Showing posts with label Vince Jones. Show all posts
Showing posts with label Vince Jones. Show all posts

Sunday, July 3, 2022

Vince Jones & Paul Grabowsky - Provenance

Size: 113,2 MB
Time: 48:46
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz/Pop Vocals
Art: Front

01. Rainbow Cake (4:38)
02. Oh My Love (4:55)
03. We've Only Just Begun (4:42)
04. Stella By Starlight (4:32)
05. If You Never Come To Me (4:37)
06. Each Other's Child (3:31)
07. May I Come In (4:15)
08. Between Your Eyes (4:01)
09. So (4:15)
10. This Is Always (4:18)
11. The Parting Glass (4:55)

Provenance is the new album from two legends of Australian music – a survey of intimate ballads that showcases the superlative craftsmanship of platinum-selling legendary singer Vince Jones and multi-ARIA-winning pianist Paul Grabowsky.

The title refers to the returning-to-roots that this album represents. Vince and Paul first worked together in the 1980s, when Grabowsky was music director to Jones; Provenance marks a renewed collaboration between the pair after several decades apart. But the word also describes the music which the duo chose to record: ballads that showcase the essential elements of their craft, elements that have been the foundations of their astonishing careers, pared down to the intimate combination of piano and voice (and occasionally piano and flumpet – a hybrid of trumpet and flugelhorn).

Provenance is “a collection of timeless songs with beautiful melodies”, as Vince puts it. The album begins with ‘Rainbow Cake’, composed by the pair in the 1980s. ‘Oh My Love’, written by John Lennon and Yoko Ono, takes on touching poignancy in this new rendition; and from there the album presents classic songs from a variety of genres as well as a number of Vince’s own compositions.

Provenance

Friday, June 24, 2022

Vince Jones - For All Colours

Styles: Vocal And Trumpet Jazz
Year: 1984
File: MP3@320K/s
Time: 39:07
Size: 90,0 MB
Art: Front

(4:24) 1. For All Colours
(3:50) 2. Old For The New
(2:50) 3. Never Let Me Go
(5:51) 4. PartyTime
(2:35) 5. Blue
(2:47) 6. All Or Nothing At All
(2:39) 7. C’Est La Vie
(5:02) 8. Straighten Up And Fly Right
(7:13) 9. Drinking Again
(1:51) 10. Call Of The West

This is the third album of songs from Vince Jones. On this album he paints with all his colours, from the most haunting melancholy blues to the most passionate scarlet. Half of the tracks were written by Vince Jones,further establishing him as a song writing talent.This cd is the most popular of all his recordings.~ https://www.vincejones.com.au/album/for-all-colours/

Musicians: Vince Jones – trumpet, vocals; Doug de Vries – guitar; Peter Jones – piano; Paul Williams – tenor saxophone; Wilber Wilde – tenor saxophone; Peter Whitford – drums; Gary Costello – bass

For All Colours

Wednesday, June 22, 2022

Vince Jones - One Day Spent

Styles: Vocal And Trumpet Jazz
Year: 1990
File: MP3@320K/s
Time: 43:46
Size: 100,9 MB
Art: Front

(4:47) 1. Detour Ahead
(3:09) 2. Let's Get Lost
(5:29) 3. I Wish You Love
(4:20) 4. Since I Fell for You
(5:10) 5. The After Thought
(4:42) 6. I Thought About You
(3:40) 7. Time After Time
(3:51) 8. Never Let Me Go
(4:46) 9. Save Your Love for Me
(3:47) 10. There'll Never Be Another You

This CD was recorded in New York,the recording process was in three parts one day to rehearse,one day to record and one day to mix. Hence the title “One Day Spent” the ambiguity of the title is realised in the beautiful ballads. The players on this recording were the best available of the young “New Breed”players on the NY jazz scene. Benny Green, Charnett Moffat, Carl Allen, Dale Barlow and myself put together an elegant performance of these jazz standards. This CD hit the US billboard charts reaching number 14 selling over 100,000 CD’s. https://www.vincejones.com.au/album/one-day-spent/

Musicians: Benny Green – piano; Dale Barlow – tenor sax; Carl Allen – drums; Charnett Moffatt – double bass; Vince Jones – trumpet & vocals

