Showing posts with label Pete Malinverni. Show all posts
Showing posts with label Pete Malinverni. Show all posts

Monday, November 7, 2022

Gary Smulyan - Tadd's All, Folks

Styles: Saxophone Jazz
File: MP3@320K/s
Time: 67:40
Size: 155,5 MB
Art: Front

(7:23) 1. Whatever Possessed Me
(5:32) 2. This Night of Stars
(7:06) 3. Weekend
(7:42) 4. Lovely One in the Window
(6:40) 5. You're a Joy
(3:56) 6. Take a Chance on Spring
(9:57) 7. My Dream / Do You Remember Now
(4:54) 8. Sweet Life
(7:38) 9. I'm Never Happy Anymore
(6:48) 10. Never Been in Love

This album is all about Tadd Dameron (1917 - 1965), one of the most important American jazz composer/musicians. Multiple award-winner Gary Smulyan conceived the brilliant idea of recording Dameron compositions with lyrics.

The vocal part is phenomenally rendered by the young talent Anaïs Reno. Three songs including the lovely This Night Of Stars have never been recorded before. https://www.birdland.com.au/gary-smulyan-tadd-s-all-folks

Personnel: Gary Smulyan(baritone saxophone); Pete Malinverni(piano); David Wong(bass); Matt Wilson(drums); Anais Reno(vocal)

Tadd's All, Folks

Sunday, October 16, 2022

Gary Smulyan - High Noon - The Jazz Soul Of Frankie Laine

Styles: Saxophone Jazz
Year: 2008
File: MP3@320K/s
Time: 70:50
Size: 165,1 MB
Art: Front

(6:17)  1. I'd Give My Life
(8:32)  2. High Noon
(7:21)  3. Torchin'
(6:51)  4. It Only Happens Once
(7:54)  5. Baby, Baby All The Time
(8:21)  6. When You're In Love
(6:28)  7. Put Yourself IN My Place, Baby
(6:38)  8. A Man Ain't Supposed To Cry
(6:31)  9. That Lucky Old Son
(5:52) 10. We'll Be Together Again

This tribute album by baritone saxophonist Gary Smulyan features his bebop-based nonet pulling inspiration from a 1956 album by pop singer Frankie Laine (1913-2007) and trumpeter Buck Clayton. As Laine's foray into jazz's '50s mainstream, Jazz Spectacular (Columbia) represented a piece of the singer's repertoire not as well-known as his pop music. It allowed him to interact with instrumentalists of the era who represented jazz authority and had little to do with themes such as "High Noon," "Mule Train," "Cool Water," "Rawhide," "Gunfight at the O.K. Corral" and the more recent "Blazing Saddles" and "3:10 to Yuma." Laine did not sing on the soundtrack for High Noon, but did record it as another of his Western-based hits.

On Smulyan's album, "High Noon" is hardly recognizable. While the ten songs come from a broad spectrum of Laine's career, each has been rearranged by Mark Masters to fit a nonet akin to that found on Miles Davis' The Birth of the Cool (Capitol, 1949), with similar instrumentation, a pervading blues quality and soulful soloing. Here, "High Noon"'s theme dances in and out of dense harmony and "gunfight" choruses traded between French horn and trombone, and alto sax and trumpet. On bass clarinet, Scott Robinson's lengthy intro clears the main street of town while Smulyan closes the piece with one big booming chorus after another. Laine wrote the lyrics for "A Man Ain't Supposed to Cry," "Torchin'" and "We'll Be Together Again," all which come with heavy blues overtones. Smulyan's horn sings like the original, his nonet providing plenty of jazz atmosphere, affixing a balance to the eclectic quality of Laine's emotional Italian-American crooning melded with whiplash cowboy stories. ~ Jim Santella  http://www.allaboutjazz.com/high-noon-the-jazz-soul-of-frankie-laine-gary-smulyan-reservoir-music-review-by-jim-santella.php
 
Personnel: Gary Smulyan: baritone saxophone; Mark Masters: arranger; Joe Magnarelli: trumpet; John Clark: French horn; Dick Oatts: alto saxophone; Scott Robinson: tenor saxophone, soprano saxophone, bass clarinet; John Fedchock: trombone; Pete Malinverni: piano; Andy McKee: bass; Steve Johns: drums.

High Noon: The Jazz Soul Of Frankie Laine

Friday, September 2, 2022

Pete Malinverni - On The Town, Pete Malinverni Plays Leonard Bernstein

Styles: Piano Jazz
File: MP3@320K/s
Time: 58:52
gwo Size: 135,9 MB
Art: Front

(5:04) 1. New York New York
(5:36) 2. Lucky to Be Me
(5:18) 3. Somewhere
(5:33) 4. Cool
(6:05) 5. Simple Song
(6:00) 6. I Feel Pretty
(5:56) 7. Lonely Town
(5:04) 8. Some Other Time
(8:04) 9. It’s Love
(6:08) 10. A Night on the Town

Pianist Pete Malinverni's album, On the Town, is subtitled "Plays Leonard Bernstein," and it's an homage he has wanted to put on record for many years ever since he met Bernstein in person while performing at an opening-night party for a production of the opera Tosca at the Met in NYC. Bernstein, he recalls, spent much of the evening hanging around the piano, not with his more celebrated dinner companions. ("Real musicians want to hang out with the band," Malinverni says).

And Bernstein was a real musician, one who loved jazz as well as classical music, as Stan Kenton learned one evening when Bernstein was in the audience for a performance by the Kenton Orchestra of the composer's score for West Side Story. Afterward, Bernstein approached Kenton and said simply, "My music has never sounded better."

