Thursday, June 17, 2021

Hot Swing Sextet - What's Your Jive?

Styles: Swing, Jazz
Year: 2020
File: MP3@320K/s
Time: 48:04
Size: 112,9 MB
Art: Front

(3:07) 1. Hoppin' John
(3:01) 2. Tatoe Pie
(3:20) 3. The Goon Drag (Gone Win De Goon)
(3:13) 4. What's Your Story (What's Your Jive)
(3:11) 5. Wham
(3:21) 6. Bloodhound
(3:32) 7. T'aint Me
(3:02) 8. Wine-O
(3:34) 9. Windy
(3:37) 10. Red Dust
(3:12) 11. Fetch It to Me
(2:42) 12. Embryo
(3:25) 13. Payin' Them Dues Blues
(2:52) 14. Ridin' and Jivin'
(2:49) 15. Just Jivin' Around

I love a three-piece jazz combo. More so than a big band, if I’m honest, although saying so feels blasphemous: as a swing dancer, surely the ballroom-filling Basie, Ellington, and Goodman should be my Father, Son, and Holy Ghost. Nonetheless, I like being able to appreciate each player and soak up every single note of a small group recording. (Oscar Peterson’s “C Jam Blues” with Ray Brown and Ed Thigpen is the hottest nine minutes on YouTube prove me wrong.)

So could the sextet line-up hit my sweet spot between big band volume and small group simplicity? The Hot Swing Sextet makes a strong case for “yes,” with their latest release What’s Your Jive? This Bordeaux-based outfit squeezes a mighty full sound out of just two horns, two guitars, bass and drums ripe for laid-back listening or dynamic dancing. In fact, the cool cover art represents this disc’s contents well: six cartoon guys squashed into a portable record player, with a sharp-dressed pair cutting a groove atop the vinyl.

Drawing from the songbooks of lesser-played bandleaders like John Collins, Irving Ashby, Sammy Price, Hot Lips Page, and Skippy Williamson, this ear-opening (and generous) collection of fifteen tracks is apt to be something of a musical education for swing dancers as much as it is a shoe-shuffling soundtrack. As with any good dancing compilation, there’s a good range of tempos to which one might pop a tuck turn from the steady plod of “T’aint Me” or “Wham,” to the footwork frenzy that is “Windy” or “Just Jivin’ Around.” You could even slow drag to “Payin’ Them Dues Blues,” if that’s your bag.

There’s loads to wrap your ears around here, with each tune offering up polished little arrangement gems to appreciate from simple stones to many-faceted geodes. Take Thibaud Bonté’s staccato trumpet shots on “The Goon Drag (Gone Win De Goon),” set against Bertrand Tessier’s undulating tenor sax riffs. Or Erwann Muller and Franck Richard’s baroque electric guitar and double bass noodlings on “Bloodhound.” Quick-fingered Tessier bends the laws of physics on “What’s Your Story (What’s Your Jive)” and other numbers, I’m quite sure. And acoustic guitarist Ludovic Langlade and drummer Jéricho Ballan bear mentioning too, for laying the rhythmic foundations of this swing skyscraper.

Every single sound feels well practiced and purposeful even the rippling, ten-second, full-band fade-out on “Red Dust’’ gave me shivers. The production is top-drawer the liner notes say the album was recorded in a loft, but pro mixers All Mëe have imbued it with ballroom acoustics while perfectly balancing the players such that no one’s contribution sinks beneath anyone else’s. This album definitely demands and rewards repeat listens, with ears trained on different instruments each time. I tapped my toes through three rounds of this brilliant disc, which just squeaks into my top releases of 2020 I defy you not to do the same.~ Dave Doyle https://syncopatedtimes.com/hot-swing-sextet-whats-your-jive/

What's Your Jive?

Ann Burton - New York State of Mind

Styles: Vocal
Year: 2009
File: MP3@320K/s
Time: 41:08
Size: 95,3 MB
Art: Front

(5:08) 1. New York State of Mind
(2:56) 2. You Started Something
(4:22) 3. I Can Dream, Can't I?
(4:13) 4. All or Nothing At All
(3:44) 5. Come in From the Rain
(4:01) 6. Tell Me More and More and Then Some
(3:36) 7. The Night We Called It a Day
(4:34) 8. Something So Right
(3:35) 9. All Too Soon
(4:59) 10. Never Never Land

Ann Burton (March 4, 1933, Amsterdam – November 29, 1989, Amsterdam) is the pseudonym of Johanna Rafalowicz (between 1938 and 1971: Johanna de Paauw), a Dutch jazz singer. In about 1930 the mother of Ann Burton (pseudonym of Johanna Rafalowicz) immigrated from Poland to the Netherlands. Ann was born in Netherlands and when she was 3 years old, in 1933, her mother married a diamond worker.

