OJT - New Standards For The Green Lady

Size: 164,1 MB
Time: 70:41
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Hammond Organ
Art: Front

01. Chained Lightning ( 5:27)
02. The Fez ( 7:51)
03. Eleanor Rigby ( 6:28)
04. Everybody Wants To Rule The World ( 6:21)
05. I Kissed A Girl ( 5:50)
06. Layla ( 8:40)
07. The Way You Make Me Feel ( 6:29)
08. West L.A. Fadeaway ( 6:36)
09. Black Peter (10:22)
10. OJT Theme 2015 ( 6:32)

"New Standards for the Green Lady" is the third album length release by the Kansas City based organ jazz group OJT. While previous releases featured jazz standards and original compositions, New Standards for the Green Lady is a collection of OJT's organ jazz arrangements of familiar pop songs. Selected, arranged, and performed over 2 years for audiences at Kansas City's Green Lady Lounge, OJT plays the music of Steely Dan, The Beatles, Tears for Fears, Eric Clapton, Michael Jackson, The Grateful Dead, and even Katy Perry. OJT continues its Wednesday and Saturday night house band gigs at Green Lady Lounge with no end in sight.

OJT builds on the classic organ jazz trio by mixing old school Kansas City jazz with blues and a modern funky groove. Ken Lovern on Hammond organ, Kevin Frazee on drums, and Brian Baggett on guitar play equal parts in balanced arrangements with stand out improvisations. OJT has been a band for more than 12 years and it shows.

OJT is:
Brian Baggett: Guitar
Kevin Frazee: Drums
Ken Lovern: Hammond Organ

New Standards For The Green Lady

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Jasper Kump - Sunday In New York

Size: 143,9 MB
Time: 61:12
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz/Pop Vocals
Art: Front

01. Starting Here Starting Now (2:19)
02. Rainbow Connection (4:26)
03. You Are All The World To Me (5:07)
04. Sunday In New York (3:24)
05. New York State Of Mind (5:18)
06. So In Love (4:55)
07. Shower The People (5:15)
08. Let It Be (3:29)
09. Fields Of Gold (4:57)
10. My Romance (2:24)
11. Only In New York (3:39)
12. In The Garden (4:13)
13. Never Never Land (4:30)
14. All In Love Is Fair (4:24)
15. When I First Saw You (2:45)

Jasper Kump has been described by Elliott Forrest of A&E's Breakfast with the Arts as a "fresh new talent...full of fire." With influences from jazz and gospel to folk and theatre, his voice has heart and soul. "Sunday In New York" is his first full-length CD and is filled with a wonderfully eclectic mix of music. It's a celebration of life, love and New York City. While all but one of the tracks are songs originally performed by other artists, Jasper brings a new perspective as he sings these gorgeous new arrangements by Russ Kassoff. The one new song, "You Are All The World To Me", is a warm and touching ballad with lyrics by Deidre Broderick and music by Russ Kassoff.

The band on "Sunday In New York" is nothing short of brilliant! Their bios and credits read like "Who's Who" of popular, jazz and theatre music. Russ Kassoff (Arrangements/Musical Direction/Piano and Keyboards) has worked with legends such as Frank Sinatra, Liza Minelli, Rita Moreno, Carol Sloane and Sylvia Sims - just to name a few. Martin Wind (Bass) is part of the incredible Bill Mays Trio and has recorded several CDs and worked with jazz greats Pat Metheny, Bucky Pizzarelli and more. Warren Odze (Drums) has worked on numerous Broadway shows as well as well-known artists such as Rod Stewart, Peter Cincotti and Peter Allen. Gerry Niewood (Saxophone/Flute) has worked for decades with Chuck Mangione and has graced the recordings of such stars as Simon and Garfunkel, Ann Hampton Callaway and many others. Jesse Levy (Cello) has performed with such household names as Frank Sinatra, Tony Bennett, Luther Vandross and Madonna.

Jasper was born in California and knew early on in life that he was destined for great things. Some are even convinced that Jasper was born singing! When he was five years old, he stole the stage as the Little Drummer Boy. By the age of 11, Jasper decided to utilize his passion for entertaining people and joined the Artist in Residence Program in Germany. He spent much of his adolescence in Europe focusing his studies on spiritual, jazz, and popular music. Along with pursuing his dreams in the classroom, Jasper took every chance he got to perform.

