Sunday, October 11, 2020

Herbie Harper - Jazz Greats

Styles: Trombone Jazz
Year: 2016
File: MP3@320K/s
Time: 80:00
Size: 185,6 MB
Art: Front

(4:18) 1. Jive at Five
(3:05) 2. King Porter Stomp
(2:55) 3. Dinah
(4:03) 4. Adios
(2:59) 5. Herbstone
(2:03) 6. Stars Fell on Alabama
(2:58) 7. 6/4 Mambo
(3:02) 8. Summertime
(2:13) 9. Five Brothers
(2:53) 10. Alone Together
(3:29) 11. Don't Buck It
(3:32) 12. Bananera
(2:55) 13. Julie Is Her Name
(3:38) 14. The Happy Clown
(3:15) 15. Sanguine
(5:14) 16. Jeepers Deepers
(2:55) 17. Juan Don
(3:14) 18. Now Playing
(2:32) 19. Patty
(3:08) 20. Pick Yourself Up
(2:44) 21. Skull Cap
(3:39) 22. The New York City Ghost
(3:23) 23. Jim's Tune
(3:14) 24. Godchild
(2:26) 25. Indian Summer

A fine trombonist active in the West Coast jazz scene of the 1950s, Herbie Harper spent most of his playing time after 1955 as a studio musician, although he occasionally re-emerged in the jazz world. After playing with Charlie Spivak's Orchestra (1944-1947), Harper settled in Los Angeles, where he gigged with Teddy Edwards and had short-time associations with Benny Goodman, Charlie Barnet, and Stan Kenton (1950). In addition to recording in the 1950s with June Christy, Kenton, Maynard Ferguson, Benny Carter, and Barnet, Herbie Harper led five albums of his own during 1954-1957 for Nocturne, Tampa, Bethlehem, and Mode. He mostly worked in the studios afterwards, but emerged to play with Bob Florence's big band and, in the 1980s, he recorded for SeaBreeze and with Bill Perkins for VSOP.~ Scott Yanow https://www.allmusic.com/artist/herbie-harper-mn0000572512/biography

Jazz Greats

Anne Phillips - Anne Phillips: Live at the Jazz Bakery

Styles: Vocal
Year: 2019
File: MP3@320K/s
Time: 60:26
Size: 140,2 MB
Art: Front

(4:48) 1. I'm Gonna Lay My Heart on the Line
(0:07) 2. Anne Talks to Audience First Time
(3:51) 3. Born to Be Blue
(4:34) 4. Easy Street
(7:01) 5. Anne Talks to Audience Second Time
(2:10) 6. Watching You Watching Me
(4:33) 7. Hey Look Where I Am
(5:20) 8. New York Night Time Blues
(1:54) 9. Anne Talks to Audience Third Time
(3:23) 10. To Make Them Like Me
(1:30) 11. Anne Talks to Audience Fourth Time
(5:02) 12. Another Day Without Him
(0:32) 13. Anne Talks to Audience Fifth Time
(4:44) 14. After All These Years
(5:09) 15. Embraceable You
(5:41) 16. There Will Never Be Another You

Anne Phillips has had a life in music if not always on record. Her career as a jazz singer began as a high schooler in rural Pennsylvania. At Oberlin, she DJ’d a radio show and with the jazz club put on the first Brubeck at Oberlin concert. At 19, in 1954, she moved to New York City at what turned out to be a very auspicious time. She quickly found work six nights a week as a singer in the burgeoning nightclub scene and as a demo singer for aspiring songwriters. In 1959 she recorded an album, Born to be Blue, that continues to be a collector favorite. Her industry was soon disrupted by rock ‘n roll and she wouldn’t record another album under her name until 2000. Her recording career may have paused but her involvement in music never did. She worked as a singer, choral arranger, conductor, and helped produce many national television and radio commercials. She’s written a jazz opera, Bending Towards the Light A Jazz Nativity, which is performed annually in several cities with performers including Lionel Hampton, Dave Brubeck, and Tito Puente. Her non-profit, Kindred Spirits, engages children’s jazz choirs in learning Songbook material.

She’s also composed features in the classical realm and is on the faculty of the Jazz Department at NYU. Since returning to recording in 2000 she’s released several solo albums, often joined by personal friends like Marian McPartland and Dave Brubeck. 60 years after her debut album she returns to some of the same material for her latest, Live at the Jazz Bakery, released this October. The set is intermixed with stories from her years in showbusiness, and compositions she squirreled away while her career focused on songwriter demos, commercial jingles, and backup singing.Comparing 1959’s Born to be Blue with this set her voice has held up remarkably well. Her accompaniment is jazzier now than it was then, led by husband Bob Kindred on tenor sax and joined by Roger Kellaway on piano and Chuck Berghoffer on bass. Her original compositions make up most of the album with a couple of standards thrown in. Her writing captures that mid-century moment when songs and singers were appreciated. This intimate and warm album, with its engaging monologues peppered with recognizable names spanning a half-century, feels like meeting someone special. If like me you are inspired to investigate her other creative work you won’t be disappointed. https://syncopatedtimes.com/anne-phillips-live-at-the-jazz-bakery/

Anne Phillips: Live at the Jazz Bakery