Wednesday, March 20, 2024

Ruby Braff - Ruby Braff Goes “Girl Crazy”

Styles: Trumpet Jazz, Post Bop
Year: 2009
Time: 39:20
File: MP3 @ 320K/s
Size: 92,5 MB
Art: Front

(4:56) 1. Embraceable You
(4:18) 2. Treat Me Rough
(6:28) 3. But Not For Me
(3:07) 4. Boy! What Love Has Done For Me
(5:39) 5. I Got Rhythm
(5:27) 6. Bidin' My Time
(6:18) 7. Could You Use Me
(3:03) 8. Barbary Coast

The then-32-year-old trumpeter Ruby Braff was fond of show tunes, and took for his concept the songs from the Gershwin brothers' Broadway stage play Girl Crazy for this album, his sixth as a leader. The music played by this band under the moniker of the Shubert Alley Cats is fairly predictable within the swing style, but this recording at times leans more toward bop with the inclusion of pianist Hank Jones, guitarist Jim Hall, and especially Al Cohn, who plays his trusty tenor sax and a lot of clarinet.

The musicianship is solid enough, the songs a bit stretched with solos, and the jazz fairly interesting within the conservative, mainstream, straight-ahead idiom. The hottest tune is the last, "Barbary Coast," as bassists Bob Haggart and George Duvivier go to town while the horns jam, while the slowest "Embraceable You" is the opener, a ballad where Braff plays in a style akin to Louis Armstrong.

In the middle you get a contradictory easy blues in "Treat Me Rough," and the uncharacteristically down-home "I Got Rhythm," accented by Jones and Hall, which merges into swing via Cohn's tenor. Hall's role as a rhythm guitarist seems untoward in what he would be as a leader, but his feature during the old-fashioned "Could You Use Me?" sets up the horns counterpoint, and is particularly pronounced on "But Not for Me."

While Cohn's clarinet might not settle into familiar territory for those who know him as a bop tenor, he's especially sweet with Braff on "Treat Me Rough," and repentant for the poignant, lovely, melancholy, no-frills take of "But Not for Me." There's one more ballad, "Bidin' My Time," which is as basic as it gets, while a more vocal sound from Braff's muted trumpet comes forth on "Boy! What Love Has Done for Me."

While the music is sophisticated, the heat of this music barely sparks any real flames, excepting the fine drumming of Buzzy Drootin and the always exceptional Jones when he chooses to turn it up a notch. It would have been nice to hear a follow-up recording from this clearly talented ensemble, for this instance captured in the early years of their lengthy and successful careers.By Michael G.Nastos
https://www.allmusic.com/album/ruby-braff-goes-girl-crazy-mw0000819868

Personnel: Trumpet – Ruby Braff; Tenor Saxophone – Al Cohn; Piano – Hank Jones; Guitar – Jim Hall; Drums – Buzzy Drootin; Bass – Bob Haggart, George Duvivier

Ruby Braff Goes “Girl Crazy”

Joyce Breach - Confessions

Styles: Jazz, Vocal
Year: 1991
File: MP3@320K/s
Time: 60:54
Size: 140,3 MB
Art: Front

(5:17)  1. Blackberry Winter
(2:48)  2. Song of the Jet
(5:37)  3. It Never Entered My Mind
(4:18)  4. Ev'ry Time
(4:30)  5. Where Do You Start?
(3:55)  6. I Wish I Were in Love Again
(3:54)  7. The Wine of May
(3:58)  8. Boy! What Love Has Done to Me!
(3:45)  9. Bored
(2:46) 10. A Room with a View
(4:21) 11. You Can Always Count on Me
(2:30) 12. Be Careful, It's My Heart
(3:00) 13. Confession
(2:38) 14. You're the Top
(4:12) 15. South - To a Warmer Place
(3:19) 16. The Lies of Handsome Men

This is Joyce Breach's first Audiophile recording; Songbird was her first album, but it came out when she was residing in Pittsburgh (cassette only) on a local label and was later reissued by Audiophile -- hence the confusion in her discography. Accompanied by the Loonis McGlohan Quartet, the cabaret singer's sound is spick and span clean on an array of pop standards done with reverence. Breach's love for this style shows in her phrasing and understated enthusiasm. A few solids include getting her swing on with "I Wish I Was in Love Again"; "Bored," a lively track that defies its title; and "A Room With a View," which revisits what smooth jazz was before its redefinition in the '70s. Like all her CDs, Confessions' arrest-appeal increases with each track. Or is it that her angelic voice subtly hypnotizes you into the belief that this seemingly released from a time capsule singer is something special? ~ Andrew Hamilton http://www.allmusic.com/album/confessions-mw0000611379

Personnel: Joyce Breach (vocals); Joe Negri (guitar); Loonis McGlohon (piano).

