Sunday, November 14, 2021

Carmen McRae - Song Time

Styles: Vocal
Year: 1993
File: MP3@320K/s
Time: 44:21
Size: 103,1 MB
Art: Front

(2:02) 1. I'm Gonna Lock My Heart
(1:07) 2. Thou Swell
(2:26) 3. Fly Me To The Moon
(1:32) 4. Miss Brown To You
(2:28) 5. Make Someone Happy
(2:46) 6. I Left My Heart In San Francisco
(2:09) 7. Just A Gigolo
(3:48) 8. Just In Time
(2:46) 9. Guess Who I Saw Today?
(1:55) 10. He Loves Me
(2:21) 11. Sounds Of Silence
(2:43) 12. MacArthur Park
(3:08) 13. Star Dust
(2:21) 14. Day By Day
(3:08) 15. I Got It Bad (And That Ain't Good)
(2:15) 16. The Right To Love
(2:58) 17. Alfie
(2:18) 18. Walking Happy

In the 1960s Carmen McRae did several sessions for a public-service radio series called The Navy Swings. They were 15-minute shows, with Navy recruiting spiels between songs, so the performances are miniatures two or three minuts long. The repertoire is familiar from her LPs of the time (when her voice was in its prime), but the intimate setting of the piano trio rather than the orchestral backdrop makes the rediscovery of these tapes especially welcome.~Les Line https://www.allmusic.com/album/song-time-mw0000120232

Song Time

Enrico Rava & Joe Lovano - Roma

Styles: Trumpet And Saxophone Jazz
Year: 2019
File: MP3@320K/s
Time: 66:14
Size: 152,2 MB
Art: Front

(15:07) 1. Interiors
( 9:46) 2. Secrets
(12:32) 3. Fort Worth
( 9:57) 4. Divine Timing
(18:49) 5. Spiritual, Over The Rainbow & Drum Song

Pristinely recorded in November 2018, at Rome's Auditorium Parco della Musica, Roma rises from fertile, anticipatory mists like a great host of ECM recordings past, present, and future do and will. Quietly coalescing around the polyphonic, noir-impressionism of master Italian trumpeter Enrico Rava's vaporous "Interiors" are Rava's masterful saxophone counterpart Joe Lovano, accompanied by the avant derring-do of long-time Rava collaborator pianist Giovanni Guidi, double bassist Dezron Douglas and drummer Gerald Cleaver.

Though it is the first time Rava and Lovano have recorded together it is still par for both that all five of the expansively spirited tracks hold their own slippery atmospheres, giving these crafty improvisers plenty of leeway and free range to take the music where it wants to go and how they take it there. For these forward-thinkers, Rava's "Secrets" may be a somewhat traditional piece but, with the horns trading heads and Cleaver's decisive pinpoint accuracy, it is anything but. The same can be said for Lovano's fever-paced "Fort Worth," even with its marked swing time and blues. This is a jam's jam with Lovano wailing, Rava's levelling lines, Guidi sailing, and Douglas and Cleaver pushing the abandon

It could be argued that "Fort Worth" is Roma's highlight, but then where would that put the exquisite closing medley that gorgeously sweeps in Lovano's "Drum Song" drawn from one of his peak recordings, Folk Art (2009, Blue Note) John Coltrane's quixotic "Spiritual" and the ravishing, breath-capturing "Over The Rainbow" that Guidi pulls from the fraying sprawls of "Spiritual" and quietly, pastorally brings Roma to a glorious close.~ MIKE JURKOVIC https://www.allaboutjazz.com/roma-enrico-rava-ecm-records-review-by-mike-jurkovic

Personnel: Enrico Rava - Trumpet; Joe Lovano - Tenor Saxophone, Tarogato; Giovanni Guidi - Piano; Dezron Douglas - Double Bass; Gerald Cleaver - Drums

Roma

Viktorija Pilatovic - Nica's Blues - EP

Styles: Vocal
Year: 2013
File: MP3@320K/s
Time: 28:57
Size: 66,7 MB
Art: Front

(5:19)  1. We Could Solve That
(4:35)  2. Clowns
(4:34)  3. Boplicity
(4:27)  4. I Get a Kick Out of You
(4:41)  5. Four
(5:19)  6. Nica's Blues

