Wednesday, August 9, 2017

Kenny Dorham & Jackie McLean - Inta Somethin'

Styles: Trumpet Jazz
Year: 1962
File: MP3@320K/s
Time: 38:34
Size: 89,0 MB
Art: Front

(7:13)  1. US
(6:00)  2. It Could Happen To You
(6:06)  3. Let's Face The Music
(6:59)  4. No Two People
(5:01)  5. Lover Man
(7:12)  6. San Francisco Beat

"Originally released in 1962 on the Pacific Jazz label, Inta Somethin' is a wonderful live session from the legendary trumpeter Kenny Dorham and alto sax great Jackie McLean, recorded live at the Jazz Workshop in San Francisco in the winter of 1961. Featuring four standards bookended by two Dorham originals, the album also includes contributions from dynamic bassist Leroy Vinnegar amongst others. Inta Somethin' is a classic hard bop live session that includes a version of Dorham's great 'Uno Mas' a year before the Blue Note album of the same name. Includes original liner notes. 180 gram vinyl." http://www.forcedexposure.com/Catalog/dorham-jackie-mclean-kenny-inta-somethin-lp/DOX.888LP.html

Personnel: Kenny Dorham: trumpet;  Jackie McLean: alto saxophone; Walter Bishop: piano;  Leroy Vinegar: bass; Art Taylor: drums.

Inta Somethin'

Karrin Allyson - By Request: The Best Of Karrin Allyson

Styles: Vocal Jazz
Year: 2009
File: MP3@320K/s
Time: 65:47
Size: 153,1 MB
Art: Front

(5:26)  1. Night And Day
(6:02)  2. Moanin'
(5:55)  3. What's New
(3:54)  4. O Pato (The Duck)
(4:07)  5. Sous Le Ciel De Paris (Under Paris Skies)
(4:15)  6. Life Is A Groove (Jordu)
(6:44)  7. Everything Must Change
(4:20)  8. A Felicidade (Happiness)
(6:11)  9. Sweet Home Cookin' Man
(6:20) 10. Nature Boy
(3:44) 11. And So It Goes
(3:48) 12. Cherokee
(4:54) 13. Next Time Around (Soultrane)

Straight-ahead jazz vocalist Karrin Allyson came from Kansas City to the world at large, becoming as popular as any singer of her generation. These 12 selections plus one previously unissued track, done over a span of 11 recordings and 15 years, show why she has become likable, marketable, and admired within certain circles of the mainstream standard-bearers. She also writes a little, plays some piano, interprets others' lyrics to well-known standards, and tosses in a considerable amount of seductive Brazilian or French tunes done in their native language. Allyson's controlled voice never soars skyward or through wispy clouds, but her sensible style is one that easily attracts regular nightclubbers, as well as festival crowds who just want to hear good music professionally performed. Her sophistication through the years has grown considerably, but she has never been the cutesy singer who needed to grow up, and has remained as poised and polished as the first day she chose to sing for a living. This recording also displays a mix of the many collaborators she has worked with, including many of her friends from home. She's very comfortable with the blues, as the Bobby Timmons evergreen "Moanin'" displays, going from a scatted intro to the famous Jon Hendricks lyric. She uses two guitarists for the light samba take of "Night and Day," the perky "O Pato," and the convincing, heartfelt "Nature Boy." An accordion accompanies the waltz "Sous le Ceil de Paris," and she sings well in Portuguese on the happy, bouncy "A Felicidade." Working separately and together with the wonderful singer Nancy King, Duke Jordan's "Jordu" is turned into "Life Is a Groove" with Allyson's swinging lyrics, while her original "Sweet Home Cookin' Man" is a fan favorite about an imaginary sweetheart gourmet chef, with the modal piano of Paul Smith keeping the griddle sizzling. In retrospect, her version of the ballad "What's New?" is especially poignant and bittersweet to hear, considering that the late tenor saxophonist Bob Berg and pianist James Williams are backing her up. Both died far too young, making this statement a forever unanswered question. "Cherokee" is the most unusual arrangement, jamming the gears from idle neutral to furiously fast sixth gear at the drop of a flag like a drag race. Certainly there are those who would choose different tracks, but this is a very good overview of what Allyson has done in her relatively short career and there's much more to come. ~ Michael G.Nastos http://www.allmusic.com/album/by-request-the-best-of-karrin-allyson-mw0000816546