In 1987, Jasper performed for President Ronald Reagan and Mrs. Reagan at Berlin's 750th anniversary celebration. Shortly thereafter, Jasper returned to the United States and continued to pursue his love for music and theater.

Not only did Jasper take the opportunity to sing in the Vocal Jazz Ensembles at California State University, Long Beach, he also performed in several musicals and concerts including Into the Woods (Jack), Fiddler on the Roof (Tevye), You're a Good Man Charlie Brown (Charlie Brown), The Scarlet Letter: A Musical Romance (Chillingworth), Follies (Young Buddy) and Lagunatics.

Jasper not only comes to life on stage, but he is also passionate about composing music. Prior to "Sunday In New York", he recording a five-song EP of original songs entitled "Real", his skills have also led him to commercial success composing music for advertising and corporate use.

Jasper lives in New York City.

Sunday In New York

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Elly Hoyt - Oranges & Sunshine

Size: 115,3 MB
Time: 49:32
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals
Art: Front

01. Blackbird (4:09)
02. Easy To Love (2:56)
03. Our Little Boy (4:41)
04. Nature Boy (4:00)
05. Sink Or Swim (6:26)
06. It Could Happen To You (3:21)
07. Today I Sing The Blues (4:56)
08. It’ll Rise Again (4:38)
09. On The Other Side (6:00)
10. My Baby Just Cares For Me (4:01)
11. Oranges & Sunshine (4:19)

After living and studying with giants of jazz in New York City last year, and putting together a collection of all new works, Elly Hoyt is back with her new album and new sound to Bennetts Lane. Her new album, Oranges & Sunshine, being launched tonight, is the offering she promised after receiving the Best Australian Jazz Vocal Album Award in 2011.

Elly consistently captures audiences with her soulful and seductive voice, and her disarmingly natural stage presence. At only 26, she has the uncanny ability to invoke the charge given to past greats and take it somewhere new, especially somewhere with groove. Elly released her debut self-titled album in late 2010 to rave reviews and awards, but this album, sculpted with time, experience and a pozible campaigne, is the work of an energetic, seasoned and dedicated music maker.

James Morrison: "From the moment I first heard Elly sing, I knew she had that classic, indefinable thing that makes one a jazz singer. It's not just a sound, or a choice of notes but a way of approaching a song that lets the listener know - this is the real thing".

Featuring: Scott Griffiths, Darryn Farrugia & Jonathan Zion and special guests on didgeridoo & strings.

Oranges & Sunshine

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Archie Fleming - Papa Sax

Size: 122,9 MB
Time: 52:54
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz: Soul Jazz, Saxophone Jazz
Label: Archie Fleming
Art: Front

01. Mojo Mama (5:05)
02. Pearly Gates (5:52)
03. Elenor Rigby (5:15)
04. Harlem Nocturne (6:55)
05. Love Potion Number 9 (5:27)
06. Summertime (5:23)
07. Lady In Red (6:41)
08. A Night In Tunisia (5:28)
09. Sugar (6:44)

Passionate and soulful music in the Memphis tradition with sax, flute and guitar solos accentuated by horn section.

Papa Sax

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Ale Vanzella - Indie Bossa II

Size: 105,1 MB
Time: 35:53
File: MP3 @ 320K/s
Released: 2015
Styles: Indie Rock, Bossa Nova
Art: Front

01. Come As You Are (2:58)
02. How Long (2:19)
03. Ready To Start (4:23)
04. Crumble (3:08)
05. Heart Of Gold (2:30)
06. I Am Afraid Of You (2:33)
07. The Man Who Sold The World (2:45)
08. Killing Me Softly (4:03)
09. Golden Drama (2:11)
10. Use Somebody (3:00)
11. Everlong (3:00)
12. I Started A Joke (2:59)

Recorded and produced in Rio de Janeiro, completing the concept of blending indie rock and bossa nova, the album features 12 tracks in English, production by the experienced RAYMUNDO BITTENCOURT, with special guest master of Bossa Nova ROBERTO MENESCAL and guitarist GRECCO BURATTO.

Singer, songwriter, guitarist, drummer, self-taught ALE VANZELLA met on their debut album, INDIE BOSSA (Albatroz Music, 2012), apparently distinct styles: Indie Rock and Bossa Nova, who gave a unique musical identity to the artist.