Since August 2013 Viktorija Pilatovic has been a Faculty member of USFQ College of Music, Berklee College of Music International Network Member School in Quito, Ecuador, where she is a professor of Jazz Vocal Performance. She is a new artist for Greg Osby's "Inner Circle Music" label. Her debut album "Nica's blues" is available online. Viktorija was invited to take part in The First International Festival of Jazz Improvisation skills Master-Jam Fest in Odessa, Ukraine on the 5th-8th of June 2013. The Festival gathered 43 musicians from all over the world. In November 2012 Viktorija Pilatovic Quintet was an opening act for Chris Dave and Drumheadz at Vilnius Mama Jazz Festival involving artists as : Wallace Roney and Ravi Coltrane. In October 2012, jazz singer, composer and arranger Viktorija Pilatovic performed her original composition “We Could Solve That” with internationally renowned bassist Victor Wooten in Valencia, Spain’s iconic Palau de les Arts Reina Sofia performing arts complex, complete with a rhythm section and backing vocals all scored by the young artist herself. Her unique arrangement and composition skills were quickly noticed when she arrived at Berklee Valencia in September of 2012 to persue her Masters in Contemporary Studio Performance on a full ride scholarship. 

In just a few months after her arrival, Viktorija was invited to perform at the Berklee Yamaha All-Stars Concert alongside music legends bassist Abraham Laboriel, saxaphonist Perico Sambeat and vibraphonist Victor Mendoza, in addition to performing her arrangement of “So What” by Miles Davis with a vocal ensemble and backing band at Berklee Valencia’s Welcome Lecture for Berklee College of Music President Roger Brown, Valencian government officials and local media. Earlier in 2012, Viktorija found herself the only student invited to participate at the AEC Pop and Jazz Platform in Lille, France, representing the young jazz generation amongst a number of music professionals, discussing teaching methods and the future of jazz education. In March 2012, she found herself performing as a solo artist with PCC Sympho-Jazz orchestra conducted by the legendary John Clayton. In July she performed at the Montreux Jazz Festival in Montreux, Switzerland. These accomplishments were made possible by Viktorija’s dedication and perserverance to her craft, starting in the early years of childhood.

Viktorija was born on the 12th of March in 1989 in Klaipeda, Lithuania. At the age of 6 she started playing classical piano, winning many Carl Czerny Piano Competitions.  Throughout her childhood, she took part in many children ensembles performing all over country. In 2007, she began her Bachelor studies in Jazz Vocal at the Lithuanian Academy of Music and Theatre.  Since then, she has participated in a number of Jazz contests, such as the International Jazz Vocal Competition in 2008, 2009 and 2010, winning 1st prize in 'Jazz Fountain 2008'.  In 2009, Viktorija was invited to take part in “Klaipeda’s Sea Festival”, appearing at The Tall Ships’ Races where she performed with The National Big-Band, recieving live coverage from Lithuanian national TV and radio.  In 2008, the young artist performed at a festival in Naggar, Himachal Pradesh, India hosted by the International Roerich Memorial Trust. In 2010, Viktorija moved to The Netherlands to further her jazz studies at Prins Claus Conservatorium. Here her style evolved from traditional to contemporary jazz, fusing a number of styles and colors. Viktorija took lessons from J.D. Walter, Ralph Peterson, Alex Sipiagin, David Berkman, Don Braden, Jeff Cascaro, Joris Teepe, Freddie Bryant, Gene Jackson and Robin Eubanks. In 2011, Viktorija won 3rd prize at the The Nederland Jazz Vocalisten Concours for her completely original arrangement of the famous standard “My Favorite Things”, featuring a solid bass line, modal harmonies and odd time signatures.  The show was broadcasted on Radio 6 The Netherlands.  Also in 2011, Viktorija toured Athens, Greece with guitarist and vocalist  Adedeji Adetayo.  Following the tour, she returned to Greece with her female jazz Group “The Sound Of Reflection” after the request by many, where they spent playing almost every night for a month. Viktorija’s success shows no signs of stopping.

She now holds two bachelor’s degrees, one from the Prins Claus Conservatorium and one from the Lithuanian Academy of Music and Theater.  She is currently studying for her Master's Degree in the Contemporary Studio Performance program at the Berklee College of Music, Valencia Campus. During this time, Viktorija continues to develop arrangements and original compositions with a unique for a wide variety of ensembles at Berklee while strengthening her business skills at the university and developing her own teaching methods.  On top of all this, Viktorija is working on her debut album featuring original compositions and unique arrangement of jazz standards, fusing jazz, hip-hop and soul, with an expected release of late 2013.  While this young talent is busy working on a number of musical endeavors with a whirlwind of success, it is clear the only direction she is headed is up.  http://www.viktorijapilatovic.com/#!biography/c10fk