Personnel: Karrin Allyson (vocals, piano, shaker); Nancy King (vocals); Danny Embrey (guitar, acoustic guitar, electric guitar); Rod Fleeman (acoustic guitar); Carter Brey (cello); Randy Weinstein (harmonica); Gil Goldstein (accordion, piano); Kim Park (alto saxophone); Bob Berg (tenor saxophone); Paul "Scooby" Smith, Mulgrew Miller, James Williams , Bruce Barth (piano); David Finck, John Patitucci, Bob Bowman (acoustic bass); Todd Strait (drums, percussion); Lewis Nash (drums); Michael Spiro (pandeiro, shaker, surdo).

By Request: The Best Of Karrin Allyson

Gene Harris Quartet - Live In London

Styles: Piano Jazz
Year: 2008
File: MP3@320K/s
Time: 62:29
Size: 144,0 MB
Art: Front

(13:26)  1. No Greater Love
(15:18)  2. Blue Monk
( 6:04)  3. My Funny Valentine
(11:18)  4. In A Mellow Tone
( 9:02)  5. Misty
( 7:19)  6. Blues Closer

Gene Harris (1933-2000) was the master of blues in jazz. A self-proclaimed "blues pianist with chops," Harris could sting the most un-blues-like melody and make it sound like it was written by Meade Lux Lewis and performed by Oscar Peterson. Since Harris' death in 2000, posthumous releases of previously unreleased performances have been steady but sparse. These include: Live at Otter Crest (Concord Jazz, 2001), Instant Party (Concord Jazz, 2004), and now Live in London. Documenting a 1996 London performance with a local rhythm section, Live in London find Harris at his most exuberant. The set begins with an expansive "No Greater Love," with Harris introducing the piece with a length legato prelude before turning the tempo upside-down, giving the ballad the momentum of a freight train, albeit a happy one. Guitarist Jim Mullen sounds more rock than jazz, but does manage a clever Mozart quote ("allegro molto," from the "Symphony 40 in G minor") and several cartoon soundtrack quotes. An up-tempo "Blue Monk" provides Harris his first of three blues venues, allowing him and guitarist Mullen to display their considerable chops. This is where Harris is most at home, a steady romp through those twelve bars with a smile as big and fresh as his Idaho home. "My Funny Valentine" displays Harris invention in approaching a melody from the bottom side up in the same way as Erroll Garner in his salad days. The recital center point is the fifteen-minute "In a Mellow Tone." Harris, who states that he never plans set lists or performances, effectively conjures this Ellington chestnut out of thin air, employing the same introduction paradigm he used on "Valentine." He reveals the song covertly and then overtly. Harris uses his great sense of drama to build upon the melody, chorus by chorus, until he achieves the maximus of his orchestral style. Harris salutes Garner with a sensitive "Misty" before closing things with, what else, a blues appropriately entitled "Blues Closer." The Resonance Records website sports a brief interview with Harris where the pianist is revealed as a smiling, amiable giant interested only in playing music. One must believe that there is much more unreleased Gene Harris out there to celebrate. ~ C.Michael Bailey https://www.allaboutjazz.com/live-in-london-gene-harris-resonance-records-review-by-c-michael-bailey.php

Personnel: Gene Harris: piano; Jim Mullen: guitar; Andrew Clyendert: bass; Martin Drew: drums.