Indie Bossa II

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Cab Calloway - Are You Hep To The Jive?

Bitrate: MP3@320K/s
Time: 64:07
Size: 146.8 MB
Styles: Big band, Swing
Year: 1994
Art: Front

[2:46] 1. Boo-Wah Boo-Wah
[3:01] 2. Are You All Reet
[2:53] 3. Hey Now, Hey Now
[2:44] 4. Everybody Eats When They Come To My House
[2:47] 5. Are You Hep To The Jive
[3:02] 6. The Calloway Boogie
[3:01] 7. Hep Cat's Love Song
[2:30] 8. Papa's In Bed With His Britches On
[2:40] 9. What's Buzzin' Cousin
[2:44] 10. Twee-Twee-Tweet
[2:53] 11. Come On With The Come On
[3:20] 12. Chant Of The Jungle
[2:46] 13. I Want To Rock
[3:01] 14. Oh Grandpa
[3:13] 15. The Jungle King (You Ain't Done A Doggone Thing)
[2:41] 16. Don't Falter At The Alter
[3:08] 17. Who's Yehoodi
[2:51] 18. A Chicken Ain't Nothin' But A Bird
[2:46] 19. Tarzan Of Harlem
[3:14] 20. Minnie The Moocher's Wedding Day
[2:54] 21. Boog It
[3:00] 22. Foo A Little Bally-Hoo

Cab Calloway was a gloriously outsized manifestation of all that was frantic in the first full flowering of prohibition-era jazz. Dressed with all the flash of a brand new Cadillac, leading a crack band who could swing and sway with both abandon and precision, and spinning demi-monde tales of wild good times complete with illegal party favors, Calloway was a joyous personification of America's id at a time when such celebrations were hardly the stuff of common currency. Calloway's most popular music was recorded during the early to mid-'30s, but when more polished swing sounds supplanted his earlier style, Cab wasn't afraid to move with the times and led a top-notch big band capable of playing more contemporary music while still delivering the free-wheeling punch Calloway's personality demanded. Are You Hep to the Jive? is a great compilation from Columbia's Legacy series that brings together 22 sides Calloway waxed for Vocalion, Okeh, and Columbia between 1939 and 1947, and shows beyond a doubt Cab's muse was still in fine fettle at this point in his career. Calloway's band was filled with first-class talent, and the likes of Dizzy Gillespie, Chu Berry, Milt Hinton, and Jonah Jones can be heard on the selections included here, but as great as the band is (and they swing with potent, joyous force throughout this disc), it's Calloway's 100-proof charisma, his unabridged lexicon of jive speak and his top-shelf scatting skills that bring this collection to life, and the fine madness of "Are You All Reet?," "A Chicken Ain't Nothin' But a Bird," "Tarzan of Harlem," and "Who's Yehoodi?" is as satisfying as a cold drink on a warm day. If this isn't quite the definitive Cab Calloway disc, Are You Hep to the Jive? is an excellent overview of his work in the '40s, and it's solid fun from first note to last. ~Mark Deming

Are You Hep To The Jive?

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The Marc Toussaint Combo - Old Devil Moon

Bitrate: MP3@320K/s
Time: 54:38
Size: 125.1 MB
Styles: Vocal
Year: 2003
Art: Front

[2:33] 1. Old Devil Moon
[2:26] 2. Dancing In The Dark
[5:08] 3. At Last
[2:26] 4. The Shadow Of Your Smile
[2:57] 5. The Lady Is A Tramp
[4:59] 6. Misty
[2:49] 7. Beyond The Sea
[0:54] 8. All The Things You Are
[2:55] 9. How High The Moon
[2:07] 10. You'd Be So Nice To Come Home To
[5:55] 11. Stardust
[5:29] 12. Round Midnight
[6:24] 13. I Get A Kick Outta You-Night And Day
[4:34] 14. Prelude To A Kiss
[2:53] 15. Call Me

Native of Dallas, Texas, MARC TOUSSAINT purchased his first jazz records at age ten (Mel Torme, Art Tatum & Cannonball Adderly). Some thirty years later, Marc leads the premier vocal jazz combo in North Texas. THE MARC TOUSSAINT COMBO is made up of seasoned jazz musicians from all over the United States and has garnered a well earned reputation for sophistication, excellence and dependability. MARC TOUSSAINT performs regularly at The Mansion on Turtle Creek and can be seen in the finest venues including The Chaparral Club, Reatta, The Adolphus Hotel, The Tower Club, The Dallas Country Club, The Columbian, Ridglea Country Club, and many others.