Janice Hagan - Music & Cuisine: Halloween Party

Styles: Vocal
Year: 2013
File: MP3@320K/s
Time: 75:02
Size: 174,1 MB
Art: Front

( 4:30)  1. Evil Ways
( 5:07)  2. That Old Black Magic
( 4:08)  3. Ding, Dong the Witch Is Dead
( 4:19)  4. People Are Strange
( 4:49)  5. Witchy Woman
( 5:12)  6. I Put a Spell on You
( 4:38)  7. Spooky
( 4:06)  8. Black Magic Woman
( 4:58)  9. Witchcraft
( 4:36) 10. Monster Mash
( 3:29) 11. Bad Moon Rising
( 4:55) 12. Welcome to My Nightmare
(20:11) 13. Spooky Sound Effects

Gather your friends for a spooktacular evening featuring devilishly delicious cocktail party fare and swingin' versions of Halloween hits. The Cuisine: Cocktails: Witches Brew Black Magic Nuclear Runoff Electric Ghoul Ade Soups + Dips: Pumpkin Soup Chilled Blood Soup Slime Dip Guacamoldy Appetizers: Wonton Ghosts Spicy Bat Wings Devilish Eggs Spiced Cauliflower 'Brains' Pumpkin Seeds Three Ways Mini Cornbread Muffins Apple Bites Finger Food Desserts: Mini Pumpkin Cupcakes Poison Apples Dem Bones Mmmmummys
https://www.amazon.in/Music-Cuisine-Halloween-Kenny-Vehkavaara/dp/B003YDIE12

Music & Cuisine: Halloween Party

Rock Candy Funk Party - We Want Grooove

Styles: Jazz Funk
Year: 2013
File: MP3@320K/s
Time: 67:06
Size: 153,9 MB
Art: Front

( 4:39)  1. Octopus-E
( 5:50)  2. Spaztastic
( 8:05)  3. Ode To Gee
( 6:10)  4. We Want Groove
(10:36)  5. The Best Ten Minutes Of Your Life
( 7:15)  6. Animal/Work
( 3:47)  7. Dope On A Rope
( 5:00)  8. Root Down (And Get It)
(15:40)  9. New York Song

This quartet repurposes the jazz-funk sounds of yesteryear into a tasteful, eclectic mix, packed with memorable compositions and aided by the crystalline recording process, enabling the music to breathe amid great detail and depth. Featuring blues-rock guitar hero Joe Bonamassa trading licks with guitarist Ron DeJesus, Rock Candy Funk Party was recorded at drummer Tal Bergman's studio, denoting the band's debut. Rock Candy Funk Party is a production that sports a festive aura, We Want Groove are prophets of good cheer. The album emanated from Bergman and DeJesus' Groove Vol. 1 (2007, Independent) followed by live performances, ultimately leading to the We Want Groove aggregation. The musicians' collective resumes comprise gigs and performances with top rock, jazz and pop acts, spanning multiple genres, and their sensibilities and approaches to various musical platforms are impeccably transposed to disc.

The jazz-funk, soul brew is often given a bluesy touch by Bonamassa who is situated on the left channel while DeJesus is heard on the right channel, tendering a well-defined soundstage. In a loose sense the guitarists are role players, alternating between the jazz, funk and blues-rock idioms. One of the more prominent examples of the retro vibe is "The Best Ten Minutes of Your Life," which could parallel a soundtrack from one of the old Blaxploitation flicks with inferences to the late, blues and funk guitarist Johnny "Guitar" Watson's oozing notes and trickling phraseology, tinted with echo and reverb. Otherwise, keyboardist Renato Neto kicks the proceedings off with spacey and dream-laden Fender Rhodes treatments, followed by bassist Mike Merritt distinct groove-building and Bergman's simple metronomic hi-hat pulse. With breezy and drifting synth overlays, the guitarists eventually spawn a counter-melody to inject a tuneful theme built on effective use of space via a multi-hued outline, piloting a blissful primary melody. 

They inject multi-colored sound-shaping mechanisms into this piece that also benefits from an insightful production, designed with a Midas touch. One of the enthralling aspects of the album, other than the solid material and stellar audio engineering, pertains to the bands manifold rhythmic flows and perceptive use of dynamics. Of course the dance-ability factors are prevalent throughout, but it's a hybrid concoction that yields significant rewards where the old synchronizes with the new, as the group artfully contemporizes and uplifts the tried and true. ~ Glenn Astarita  http://www.allaboutjazz.com/rock-candy-funk-party-joe-bonamassa-j-and-r-adventures-review-by-glenn-astarita.php
 
Personnel: Joe Bonamassa: guitars; Ron DeJesus: guitars; Mike Merritt: bass; Renato Neto: keyboards; Tal Bergman: drums, percussion.