One Day Spent

Tuesday, August 13, 2019

Grace Knight, Vince Jones - Come In Spinner

Styles: Vocal
Year: 1990
File: MP3@320K/s
Time: 47:09
Size: 108,6 MB
Art: Front

(3:16)  1. I've Got You Under My Skin
(3:04)  2. The Man I Love
(4:17)  3. Mood Indigo
(2:33)  4. Don't Know Much About Love
(4:34)  5. L'il Darlin'
(2:47)  6. Don't Get Around Much Anymore
(4:13)  7. I Get Along Without You Very Well
(3:22)  8. Sophisticated Lady
(3:24)  9. You Go To My Head
(2:56) 10. Loose Lips
(3:40) 11. Body And Soul
(3:14) 12. Joy Juice
(2:21) 13. In A Sentimental Mood
(3:22) 14. Lover Come Back To Me

Born Vincent Hugh Jones, 24 March 1954, Paisley, Scotland. In 1955 Jones’ family emigrated to Australia and lived in Wolloongong, New South Wales. The son of a musician, he was exposed to the jazz greats at an early age and he began to play trumpet in local bands. As an admirer of cool jazz he was especially influenced by Chet Baker and Miles Davis. In 1974 Jones began many years of playing and singing on the New South Wales club and jazz circuit. In 1982 he recorded his debut, Watch What Happens, which featured standards and some original material. The success of the album enabled him to form a sextet that played and toured extensively. More recordings followed, and Jones became a popular festival and cabaret attraction. In 1990 he accepted an acting role in the ABC period series, Come In Spinner. The subsequent album soundtrack of standards, with Jones and Grace Knight, became a milestone in the Australian recording industry as the biggest selling Australian jazz album ever, with sales in excess of 200, 000. Jones rejected the commercial and celebrity opportunities that beckoned, preferring to concentrate on his own musicality and he released and produced new albums each year. Standards became less obvious in his repertoire and originals, written by himself or band members, became more prominent. In 1992, he toured Europe with his sextet which included Barney McAll, Lloyd Swanton and Andrew Gander. There were concerts in The Netherlands, Germany, England and at the Montreux International Jazz Festival. An effective concert and cabaret performer, Jones’ sensitive, almost tortured persona, complimented the melancholic nature of his music, which became increasingly more introspective. After the release of Trustworthy Little Sweethearts, the Jones band toured Europe to considerable success. When he returned to Australia Jones retreated to his isolated farm in rural Victoria to compose new material. The album, Future Girl, contained original material, much of it inspired by his passion for the environment and conservation. Jones maintains full control in all aspects of his recordings and performs only when inclined, but his fierce independence and dedication to his art has resulted in a highly original and important body of work. By the late 90s he had developed more as a vocalist who occasionally played the trumpet. His singing is individual and eloquent, containing sensitive phrasing and sincerity. https://www.allmusic.com/artist/vince-jones-mn0000216835/biography

After leading the successful Australian act the Eurogliders, U.K.-born singer Grace Knight launched a solo singing career which saw her become one of Australia's leading jazz divas. In her early teens, Knight sang in folk clubs and first met musician Bernie Lynch while singing on a cruise ship. They would form the highly successful Eurogliders in 1980 and go on to international success. After the Eurogliders split in 1989, Knight sang backup vocals in the Tania Bowra Band before recording the soundtrack to the ABC-TV miniseries Come in Spinner with jazz musician Vince Jones. The album featured 1940s jazz standards and marked a career change for Knight. The singles "I've Got You Under My Skin," "The Man I Love," and "Sophisticated Lady" propelled the album to number five on the national charts in May 1990. Her debut album, Stormy Weather (September 1991), reached number 14 on the national chart in October, and another cover, "Fever," was released as a single. Her second album, Gracious, contained more jazz standards and covers such as "On a Clear Day," "Moondance," "Cry Me a River," and "Papa Was a Rolling Stone." Knight released her fourth album, Live, in February 1996, a double album recorded over three nights at Sydney's jazz venue the Basement. She released her fourth solo album, Zeitgeist, in 2000, a collection which featured several original songs penned by Knight. https://www.allmusic.com/artist/grace-knight-mn0000194742

Personnel:  Vocals – Grace Knight, Vince Jones; Baritone Saxophone – Tony Buchanon; Bass – Lloyd Swanton; Clarinet – Lee Hutchings; Clarinet, Alto Saxophone – Col Loughlan; Clarinet, Tenor Saxophone – Jason Morphett; Drums – Andrew Gander; Guitar – Jim Kelly; Piano – Max Lambert; Trombone – Bob McIver; Trumpet – Dick Motz, John Hoffman, Paul Panichi 

Come In Spinner