Tuesday, August 21, 2018

Lou Donaldson - The Time Is Right

Styles: Saxophone Jazz
Year: 1959
File: MP3@320K/s
Time: 37:15
Size: 85,9 MB
Art: Front

(5:58)  1. Lou's Blues
(5:46)  2. Be My Love
(5:11)  3. Idaho
(4:42)  4. The Nearness Of You
(5:18)  5. Mack The Knife
(5:15)  6. Crosstown Shuffle
(5:03)  7. Tangerine

Saxophonist Lou Donaldson is best known for his soulful, bluesy approach, although in his formative years he was, as many were of the bebop era, heavily influenced by Charlie Parker. Donaldson has worked with jazz greats including Milt Jackson, Thelonious Monk, Blue Mitchell, Horace Silver and Art Blakey. 

First released in 1959, The Time is Right is a warm, mellow affair overall, definitely post-bop. His group features Horace Parlan on piano, Blue Mitchell on trumpet, Laymon Jackson on bass and Dave Bailey on drums. Ray Baretto is featured on conga, which gives the session a bit of Latin flavor.~ Editorial Reviews https://www.amazon.com/Time-Right-Lou-Donaldson/dp/B004C6QER6

Personnel:  Lou Donaldson - alto saxophone;  Horace Parlan - piano;  Blue Mitchell - trumpet - except track 2;  Laymon Jackson - bass;  Dave Bailey - drums;  Ray Barretto - congas

The Time Is Right

Anna Lauvergnac - Unless There's Love

Styles: Vocal
Year: 2012
File: MP3@320K/s
Time: 47:21
Size: 108,8 MB
Art: Front

(6:47)  1. The Great City
(4:57)  2. Since I Fell for You
(2:44)  3. Senza fine
(5:57)  4. Speak Low
(5:19)  5. Why Don't You Do Right
(4:42)  6. Tell Me More and More and Then Some
(3:30)  7. Social Call
(4:37)  8. Traveling Light
(4:37)  9. You Know Who
(4:05) 10. Lonely Town

Jazz singer, traveler and social activist Anna Lauvergnac was born in Trieste -Italy, where she received a diploma as a primary school teacher and before choosing singing as the center of her existance, she studied Psychology for two years. In the meantime she took an impressive variety of different jobs: she’s been a private teacher, a model, a cloak room attendant, a telephone operator, a waitress, a book seller,a cleaner, a music manager and concert organizer, a carpenter (as she puts it “…I guess I wanted to be Bohumil Hrabal”). She started studying Jazz Singing in 1989 at the Berklee College Summer Clinics in Perugia -Italy, where she was offered a scholarship and received a special Artistic Mention. The same year she enrolled at the Art University for Music and Performing Arts of Graz  Austria, where she studied with Jazz Greats Jay Clayton, Mark Murphy, Andy Bey and Sheila Jordan. Masterclasses with Reggie Workman and Barry Harris in New York City. From 1999 to 2008 she’s been the vocalist of Europe leading international orchestra, the Vienna Art Orchestra. She toured extensively with the VAO, appearing on jazz festivals worldwide, and recorded on 12 of the band’s CD. In 2008 she started her lates project, the Anna Lauvergnac International quartet, that features the wonderful Claus Raible on piano, bass-master Giorgos Antoniou, and the great Steve Brown on drums. Their first CD “Unless there’s love” was released in 2012 and was nominated for the German Critic Prize the same year, ranking number 2. Collaborations include extraordinary musicians such as Andy Bey, Bojan Zulfikarpasic, Julien Lourau, Pete Bernstein, Franco Vallisneri, Fritz Pauer, Francesco Bearzatti, Paolo Fresu, Bumi Fian, Andy Scherrer, Marc Buronfosse, Till Martin, Claus Raible,Thomas Stabenow, Paoulo Cardoso, Henning Siewert, Alegre Corrèa, Steve Kirby, Wolfgang Puschnig, Bruno Cesselli, Florian Bramboeck, Hank Gradischnig, Karl Sayer, Willi Resetarits, Oliver Kent to name a few. Theater and Festival performances include Umbria Jazz, Montreal, Vancouver, Victoria, Havanna, Berlin, Guimares, Paris, Freiburg, Milano, Varna, Madrid, Moskaw, Essen, Kiev, Vilnius, Vienna, Moers, Le Mans, Dresden, Nord Sea JazzFestival, Joragua do Sul, Joinville, Hamburg, Beijing, Oporto, Amsterdam, Angouleme, Zaragozza, Belfast, Zagreb, Lugano, Brugge, Orleans, Essen, Salamanca, Luzern, Salzsburg, Budapest, Berlin, Munich, Bolzano, Mantova, Nevers, Red Sea Jazz Festival, JVC festival, Time in Jazz, Barcelona, London, Luxenburg, Auxerre, San Sebastian, Graz, Gdynia, Prag, Zurich, Couches, Granada, Sevilla, Junas, Sarajevo, Sibiu, Bern, Cannes, Bergen, Lisbona, Basel. She teaches workshops and masterclasses in various European countries, from 2000 to 2002 she’s been teching jazz repertoire and body work at the Bruckner Konservatorium Linz-Austria.  She wrote six soundtracks (tv and cinema) for the Austrian director Xaver Schwarzenberger. As a lyricist she’s been writing for different bands and projects, including the Vienna Art Orchestra. She practice yoga, and Vipassana Meditation, loves flowers and doesn’t eat meat. https://jazztimes.com/artists/anna-lauvergnac/

Unless There's Love

Dave Valentin - Sunshower

Styles: Flute Jazz
Year: 1999
File: MP3@320K/s
Time: 52:52
Size: 123,8 MB
Art: Front