In 1938 Johanna's surname was changed to her stepfather's and she became Johanna de Paauw, which was her official name until 1971, when she again changed it back to Rafalowicz. During World War II her family faced Jewish persecution under German occupation and she went into hiding while her mother and stepfather survived the Nazi concentration camps. However, the family became disrupted when her (step) parents were deprived of parental power. Johanna, who had Polish nationality, acquired Dutch nationality in 1957.

Johanna had never had singing lessons, but she had listened to American singers like Doris Day, Jo Stafford, Rosemary Clooney, Ella Fitzgerald and Sarah Vaughan. Later, Billie Holiday and Shirley Horn influenced her. She wanted to get into the music world and so in about 1955 she took the name Ann Burton inspired by the Welsh actor Richard Burton. Ann Burton began her career as singer by a quintet in Luxemburg. She sang with bandleader Johnny Millstonford and performed in clubs with the orchestra of Ted Powder for American soldiers in Germany.

In the summer of 1958 she sang in the quartet of pianist Pia Beck in Scheveningen and in 1960 they toured with saxophonist Piet Noordijk in Spain and Morocco. Back in the Netherlands she sang again in Scheveningen. In 1965, she made an EP for Decca Records with the nl:Frans Elsen Trio. Later she joined Ramses Shaffy's group Shaffy Chantant. In the late sixties she was noticed by John J. Vis, the director of the record company Artone, and he produced her first album "Blue Burton" in 1967. On this record the trio of Louis van Dijk, de:Jacques Schols and nl:John Engels, supplemented with de:Piet Noordijk, accompanied her. She became popular and the album received an Edison Award in 1969. A few more records in 1969 and 1972 were released in collaboration with John Vis.

In 1973, she toured Japan, where she became the most popular jazz singer, second only to Ella Fitzgerald. She made numerous albums with Masahiko Sato and Ken McCarthy and others. In the late seventies she worked in New York, where she made several albums, some of which were with Grady Tate and Buster Williams. Singer Helen Merrill produced the albums. For "New York State of Mind" Burton also received an Edison award. In the eighties she founded her own record label, Burtone, that produced her albums. In the period 1986–1988 she taught at the Amsterdam Conservatory. Ann Burton died at the age of 56 due to throat cancer. https://en.wikipedia.org/wiki/Ann_Burton

Personnel: Ann Buton / vocals; Michael Renzi / piano; Buster Williams / bass; Grady Tate / drums

New York State of Mind

Roy Hargrove's Crisol - Habana

Styles: Trumpet Jazz
Year: 1997
File: MP3@320K/s
Time: 70:45
Size: 162,7 MB
Art: Front

(10:02)  1. O My Seh Yeh
( 8:08)  2. Una Mas
( 5:25)  3. Dream Traveler
( 6:20)  4. Nusia's Poem
( 5:32)  5. Mr. Bruce
( 4:54)  6. Ballad For The Children
( 8:07)  7. Mountaings
( 4:47)  8. Afrodisia
(11:01)  9. Mambo For Roy
( 6:23) 10. O My Seh Yeh (reprise)

From the cigar band across the cover of the compact disc to the inclusion of Cuban pianist and leader Chucho Valdes, as well as the title itself, Roy Hargrove's change in direction toward irresistible dance music in the Afro-Cuban tradition has fans all over wondering, "Is this for real?" Yes, it certainly is, and the appearance of his band Crisol at major jazz festivals has spread the message. Crisol, which means "melting pot," includes Valdes, conguero Miguel "Anga" Diaz, drummer Horacio "El Negro" Hernandez, and timbalero Jose Luis "Changuito" Quintana from Cuba. Rounding out the lineup are proven straight-ahead jazz artists Frank Lacy on trombone, Russell Malone on guitar, David Sanchez on tenor and soprano saxophones, John Benitez on bass, and Gary Bartz on alto and soprano saxophones. Additionally, because they (fortunately) happened to be appearing at the winter festival in Orvieto, Italy, when the recording took place, special guests on Habana are pianist John Hicks, bassist Jorge Reyes, and drummer Idris Muhammad.