MARC TOUSSAINT has performed with and for several legendary artists including Stevie Wonder, Bobbi Humphrey and Mike Love, most recently opening for Chris Botti at his appearance in Dallas. THE MARC TOUSSAINT COMBO recently released it's fourth project, ONE FOR MY BABY. This project along with MORE, OLD DEVIL MOON, and SWINGIN SINGIN CHRISTMAS each engineered by multi-Grammy award winner Phil York are collections of some of the greatest swing, jazz and dance favorites. OLD DEVIL MOON was included in the 2003 Grammy competition and ONE FOR MY BABY was a contender in 2005. The single I COVER THE WATERFRONT was included in the competition for Best Vocal (Traditional). A fifth project is due in the Fall of 2006. MARC TOUSSAINT along with his wife Melissa and their children and dogs, live in the Dallas area.

Old Devil Moon

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Liz Menezes - Relaxing Bossa

Bitrate: MP3@320K/s
Time: 39:11
Size: 89.7 MB
Styles: Latin jazz, Bossa Nova
Year: 2014
Art: Front

[2:45] 1. California Dreamin'
[3:18] 2. The Look Of Love
[2:59] 3. Raindrops Keep Falling On My Head
[2:31] 4. If
[2:49] 5. God Only Knows
[2:40] 6. There Is Nothing More To Say
[3:30] 7. Caroline Goodbye
[2:09] 8. Don't Take Your Time
[3:18] 9. Hello It's Me
[2:23] 10. Kites Are Fun
[1:59] 11. This Will Be Our Year
[3:07] 12. Up Up And Away
[2:51] 13. Walk On By
[2:46] 14. Wichi Tai To

Liz Menezes is a singer songwriter that began her musical career at the age of ten by getting involved in her church as part of the choir ensemble, while she was learning how to play classical piano. Her training as a writer began at an early age, when she began writing poetry which later would take life with melodies eventually becoming songs. Her desire to be involved in music led her to audition and along the way she did performances as a singer and also worked as a backup vocalist for different artists.

Liz has been influenced greatly by the Brazilian culture. During her two year stay in Rio de Janeiro, she had the opportunity to record American standard songs in Bossa Nova. She worked with the record label Albatroz Music as an independent artist. Included in these projects, which were released in Europe and Japan are such names as Bossa Nova great Roberto Menescal, and partner of Albatroz Music, Raymundo Bittencourt.

Relaxing Bossa

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Leah Natale - Swing Easy

Styles: Jazz, Vocal
Year: 2011
File: MP3@320K/s
Time: 29:45
Size: 69,9 MB
Art: Front

(2:55)  1. Time After Time
(3:11)  2. If I Had You
(4:14)  3. Say It
(3:07)  4. Moonglow
(3:04)  5. I'm Confessin'
(2:58)  6. Under A Blanket Of Blue
(4:13)  7. I Didn't Know About You
(2:09)  8. Between The Devil And The Deep Blue Sea
(3:51)  9. Do Nothing Til You Hear Rom Me

“Swing Easy”  The title of this latest musical compilation comes from two of my passions: Classic vocal jazz and the beautifully complex game of golf. In golf, “Swing Easy” refers to combining balance and a smooth tempo to produce an effortless swing. The same is true with classic vocal jazz. When the right balance of vocals and instruments is combined with smooth tempos, the perfect scenario is created to give both performer and listener that effortless, swinging feel. While listening to this album, I hope you find yourself lost in the passionate world of jazz with selections that are perfect for the 19th hole. http://www.cdbaby.com/cd/leahnatale2

Swing Easy

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Dave Pell Octet - Jazz For Dancing And listening Disc 1 And Disc 2

