Showing posts with label Perez Prado. Show all posts
Showing posts with label Perez Prado. Show all posts

Monday, September 21, 2015

Pérez Prado - The Peanut Vendor

Bitrate: MP3@320K/s
Time: 25:00
Size: 57.3 MB
Styles: Latin rhythms, Latin Big Band
Year: 2013
Art: Front

[2:38] 1. The Peanut Vendor
[2:21] 2. Guaglione
[3:17] 3. Guantanamera
[2:29] 4. Perfidia
[2:47] 5. Mambo, No. 5
[2:25] 6. Ciliegi Rosa
[2:19] 7. Mambo Jambo
[2:04] 8. Mambo No. 8
[2:17] 9. Maria Bonita
[2:18] 10. Patricia

Universally known as the King of the Mambo, Pérez Prado was the single most important musician involved in the hugely popular Latin dance craze. Whether he actually created the rhythm is somewhat disputed, but it's abundantly clear that Prado developed it into a bright, swinging style with massive appeal for dancers of all backgrounds and classes. Prado's mambo was filled with piercing high-register trumpets, undulating saxophone counterpoint, atmospheric organ (later on), and harmonic ideas borrowed from jazz. While his tight percussion arrangements allowed for little improvisation, they were dense and sharply focused, keeping the underlying syncopations easy for dancers to follow. Prado played the piano, but was often more in his element as the focal point of the audience's excitement; he leaped, kicked, danced, shouted, grunted, and exhorted his musicians with a dynamic stage presence that put many more sedate conductors and bandleaders to shame. With this blueprint, Prado brought mambo all the way into the pop mainstream, inspiring countless imitators and scoring two number one singles on the pop charts (albeit in a smoother vein than the fare that first made his name) as the fad snowballed. He was a star throughout most of the Western Hemisphere during the '50s, and even after his popularity waned in the United States, he remained a widely respected figure in many Latin countries, especially his adopted home of Mexico. Prado is often best remembered for his softer, more commercial work, which has an undeniable kitschiness that plays well with modern-day lounge-revival hipsters. Unfortunately, that has served to obscure his very real credentials in the realm of authentic, unadulterated Latin dance music, and to this day he remains somewhat underappreciated. ~Steve Huey

The Peanut Vendor

Thursday, March 12, 2015

Perez Prado - The Peanut Vendor

Bitrate: MP3@320K/s
Time: 25:01
Size: 57.3 MB
Styles: Latin rhythms
Year: 2013
Art: Front

[2:38] 1. The Peanut Vendor (El Manisero)
[2:22] 2. Guaglione
[3:17] 3. Guantanamera
[2:29] 4. Perfidia
[2:47] 5. Mambo No. 5
[2:25] 6. Cerezo Rosa (Cherry Pink & Apple Blossom White)
[2:19] 7. Mambo Jambo (Que Rico El Mambo)
[2:04] 8. Mambo No. 8
[2:17] 9. María Bonita
[2:18] 10. Patricia

Though diminutive in stature, Pérez Prado was a giant in the world of post-war popular music. Dubbed "The Mambo King," he reigned supreme as one of the most influential pop orchestra leaders of the early 1950s. As the mambo rhythm spread across the continents, a society emerged from the dark years of World War II to shed it's inhibitions and embrace the frenzy of this Afro-Cuban beat.

Prado's conception of the mambo began to develop in 1943. He later said that four, five, and sometimes six musicians would often play after hours jam sessions on the tres (a small Cuban guitar) and the resultant cross rhythms and syncopation give him the idea. Jazz writer and critic Ralph J. Gleason reported that "Prez" talked to him about the mambo as being an Afro-Cuban rhythm with a dash of American swing. According to Prado, the mambo is "more musical and swingier than the rhumba.[2] It has more beat." He also explained, "I am a collector of cries and noises, elemental ones like seagulls on the shore, winds through the trees, men at work in a foundry. Mambo is a movement back to nature, by means of rhythms based on such cries and noises, and on simple joys."

The Peanut Vendor