Hargrove, who was turned on to the music of Clifford Brown by his high school Algebra teacher, considers Brown's virtuosity and warm sound a big influence. Working in his late teens with Woody Shaw, James Morrison, Frank Morgan, Jimmy Owens, Clifford Jordan, and Barry Harris, the trumpeter developed a post-bop approach that has resulted in more than ten albums as a leader in the past eight years. Habana's change in direction is merely a growth pattern, since the trumpeter has always respected the Afro-Cuban big band work of Dizzy Gillespie. Hargrove organized his New York City big band several years ago; the big band included Crisol members Lacy, Sanchez, and Malone. Standouts on the album include Kenny Dorham's "Una Mas" and "Afrodisia," which feature both Hargrove's warm trumpet and Bartz's spirited alto sax. Malone delivers a loose, blues-oriented guitar solo on the latter that recalls his recent appearance in the film Kansas City. Frank Lacy's "O My Seh Yeh" and Gary Bartz's "Nusia's Poem" account for a World Music approach that combines contemporary sounds with the traditional. Chucho Valdes' "Mr. Bruce" and "Mambo For Roy" offer the up-tempo big band fire that one would expect from such a lineup, based in both New York City and Havana. It's a stylistic change-up for trumpeter Roy Hargrove, but successful, and proof that the trumpeter is capable of following his instincts. Highly recommended. ~ Jim Santella https://www.allaboutjazz.com/habana-roy-hargrove-verve-music-group-review-by-jim-santella.php?width=1920

Personnel: Roy Hargrove (trumpet, flugelhorn); Gary Bartz (soprano & alto saxophone); David Sanchez (soprano & tenor saxophone); Frank Lacy (trombone); Jesus "Chucho" Valdes, John Hicks (piano); Russell Malone (guitar); Jorge Reyes (electric bass); John Benitez (bass); Horacio "El Negro" Hernandez, Idris Muhammad (drums); Miguel "Anga" Diaz (congas); Jose Luis "Changuito" Quintana (timbales).

Habana

Booker Ervin - Tex Book Tenor (Remastered)

Styles: Saxophone Jazz
Year: 2005
File: MP3@320K/s
Time: 37:37
Size: 86,6 MB
Art: Front

( 7:27) 1. Gichi
( 7:38) 2. Den Tex
( 5:53) 3. In A Capricornian Way
( 6:16) 4. Lynn's Tune
(10:21) 5. 204

I always thought the ultimate performances of tenor saxophonist Booker Ervin were on (arguably) the greatest studio recordings of Charles Mingus, Mingus Ah Um and Blues and Roots. This magnificent and long-overdue reissue of a Booker Ervin Blue Note session from 1968 has caused me to alter my opinion. I think this was the tenor saxman's greatest session, and given the company he found himself in, particularly trumpeter Woody Shaw and pianist Kenny Barron, it is little wonder that a magic glows from every tune.

What made Ervin such an exquisite partner with Mingus was his big, brawny, keening, and sometimes downright snarling tone. Just like the famed Mingus sensibility, comfy like a giant ball of uncoiling steel wool, could coax those extra abrasive notes from Ervin's sax, a really cooking, perhaps even frantic, Woody Shaw seems to bring out the fire in Ervin. The stupidly titled "Den Tex" Blue Note had this annoying habit of titling whole albums and tunes based on trivial word play (in this instance Irvin's Texas heritage) is a dazzling example of Shaw and Ervin egging one another on, with some substantial pushing from pianist Barron, who dances around their changes. Drummer Billy Higgins plays at full throttle while bassist Jan Arnet is along for the galloping ride.

Most of the five tunes, none with memorable hooks per se, follow this formula, and it all works as a truly classic hard bop session of distinction. Ervin was a major voice in transmuting the Texas R&B sound into bop, and the sheer emotional forcefulness of his sax sound was never better captured than on this fiery session which, by the way, is released in a "limited edition" "connoisseur's" edition, so the clock is ticking before this recording becomes unjustly unavailable again.~ Norman Weinstein https://www.allaboutjazz.com/tex-book-tenor-booker-ervin-blue-note-records-review-by-norman-weinstein.php

Personnel: Booker Ervin: tenor saxophone; Woody Shaw: trumpet; Kenny Barron: piano; Jan Arnet: bass; Billy Higgins: drums.

Tex Book Tenor (Remastered)