Live In London

Walter Bishop, Jr. - Old Folks

Styles: Piano Jazz
Year: 1976
File: MP3@320K/s
Time: 37:06
Size: 85,3 MB
Art: Front

(6:01)  1. Manhã De Carnaval
(7:39)  2. Old Folks
(4:35)  3. Up Jumped Spring
(4:15)  4. Straight, No Chaser
(4:41)  5. Here's That Rainy Day
(3:58)  6. Yardbird Suite
(5:54)  7. Ev'ry Time We Say Goodbye

A lost little session from pianist Walter Bishop one that has the pianist working at an all acoustic level, and in a trio format that's a bit different than his other 70s sessions but still totally great! The group features wonderful work from Sam Jones on bass and Billy Higgins on drums both players we totally love together, and who give Bishop a bit of backing that's similar to their work with Cedar Walton. Yet the style here is very different, too as Walter brings out these more gutbuckety notes at times still handled with class and care, but with a deeper vibe that seems to resonate especially strongly with the bass of Jones. Titles include "Manha Do Carnaval", "Old Folks", "Up Jumped Spring", and "Straight No Chaser". © 1996-2017, Dusty Groove, Inc. https://www.dustygroove.com/item/731094/Walter-Bishop-Jr:Old-Folks

Old Folks

Fats Navarro - Fats Blows 1946-1949

Styles: Trumpet Jazz
Year: 1991
File: MP3@320K/s
Time: 70:54
Size: 166,1 MB
Art: Front

(2:53)  1. Dance Of The Infidels
(2:49)  2. 52nd St. Theme
(5:34)  3. Double Talk
(2:35)  4. Move
(2:41)  5. Hollerin' And Screamin'
(2:54)  6. The Tadd Walk
(3:09)  7. Jumpin' For Jane
(2:50)  8. Lady Bird
(2:53)  9. Goin' To Minton's
(2:45) 10. Nostalgia
(2:25) 11. Eb Pob
(2:59) 12. Our Delight
(3:16) 13. Bouncing With Bud
(3:04) 14. Wail
(3:05) 15. Symphonette
(3:07) 16. Boperation
(2:49) 17. Fats Blows
(4:02) 18. Stop
(2:52) 19. Sid's Delight
(2:53) 20. Jahbero
(2:57) 21. The Skink
(2:59) 22. The Squirrel
(3:13) 23. Groovin' High

A 23-track overview of Fats' brief moments of brilliance in the jazz skyline. The groups are varied, as was Navarro's wont, featuring such luminaries as Eddie "Lockjaw" Davis, Tadd Dameron, Leo Parker, Art Blakey, Howard McGhee, Bud Powell, Sonny Rollins, Kenny Clarke, Milt Jackson, and Fats' idol, Charlie Parker. Navarro was a brilliant musician, done in by drugs and tuberculosis. This disc gives you an idea of how tragic his loss was to the jazz world. ~ Cub Koda http://www.allmusic.com/album/fats-blows-1946-1949-mw0000051021

Personnel includes: Fats Navarro (trumpet); Leo Parker (alto & baritone saxophones); Charlie Parker, Ernie Henry, Budd Johson, Sahib Shihab, Ernie Henry (alto saxophone); Eddie Davis, Charlie Rouse, Don Lamphere, Allen Eager, Coleman Hawkins, Dexter Gordon, Sonny Rollins, Wardell Gray (tenor saxophone); Cecil Payne, Marion De Veta (baritone saxophone); Howard McGhee (trumpet); Kai Winding (trombone); Milt Jackson (vibraphone); Al Haig, Tadd Dameron, Lennie Tristano, Linton Garner, Bud Powell (piano); Huey Long, Billy Bauer, Chuck Wayne (guitar); Gene Ramey, Curley Russell, Nelson Boyd, Tommy Potter, Jimmy Johnson, Jack Lesberg (bass); Denzil Best, Kenny Clarke, Art Blakey, Shadow Wilson, Buddy Rich, Max Roach, Roy Haynes (drums); Chano Pozo, Diego Ibarra (bongos); Vidal Bolado (conga).

Fats Blows 1946-1949