The Dave Pell Octet was one of the most successful West Coast modern jazz combos in the 50s, playing a stimulating and swinging repertoire ideal for the group s aims. Dave Pell favoured variations on the melody rather than the harmonic emphasis heard in the work of his contemporaries. The deftly crafted arrangements, by Marty Paich, Shorty Rogers, Johnny Mandel, Wes Hensel, Bill Holman, Jack Montrose, André Previn, and Jimmy Giuffre, established the group s sound and personality, and offered shrewdly placed spots for its stellar soloists. They were a hit everywhere, with concerts and teenage dances notable showcases for the unit. With three of its key personnel, Pell, Don Fagerquist and Ray Sims, honed by years as star soloists of Les Brown s band, the Octet s cohesion was remarkable. These originally Atlantic and Capitol sessions also featured the wonderfully swinging sound of Bob Gordon s baritone sax. Elected New Star of the Year in the 1955 Down Beat critics poll, he was killed in an automobile accident two months after these recordings were made. His work here remains a brilliant display of his great talent. ~ Editorial Reviews  http://www.amazon.com/Jazz-For-Dancing-Listening-Romantic/dp/B000PFU97Y

Styles: Saxophone Jazz

Year: 2012

File: MP3@320K/s

Time: 50:53

Size: 117,3 MB

Art: Front

(2:53)  1. How Are Things In Glocca Morra?

(4:04)  2. Memphis in June

(2:53)  3. Deep in the Heart of Texas

(4:24)  4. New Orleans

(2:55)  5. White Cliffs of Dover

(3:53)  6. Sunday In Savannah

(2:45)  7. Isle Of Capri

(2:53)  8. Shuffle Off to Buffalo

(3:37)  9. Paris in the Spring

(3:19) 10. On A Slow Boat To China

(3:23) 11. London in July

(2:32) 12. Flying Down to Rio

(2:49) 13. I Had the Craziest Dream

(3:24) 14. Jazz Wagner

(2:24) 15. Mike's Peak

(2:36) 16. Poopsie

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Dave Pell Octet - Jazz For Dancing And listening  Disc 2

Year: 2012

Time: 53:07

Size: 122,3 MB

(2:52)  1. Star Eyes

(2:43)  2. Klump Jump

(2:40)  3. My Heart Belongs to Daddy

(2:05)  4. On The Good Ship Lollipop

(3:28)  5. Can't We Be Friends

(3:33)  6. I've Got a Feeling I'm Falling

(3:30)  7. Love Is the Sweetest Thing

(2:13)  8. I've Got A Crush On You

(3:29)  9. If I Could Be With You One Hour Tonight

(3:05) 10. Let's Do It

(3:09) 11. Just One More Chance

(4:19) 12. Who Walks In When I Walk Out

(3:11) 13. You can't pull the wool over my eyes

(4:54) 14. Bewitched, Bothered and Bewildered

(4:31) 15. Solitude

(3:19) 16. I've Found A New Baby

Jazz For Dancing And listening Disc 1, Disc 2

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Jane Ira Bloom - Sixteen Sunsets

Styles: Saxophone Jazz
Year: 2013
File: MP3@320K/s
Time: 77:35
Size: 178,5 MB
Art: Front

(5:01)  1. For All We Know
(7:46)  2. What She Wanted
(7:13)  3. Gershwin's Skyline/ I Loves You Porgy
(6:27)  4. Darn That Dream
(5:17)  5. Good Morning Heartache
(6:22)  6. Out of This World
(4:34)  7. Ice Dancing (For Torvill & Dean)
(7:34)  8. Left Alone
(4:26)  9. The Way You Look Tonight
(5:41) 10. But Not for Me
(4:29) 11. Primary Colors
(2:42) 12. My Ship
(4:29) 13. Too Many Reasons
(5:27) 14. Bird Experiencing Light

Sidney Bechet pioneered the use of the soprano saxophone in jazz in the early 20s. John Coltrane brought that "straight horn" out of a relative dormancy of use in 1959 with his anthem-like take on Rodgers and Hammerstein's "My Favorite Things" on his Atlantic Records album of the same name. Steve Lacy took the soprano "out there," and Dave Liebman continues to stretch its boundaries. The name Jane Ira Bloom can be added to that list of icons. For thirty years Bloom has used the soprano saxophone to give voice to fertile and uncompromising artistic spirit. She's broken ground on the introduction of live electronics into her music and has created a singular sound on a variety of multi-faceted projects including a commissioned work by the NASA Art Program. And (talk about "out there") the International Astronomical Union named an asteroid for her: 6083janeirabloom. Bloom's work in a quartet setting shines the brightest, on 2003's Chasing Paint (Arabesque Records), a nod to painter Jackson Pollock, 2008's Mental Weather (Outline), or the CD at hand, Sixteen Sunsets, an examination of the ballad form.