(5:47)  1. Reunion
(4:37)  2. Sunshower
(4:05)  3. Embers
(5:44)  4. Bandit
(4:15)  5. Porkchops
(5:40)  6. I Got It Bad And That Ain't Good
(6:31)  7. Subway Six
(6:47)  8. Sierra Madre
(3:36)  9. Feelin' Alright
(5:45) 10. Space Cadet

Flautist Dave Valentin is fast becoming as ubiquitous a player as his former teacher, Hubert Laws, used to be. Indeed, Valentin has become the flautist of choice on a great quantity of recent Latin jazz recordings by such varied artists as McCoy Tyner, Tito Puente, Elaine Elias and Dave Samuels. Not as distinctive as Laws (nor as notable as many reed players who blow flute part time), he is nevertheless a highly appealing player whose often simple melodies seem to inspire some superb improvisation that positively sings and dances. Valentin's Concord debut, Sunshower , is the first recording under the flautist's name since 1996's Primitive Passions. Like many of the 18 albums he recorded for GRP between 1979 and 1996, Valentin here weds jazz, pop and r & b with his own particular blend of smooth Latin sounds. In essence, the man knows how to craft a purely pleasurable listening experience. One part of the disc's success is that Valentin sounds very much at ease in this setting. Well he should, too, for he's featured along with his working quintet here, which features the under sung virtues of pianist Bill O'Connell's marvelous playing and catchy songwriting. This is an exceedingly well programmed disc. Valentin starts with "Reunion," his own appealing fusion redux, segues into the sprite Caribbean dance of Valentin and O'Connell's title track (recalling Columbia-era Laws) and heads gently toward the ultra-smooth "Embers" (featuring Rodriguez's popping bass and Ed Calle's Brecker-istics on tenor). From here, Valentin explores his varied interests with dedicated abandon. He goes full-on Latin with "Bandit," funky with "Porkchops" (Calle here sounds Sanborn-esque on alto), sweetly sensitive to Duke's "I Got It Bad," straight ahead on O'Connell's "Sierra Madre" (featuring guest guitarist Steve Khan) and genuinely witty on his funkified take on "Feelin' Alright" (also covered by Laws in 1970). The disc's high point is O'Connell's effervescent "Subway Six," a solid Latin groover  with one of the simplest heads ever conceived and reminiscent of Vince Guaraldi's Peanuts classic, "Skating." It features outstanding, breezy solos from the leader, the pianist and vibraphonist Dave Samuels (and closes with some fiery interjection from Valentin). Not as deep as Valentin has proven elsewhere to be, Sunshower is nevertheless hugely enjoyable music that will satisfy a variety of musical cravings and invite repeated listening.~ Douglas Payne https://www.allaboutjazz.com/sunshower-dave-valentin-concord-music-group-review-by-douglas-payne.php

Players: Dave Valentin: C flute, alto flute, piccolo on "Porkchops" and assorted flute sounds; Bill O'Connell: acoustic piano, electric piano, synthesizers; Ruben Rodriguez: electric bass, Ampeg Baby bass; Robbie Ameen: drums; Milton Cardona: congas, shakere and various percussion instruments with Dave Samuels: vibes; Steve Khan: electric and acoustic guitars; Ed Calle: alto sax, tenor sax; Rafael de Jesus: percussion on "Embers," "Porkchops" and "Feelin' Alright."

Sunshower

Boogaloo Joe Jones - My Fire

Styles: Guitar Jazz
Year: 1993
File: MP3@320K/s
Time: 33:53
Size: 77,7 MB
Art: Front

(3:57)  1. Light My Fire
(7:06)  2. For Big Hal
(5:26)  3. St James Infirmary
(3:54)  4. Take All
(7:27)  5. Time After Time
(6:00)  6. Ivan The Terrible

Jones made his solo debut as Joe Jones on Prestige Records in 1967, but earned the name "Boogaloo Joe" following a 1969 record of that title. The nickname was meant to distinguish him from the other people with similar names in the music business, such as R&B singer Joe Jones, jazz drummers "Papa Jo" Jones and Philly Joe Jones, and the Joe Jones of the Fluxus movement. Later, he turned to billing himself as Ivan "Boogaloo Joe" Jones. Jones recorded several albums in a soul-jazz vein for Prestige between 1966 and 1978. In addition to leading his own group for recording purposes, Ivan Jones recorded with Richard "Groove" Holmes, Houston Person, Harold Mabern, Wild Bill Davis and, most notably, Willis Jackson, Rusty Bryant, Charles Earland, and Bernard "Pretty" Purdie are among the sidemen also featured on Jones' albums. His sound and style clearly derived from the blues, but it was a solid understanding of rock that Jones brought to his style of jazz. He was influenced most by Tal Farlow and Billy Butler, but gravitated toward the rhythm and blues-styled jazz Butler was popularizing with organist Bill Doggett's combo. Jones' sound and style stayed remarkably consistent during his recording career. His twangy tone coupled catchy chordal vamps[3] with astonishing rapid-fire single-note playing. He could handle familiar pop covers ("Light My Fire", "Have You Never Been Mellow") and ballads. But he really excelled in the jazz-funk groove and proved himself a first-rate blues player. Jones has lived in South New Jersey most of his life and mostly worked in and around the Atlantic City area with chitlin circuit heroes like Wild Bill Davis, Willis Jackson and Charlie Ventura. Jones, who never won the notice of critics or great support from fans during his career, is finding new life on CD. https://en.wikipedia.org/wiki/Boogaloo_Joe_Jones

Personnel:  Joe Jones - guitar;  Harold Mabern - piano;  Peck Morrison - bass;  Bill English - drums;  Richie "Pablo" Landrum - congas

My Fire