Confessions

Southside Aces - A Big Fine Thing

Bitrate: MP3@320K/s
Time: 63:49
Size: 146.1 MB
Styles: New Orleans jazz
Year: 2011
Art: Front

[3:52] 1. Perdido Street Blues
[3:17] 2. Tootie Ma Is A Big Fine Thing
[3:18] 3. Back Room Romp
[6:36] 4. His Eye Is On The Sparrow
[4:35] 5. Back To Black
[3:42] 6. Burgundy Street Blues
[3:23] 7. My Blue Heaven
[2:20] 8. Diga Diga Doo
[4:32] 9. Blues In The Air
[2:39] 10. Baby Don't You Tear My Clothes
[2:50] 11. I'm Still In Love With You
[2:48] 12. Mushmouth Shuffle
[5:39] 13. Smoke Rings
[3:07] 14. Nomad Shuffle
[4:47] 15. Comes Love
[2:12] 16. Dinah
[4:04] 17. Goodnight

Tony Balluff - Clarinet, Vocal on track 17; Erik Jacobson - Brass Bass; Andy Hakala - Trumpet, Vocal on track 10; Robert Bell - Guitar & Banjo, Vocal on track 15; Steve Sandberg - Trombone, Vocal on track 7; Dave Michael - Drums; Rick Rexroth - Vocal on track 4.

Southside Aces perform jazz and popular tunes spanning over 100 years. They are a band knon to serve up Lady Gaga or Amy Winehouse in a New Orleans style, and then turn around and hand you a helping of straight-on Jelly Roll Morton or Duke Ellington. Members of the Southside Aces have had the privilege of being mentored by musical greats who navigated the traditional jazz waters before them, including Charlie DeVore and Bill Evans of The Hall Brothers Jazz Band Uncle Lionel, Butch Thompson, Doc Severinsen, Henry Blackburn, Bob French and Benny Jones. There is no better education than playing jazz alongside such stellar talent. The Southside Aces have performed in clubs all over the Twin Cities and the Midwest. They've been the house band five years running for The Best of Midwest Burlesk and have been featured at over a dozen national Lindy Hop and Balboa competitions in Minnesota, Wisconsin, Nebraska and Colorado. The Aces have been heard on MPR, KFAI, KBEM and The Current.

A Big Fine Thing

Harry Allen Quartet - London Date

Styles: Saxophone Jazz
Year: 2015
File: MP3@320K/s
Time: 62:07
Size: 142,6 MB
Art: Front

( 7:56) 1. This is My Lucky Day
( 9:47) 2. a)A Time For Love...Mandel/Webster b)You Are There
(11:03) 3. June Song
( 9:35) 4. Where No Man Has Gone Before (Theme From Star Trek)
( 6:40) 5. Here's That Rainy Day
(10:02) 6. (Back Home Again in) Indiana
( 7:02) 7. Our Love is Here to Stay

'London Date' is a live recording of a quartet featuring the incredible US jazz saxophonist Harry Allen recorded at the Watermill Jazz Club with Italian pianist Andrea Pozza, gifted bassist Simon Woolf and ever popular drummer Steve Brown. Fans of the long lineage of the saxophone greats will not be disappointed. Harry Allen can be instantly lined up as a disciple of the late Stan Getz, but he has absorbed far more of the jazz saxophone tradition with elements of Hawkins, Webster, Zoot and Al, and elements from one of his teachers Scott Hamilton. However, Harry Allen's voice is very much his own and as fresh as any on the contemporary scene. With a formidable technique and searing sound Harry Allen continues the tradition of the great saxophonists before him. The material on the CD is a straight blowing set of jazz standards, a couple of great originals penned by Harry Allen and Judy Carmichael and the theme to Star Trek based on the standard "Out of Nowhere". https://www.amazon.co.uk/London-Date-Harry-Allen-Quartet/dp/B01BL3214W

Personnel: Harry Allen (tenor saxophone), Andrea Pozza (piano), Simon Woolf (double bass), Steve Brown (drums)

London Date