For such a forward-looking artist, this is something of a surprise. Bloom explores the standards here, along with four of her own standard form songs, with an extraordinary aplomb and patience. Her tone on the soprano is the purest, richest of sounds as if her horn were made of gold; and her quartet, featuring Matt Wilson on drums, bassist Cameron Brown and pianist Dominic Fallacaro, play with a delicacy and restraint that gives the sound a feeling of depth and a subdued grandeur. Bloom says she knows the words to all these songs: "I Loves You Porgy," "The Way You Look Tonight," "For All We Know," "Good Morning Heartache." These are tunes that dip down deep into longing, heartache, loneliness, tender love. Bloom's soprano saxophone is her voice. It's a voice that tells these song's stories with an exquisite grace and understanding of the vicissitudes of the human condition. 

Bloom's backing trio rolls mostly in the mode of subtle accompaniment, but when she lays back the trio steps out with a jewel- like elegance, as pianist Fallacaro, with the supplest of touches, wrings every teardrop out of the melody of "Good Morning Heartache," or injects a hopeful counterpoint to the angst of the temptations on "I Loves You Porgy." Sixteen Sunsets is, arguably, Jane Ira Bloom's most compelling recording. It's certainly her loveliest no argument there. And the sound quality is out of this world. An asteroid is nice, but it seems a rather small celestial body for an artist that can create something as perfect as this disc. Perhaps a star, a bright one, can be found. ~ Dan McClenaghan  http://www.allaboutjazz.com/sixteen-sunsets-jane-ira-bloom-outline-review-by-dan-mcclenaghan.php

Personnel: Jane Ira Bloom: soprano saxophone; Dominic Fallacaro: piano; Cameron Brown: bass; Matt Wilson: drums.

Sixteen Sunsets

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Loston Harris - Why Try To Change Me Now

Styles: Vocal And Piano Jazz
Year: 2010
File: MP3@320K/s
Time: 47:59
Size: 110,4 MB
Art: Front

(9:12)  1. Young At Heart
(6:13)  2. Angel Eyes
(3:52)  3. From This Moment On
(3:52)  4. Day In-day Out
(4:01)  5. I Fall In Love Too Easily
(3:57)  6. Why Try to Change Me Now
(4:34)  7. Jordu
(6:14)  8. Too Close for Comfort
(3:57)  9. That Old Black Magic
(2:02) 10. Empty Tables

Loston Harris' recorded debut as a leader, Comes Love (N2K) in 1998, cast him in the role of a traditionalist who played expert modern swing piano (with touches of Oscar Peterson, Ahmad Jamal and Red Garland) and took a few cheerful vocals (including on "Close Your Eyes" and "Comes Love"). A subtle improviser, Harris (heard with a trio/quartet) was reshaping the past and sounding quite creative within the older style. He actually had started seriously playing piano fairly late. Harris had some piano lessons when he was five but soon dropped the instrument. Instead he played drums from the time he was ten until he hit his early twenties, primarily rock and r&b. He received a scholarship to Virginia Commonwealth University and was initially a percussion major. 

However Ellis Marsalis (who was a visiting professor at VCU) heard Harris jamming on the piano and he suggested that he switch instruments since Harris a natural feel for the piano. Soon Harris was practicing eight-to-ten hours a day and, when Marsalis returned to New Orleans, he transferred to Howard University. He had opportunities to study with Geri Allen and Billy Taylor and was soon working locally. After graduating, Harris landed a local gig three nights a week in Reston, Virginia that continued throughout the 1990's. In addition, he toured with Wynton Marsalis in 1995, played second piano for Marcus Roberts on his "Portraits In Blue" tour in 1996 and had opportunities to play with Kenny Garrett, Roy Hargrove and Joshua Redman. Loston Harris began singing in the mid-1990's after being inspired by Nat King Cole records and he clearly has strong potential for the future. Bio  ~ https://itunes.apple.com/us/artist/loston-harris/id56727018#fullText

Why Try To Change Me Now

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