous improvisational spirit, Fortune's tight-knit quartet re-envisions timeless standards as fertile launching pads for continued exploration. 
~ Troy Collins  http://www.allaboutjazz.com/you-and-the-night-and-the-music-sonny-fortune-18th-and-vine-review-by-troy-collins.php

Personnel: Sonny Fortune: alto saxophone, flute; George Cables: piano; Chip Jackson: double bass; Steve Johns: drums.

You and the Night and the Music

Duke Ellington & Teresa Brewer - It Don't Mean A Thing If It Ain't Got That Swing

Styles: Vocal And Piano Jazz
Year: 1973
File: MP3@320K/s
Time: 29:02
Size: 68,9 MB
Art: Front

(2:05)  1. It Don't Mean A Thing If It Ain't Got That Swing
(3:18)  2. I Ain't Got Nothing' But The Blues
(2:27)  3. Satin Doll
(3:49)  4. Mood Indigo
(2:53)  5. Don't Get Around Much Anymore
(2:05)  6. I'm Beginning To See The Light
(2:37)  7. I've Got To Be A Rugcutter
(3:36)  8. I've Got It Bad And That Ain't Good
(1:55)  9. Tulip Or Turnip
(2:18) 10. It's Kind Of Lonesome Out Tonight
(1:53) 11. Poco Mucho

Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American composer, pianist and bandleader of jazz orchestras. He led his orchestra from 1923 until his death, his career spanning over 50 years. Born in Washington, D.C., Ellington was based in New York City from the mid-1920s onward, and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. In the 1930s, his orchestra toured in Europe. Though widely considered to have been a pivotal figure in the history of jazz, Ellington embraced the phrase "beyond category" as a liberating principle, and referred to his music as part of the more general category of American Music, rather than to a musical genre such as jazz. Some of the musicians who were members of Ellington's orchestra, such as saxophonist Johnny Hodges, are considered to be among the best players in jazz. Ellington melded them into the best-known orchestral unit in the history of jazz. Some members stayed with the orchestra for several decades. 

A master at writing miniatures for the three-minute 78 rpm recording format, Ellington often composed specifically to feature the style and skills of his individual musicians.Often collaborating with others, Ellington wrote more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, with many of his extant works having become standards. Ellington also recorded songs written by his bandsmen, for example Juan Tizol's "Caravan", and "Perdido", which brought a Spanish tinge to big band jazz. After 1941, Ellington collaborated with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed many extended compositions, or suites, as well as additional short pieces. Following an appearance at the Newport Jazz Festival, in July 1956, Ellington and his orchestra enjoyed a major career revival and embarked on world tours. Ellington recorded for most American record companies of his era, performed in several films, scoring several, and composed stage musicals. Due to his inventive use of the orchestra, or big band, and thanks to his eloquence and charisma, Ellington is generally considered to have elevated the perception of jazz to an art form on a par with other traditional musical genres. His reputation continued to rise after his death, and he was awarded a special Pulitzer Prize for music in 1999. https://en.wikipedia.org/wiki/Duke_Ellington

Teresa Brewer (May 7, 1931 – October 17, 2007) was an American pop singer whose style incorporated elements of country, jazz, R&B, musicals and novelty songs. She was one of the most prolific and popular female singers of the 1950s, recording nearly 600 songs.Theresa Veronica Breuer was born in Toledo, Ohio, the eldest of five siblings. Her father was a glass inspector for the Libbey Owens Company (now part of Pilkington Glass), and her mother was a housewife. When she was two years old, her mother entered her in an audition for a radio program, Uncle August's Kiddie Show on Toledo's WSPD. She performed for cookies and cupcakes donated by the sponsor. Although she never took singing lessons, she took tap dancing lessons. From age five to twelve, she sang and danced on the Major Bowes Amateur Hour, then a popular touring radio show. Her aunt Mary traveled with Theresa until 1949, when Theresa wed William Monahan.

At the age of 12, Brewer returned to Toledo and ceased touring in order to have a normal school life. She continued to perform on local radio. In January 1948, the 16-year-old won a local competition, and (with three other winners) was sent to New York to appear on a talent show called Stairway to the Stars, featuring Eddie Dowling. It was at about that time that she changed the spelling of her name from Theresa Breuer to Teresa Brewer. She won a number of talent shows and played night clubs in New York (including the Latin Quarter) https://en.wikipedia.org/wiki/Teresa_Brewer

It Don't Mean A Thing If It Ain't Got That Swing

Hendrik Meurkens - A Night In Jakarta

Styles: Harmonica jazz
Year: 2010
File: MP3@320K/s
Time: 53:05
Size: 123,5 MB
Art: Front

(6:01)  1. A Night in Jakarta
(5:36)  2. A Ilha
(5:05)  3. Choronto
(4:41)  4. They Can't Take That Away From Me
(4:20)  5. September Choro
(6:21)  6. The Winter Sea
(6:36)  7. Bolero Para Paquito
(2:52)  8. Choro no.8
(6:51)  9. Prague In March
(4:39) 10. Here's That Rainy Day

Ever since he started taking harmonica solos in the mid-'50s, Toots Thielemans has been without any close competition on his instrument, at least until Hendrik Meurkens arrived on the scene. Born in Germany to Dutch parents, Meurkens began as a vibraphonist, not playing harmonica until he heard Thielemans when he was 19. He traveled to the U.S. to study at Berklee and spent time in Brazil in the early '80s, during which he immersed himself in Brazilian jazz. Back in Berlin, Meurkens worked in the studios, but also recorded with the Danish Radio Orchestra and had his own jazz group. He made a record in Brazil for the Bellaphon label (1989) and since 1991 has recorded several sets for Concord and Concord Picante as a leader, in addition to appearing on records as a sideman with Charlie Byrd. ~ Scott Yanow  http://www.allmusic.com/artist/hendrik-meurkens-mn0000575401/biography

Personnel:  Hendrik Meurkens - harmonica, vibes;  Misha Tsiganov – piano, fender rhodes;  Gustavo Amarante – bass; Adriano Santos – drums, pandeiro, perc.

A Night In Jakarta

Paul Motian Trio - One Time Out

Styles: Jazz, Post-Bop
Year: 1987
File: MP3@320K/s
Time: 49:18
Size: 113,2 MB
Art: Front

(5:47)  1. One Time Out
(5:24)  2. If You Could See Me Now
(4:22)  3. For the Love of Sarah
(5:04)  4. The Storyteller
(5:06)  5. Portrait of T.
(5:54)  6. Morpion
(7:33)  7. Monk's Mood
(4:22)  8. Good Idea
(5:43)  9. Circle Dance

The key to this unusual trio is not the muscular tenor of Joe Lovano or the propulsive timekeeping of the drummer/leader but the remarkable guitarist Bill Frisell. Able to somehow produce sounds from this guitar that could be mistaken for a keyboard or a steel guitar, in styles ranging from heavy metal and avant-garde jazz to country music, Frisell is the reason that the trio can sound like a full band despite not having a keyboardist or a bassist. The music, which includes seven Motian originals along with "Monk's Mood" and "If You Could See Me Now," features both intense three-way free improvisations and introspective spacey ballads. Few of the tunes themselves will stick in one's mind (although "Morpion" could be an imaginary meeting betwee 1966 John Coltrane and Jimi Hendrix) but it is the basic sound of the unique group that makes the CD of great interest. ~ Scott Yanow  http://www.allmusic.com/album/one-time-out-mw0000316600

Personnel:  Paul Motian (drums), Joe Lovano (tenor saxophone), Bill Frisell (guitar).

One Time Out