Bernstein's music sounds pretty good here too, thanks to Malinverni's discerning piano and unerring support from his blue-chip rhythm section: bassist Ugonna Okegwo and drummer Jeff Hamilton. The music with two exceptions is from Bernstein's Broadway oeuvre (On the Town, West Side Story, Wonderful Town). The outliers are the endearing "Simple Tune" from Bernstein's "Mass" and "(A Night) on the Town," Malinverni's clever harmonic synthesis of several Bernstein tunes, which rings down the curtain.

Bernstein's uncanny ear for a lovely melody is everywhere present, as on "Lucky to Be Me," "Somewhere," "I Feel Pretty," "Lonely Town," "Some Other Time" and "It's Love," each one given its due with a masterful treatment by the trio. The opener, "New York New York," isn't the familiar paean to the Big Apple by John Kander and Fred Ebb but the ebullient anthem sung by a trio of sailors on one-day leave in On the Town.

Malinverni and his mates give each song their tender love and care, refreshing a series of masterworks in a way that surely would have brought a smile to Bernstein's lips and perhaps a tear or two to his eyes. Malinverni is a superb pianist, and there is simply no rhythm section that could lend more earnest and agreeable support than Okegwo and Hamilton. Blend in music by the incomparable Leonard Bernstein, and what's not to like?~Jack Bowers https://www.allaboutjazz.com/on-the-town-pete-malinverni-plays-leonard-bernstein-pete-malinverni-planet-arts-records

Personnel: Pete Malinverni: piano; Ugonna Okegwo: bass; Jeff Hamilton: drums.

On The Town, Pete Malinverni Plays Leonard Bernstein

Monday, February 8, 2021

Juliet Kurtzman, Pete Malinverni - Candlelight: Love in the Time of Cholera

Styles: Violin And Piano Jazz
Year: 2020
File: MP3@320K/s
Time: 53:44
Size: 124,5 MB
Art: Front

(2:39) 1. Pulcinella
(5:22) 2. Candlelights
(6:04) 3. Oblivion
(4:06) 4. Davenport Blues
(4:06) 5. Por Una Cabeza
(3:40) 6. In the Dark
(5:54) 7. Solace
(5:56) 8. Body and Soul
(4:42) 9. Doce De Coco
(4:39) 10. In a Mist
(2:56) 11. Love in the Time of Cholera
(3:35) 12. Flashes

Gabriel García Márquez is a Columbian author whose novel Love In The Time Of Cholera forms part of the title of this duo recording by jazz pianist Pete Malinverni and classical violinist Juliet Kurtzman. The theme of the novel is about love found, lost and found again, while the musical program presented here keeps the love theme in focus surveying jazz and classical musical styles from the Americas. Malinverni has an evocative and vibrant playing style that works well with Kurtzman's resonant and stunning tone as they connect through the music. Although it might be a stretch to call this release a jazz album, it could probably be regarded as jazz influenced. For example Bix Beiderbecke, cornetist and pianist, and one of the tragic figures of the jazz age, wrote five of the compositions included here, as well as "Solace" from Scott Joplin and "Body And Soul" written by Johnny Green and Edward Heyman. The construct of bringing a jazz musician and a classical artist together for a recording session, presents an interesting dilemma. The jazz player lives for the moment using improvisation, while the classical performer rarely, if ever, strays from the musical notes written on the page. In this instance, the collaboration works quite well.

As for the repetoire, in addition to the titles mentioned above, there are two compositions by Malinverni, "Pulcinella" and "Love In The Time Of Cholera." Both of these numbers work well in the hands of the participants and are given characteristic presentations of the underlying tango themes. Of the Beiderbecke creations, the most readily recognizable numbers are "Davenport Blues" and "In A Mist." The tempos chosen for these numbers are more in keeping with current views of the pieces, rather than the ragtime flavour used by Beiderbecke. Scott Joplin's "Solace" was used as background music in the movie The Sting and here Malinverni and Kurtzman bring a sprightly flavour to their execution. The American Songbook standard "Body And Soul" is given a stellar revision here. Firstly with Malinverni taking a long detour into the melody of the composition. At that point Kurtzman picks up the theme, before reinterpreting Coleman Hawkins' milestone tenor saxophone solo with deep effect.~ Pierre Giroux https://www.allaboutjazz.com/candlelight-love-in-the-time-of-cholera-saranac

Personnel: Pete Malinverni: piano; Juliet Kurtzman: violin.

Candlelight: Love in the Time of Cholera

Sunday, June 8, 2014

Jody Sandhaus & Pete Malinverni - Afterglow

Styles: Vocal And Piano Jazz
Year: 2009
File: MP3@320K/s
Time: 50:27
Size: 115,8 MB
Art: Front

(6:29)  1. Isn't It a Pity?
(5:13)  2. Afterglow/In The Days Of Our Love
(3:44)  3. Love Is a Necessary Evil
(5:34)  4. I Never Meant To Hurt You
(3:38)  5. It's April Again
(3:59)  6. I'd Like To Hate Myself in The Morning
(4:50)  7. I Don't Know Where To Turn
(3:12)  8. Do You Know Why?
(5:13)  9. I'm In Love Again
(5:30) 10. Love Came On Stealthy Fingers
(2:58) 11. Impossible

Jazz singer Jody Sandhaus and pianist Pete Malinverni set out to record a beautifully intimate album together. No need to light the fire or top off your glass of wine here-just put on the music, relax, and listen. You can, of course, have your favorite drink, but it is not necessary with this selection of songs. The recording is so personal you'll feel as if they are performing in your living room, right there, for you. AFTERGLOW will set you aglow. Different from Ms. Sandhaus' previous three albums done with a trio- Afterglow offers very personal interpretations of some stunning songs. Beautiful arrangements-lyrical improvisations.  http://www.cdbaby.com/cd/sandhaus4 .

Personnel: Jody Sandhaus (vocals); Pete Malinverni (piano).