Tuesday, June 16, 2020

Yoko Miwa - In the Mist of Time

Styles: Piano Jazz
Year: 2005
File: MP3@320K/s
Time: 59:30
Size: 138,0 MB
Art: Front

(5:48)  1. Fragmented Memories
(9:14)  2. The Deep End
(4:55)  3. I'm Okay
(8:07)  4. Alice
(7:51)  5. In the Mist of Time
(8:12)  6. When will 'it' Happen
(6:48)  7. Promise
(5:26)  8. Oak Square Blues
(3:05)  9. Red Dragonfly

An internationally recognized jazz pianist, Yoko Miwa plays with a lyrical, yet still harmonically sophisticated style, deeply rooted in the acoustic post-bop tradition. She first gained wider attention after moving to Boston in the late '90s, and backing artists like Kevin Mahogany, George Garzone, Jerry Bergonzi, and others. Influenced by players like Bill Evans, Oscar Peterson, and Herbie Hancock, she has issued a handful of warmly rendered trio albums, including 2004's Fadeless Flower, 2017's Pathways, and 2019's Keep Talkin'. Born in 1970 in Kobe, Japan, Miwa started out early on the piano taking classical lessons (as well as voice lessons) from age four. After high school, she attended the Osaka College of Music where she first met and studied with jazz organist/pianist Minoru Ozone, father of noted pianist Makoto Ozone. Under Ozone's guidance she became increasingly interested in jazz and gained valuable experience working at his Kobe-based nightclub and music school. After the 1995 Kobe earthquake destroyed Ozone's establishments, Miwa enrolled at Japan's Koyo Conservatory of Music where she focused full-time on jazz. The following year, she won a scholarship to Boston's prestigious Berklee College of Music. While at Berklee, she studied jazz theory and performance, and developed a lasting creative partnership with vocalist and teacher Kevin Mahogany.

Upon graduating college in 1999, Miwa joined the Berklee faculty and continued to work alongside Mahogany (until his death in 2017). She also began playing locally, leading her own trio and working as the pianist in the house band at Cambridge's Ryles Jazz Club. Her first album as a leader, In the Mist of Time, was released in Japan on the Tokuma label in 2001. It found her working with drummer Scott Goulding, bassist Massimo Biolcati, and tenor saxophonist Tim Mayer. Her second album, 2003's Fadeless Flower, found her paring down to a trio with Goulding and bassist Greg Loughman. Along with studio sessions, Miwa has kept a busy live schedule, appearing regularly at festivals and New York's Blue Note Jazz Club. She has performed with an array of luminaries, including George Garzone, Sheila Jordan, Jerry Bergonzi, Esperanza Spalding, Terri Lyne Carrington, and others. In 2005, she released another trio effort, Canopy of Stars, which again found her working with Goulding, as well as bassists Biolcati and Bronislaw Suchanek. The concert album Live at Scullers Jazz Club appeared in 2011, followed in 2017 by the studio effort Pathways. In 2019, she was named the Boston Music Awards Jazz Artist of the Year, as well as the Boston Phoenix Best Music Poll winner. She issued her fifth trio album, Keep Talkin', the same year. ~ Matt Collar https://www.allmusic.com/artist/yoko-miwa-mn0000540283/biography

Personnel: Piano – Yoko Miwa; Bass – Massimo Biolcati ; Drums – Scott Goulding;  Tenor Saxophone – Tim Mayer (tracks: 2, 6, 8)

In the Mist of Time

Ralph Marterie - Music for a Private Eye


Styles: Jazz, Post Bop
Year: 2015
File: MP3@320K/s
Time: 26:11
Size: 61,0 MB
Art: Front

(2:52)  1. M Squad
(3:03)  2. Perry Mason
(1:43)  3. Richard diamond
(2:36)  4. Alfred Hitchcock Presents
(1:52)  5. Thin Man
(2:44)  6. 77 Sunset Strip
(3:30)  7. Private Eyeball
(2:03)  8. The D.A.'s Man
(3:15)  9. Riff Blues
(2:30) 10. Peter Gunn

If you haven’t been collecting Fresh Sound Records’ series of soundtracks from B movies and TV shows from the 50s and 60s, you’re missing out on some of the hippest and swingingest sounds to ever filter through your malleus, incus and stapes.This single disc has Ralph Marterie and his All Star Men, which includes Buddy DeFranco/cl, Pete Candoli/tp, Bud Shank/as, Bob Cooper/ts, Jimmy Rowles/p, Al Viola/g, Frank Rosolino/tb and Gus BIvona/ts for starters, and the team is conducted by Pete Rugulo, with arrangements by Rugulo, Johnny Mandel, Bill Holman and other studio studs.The Music for A Private Eye includes music made for Bass Weejuns; themes from “ M Squad”, “Perry Mason”, “77 Sunset Street” and, of course “Peter Gunn” mix Basie-like velvety saxes and irresistibly swinging rhythm. There’s a second album, Big Band Man, and it’s from the same date with an almost exact same band. These guys hit like a heavyweight on pieces like “Diga Diga Doo” while getting as smooth as silk on “Where Are You” and “Don’t Blame Me.” This material sounds amazingly fresh and alive; all of the charts have more angles than an English garden and the solos are concise with lots to say. When did big band music start becoming sterile? It was some time after this one! https://www.jazzweekly.com/2016/12/trench-coat-not-includedralph-marterie-music-for-a-private-eye/

Personnel: Ray Linn-trumpet; Uan Rasey-trumpet;Don Fagerquist-trumpet;Joe Triscari-trumpet;  Frank Rosolino-trombone;  Bob Fitzpatrick- trombone; Tommy Pederson-trombone;George Roberts-bass trombone; Frank Rosolino-alto saxophone; Paul Horn-alto saxophone;  Bob Cooper-tenor saxophone; Gus Bivona-tenor saxophone;  Dale Issenhuth-baritone saxophone;  Jimmy Rowles-piano;  Al Viola-guitar;  Joe Mondragon-bass; Irv Kluger-drums.

Music for a Private Eye